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‘<TMITATION OF CHRIST,’’ 1690, BOUND BY 
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The Library of 
Robert Woe 


of JXewm Bork 


LLUMINATED MANUSCRIPTS, INCUNABULA, HISTORICAL 
. BINDINGS, EARLY ENGLISH LITERATURE, RARE 
| AMERICANA, FRENCH ILLUSTRATED BOOKS, 
EIGHTEENTH CENTURY ENGLISH AUTHORS, 
AUTOGRAPHS, MANUSCRIPTS, ETC. 


“hs | 


PART [lA To0."K. 
TO BE SOLD BY AUCTION 


1912 
¢ . . Bi TOCY6E 


Lhe Anderson Auction Company 
, Mapison Avenue at FortietH STREET 


New York 
TELEPHONE, BRYANT 7990 © 


(SEE ORDER OF SALES ON PAGE 3) 


NOTE 


The Catalogue (illustrated) will be issued in four parts 
of about 600 pages each, with indices. Orders for the 
complete set will be received at $5 per set, including the 
Price Lists, or $1.50 for each part, including the Price List. 

Price Lists will be issued with each part at Fifty Cents. 
The Price List for Part I is now ready for delivery, and 
those for Part II and the following catalogues will be 
issued at the conclusion of the sales. 


Bibliogvaphical Aotes. 


[X the Preface of the Catalogue of Part I of the Robert 

Hoe Library it was said, ‘‘ The sale will be an event of 
unprecedented importance.” Such it proved to be, and the 
highest expectations were surpassed. Slightly more than 
3,500 titles—about one-fourth of the entire collection—were 
sold for nearly one million dollars, or more than four times 
the largest amount ever received for an entire library in all 
the history of book-sales by auction; and nearly all prices 
exceeded previous records. 

The sale, in the new Anderson Galleries, beginning on 
April 24, 1911, and concluding on the afternoon of May dth, 
was attended by collectors of world-wide fame and by rep- 
resentative buyers from England, France, Germany, and | 
the United States. The interest of the general public was 
aroused to an extraordinary degree by the importance of 
the collection, the large attendance, the eagerness of the 
buyers, and the elaborate reports, many of them illustrated, 
in the daily newspapers of the principal American cities. 
In methods and environment, new standards were estab- 
lished by the Anderson Company at the sale, and the books 
and manuscripts which, coming from a hundred cities, had 
gone, one by one, through half a century, into Mr. Hoe’s 
wonderful collection, were distributed in less than a month 
to collectors in all parts of the world. 

The authenticity of the Hoe books and manuscripts can- 
not be emphasized too strongly. Many of them came into 
his collection through the hands of dealers of long experi- 
ence and established reputation who gave their personal 
guarantees to Mr. Hoe. Many others came from the great 
libraries which, during his long and active career as a col- 
lector, were sold here and abroad; and as these contained 
the treasures of still older collections, the greatest books of 
centuries thus came into his possession, each with a well- 
authenticated history of its own. And of Mr. Hoe himself 
it must be said that, with his long experience, his pride in 
his collection, his ability to command the services of emi- 
nent authorities, and his acknowledged taste and wonderful 
knowledge of the bibliographical points of books, he would 
have been quick to detect and resent an imposition. 

Vv 


The Second Part of the Hoe Library contains almost as. 
many important, interesting and rare items as the first. The 
indices at the end of this catalogue give a chronological list 
of American history and literature, a list of Incunabula, 
and an analysis of the remarkable bindings; and these will 
be of great service to those who are in search of the rarest 
items. The following notes may be of service also: 


MANUSCRIPTS: Many very remarkable examples of Missals. 
and Hore were sold in Part I of the Library, and another 
large selection is now offered, representing various styles, 
schools, and periods and illustrating the art of manuscript 
illumination from the Thirteenth Century. Most of them 
are inimmaculate condition. Ona Latin manuscript of the 
second part of the Fifteenth Century the arms of King 
Matthias Corvinus of Hungary are painted, and it is prob- 
able that the manuscript was executed for him. An Italian 
manuscript of the latter part of the same century was exe- 
cuted for Pasquale Diaz Garlon, Castellano of Napoli. A 
manuscript of 446 leaves with 131 fine ornamental initials. 
painted in colors, is a beautiful and interesting manuscript 
of the Vulgate, and was executed in the Thirteenth Cen- 
tury. A translation of Boccaccio written on vellum in 1409 
will attract the attention of the experts, for illuminated 
manuscripts of a secular character are very rare. 

A French manuscript of 136 leaves written in the Fif- 
teenth Century, with four large miniatures, is very un- 
usual also. <A book of Hours, containing 187 leaves, is one 
of the most beautiful manuscripts executed in the North- 
east of France; a Spanish inscription shows thatit had been 
examined by the Inquisition. A magnificent manuscript of 
great value, in Gothic characters on vellum, is embellished 
with thirty-nine miniatures. Another very beautiful 
manuscript is that executed in the Fifteenth Century for 
the second wife of Jean IJ, Due de Bourbon; the large 
miniatures recall the best work of Jean Foucquet, and one 
of them, representing the Virgin crowned as a queen and: 
attended by angels, administering the sacrament to St. Avia, 
is of extraordinary interest. A manuscript of 238 leaves; 
another with paintings remarkable for architectural details,. 
vigorous drawings, and beauty of color; a third of 171 
leaves, executed for Cornelis Crosinek, lieutenant-forester 
of Holland, superb in every detail; two manuscripts by 
Nicolas Jarry; two Arabic manuscripts on native glazed 


vi 


paper, and a Persian manuscript on 418 leaves embellished 
with full-page miniature paintings are among the great 
treasures of this collection. The famous Touraine Missal 
will command the closest attention of collectors. It is a 
superb Missal; and the miniatures, remarkable for correct- 
ness of design, execution, and coloring, must be numbered 
among the best productions of the School of Touraine. 


BINDINGS: Mr. Hoe’s appeciation of fine bindings is well 
known, and many hundred bindings of artistic and his- 
torical importance and of wonderful association interest 
are found in his collection. Nearly two hundred appear in 
this sale. Many of these are catalogued under the general 
heading of Bindings and the others appear under authors. 
Nearly all the famous binders of the world are represented, 
as shown by the index at the end of the catalogue, and 
usually by many examples of their finest work. 

No doubt the most wonderful binding in this sale is that 
on L’Initation de Jesus Christ printed in Paris in 1690 
(No. 245). The great artist in leather who executed it was 
Monnier, who took such pride in this exhibition of his skill 
_ that he signed the binding in no less than six places. 

In this section of the Library are rare volumes bearing 
the arms of Queen Marie Antoinette, Queen Marie de 
Medicis, Queen Henriette Maria, and the Queen of Louis 
XV, and any one of these volumes would add distinction 
to the finest library. Several volumes bear the arms of 
Madame de Pompadour, another was presented to Anna of 
Austria, a third is supposed to have been bound for Marie 
Marguerite de Valois de Saint-Remy. One volume was 
beautifully bound for Henry III of France, another for 
Louis XIII and his Queen, and a third for Louis XV. One 
book bears the arms of Napoleon I, another the arms of 
Pope Clement XI, a third the arms of Pope Benedict XIII, 
and on the fourth is the monogram of Cardinal Emanuel 
of Savoy. Other volumes were bound for Louis XIII, 
Louis XIV, Francis I, Charles I of England, Henry IV of 
France, and Henry III. <A book of great interest is the 
Aristotle printed in Paris in 1554 and bound in England 
for Robert Dudley, Earl of Leicester, the favorite of Queen 
Elizabeth. The Aldine Theophrastus printed in Venice 
in 1497 came from the library in the Chateau of Anet of 
Henry II and Diana de Poictiers, and is a wonderfully fine 
example. Munster’s La Cosmographie Universelle, printed 


vii 


in 1556, is in contemporary French binding, and the gilt 
medallions of Henry II of France commemorate his wars. 
Several Bibles, old and rare, are in bindings made 300 and 
350 years ago. <A particularly desirable item is No. 188, in 
a contemporary English binding embroidered in gold and 
silver. 


INCUNABULA: In early printed books the Hoe Library is 
remarkably rich. In the first Hoe sale the Gutenberg 
Bible on vellum, the first book printed from movable type, 
sold for $50,000, or more than twice the highest price ever 
paid up to that time for a single book. In this sale a copy 
is offered of the same Bible on paper, perfect and genuine 
throughout. The Hoe copy is one of the few with portions 
printed in red. It is handsomely bound by Mercier. 

Another book of extraordinary interest is ‘‘ Communyea- 
eyon Bytwene God and Man,’’ printed in London by 
Wynken de Worde about 1499. This copy seems to be 
utterly unknown to bibliographers. Still-another book 
that will attract the attention of the collectors is the first 
edition of Chaucer’s Canterbury Tales, printed at West- 
minster by William Caxton about 1477, being the fourth 
or fifth book printed in England. There is a record of 
eleven copies, of which only two, one in the British 
Museum and the other at Merton College, Oxford, are — 
perfect. Undoubtedly the Hoe copy is the best that will 
ever be offered for sale. A Caxton of very great impor- 
tance is the Polycronicon, which Caxton himself translated. 
Mr. Hoe’s copy is absolutely perfect, except that three 
blank leaves are missing. The only two copies comparable 
with it are in public libraries, and will never come on 
the market. The Pliny, printed on vellum by Jenson at 
Venice in 1476, is another remarkable book and is in im- 
maculate condition. The Rerum Venetarum of Sabellicus, 
printed at Venice in 1487 with the Jenson types, is not only 
one of the four known copies, but is the copy that was pre- 
sented to Doge Marco Barbarigo, whose arms, painted in 
gold and colors, appear on the first page. 

Special attention should be called to the Chronicle of 
England, printed at St. Albans in 1483. Itis an excessively 
rare book, only about eight copies being known, all but one 
imperfect. The defect in the Hoe copy has been remedied, 
so far as possible, by the insertion of twenty-seven leaves 
in facsimile; there are 260 genuine leaves, and it is ex- 

Vill 


tremely doubtful if a better copy will ever be offered. 
Lack of space prevents further reference to the great num- 
ber of early printed books. 


EARLY ENGLISH LITERATURE: This department was Mr. 
Hoe’s great specialty and his Library contained a large 
number of exceedingly rare volumes. The Venus and 
Adonis now offered is an extraordinary item; it is in the 
original vellum binding, and the only other copy known is 
in the British Museum. The only perfect copy of Queen 
Klizabeth’s Prayer Book, London 1569, is in Lambeth 
Palace and for many years was supposed to be unique. 
The Hoe copy is in remarkable condition. Too much can- 
not be said in praise of the copy of Milton’s Paradise Lost, 
also in this sale. It is not only the exceedingly rare first 
issue of the first edition with the title-page in its first state, 
but it is in the original binding, the condition of which is 
remarkably fine. The first English edition of Froissart’s 
Chronicles was printed in London in 1525 and the Hoe copy 
is one of the finest in existence. Fisher's Treatise, printed 
by Wynken de Worde in 1508, the first edition, is exceed- 
ingly rare, and the second edition, which is equally rare, is 
likewise in fine condition. Of Lydgate’s translation of the 
history of Troy, printed by Pynson in London in 1513, one 
authority has said that no perfect copy was known. The 
Hoe copy, however, is genuine, fresh, and perfect through- 
out. Another remarkable book is Middleton’s political 
play, A Game at Chesse, printed in 1625; only two copies. 
are known, and as one of these is in the University Library 
at Cambridge the present opportunity to purchase is prob- 
ably the last that collectors will ever have. 

Mr. Hoe’s collection of Walton was unusually fine. The 
catalogue contains no less than forty-nine titles of books 
by Isaac Walton and Walton and Cotton. Mr. Hoe’s copies. 
of the first five editions of the Angler are tall and attractive. 
Spenser’s Complaints, London 1591, seems to be one of two 
copies. The Faerie Queen, 1595-1596, is a very important 
copy, embracing the second edition of the first part and the 
' first edition of the second, and bound with it is the first 
edition of Colin Clout. This was John.Evelyn’s copy and 
contains on the fly-leaf seventeen lines in his autograph. 
Reference should be made also to Arnold’s Chronicle, 
printed at Antwerp about 1503, a perfect copy of the first 
edition. Many very important Shakespeare items. were in 
the first sale and others are offered now. 


ix 


LATER ENGLISH LITERATURE: Many exceedingly rare and 
interesting items will be found in this department. Gold- 
smith’s Good Natured Man, Deserted Village, and Haunch 
of Venison, and his comedy, She Stoops to Conquer, are in 
this sale and all of them are first editions. An uncut first 
edition of Goldsmith’s Enquiry contains an autograph let- 
ter from the author to his publisher. Goldsmith’s Citizen 
and his Life of Nash are first editions also. The Traveler 
is the second issue of the first edition; another copy, 
printed in the same year but with variations, is a presenta- 
tion copy ‘‘ with the author’s best esteem.’’ The Hoe copy 
of the Vicar of Wakefield is of extraordinary interest, for 
it is not only the earliest issue of the rare first edition and 
in the original calf but is a presentation copy with Gold- 
smith’s inscription. The choicest Pope item is an uncut 
copy of the very rare first issue of the Dunciad. A copy 
of the second issue is followed in this sale by a copy of the 
second edition, and by eleven other early editions. One of 
these is a presentation copy with Pope’s inscription. The 
most interesting Sterne item is the large paper copy of the 
first edition of the Sentimental Journey. Mr. Hoe thought 
there were only three copies of the first edition of Gulliver’s 
Travels on large paper; his own copy contains the portrait 
in the first state. William Blake’s Songs of Innocence, 
colored by his own hand, is the copy he gave to his physi- 
cian. 

AMERICANA: Even the most successful collectors of books 
relating to early America will find extraordinary items in 
this sale, some of which are not likely to be offered again. 
The first edition of the complete account of the four voy- 
ages of Vespuccius is one of the four known copies. The 
Hoe copy is the only one ever owned by an American, and 
the other copies have permanent resting places in national 
libraries abroad. Three other Vespuccius items appear in 
this sale. Smith’s History of Virginia is on large paper 
and is an early issue of the first edition. Mr. Hoe believed 
it to be the dedication copy to the Duchess of Richmond. 
The maps and portraits are remarkably fine. The True 
Travels by Smith will be sold also; it is a first edition and 
a large copy. The Christopher Colombus Letter of 1493 is 
the first dated edition. De Bry’s Grand Voyages fill thirteen 
folio volumes and all the parts are first editions. The 
French version of the first part of the voyages, exceedingly 


x 


rare, is in brilliant and perfect condition. Mr. Hoe’s copy 
of Horsmanden’s Negro Plot is the rare first edition, uncut. 

The Hoe copy of the laws, statutes, and ordinances of 
the City of New York is one of four copies, the other three 
being in public libraries, and it is of exceptional interest. 
Morton’s New England Memorial, printed in 1669, was 
John Evelyn’s copy and later the Lefferts copy. Morton’s 
New England Canaan is another very rare book. This sale. 
will also include three King Philip’s War Narratives, all 
uncut and undoubtedly the finest copies in existence. 
Another extraordinary item is Filson’s Kentucky. It is 
the only copy with the Philadelphia map that has ever 
been offered for sale by auction, and three lines in the 
autograph of Daniel Boone add to its interest and value. 
The Cedulario of Puga is the first printed collection of 
Mexican laws. The Chronica of Amandus contains three 
epistles from Mexico, one of which ends with a sentence in 
Mexican, so that this volume, printed in 1534, gives the first 
appearance of an American language in print. A complete 
set of the tracts of Las Casas, all first editions, form 
another great nugget in this library. The first edition of 
Lederer’s Discoveries, Beste’s Discourse, Bullock’s Vir- 
ginia, Byfield’s New England, and Gray’s Virginia are rare 
and highly important books. Van Der Donck’s quarto, 
published in 1650, is the most important work on the 
history of New Netherlands up to that time; this is the 
Brinley copy. Five years later the Beschryvinge Van 
Nieuw Nederlant was printed, containing the second en- 
graved view of New York. 


FRENCH BOOKS constitute a very large part of the Hoe 
Library and the demand for such books as he selected— 
mainly classics in handsome bindings—is rapidly increasing 
in this country and abroad. Les Troys Premiers Livres de 
Historie de Diodore Sicilien, 1535, printed on vellum, is 
extremely rare; the Hoe copy once belonged to the grand- 
uncle of HenryIV; it contains a wood-cut which is regarded 
as Tory’s masterpiece. Princesses de Jade et de Jadis is a 
unique copy, comprising fifty-eight original water colors by 
Lorant-Heilbroun. Les Amours Pastorales de Daphnis et 
Chloé, Paris 1731, is probably the only copy on vellum. The 
same work published sixteen years later contains twenty- 
eight plates, engraved after Philippe d’ Orleans, and is one of 
the twelve copies on vellum. Le Romant de la Rose by Lorris 

xi 


and Meung, printed at Lyons in 1503, contains 140 woodcuts, 
and is a remarkable example of early book-making. An 
unauthorized edition of Gargantua, printed in 1542, is one 
of the rarest books from Dolet’s press. Many editions of 
La Fontaine’s Fables and other works are offered, some of 
them first editions, including the famous edition called 
‘*‘Des Fermiers Généraux.”? Another noteworthy produc- 
tion is the Lancelot, printed at Paris in 1533. Six Dorat 
titles are catalogued; the illustrations are noteworthy, and © 
one item is superbly bound by Michel. Coquillart’s Sen- 
suyuent les Droitz Nouveaulx was printed about 1515 and 
is of great rarity. 

Les Triumphes by Bouchet, La Gverre des Masles by 
Choliéres, Tableau des Riches by Colonna, Cronique et 
Hystoire by Commines, Polyeucte Martyr by Corneille, 
Héraclius by the same author, Guvres by Gessner (one of 
two copies on vellum), Les Giuvres by Marot, the first 
edition of Meliadus de Leonnoys, and Verard’s edition of 
Tristan are books to which the attention of discriminating 
collectors should be directed. Froissart’s Chronicles, 
printed at Paris 1495-1500, three volumes folio on vellum, 
contain 165 finely painted and illuminated miniatures, and 
another extraordinary work is Monstrelet’s Chronicles (1503) 
with bindings which are the best specimens of Lortic’s skill. 


MISCELLANEOUS: Collectors of manuscripts, especially 
those of American authors, will find in this sale some Irving 
material of great interest. His note book on his European 
tour, in 1804, is probably the earliest Irving manuscript 
ever offered for sale by auction; and his note book for 1805 
is apparently unpublished. Three of Irving’s manuscript 
note books written for his ‘‘ Mahomet ” and four written on 
his Western tour are also offered. Fifteen sheets of musi- 
cal score, containing Thomas Moore’s ‘‘ Legendary Bal- 
lads,’’ set to music by Bishop, with the text in Moore’s 
handwriting, form a most attractive item. A manuscript 
of greater importance is Walter Scott’s Life of Jonathan 
Swift. Many Grolier Club publications and many extra 
illustrated books, some of them very fine, are found in this 
section of the Hoe Library, and it also contains a small but 
very interesting collection of books on laces and embroid- 
ery, several of very early date. 


xii 


The Library of 
Robert Hoe 


PART II—A TO K 


TWENTIETH SESSION, MONDAY, 2:30 P. M. 


Ly A BECKETT (GILBERT ABBOTT). The Comic 
History of England. Ten colored etchings and 

120 woodcuts by John Leech. First Edition of Vol. 1. 
2 vols. 8vo, cloth. London, 1847-453 


2. A’BECKETT (GILBERT ABBOTT). The Comic His- 
tory of Rome. Colored etchings and numerous woodcuts by 
John Leech. FIRST ISSUE OFTHE ORIGINAL EDITION. 8vo, 
brown cloth. London: Bradbury and Evans [1853] 


3. ABELARD AND HELOISE. Lettres d’Abailard et 
d’Héloise, nouvelle traduction, avec le texte 4 ecété. Par 
J. Fr. Bastien. LARGE HOLLAND-PAPER COPY. 2 vols. 
8vo, old red morocco, gilt backs, gilt edges. Paris, 1782 _ 


4. ABELARD AND HELOISE. A Nineteenth Century, 
and familiar history of the Lives, Loves, & Misfortunes, of 
Abeillard and Heloisa, A Matchless Pair, who flourished in 
the twelfth century: a Poem, in twelve cantos. By Robert 
Rabelais, the Younger. 10 engravings in aquatint by Land- 
seer and Lewis, after Thurston. 8vo, half red levant mo- 
rocco gilt, gilttop, uncut, by Riviére. London, 1819 

* By Wm. Combe, author of ‘‘ Dr. Syntax.”’ 


5. ABEL-REMUSAT (M.). Histoire de la Ville de 
Khotan, tirée des Annales de la Chine et traduite du Chinois; 
Suivie de Recherches sur la substance minérale appelée 
par les Chinois Pierre de Iu, et sur le Jaspe des anciens. 
8vo, boards, uncut. Paris, 1820 


* From the library of William Beckford, with his notes on 
the fly-leaves, 


6. ABENCUFIAN (ALY). La vie du roy Almansor. 
(Translated from the Spanish by Father d’Obeilh.) 12mo, 
brown levant morocco gilt, gilt top, uncut. 

Amsterdam: Daniel Elsevier, 1671 


7. ABOUT (EDMOND). Le Nez d’un Notaire. Front- 
isprece and 12 vignettes by Géry-Bichard. Small 4to, green 
levant morocco, gilt back, side borders, gilt edges, by Lortic. 

* ONE OF 25 COPIES ON JAPAN PAPER, Paris, 1886 


8. ABOUT (EDMOND). Les Mariages de Paris. 8vo, 
maroon levant morocco, back and sides tooled with inter- 
lacing fillets, gilt edges, original covers bound in, by Cham- ~ 


bolle-Duru. | Paris, 1887 
* One of 115 copies on India paper, with the 52 woodcuts in 
duplicate. 


9. ABOUT(EDMOND). Tolla. Illustrations by Felicien 
de Myrbach, Adolphe Giraldon and Paul Baudry, in 3 states. 
4to, blue levant morocco, gilt and inlaid, doublure of silk 
and cut velvet, gilt edges, original covers bound in, by 


David. Paris, 1889 
* Japan paper copy; one of 140 printed. 


10. ACHILLES TATIUS. Les Amours de Clitophon et 
de Leucippe, nouvellement traduits en langage Francois 
par B. Comingeois (Frangois de Belleforest). S8vo, blue 
levant morocco gilt, gilt edges, by Thibaron. 

Paris: pour Jean Borel, 1575 


11. ADAM (BILLAUT). Le Vilebreqvin de Me. Adam 
Menvisier de Nevers. Contenant Toutes sortes de Poésies 
gallantes, tant en Sonnets, Epistres, Epigrammes, Elegies, 
Madrigaux, que Stances, & autres Pieces, autant curieuses, 


que diuertissantes, sur toutes sortes de sujets... 12mo, 
green levant morocco, blind-tooled fillets, gilt edges, by 
Bauzonnet:-Trautz. Paris, 1663 


12. ADAM (PAUL). Le Vice Filial. Illustrated by 
J. Dédina. 12mo, half orange levant morocco, silk sides, 
gilt back and top, uncut, original covers bound in, by The 
Club Bindery. Paris, 1898 

* ONE OF 25 COPIES ON JAPAN PAPER, 


13. ADAM (PAUL). Basileet Sophie. Dessins de C.-H. 
Dufau, gravés sur bois par G. Lemoine. 12mo, half blue 
levant morocco, back tooled in leaf-sprays, blue satin sides, 
gilt top, uneut, original covers bound in, by The Club 
Bindery. Paris, 1900 


- 14, ADAMSON (JOHN). Memoirs of the Life and Writ- 
ings of Luis de Camoens. LARGE PAPER. 2 vols. 8Vo, 
citron levant morocco, tooled and inlaid, gilt tops, uncut, 
by David. London, 1820 


* Extra-illustrated with 7 portraits of Camoens and 9 illustra- 
tions after Harding and others, all proofs. 


2 


if 


15. ADDISON (JOSEPH). A Poem to his Majesty 
William III, Presented to the Lord Keeper. By Mr. Addi- 
son, of Mag. Coll. Oxon. FIRST EDITION. Folio, figured 
silk. Bound with Yalden’s ‘‘ Conquest of Namur,’’ 1695. 

London: Jacob Tonson, 1695 


16. ADDISON (JOSEPH). The Campaign, a Poem. S&c- 
OND EDITION, with the half-title. Small folio, blue levant 
morocco, gilt, yilt edges, by The Club Bindery. London, 1705 


17. ADDISON (JOSEPH) anp STEELE (RICHARD). 
The Spectator. To be Continued Every Day. Nos. 1-635 
bound in 2 volumes, folio, green vellum, gilt, entirely uncut. 

London: Printed for Sam. Buckley at the Dolphin in Little 
Britain, 1711-14. 

* The complete file of the Spectator as originally issued in 
numbers and entirely uncut, seven volumes, Nos. I-DLV, folio 
sheets issued daily from March 1, 1711, to December 6, 1712; 
and Nos, 555-635, issued tri-weekly from June 18 to December 
20, 1714. 

The copy formerly in the libraries of Lord Hope and the 
Earl of Munster, with two legal papers inserted, containing 
copies of contracts and agreements between the publisher and 
Addison and Steele. 

In addition tothe papers on Sir Roger de Coverley (by Addison 
and Steele) the first appearance of Pope’s ‘‘ The Messiah ” is in 
No, 338. Pope also contributed Nos. 404 and 408 and a short 
paper in 527. PROBABLY NOT MORE THAN FOUR OR FIVE COM- 
PLETE FILES ARE IN EXISTENCE. 


18. ADDISON (JOSEPH) anpD STEELE (RICHARD). 
Le Spectateur, ou le Socrate moderne, Ou l’on voit un Por- 
trait naif des Mours de ce Siécle.- Traduit de |’ Anglois. 
Portraits. 8 vols. 12mo, old red morocco gilt, gilt edges, by 
Derome the Younger, with his tickets. 

Amsterdam and Leipzig, 1768 


19. ADDISON (JOSEPH) AnD STEELE (RICHARD). © 
Eighty-one plates from Sharpe’s 8vo edition of the Spectator, 
Tatler, and Guardian. 4to, russia, gilt back, and edges. 

London, 1803-04 


20. ADDISON (JOSEPH). Miscellaneous Works. LARGE 
PAPER COPY. 4 vols. 12mo, half brown morocco gilt, gilt 
tops, uncut. Oxford, 1830 


21. ADDISON (JOSEPH). Days with Sir Roger de 
Coverley. A reprint from ‘‘The Spectator.’’ Illustrations 
by Hugh Thomson. LARGE PAPER COPY. Royal 8vo, 
bueckram. / London, 1892 


22. ADVERTISSEMENT des nouvelles cruautez & in- 
humanitez, desseignées par le Tyran de la France. 8vo, 
old French red morocco, gilt edges. 

Paris: Rolin Thierry, 1589 
* An exceedingly rare treatise on the Assassination of the 
Duc de Guise by Henry III of France. 


3 


23. ASSCHYLUS. Tragcoedie sex, greece. FIRST EDITION. 
8vo, citron morocco, back and sides covered with a mosaic 
of red and green morocco in compartments outlined in gold, 
doublure of rose morocco, dentelle borders, gold fly-leaves, 
gilt edges, in a rose morocco case, in the mosaic style of 
Padeloup, probably by Trautz-Bauzonnet. 

Venetiis: In edibus Aldi et Andres Soceri, 1518 


24. AASCHYLUS, SOPHOCLES, EURIPIDES. Tragcoediz 
selectze Atschyli, Sophoclis, Evripidis. Cum duplici inter- - 
pretatione Latina. 2 vols. 16mo, old red morocco gilt, with 
the first arms of J. A. DE THOU in the centre of the covers 
and his monogram on the panels of the back, gilt edges 

(Geneva?) Henr. Stephanus, illustris viri Huldrichi Fug- 
geri typographus, 1567. 

* From the Heber library, with his stamp, and with the book 
label of Ambroise Firmin Didot. 

25. ANSOP. Vita Esopi e greco latina per Rinucium 
facta; Aesopi fabularum libri IV, carmine latino; Aesopi 
fabulae XVII extravagantes; Fabulae XVII novae Aesopi 
ex translatione Rinucii, sermone soluto; Fabulae Aviani 
ecarmine latino; Fabulae collectae XXIII, sermone soluto. 
Gothic characters. 114 unnumbered leaves, with signatures 
a-q; 42-43 lines to the full page. Full-page woodcut on the 
recto of first leaf and 192 woodcuts in the text. Small folio, 
green levant morocco, with compartments formed by inter- 
laced bands of dark green levant outlined with gold, the 
spaces filled with richly gilt ornaments, gilt back; doublure 
of green levant, broad borders, with bands of darker green, 
gilt edges, by The Club Bindery, in a case (last 2 blank(?) 
leaves missing). [n. pl., n. d., but Strassburg, Printer of 
the 1483 Jordanus de Quedlinburg, after 1483. | 


*TALL COPY. OF THE GREATEST RARITY, BUT VERY FEW COPIES: 
—PROBABLY 2 OR 8, INCLUDING THIS ONE, KNOWN. Hain, 327. 


[See Reproduction. ] 


26. ASSOP. Aesopi Appologi sive mythologi cum qui- 
busdam Carminum et Fabularum additionibus Sebastiani 
Brant... Mythologi Esopi clarissimi fabulatoris, una cum 
Aviani et Remicii quibusdam fabulis per Sebastianum 
Brant nuper revisi, ete. 332 woodcuts. Folio, russia blind 
tooled, gilt edges, by Clarke and Bedford (with blank leaf 
between the two books). , 

Basileae: Opera et impensa magistri Jacobi de Phortz- 
heim, 1501. | 

* A VERY FINE AND LARGE Copy. Edited by Sebastian 
Brandt, author of the ‘‘Ship of Fools,” with the addition of 
the Fables of Avianus. The woodcuts in the first part differ 
from those of the undated A’sop described by Dibdin and the 
figures of the second part resemble those produced by Grun- 


inger at Strasburg. 
From the Beckford and Ives Collections. 


4 


ait 
en ANS ° 
( \\ WS ig 


\ 


/HSoP’S FABLES, 1483. 
(See No. 25.) 


27. ASSOP. [Vita et Fabellae, Graece.| Only the last 
44 leaves, containing the collection of Proverbs by Tarr- 
heeus, Didymus, Suda, ete. Ruled throughout with red ink, 
initials in gold and colors. Small folio, old red straight- 
grain morocco, Aldine anchor on the sides, entirely uncut. 

Venetiis: Apud Aldius, 1505 
* The Syston Park copy, with bookplate. 


28. AKSOP. Fabule cumcommento. Gothic characters. 
37 leaves. André Bocard’s device on the title. 4to, blue 
levant morocco, gilt and blind tooled, gilt edges, by Cham- 
bolle-Duru. (Apparently imperfect, ‘beginning with signa- 
ture I.) [Paris: André Bocard, n. d.], ca. 1496-1531 


29. ANSOP. Vita di Esopo tradotta da Giulio Landi 
(writing on title). Vinegia, Giolito, 1545.—Favole d’Isopo 
tradotte in lengua italiana. Venezia, 1544.—Motti e Sen- 
tentie da Plutarcho raccolti, nuovamente tradotti. Vinegia, 
P. Girardo, 1543.—Sentenze et aurei detti didiversi antichi 
savi, raccolti da N. Liburnio. Vinegia, Giolito, 1545.—Vite 
de philosophi moralissime et de loro sententie estratte da 
Laertio, ete. Woodcut heads. Venetia, 1535. In one 
volume, 8vo, old Italian olive morocco, blind tooled orna- 
ments on the sides (lateral margins of last piece cut very 
short, with text of some pages shaved). Venice, 1535-1545 


30. AUSOP. <Asop’s Fables, with his Life in English, 
French and Latin. Newly translated (by T. Philipott). 
Illustrated with 112 sculptures. To this edition are likewise 
added 31 new figures representing his Life. By Francis 
Barlow. Folio, green levant morocco gilt, vellum doublures 
and guards, gilt edges, by The Club Bindery. 

London: Printed by H. Hills, jun., 1687 


* LARGE PAPER COPY of the second edition, containing plate 
17, usually missing. The French text of the fables differs con- 
siderably from that of the First Edition. 


31. AXSOP. Les Fables d’Esope, Phrygien, Illustrées de 
Discours Moraux, Philosophiques, & Politiques. Nouvelle 
Edition. Augmentée de beaucoup en divers endroits. Avec 
des Reflexions Morales, par J. Baudoin. Frontispiece and 
137 vignettes on copper, illustrating the life of -Avsop. 12mo, 
orange levant morocco gilt, gilt edges, by Trautz-Bauzon- 
net. Bruxelles: Francois Foppens [ca. 1700] 


32. AUSOP. Esope en Belle Humeur, ou derniére traduc- 
tion, et augmentation de ses Fables en prose, et en vers 
(par J. Bruslé de Montpleinchamp). Nouvelle édition. 
Frontispiece and 165 copper-plate vignettes by Herrewijn. 
2 vols. in 1, small Svo, old red morocco gilt, gilt edges, by 
Derome. Brusselle: Francois Foppens, 1700 

* Second Issue, with Herrewijn’s name on the plates, 


i) 


33. AESOP. Select Fables of Atsop, and other Fabulists. 
15 plates incomparlments and 7 vignettes by Grignion after 
Wale. Small 8vo, red levant morocco gilt, gilt edges, by 
Bedford. Birmingham: John Baskerville, 1761 


34. AFBEELDING der Menschelyke Bezigheden, be- 
staande in Hondert onderscheiden Printverbeeldingen, ver- 
tonende allerhande Stantspersonen, zo van Regeeringe, 
Konsten, Wetenschappen, als Handwerken, &e. Frontis- 
prece and 100 plates. 4to, half maroon levant morocco gilt, 
gilt top, uncut, by Cuzin. Amsterdam, n. d. [ca. 1650] 


35. AIGNAN (ETIENNE) AND BERTHEVIN (G.). La 
Mort de Louis XVI, tragédie, suivie de son testament et 
d’une lettre a son confesseur. Frontispiece portrait of 
Lows XVI, Marie Antoinette and Elizabeth of France. 
12mo, brown levant morocco, covered with blind-tooled 
fleurs-de-lys and tear-drops, gilt edges, by Trautz-Bauzon- 
net. Paris: les Marchands de Nouveautes, 1796 


* Bound with ‘‘ La Mort de Marie-Antoinette d’Austriche,”’ 
1797 (attributed to Barthés de Marmoriéres), with portraits of 
Louis XVI and Marie Antoinette; ‘‘ Elisabeth de France, Sceur 
de Louis XVI, tragédie,” 1797, with medallion portrait; and 
Charlotte Corday, ou la Judith Moderne. Tragédie,” 1797, with 
portraits of Louis XVI, Marie Antoinette and Charlotte Cor- 
day as Judith. 


36. AIKIN (JOHN). Essays on Song-Writing; with a 
collection of such English Songs as are most eminent for 
poetical merit. New edition, with additions and correc- 
tions, and a supplement by R. H. Evans. 12mo, calf gilt, 
gilt edges, by Matthews. London, 1810 


37. AINSWORTH (WILLIAM HARRISON). Jack Shep- 
pard, a Romance. First EDITION. Illustrations by George 
Cruikshank. 3 vols. 12mo, green levant morocco gilt, gilt 
tops, uncut, by The Club Bindery. 

London: Richard Bentley, 1839 


* EXTRA-ILLUSTRATED by the insertion of a portrait of Ains- 
worth and a duplicate set of the 26 plates from the original 
numbers of Bentley’s Miscellany. 


38. AINSWORTH (WILLIAM HARRISON). Old Saint 
Paul’s: a Tale of the Plague and the Fire. First EDITION. 
With illustrations by John Franklin. 3 vols. 12mo, red 
levant morocco, gilt fillets, gilt over rough edges, by David. 

London: Cunningham, 1841 


39. AINSWORTH (WILLIAM HARRISON). Guy 
Fawkes; or, The Gunpowder Treason. An historical ro- 
mance. First EpiTion. Jllustrations (20 etchings), by 
George Cruikshank. 3 vols. 12mo, red levant morocco gilt, 
gilt tops (edges scraped), by The Club Bindery. 

London: Richard Bentley, 1841 


6 


40. AINSWORTH (WILLIAM HARRISON). Windsor 
Castle. An Historical Romance. New edition (the first 
in octavo). Illustrated by George Cruikshank and Tony 
Johannot. 8vo, citron levant morocco, gilt panels and cor- 
ner ornaments, gilt top, uncut, by Reymann. 3 

London: Henry Colburn, 1844 


41. AINSWORTH (WILLIAM HARRISON). Saint 
James’s; or, The Court of Queen Anne. An Historical 
Romance. First EDITION. Illustrations by George Crutk- 
shank. 3 vols. 12mo, half blue levant morocco gilt, gilt 
tops, uncut, by Tout. London; John Mortimer, 1844 


42. AIRY (OSMUND). Charles II. With 50 plates. 4to, 
red levant morocco, gilt panels, gilt over rough edges, orig- 
inal covers bound in, by The Club Bindery. 

London: Goupil, 1901 


* Japan paper copy, with the plates in two states, and the 
frontispiece colored. 


43. AISSE (MADEMOISELLE). Lettresde Mademoiselle 
Aissé a Madame C[falandrini]. Qui contiennent plusieurs 
anecdotes de Vhistoire du tems, depuis l’année 1726 
jusqu’en 1733. Précédés d’un narré trés-court de Vhistoire 
de Mademoiselle Aissé, ete. FIRST EDITION, with Voltaire’s 
Notes. 12mo, green levant morocco, gilt edges, by Duru. 

Paris: La Grange, 1787 


44, AKENSIDE (MARK). The Pleasures of Imagina- 
tion... (with) a critical Essay on the Poem, by Mrs. 
Barbauld. EXTRA-ILLUSTRATED by the insertion of 4 plates 
after Stothard and a portrait of the author. 12mo, half 
brown levant morocco gilt, gilt top, uncut, by A1I6. 

London, 1795 


45. ALBERTI (LEONE BATTISTA). Hecatomphile 
[ce sont deux dictions Grecques composees, signifiant, Cen- 
tiesme Amour, sciemment appropriees a la dame ayant en 
elle autant damours que cent outres dames en pourroient 
comprendre, dont a present est faicte mention. Tournee de 
vulgaire Italien en langaige Francoys. ENSEMBLE LES 
FLEURS DE POESIE FRANGOYSE, ET AUTRES CHOSES SOLA- 
TIEUSES. Reueus Nouuellement]. 47 woodcuts, 12 of which 
represent various paris of the body. 16mo, blue levant 
morocco, richly ornamented in small tools, doublure of 
‘red morocco, dentelle borders, gilt edges, by Bauzonnet- 
Trautz, in a blue morocco case. Paris: Pierre Sergent, 1539 


*The poems ‘‘ Les Fleurs des Poesie Francoyse’’ are in the 
manner of Ronsard, Villon or Marot.. 


46. ALCIATI (ANDREA). Livret des Emblemes de 
maistre Andre Alciat mis en rime Francoyse (par Jehan le 
Fevre), & presente a monseigneur Ladmiral de France. 113 
woodcut emblems from the Latin edition printed the same 


< 


year by Wechel. Small 8vo, red levant morocco gilt, tooled 
in adesign of scrolls and arabesques, vellum linings, gilt 
edges, by David. Paris: ... Chrestien Wechel, 1536 
*The First Edition in French was printed in 1536, and while 
the sheets of the above are similar, the title has been reset; the 
date on the last line has the Roman numerals ‘‘xxxvi” in 
lower case type instead of capitals, and the third line from the 

last ends in ‘‘la” instead of ‘‘ rue.” 

Green does not mention this issue. 


47. ALCIATI (ANDREA). Andrea Alciati Emblematvm 
libellus. 1223 woodcut emblems. Small 8vo, vellum. 
Lugdvni: Iacobus Modernus exeudebat, 1545 


* One of two issues of 1545, differing only in the printer’s 
device on title (Green, no. 26). 


48. ALCIATI (ANDREA). Les Emblemes de M. Andre 
Alciat, Traduits en ryme I'rangoise par Iean le Feure. 110 
woodcut illustrations, attributed to ‘** Le Petit Bernard.” 
Small 8vo, red levant morocco gilt, gilt edges, by Niédrée. 

Lyon: Iean de Tovrnes, 1549 


* Green does not mention this edition. 


49. ALCIATI (ANDREA). Los Emblemas de Alciato 
Traducidos en rhimas Espanolas. Afiadidos de figuras y 
de nueuos Emblemas en la tercera parte de la obra | traduci 
dos en rhimas Espafiolas por Bernardino Daza Pinciano. | 
Woodcut border on title, and 200 woodcut emblems within 
borders by *‘ Le Petit Bernard,” and arms of Juan Vazquez 
de Molina on A8. 8vo, red levant morocco gilt, gilt edges, 
by Chambolle-Duru. (Green, no. 36.) 

Lyon: Mathia Bonhome (Acabaronse 4 17 de Agosto), 
1549. 


50. ALCIATI (ANDREA). Diverse Imprese accommo- 
date a diuerse moralita, con versi che i loro significati 
dichiarano insieme con molte altre nella lingua Italiana: 
non piu tradotte. Printed within ornamental borders, with 
180 woodcuts, signed ‘*‘ P. V.” (Pierre Vingles?). S8vo, 
brown levant morocco gilt, gilt edges, by Chambolle-Duru. 
(Green, no. 50.) Lione: Gvlielmo Rovillio, 1551 


51. ALCIATI (ANDREA). (I) Clarissimi viri D. 
Andree Alciati. Emblematvm libri dvo. Wath 113 small 
woodcut emblems, attributed to Bernard Salomon, ‘** Le 
Petit Bernard.’’ Lvgdvni, Ioann, Torneesius, ete., 1554; 
(II) In D. Andres Alciati Emblemata svecinecta commen- 
tariola, ete. With 113 small woodcuts, the one on p. IIT 
with monogram ‘‘ H. B.”? (Hans Beham). Lvygdvni, Apud 
Ioannem Tornesium, ete., 1556. 2vols. in 1. 24mo, rose 
levant morocco, pointillé back, gilt edges, by Capé. The 
second work lacks final leaf with colophon ‘‘ Finis”? above 
a Death’s head. Lugduni, 1554-56 

* From the Janzé collection, 1909. (Green, nos. 54 and 59.) 


8 


52. ALCIATI (ANDREA). Emblemata Andrex Alciati 
I. C. Clariss. Latinogallica, Vna cum succinctis augmentis, 
quibus Emblematis cuiusque sententia explicatur. Ad 
calcem Alciati vita . . . La Version Fransoise non encor 
veué ey deuant. With 211 woodcuts. 12mo, red levant 
morocco gilt, gilt edges, by Belz-Niédrée. 

Paris: Iean Richer, 1584 


*The French version is attributed to Claude Mignault. 
With Ex Libris de St. Genie. (Green, no, 107.) 


53. ALCIATI (ANDREA). Omnia Andree Alciati V. C. 
Emblemata Cum Commentariis, quibus emblematum de- 
tecta origine, dubia omnia, et obscura illustrantur. Ad- 
iectze Nous appendices nusquam antea edite. Per Claud: 
Minoem [Mignault] Iuriscon. Hngraved frontispiece-title 
by Jacques de Weert, with medallion portrait of Alciati at 
the top, and 211 (misprinted cexiii) woodcut emblems. 8vo, 
calf, back and sides covered with gilt fleurs-de-lys, in the 
centre the arms of Armand de Wignerot du Plessis, duc de 
Richelieu, grand-nephew of Cardinal de Richelieu; his 
crowned monogram in the corners, gilt edges. (Green, 
no. 128.) 

Parisiis: In Officina Ioan: Richerii sumptibus (date 
erased), [1601]. 


54. ALCIATI (ANDREA). Andree Alciati V.C. Em- 
blemata evm Clavdii Minois I. C. Commentariis Ad postre- 
mam Auctoris editionem auctis & recognitis. Portrait on 
copper by W. S., and 210 woodcut emblems. 8vo, original 
vellum, with ties (supplied later). 

| Antuerpiz]: Ex Officina Plantiniana Raphelengii, 1608 


* From the Sunderland collection. Contains the final blank 
leaf, Z4. (Green, no. 133.) 


55. ALCIATI (ANDREA). Emblemata V. Cl. Andrez 
Alciati ei Imaginibus plerisque restitutis ad mentem Auc- 
toris. Adiecta compendiosa explicatione Claudij Minois 
Diuionensis, ete. Hngraved title, with portrait, and 212 
woodcuts, including the locust on C3 recto. Small 8vo, red 
morocco gilt, gilt edges. (Green, no. 149.) 

Patavii...\.. Tozzium, 1618 


56. ALCRIPE (PHILIPPE D’). La Nouvelle Fabrique 
des Excellens Traits de Verité, Livre pour inciter les re- 
sveurs tristes & merancoliques a vivre de plaisir. Nouvelle 
Edition, reveué, corrigée & augmentée. 12mo, blue levant 
morocco gilt, gilt edges, by Bauzonnet-Trautz. 

Imprime cette Année [ Rouen, Viret, 1732] 
* From the collection of the Comte de Toulouse. In rebind- 


ing, the arms of the earlier covers have been preserved and 
inserted as a bookplate. 


9 


57. ALEMAN (MATEO). The Life of Guzman de Al- 


- farache. FIRST EDITION OF JAMES MABBE’S TRANSLATION. 


2 parts in 1 vol. Folio, red levant morocco gilt, gilt edges, 


by The Club Bindery. London: E. Blount, 1623 
ae commendatory verses by Ben Jonson, Fletcher and 
others 


58. ALEMAN (MATEO). The Life of Guzman d’Alfar- 
ache; or, the Spanish Rogue. To which is added, The 
Celebrated Tragi-Comedy, Celestina. Written in Spanish. 
Done into English from the New French Version, and com- 
par’d with the Original.. By several hands. Adorn’d with 
sculptures by Gaspar Bouttats. 2 vols. small 8vo, red 
levant morocco gilt, gilt edges, by Riviére. 

London: R. Bonwick, 1708-1707 


59. ALEXANDER APHRODISIEUS. In topica Aris- 
totelis, commentarii, greece. EDITIO PRINCEPS. Folio, 
full calf gilt, Aldine anchor on sides, ENTIRELY UNCUT. 

Venetiis: in edibus Aldi et Andres Soceri, 1513 

* From the Syston Park collection, with bookplate. Numer- 

aus roe and Latin marginal annotations by a contemporary 
an 

60. ALEXANDRE (ARSENE). Les Reines de 1’ Aiguille 
modistes et couturiéres (Etude Parisienne). Illustrations 
dessinées et gravées par Francois Courbow. 8vo, white 
levant morocco, with gilt vine-and-leaf decoration, bands 
of inlaid green levant, the arms of Paris in inlays of red 
and blue, with gold and silver figures at the corners, doub- 
lures of white levant morocco, with inlaid bands of green 
levant encircling panels, gilt borders and leaf spray inlays 
of brown and green, gue edges, in half morocco slip case, 
by Gruel. Paris, 1902 


* One of 100 copies on Japan paper. 


61. ALEXANDER (SIR WILLIAM—Earl of Stixling). 
A Pareenesis to the Prince. By William Alexander of 
Menstrie. FIRST EDITION. Small 4to, brown levant mo- 
roceo gilt, gilt edges, by Riviere. 

London: Printed by Richard Field for Edward Blount, 
1604. 

* VERY SCARCE, not having been reprinted in the collected 
edition of his poeems—‘ Recreations with the Muses,” 16387, 

62. ALEXANDER (SIR WILLIAM—KEar! of Stirling). 
The Monarchick Tragedies. Small 4to, red levant morocco 
gilt, gilt edges, by F. Bedford. (Edges of title strengthened 
and blank corner and piece of lower margin supplied. ) Con- 
tains the rare blank at K4 of Darius. 

Printed at London by V. S. for Edward Blount, 1604 
(and) London: Printed by G. Elde for Edward Blount, 1604. 


* The Tragedie of Croesus is the First Edition; the Tragedie 
of Darius first appeared in Edinburgh the previous year (1603) 
printed by Robert Waldegrave, of which but two or three 
copies are known, all in public collections. 


10 


63. ALIBERT (JEAN LOUIS). Physiologie des Pas- 
sions, ou nouvelle doctrine des sentimens moraux; Seconde 
édition, revue, corrigée et augmentée. Frontispiece by 
Mougeot and 13 plates by Lorieux, Lejeune and others, all 
proofs before letters on India paper, and one with a dupli- 
cate proof after letters. 2 vols. 8vo, half brown levant mo- 
rocco, gilt tops, uncut, by Brany. Paris, 1826 

* Printed on India paper. 


64. ALLEN (CHARLES DEXTER). A Talk on Book- 
Plates. A Paper read at a Meeting of the Club of Odd 
Volumes of Boston. 4to, half brown morocco, uncut. 

Boston: Club of Odd Volumes, 1901 


* One of 55 copies printed. 


65. ALLERS (C. W.). La Bella Napoli. Numerous colored 
illustrations. Royal 4to, cloth, gilt edges. Stuttgart, 1895 


6.. ALLSTON (WASHINGTON). Lectureson Art, and 
Poems. Edited by Richard Henry Dana, Jr. First Ept- 
TION. 12mo, blue levant morocco gilt, gilt edges, by Motte. 

New York, 1850 


67. [ALLSTREE (RICHARD).] The Government of the 
Tongue. THE FIFTH IMPRESSION. Frontispiece. 12mo, old 
English blue morocco, mosaic and gilt tooling, gilt edges 
(name on title). At the Theater in Oxford, 1667 


68. [ALLSTREE (RICHARD).| The Lively Oracles 
given to us, or, the Christians Birth-right and Duty, in the 
custody and use of the Holy Seripture. Vignette on title. 
12mo0, contemporary English black morocco gilt, panels with 
mosaic of red and ivory morocco, covered with tooling in 
small design, gilt edges (old writing on title, and lacks two 
end-papers). At the Theater in Oxford, 1678 


69. [ALLSTREE (RICHARD).] The Works of the 
Learned and Pious Author of The Whole Duty of Man. 
FOURTH EDITION. Frontispiece and title-vigneties by Van 
der Gucht, with portraits of Queen Anne (Mezzotint by 
Simon), and John, Lord Bishop of London (by Vertue), 
inserted. Ruled throughout inred ink. 2vols.inl. Large 
folio, old red morocco, gilt back, with acorn ornaments, 
sides divided into four panels, with a centre ornament and 
grapevine border, the panels floriated and introducing the 
figure of a stag, gilt edges (slightly rubbed). 

Printed at the Theater in Oxford, 1704 


* A most unusual specimen of English binding. 


70. [ALLEYN (ROBERT).] Fvnerall Elegies vpon the 
most lamentable and vntimely death of the thrice illustrious 
Prince Henry, Prince of Wales, ete. ByR. A. 4to, brown 
levant morocco gilt, gilt edges. by The Club Bindery. 

London: Printed by T. P. for John Budge, An. 1613 


* VERY SCARCE, 
Th 


“1. ALMANACH des Honnétes Femmes, pour lVannée 
1790. First EpiITion. Frontispiece and curious plate of 
Priapus (inscription erased). 8vo, boards, uncut. 

[ Paris?]: De l’ Imprimerie De la Société Joyeuse [1790] 


72. ALMANACH ROYAL, année commune M.DCC.- 
LXXXX. 8vo, old red morocco, richly gilt floral borders, 
with the arms of a French Count on each cover, silk linings, 
gilt edges. 4 

[Paris]: de Imprimerie de la veuve d’Houry & Debare 
{1790]. 


73. ALPHONSE (PIERRE). Discipline de Clergie; tra- 
duction de l’ouvrage de Pierre Alphonse. 2 vols. 12mo, 
half red morocco, gilt, uneut, by Schavye. Paris, 1824 


* One of 200 copies printed, with the Latin and French texts 
on opposite pages. The second volume is entitled ‘‘ La Chas- 
toiement d’un pere a son fils,” 


74. AMADIS DE GAULE. Le premier [-douziéme] livre 
d’Amadis de Gaule, mis en Francois par le Signeur des 
Essars, Nicolas de Herberay, ete. Tvtles within woodcut 
borders and 142 woodcuts, being about a dozen constantly 
repeated. 12 parts in 3 vols. 4to, red levant morocco, orna- 
mented with leaf branches, gilt edges, by Trautz-Bauzonnet. 

Anvers: Christophe Plantin, 1561 


75. AMANDUS ZIERIXEENSIS (F.). Chronieca com- 
pendiosissima ab exordio mundi usque ad annum 1534, 
. . . Adiectee sunt epistole due Christiani regis Acthiopia, — 
Davidis, ad Clementem septimum, Romanum pontificem, 
anno 15338 destinate. . .. Aliza quoque TRES EPISTOLA, 
EX NOVA MARIS OCEANI HISPANIA AD NOS TRANSMISSA, de 
fructu mirabili illic surgentis nove Ecclesiz. 8vo, olive 
levant morocco, doublure of dark red levant, richly gilt 
tooled in compartments in the manner of the Eves, gilt 
edges, by David. Antuerpiz, apud Simonem Cocum, 1534 

*RareE. At the end of this chronicle we find the three in- 
teresting letters referred to in the title. The first and second 
are the two written in Mexico in 1531 by Martin of Valencia 
and Bishop Zumarraga, which had been printed by order of the 
Franciscan Chapter at Toulouse in 1532. The third, which is 
here printed for the first time, is of still more importance to 
the American Student. It isa Latin version of a letter from 
Friar Peter de Gante, addressed to all the Franciscans in 
Flanders, in which he gives an interesting account of Mexico 
and its people, Itisdated Mexico, June 21, 1529, where he was 
laboring as an instructor of youth. The letter ends with a sen- 
tence in Mexican, THE FIRST APPEARANCE OF AN AMERICAN 
LANGUAGE IN PRINT, 


%6. AMBOISE (ADRIAN D’). (1) Discovrs ov Traicte 
des Devises. Ov est mise la raison et difference des Em- 
blemes, Enigmes, Sentences & autres [by Fr. d’Amboise]. 
Paris: Rolet Bovtonne, 1620; (II) Devises Royales par 
Adrian d’Amboise. With engraved title and 13 copperplate 
emblems. Paris: Rolet Bovtonne, 1621; (III) Devises 


12 


Heroiqves et Emblemes, de M. Clavde Paradin. Numerous 
copperplate emblems. Paris: Rolet Bovtonne, 1622. 3 vols. 
in 1, small 8vo, green levant morocco gilt, gilt edges, by Petit. 
From the collection of M. Gonse, with book-plate. 


77. AMBOISE (ADRIAN D’). Devises Royales. Hn- 
graved title and 13 copperplate emblems. Small 8vo, brown 
levant morocco gilt, gilt edges, by Riviére. 

Paris: Rolet Bovtonne, 1621 


78. AMICIS (EDMONDO DE). Holland and its People. 
338 wlustrations. 2 vols. royal 8vo, blue levant morocco gilt, 
gilt edges, original covers bound in, by The Club Bindery. 

New York, 1885 


* Zuyder Zee edition, No. 21 of 25 printed. One volume ex- 
tended to two, with an extra set of proof etchings printed on 
satin, and the insertion of 88 portraits and views, including 
etchings by Hollar, Ostade, scenic plates, proofs on India 
paper, reproductions of famous paintings, etc. 


79. AMICIS (EDMONDO DE). Spain and the Spaniards. 
Illustrated. Royal 8vo, cloth gilt, gilt top, uncut. 

New York, 1885 
* Guadalquiver edition. One of 550 printed, with the collec- 
tion of 15 etchings, all proofs on satin. 

80. AMMAN (JOST). Insignia Sacre Cesareex Maies- 
tatis, principum electorum ac aliquot iilustrissimarum, 
illustrium, nobilium, & aliarum familiarum, formis arti- 
ficiosissimis expressa. 271 woodcuts of emblems, coats of 
arms, etc., by Jost Amman and others. 4to, brown levant 
morocco, gilt panelled sides, gilt edges, by R. de Coverley. 

Francofurti ad Moenum: apud Georgium Corvinum, 1579 


81. AMMAN (JOST). Kiinstliche, Wolgerissene, New 
FYiguren von allerlai Jagt vnd Weidwereck, allen Liebhabern 
der Maler Kunst, auch Goltschmieden, Bildthawern, &e. 
zu Ehren vnd Wolgefallen zugericht, vnd an tag geben, 
Dureh den Kunstreichen vnd Weitberhiimbten Jost Am- 
mon. Darzu mit Arlichen Lateinischen Versen, vnd Wol- 
gestelten teutschen Reimen erkladret, vnd gezieret. TwVtle- 
page printed in red and black, portrait, 40 illustrations in 
the text and printer’s device on last page, all woodcuts. 4to, 
brown straight-grain morocco, blind tooled, gilt edges. 

Franckfurt-am-Mayn: Johann Feyrabendt, 1592 


82. AMMONIUS HERMEUS. Commentaria in librum 
Perihermenias; Margentini archiepiscopi mitylenensis in 
eundem enarratio, etc., greece. FIRST ALDINE EDITION. 
Folio, russia gilt, Aldine anchor on sides, gilt edges. 
{Blank leaf 80 missing. ) Venetius: apud Aldum, 1503 

* From the library of the Duke of Sussex, with book-plate. 


88. AMOUR. L’Amour en Campagne, ou Les Cceurs 
Bombardés. Hngraved frontispiece. 12mo, blue levant 
morocco gilt, gilt edges, by Bauzonnet. 

Liege: Cesar de la Salle, 1696 


13 


84. ANACREON. Anacreontis Teij odz. Ab Henrico 
Stephano luce & Latinitate nunc primtm donate. Mleuron. - 
Ato, brown levant morocco, blind tooled, gilt edges, by 
Chipot. Lutetiz [Paris], apud H. Stephanum, 1554 

* FIRST EDITION. In Greek and Latin. , 


85. ANACREON anpDSAPPHO. Les Poesies d’ Anacreon 
et de Sapho, traduites de Gree en vers Francois. Avec des 
remarques [par M. de Longepierre]. Ruled with red lines. 
12mo, old red morocco, doublure of the same leather, den- 
telle borders, gilt edges. Paris: Pierre Emery, 1684 

* From the library of J. J. de Bure. 


86. ANACREON. Anacreontis teii Odaria (gr@ce) pree- 
fixo commentario quo poete genus traditur et bibliotheca 
Anacreonteia adumbratur. Additis var. lectionibus. Two 
engraved medallions by Lucatellt. Royal 8vo, old red French 
morocco gilt, silk linings. Parme: Bodoni, 1784 


* Limited to 112 copies. A two-page prospectus signed by 
Bodoni is laid in. 


87. ANACREON.—ANAKPEONTOS TH{OY MEAH An- 
acreontis Teii Odaria prefixo commentario qvo poets genvs 
traditvr et bibliotheca Anacreonteia advmbratvr. Additis 
var. lectionibvs. Portrait on title and arms of Nicolaus de 
Azara on dedication page. 4to, red morocco, gilt fillets, 
blue silk linings, gilt edges, by Bradel 1’ Ainé. 

Parme [ Bodoni, 1785} 


* One of a few copies on fine paper. 


88. ANANGA-RANGA;; (Stage of the Bodiless One), or 
The Hindu Art of Love. Translated from the Sanskrit, 
and annotated by A. F. F. & B. F. R. 12mo, vellum, un- 
cut. 

Cosmopoli: (Reprinted) for the Kama Shastra Society, 
1885. 


89. ANDERSON (ALEXANDER). A General History 
of Quadrupeds. The figures engraved on wood, chiefly 
copied from the originals of T. Bewick by A. Anderson. 
FIRST AMERICAN EDITION. With an Appendix containing 
some American Animals not hitherto described. 8vo, 
brown levant morocco gilt, gilt edges, by Riviere. 

New York: G. & R. Waite, 1804 


90. ANDERSON (ALEXANDER). A Collection of one 
hundred and seventy engravings by Alexander Anderson, 
executed on wood after his ninetieth year. Impressions 
from the original blocks. 8vo, cloth, uncut. 

[New York]: Privately printed by Charles L. Moreau, 
1872. 

* One of 12 copies now first printed from the original blocks. 
Autograph Presentation copy from Charles L. Moreau, founder 
of the Analectic Press. 


14 


91. ANDREINI (GIOVANNI B.). L’Adamo Sacra Ra- 
presentatione. Portrait and 40 plates engraved by Cesare 
Bassani after Carlo A. Procaccint. FIRST EDITION. 4to, 
green morocco gilt, gilt edges, by Lewis, 

Milano: Bordoni, 1613 


* This curious and interesting work is supposed to have given 
suggestions to Milton for his Paradise Lost. The portrait, not 
having been originally issued with the book, is rarely found. 


92. ANDREWS (MILES PETER). Fire and Water, a 
Comic Opera, in two Acts. FIRST EDITION. 8vo, green 
morocco. London, 1780 


93. ANDREWS (WILLIAM LORING). Roger Payne 
and his Art. A short Account of his Life and Work as a 
Binder. JJ plates, 9 of which are in gold and colors. 8vo, 
. Cloth, uncut. New York, 1892 


* One of 10 copies on Japan paper. Autograph presentation 
copy, ‘‘ Robt. Hoe, Esq. With compliments of Wm. L. An- 
drews.”’ 


94. ANDREWS (WILLIAM LORING). The Bradford 
Map. The City of New York at the time of the granting 


of the Montgomerie Charter... to accompany a facsimile 
of an actual survey made by James Lyne. Numerous illus- 
trations. 8vo, cloth, uncut. New York, 1893 


* One of 142 copies on plate paper. 


95. ANDREWS (WILLIAM LORING). Among My 
Books. 27 illustrations, some in gold and colors. 8vo, cloth, 
uncut. New York, 1894 


*One of ten copies on Japan paper. PRESENTATION COPY 
FROM Wm. LORING ANDREWS TO ROBERT HOE. 


96. ANDREWS (WILLIAM LORING). A Stray Leaf 
from the Correspondence of Washington Irving and Charles 
Diekens. Frontispiece of the SS. ‘* Britannia,’’ in 3 states, 
and other illustrations. 12mo, cloth, uncut. 

* One of 15 copies on Japan paper. New York, 1894 


97. ANDREWS (WILLIAM LORING). An Essay on 
the Portraiture of the American Revolutionary War, being 
an Account of a number of the Engraved Portraits con- 
nected therewith, remarkable for their rarity or otherwise 
interesting. To which is added an Appendix containing 
lists of Portraits of Revolutionary characters to be found 
in various English and American publications of the 
eighteenth and the early part of the nineteenth century. 
Numerous reproductions. svo, cloth, uncut. 

| * One of 15 copies on Japan paper. New York, 1896 


98. ANDREWS (WILLIAM LORING). New Amster- 
dam, New Orange, New York, a chronologically arranged 
account of engraved views of the city from the first picture 
published in MDCLI, until the year MDCCC. 36 full- 


15 


page plates and 165 illustrations. 8vo, cloth gilt, gilt top, 

uncut. New York, 1897 

* One of 30 copies on Japan paper, with extra impressions of 

the Duke’s plan in color and the 14 engravings by E. D. 
French. 


99. ANDREWS (WILLIAM LORING). The Journey of 
the Iconophiles around New York in search of the historical 
and picturesque. 12 plates by H. D. French. 8vo, light 
brown morocco, gilt edges, by The Club Bindery. 

Printed at New York, 1897 


* One of 97 copies on Japan paper, 


100. ANDREWS (WILLIAM LORING). A Prospect of 
the Colledges in Cambridge in New England ;—engraved by 
Wm. Burgis in 1726, the description compiled by William 
Loring Andrews. 6 illustrations. 8vo, cloth, gilt top, un- 
cut. New York, 1897 


* One of 25 copies on Japan paper. 


101. ANDREWS (WILLIAM LORING). Fragments of 
American History, illustrated solely by the works of those 
of our own engravers who flourished in the XVIIIth cen- 
tury. 18 reproductions of rare engravings, 4 being im 
colors. 12mo, half calf gilt, gilt top, uncut. 

New York: Privately printed, 1898 


* Presentation copy from the author. One of 80 copies on 
handmade paper. 


102. ANDREWS (WILLIAM LORING). A Trio of 
Eighteenth Century French Engravers of Portraits in 
Miniature—Ficquet, Savart, Grateloup. Numerous repro- 
ductions of old engravings, wncluding one in colors. 8vo, 
wrappers, uncut. New York, 1899 

* Edition limited to 161 copies on imperial Japan paper. 


108. ANDREWS (WILLIAM LORING). Gossip About 
Book Collecting. 12 allustrations, of which 6 are in colors. 
2 vols. 8vo, original illuminated wrappers, gilt tops, uncut. 

* One of 32 copies on Japan paper. New York, 1900 


104. ANDREWS (WILLIAM LORING). James Lyne’s 
Survey; or, as it is more commonly known, The Bradford 
Map; a plan of the City of New York at the time of the 
granting of the Montgomery Charter in 1731. 3 facsimile 
maps. 8vo, cloth, uncut. New York, 1900 

* One of 52 copies on Japan paper. 


105. ANDREWS (WILLIAM LORING). Paul Revere 
and his Engraving. Hngraved title by HE. D. French. 17 
full-page plates, one of them printed in colors, and 165 illus- 
trations. 8vo, vellum boards, gilt top, uncut. . 
New York, 1901 

* One of 35 copies on Japan paper. Laid in is an extra copy 
of the engraved title-page, signed by E. D. French. 


16 


106. ANDREWS (WILLIAM LORING). Paul Revere 
and his Engraving. 17 plates, including frontispiece in 
colors, headbands, tailpieces, etc. 8vo, boards, gilt top, 


uncut. New York, 1901 
* One of 1385 copies on Van Gelder paper. 


107. ANDREWS (WILLIAM LORING). The Iconog- 
raphy of the Battery and Castle Garden. 20 illustrations, 
3 in colors. 8vo, cloth, gilt top, uncut. New York, 1901 

* One of 32 copies on Japan paper. 


108. ANDREWS (WILLIAM LORING). Bibliopegy in 
the United States, and Kindred Subjects. Numerous plates, 
several in gold and colors, of reproductions of bindings, 
head- and tail-pieces, etc. 8vo, boards, uncut. 

° One of 141 copies on Van Gelder paper. New York, 1902 


109. ANDREWS (WILLIAM LORING). Bibliopegy in 
the United States, and kindred Subjects. 30 illustrations, 
some colored. 8vo, boards, gilt top, uncut. New York, 1902 

* One of 36 copies on imperial Japan paper. 


110. ANDREWS (WILLIAM LORING). New York as 
Washington Knew It. Portraits, facsimiles and illustra- 
tions. 8vo, vellum, gilt top, uncut New York, 1905 


* One of 32 copies on Japan paper. With an extra set of 
proof illustrations, and a colored portrait of Washington laid in. 


111. ANDREWS (WILLIAM LORING). An English 
XIX Century Sportsman, Bibliophile and Binder of Ang- 
ling Books. Reproductions in color, engravings, etc. 8vo, 
vellum, gilt top, uncut. New York, 1906 

* One of 32 copies on Japan paper. 


112. ANDREWS (WILLIAM LORING). Jacob Steen- 
dam. A Memoir of the first Poet in New Netherland. 
With translations of his Poems descriptive of the Colony. 
Portratt, facsimile map, etc. 8vo, cloth, silver top, uncut. 

* One of 115 copies on Van Gelder paper. New York, 1908 


1138. ANDROUET .DU CERCEAU (JACQUES). Le 
Premier (et Second) Volvme des plus excellentes Bastiments 
de France. Au quel sont designez les plans de quinze Basti- 
ments & de leur contenu : ensemble les eleuations & sin- 
gularitez d’vn chascun. Numerous double-page plans and 
plates. 2 volumes in 1. Folio, brown levant morocco, 
richly gilt scroll tooling, gilt edges, by Thibaron-Joly. 

Paris, 1576-79 


* First Issuz. Plans and elevations of famous old chateaux 
and castles of France, many of which have been demolished. 
Among them are Chambord, Chenonceau (the plate copied by 
Meéryon), Montargis, Creil, Amboise, Le Pavillon, Vincennes, 
Chantilly, Blois, Fontainebleau, etc. 


i 


114. ANEAU (BARTHOLOMEW). _ Picta Poesis. Vt 
pictvra poesis erit. FIRST EDITION. 106 beawtiful wood- 
cuts. Small 8vo, citron levant morocco gilt, gilt edges, by 
Thompson. (Small hole in one margin.) 

Lvgdvni, Apud Mathiam Bonhomme, 1552 


* At page 90 a duplicate of the cancel vignette is bound in. 


115. ANTAR. Poéme Héroique Arabe. D’Aprés la 
Traduction de Marcel Devie. Jllustrations en couleurs de 
EH. Dinet. Folio, original colored wrappers, uncut, in half 
morocco ease. Paris, 1898 


* One of 10 copies printed on special large vellum paper, 
with the plates in 3 states, the second in colorson Japan paper, 
the third plain on India paper. An Arabic heroic poem writ- 
ten previous to the 12th Century. 


116. ANTONINUS (MARCUS AURELIUS). The Golden 
Boke of Marevs Avrelivs Emperovr and eloqvent Oratovr, 
translated oute of Frenche into Englysshe by Jhon Bour- 
chier knyghte lorde Barners, deputye general of the kynges 
towne of Caleis. FOURTH EDITION. 4to, brown levant 
morocco, back and sides covered with a richly panelled de- 
sign, doublure of blue levant, gilt borders, in a morocco 
wrapper, by The Club Bindery. 

Londini. In Officina Thome Bertheleti typis impress. 
Anno.M.D.XLII. [1582] 


117. ANTONINUS (S.). Summula confessionis utilissi- 
ma, in qua agitur quomodo se habere debeat confessor erga 
penitentem. Roman character, double columns. 128 un- 
numbered leaves without signatures and catchwords, 35 
lines tothe page. Rubricated throughout and initials painted 
in red and blue. Small folio, red morocco, panelled sides 
with blind toolings, gilt inside borders, silk linings, by 
The Club Bindery. 
| Venetiis: Bartholomeus Cremonensis, 1473 


* RARE. Hain, 1176; Proctor, 4224; Pellechet, 840. 


118. APIANUS (PETER). Cosmographia, per Gemmam 
Phrysium. . .. restitutam. Additis de adem re ipsius — 
Gemme Phry. libellis. Woodcut on title-page, four movable 
woodcuts of astronomical diagrams, and several others in 
the text. 4to, contemporary vellum. 

Antuerpie: Arnoldus Berekmanus, 1539 
* Harrisse No. 229. 


119. APOLLONIUS RHODIUS. Argonautica, cum scho- 
liis, greece. FIRST ALDINE EDITION. 8vo, red morocco, 
gilt, Aldine anchor on sides, floral back, gilt edges, prob- 
ably by Lewis. . 

Venetiis, in edibus Aldi et Andres Soceri, 1521 


18 


120. APOTHEGMS. Les Apophtegmes, ou Bons Mots 
des Anciens, tirez de Plutarque de Diogene Laerce, d’Elien, 
d’Athénée, de Stobée, de Macrobe, & de quelques autres. 
De la traduction de Nicolas Perrot, Sieur d’Ablancourt, 
avec un Traité des Stratagemes de Frontin & de la Bataille 
des Romains. (Vignette by B. Picart.) 12mo, red levant 
morocco gilt, gilt edges by Trautz-Bauzonnet. 

Amsterdam: Francois Honoré, 1730 


121. [APPERLEY (C. J.).] Memoirs of the Life of the 
late John Mytton, Esq. of Haston, Shropshire... with 
Notices of his Hunting, Shooting, Driving, Racing, Eecen- 
trie and Extravagant Exploits. By Nimrod. SECOND 
EDITION (with considerable additions). 128 full-page col- 
ored plates by Henry Alken and T. J. Rawlins.  8vo, 
red levant morocco, emblematic tooling, gilt edges, by 
Zaehnsdorf. London: Rudolph Ackermann, 1837 


122. APULEIUS. Les Metamorphoses ou ]’Ane d’Or, 
avec Le Demon de Socrate, traduits en Frangais avec des 
Remarques (par l?Abbé Compain de St. Martin). Frontis- 
piece and 12 plates engraved by Thomassin after Desmaretz. 
2 vols., 12mo, orange levant morocco, gilt, gilt edges, by 
Chambolle-Duru. Paris: Michel Brunet, 1707 


123. APULEIUS. Cupid and Psyche; a mythological 
tale, from the Golden Ass of Apuleius. Translated by 
Hudson Gurney. 2 plates after Cipriani. LARGE PAPER 
copy. Royal 8vo, half ealf gilt, gilt top, uncut, by Kauf- 
mann. London: J. Wright, 1800 


124. APULEIUS. (M&£uvres. Traduction nouvelle par 
V. Bétolaud. 4 vols. 8vo, red levant morocco gilt, with 
monogram E. B., gilt edges, by Belz-Niedrée. 

Paris, 1835-38 

125. APULEIUS. L’Ane d’Or; ou, La Metamorphose. 
Traduction de Savalete et préface de J. Andrieux. Hn- 
gravings by Racinet et Bénard. Royal 8vo, red levant 
morocco gilt, gilt top, uneut, original covers bound in, 
by Ramage. Paris: Didot, 1872 


126. AQUINO (THOMAS DE). Prima pars Secunde. 
Gothic characters, double columns.. 176 unnumbered leaves 
(including last blank, which is missing in this copy), with- 
out signatures and catchwords; 61 lines to the page. Rubri- 
cated throughout and initials painted in red. Folio, dark 
green levant morocco, gilt edges, by Chambolle-Duru. 

Mentz: Petrus Scheffer, 1471 


* FIRST EDITION. The A. Firmin-Didot copy. Hain, 1447; 
Proctor, 97, 
19 


12%. ARENE (PAUL AUGUSTE). Jean-des-Figues. 
Etching by Emile Bénassit. FIRST EDITION. 18mo, half 
purple morocco gilt, uncut, original covers bound in, by 
Bonleu. Paris, 1870 


128. ARETINO (LEONARDO BRUNI). De Bello Italico 
adversvs Gothos. Roman character. 64 unnumbered 
leaves, without signatures and catchwords; 82 lines to the 
page. Hinely painted ornamental initials, and on the 
lower margin of the first page a beautiful painted ornament 
enclosing an Italian coat of arms. Folio, old French red 
straight-grain morocco, gilt tooled ornamental borders, back 
and inside borders, silk linings, gilt edges, by Bozerian. 

(Venetiis): Nicholas Jenson, 1471 
*The very large copy from the Beckford library. Hain, 
1559; Proctor, 4080. 


129. ARIAS MONTANUS (BENEDICTUS). Humane 
Salutis Monumenta B. Ariz Montani studio constructa et 
decantata. Hngraved title, Head of Christ and 70 copper- 
plates of Biblical subjects by Wierix, Van der Borcht and 
others. 4to, blue straight-grain morocco, gilt fillets and 
edges. Antwerp: (Chr. Plantinus), 1571 


130. ARIAS MONTANUS (BENEDICTUS). Virtutis 
Exercitatissime probatum Deo spectaculum, ex Davidis, 
Pastoris, ete. Engraved title and 42 plates, 3 of which are 
repeated. 4to, red levant morocco gilt, gilt edges, by 
Trautz-Bauzonnet. 

Ex Officina M. Zachariz Palthenii, Impensis J. T. et I., I. 
de Bry, 1597. 


131. ARIOSTO (LODOVICO). Orlando Furioso, tutto 
ricorretto, et di nuove figure adornato. Annotated by G. 
Ruscelli, and with a life by G. Pigna. Wath 46 full-page 
woodcuts after Dosso Dosst. 8vo, olive brown levant mo- 
rocco gilt, gilt edges, by F. Bedford. 

Venetia: Appresso Vincenzo Valgrisi, 1566 
* This edition contains the 5 cantos which do not appear in 
Valgrisi’s first edition. 


132. ARIOSTO (LODOVICO). Roland Furieux, Poeme 
Heroique. Traduction nouvelle par M * * * (Mirabaud). 
4 vols. 12mo, old French red morocco, gilt fillets, gilt 
edges, by Padeloup. La Haye: Pierre Gosse, 1741 

* LARGE PAPER Copy, from the collection of Charles Nodier. 


133. ARIOSTO (LODOVICO). Roland Furieux. Tra- 
duction nouvelle et en prose par M.V. Philippon dela Mad- 
elaine. Introduction par Jules Janin. Frontispiece, 15 
full-page plates on India paper and numerous text illustra- 
tions. Royal 8vo, half red levant morocco gilt, gilt top, 
uncut, by Brany. Paris, 1864 

20 


134. ARISTOTLE. Organon (hoc est logici ac dialectici 
libri), greece. Vol. I of the works. 234 unnumbered leaves, 
with signatures. Woodcut headings and initials. Folio, 
red straight-grain morocco gilt, gilt linings, gilt edges, by 
Bozerian. Venetiis: Aldus Manucius, 1495 


*FirsT EDITION. A perfect copy of Vol. I. Hain-Copinger, 
1657, I: Proctor, 5547. 


135. ARISTOTLE. Le secret des secretz de Aristote. 
Pour cognoistre les complexion des hommes ct des femmes 
Lesquelz il fist pour le roy Alexandre son disciple. 4 wood- 
cuts. Small 8vo, red levant morocco, gilt edges, by Trautz- 
Bauzonnet. [Paris: Verard] [ca. 1500] 


136. ARISTOTLE. (Works of Aristotle, translated from 
the Greek by Thomas Taylor.) 10 vols. royal 4to, cloth, 
uncut. London: Printed for the translator, 1806-1812 


* History of Animals; Rhetoric, Poetic and Nicomachean 
Ethics; Metaphysics, etc. 


137. ARISTOTLE. Historyof Animals. Translated by 
R. Cresswell. London, 1862; The Politics and Economics 
of Aristotle. Translated by Edward Walford. London, 
1855. 2 vols. 12mo, brown morocco, gilt tops. 

London, 1853-1862 


138. [ARMSTRONG (JOHN).] Of Benevolence: an 
Epistle to Eumenes. | With the half-title.] 4to, half brown 
ealf, by The Club Bindery. London: A. Millar, 1751 


139. ARMSTRONG (JOHN). Miscellanies. First EDI- 
TION. 2 vols. 12mo, red levant morocco gilt, gilt edges, by 
David. London, 1770 


140. ARNAULD (ANTOINE). De la Frequente Com- 
munion; ou les Sentiments des Peres, des Papes, ete.,... 
sont fidelement exposez, ete. Fourth Edition, ruled in red 
ink. 4to, old red morocco, gilt fillets, red morocco doub- 
lure, gilt edges, by Du Seunil. Paris: Antoine Vitré, 1644 

* From the Library of J. J. de Bure, the elder. 


141. ARNAULD D’ANDILLY (ROBERT). Lettres. 
Edition Nouvelle. 12mo, calf, gilt fillets, gilt edges, by 
Bauzonnet. Paris [ Brussels, Foppens 1652 | 


142. ARNE (THOMAS AUGUSTINE). Phoebe at 
Court, an Operetta, in two Acts. The Dialect, turned into 
Hudibrastic Verse, new Songs added, ete. FIRST EDITION. 
Small 4to, polished calf gilt, gilt edges, by Pratt (two leaves 
skilfully repaired). London: Cox and Bigg, 1776 


* Altered from Lloyd’s ‘‘ Capricious Lovers.” 
21 


143. ARNOLD (RICHARD). [Chronicle of London. | 
In this booke is Conteyned the names of y® baylifs Custos 
mairs and sherefs of the cite of londé from the tyme of 
king richard the furst. & also th artycles of the Chartur 
and libarties of the same Cyte. And of the chartur and 
Liberties off England wyth odur dyuers mat’s good and ne- 
cessary for euery Citizé to vndir stond and knowe. Whiche 
ben shewid i chaptirs after the fourme of this kalendir 
folowing. Folio, brown levant morocco, blind tooled in 
panels, doublure of red morocco, panel and rich border 
ornaments, in brown morocco case, by Mercier. 

[| Antwerp: Andrian van Berghem, ca. 1503] 


* A PERFECT COPY OF THE FIRST EDITION, ending with the 
record of April 12, 1502 (the death of Prince Arthur), which is 
continued in later issues. It is notable as containing the first. 
appearance in English of the famous ballad of ‘‘ The Nut- 
brown Maid”, which occupies folios 75-77. Collation: Pre- 
liminary blank leaf, Al. Table A2-A4, List of Sheriffs, A1- 
A8 (verso blank).—Chronicle, Bi-B4, C1-E8 in eights, F1i-R6 in 
sixes; §[, 1 leaf, § 1, 1 leaf; S1-V5, C-C1 (2 leaves) S1-3, Cv— 
vii, T1-T6, Vi-Vv (verso blank). The twelve preliminary 
leaves are unnumbered, but on Bi the numbers begin and ex- 
tend by folios to CX VIII, the numerals occurring at the bottom 
of the first column of each recto, 

The Huth collation gives the number of preliminary leaves 
as eleven. In that copy the three introductory leaves are in 
facsimile. 

[See Reproduction. ] 


144. ARS MEMORANDI. Memorabiles Evangelista- 
rum Figure. 15 curious full-page woodcuts, evidently 
copied from those of the Xylographic edition printed in 
Germany about 1470. 4to, blue levant morocco, gilt 
panels, gilt edges, by The Club Bindery. 

{Phorzheim] Thomas Pkorcensis Cognomento Anshelmi, 


1502. 

* FIRST EpITIon. The object of this book was to assist in 
memorizing the order and chief topics of the successive chap- 
ters of the four Evangelists through emblematic illustration 
and Latin verse [by the monk Pierre Rosenhelm (Simler)]. 
ONE OF THE EARLIEST BOOKS BY THE FIRST PRINTER IN 
PHORZHEIM. 


145. ART. L’ArtT: Revue Hebdomadaire illustrée. 
With thousands of etchings, full-page plates and tllustra- 
tions in the text. 42 vols. imp. 4to, maroon levant morocco, 
blind tooled fillets, gilt tops, uncut (some bindings rubbed). 

Paris, 1875-87 


* ONE OF 5 COPIES, with a duplicate set of the plates. 
PROOFS BEFORE LETTERS, on Japan paper. A complete set of 
the Revue up to 1887 and including Vol. I of that year. 


22 


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Forz mute towcyrcie weoe goo Aicucabarnnvit}es man 


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Cr ft plomers dap.tluQp map.isdert cdbefore rhe none 
Zberepoufape farwwelnap.nap.we departe not foofone 
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dtlle mp welfare.to forow and care.fyulde chaunge pf pe were gar, 
Foz in mipnde.of allmankpnde. Floucbutpoualonc. 


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Sut aftprivarve pourpapneshadew madaportivepne 
Dhaltonea Make.andve \altatc.conforero nou arayne, 

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J halve plapnetopou agapne Ipke as pethcs me fpnde 

= prhitisfo wbatpe wy ttgoo. { wolnotlene beypnde 
Ehalneperveta.d. he Qutheowne mapd.iwas taber lone wnhid 
sHakepou redp.forfco am 4.<¢ ehough te were aroon : 

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£Ofpongeandolde.itha'betclye.chat pe be gone awap 
Porrwantontorile.fer tofulfrl's. Jn qrene wood pou roplan 
4nd that pe mogit.frampour delyte.noslenger makedelap. 
‘Rather thanpe hildthue fxme.vecalley anpite woman 

Pet wolde FZ ro.che grenctwodde goo, alone abanptycd mar 


Se tcaroneeneceonoeecececcanic-aomeeeeeeerenrineencan it eeetomeeeeteemeecenem ee 


if a Tough itbefonge ofoldeandponge tha? thls beta blame 
L oan J terse beibecrarge. (peke folargein hurtingofimp name 


| ¥ Ot Zwpl prone. that fepthfullonc.itis denopa of hame 


Se a ee See ees 3 ROS MS PSUR FINN Oana AONE 


ARNOLD’S CHRONICLE, 1503. 
A PAGE FROM THE BALLAD OF ‘‘THE Nut BRowN MAYDE.’’ 
(See No. 143.) 


146. ASCHAM (ROBERT). TheScholemaster Or plaine 
and perfite way of teachyng children, to vnderstand, write, 
and speake, the Latin tong, but specially purposed for the 
priuate brynging up of youth in Ientlemen and Noble mens 
houses, and commodious also for all such, as haue forgot 
the Latin tonge, and would, by themselues, without a 
Scholemaster, in short tyme, and with small paines, recouer 
2 sufficient habilitie, to vnderstand, write, and speak Latin. 
Small 4to, brown levant morocco, richly tooled, gilt edges, 
by The Club Bindery. 

London: Printed by Iohn Daye dwelling ouer Aldersgate, 
ee * FIRST EDITION. Contains the final leaf with the printer’s 

device. . 


147. ASSOUCY (CHARLES COYPEAU D’). L’Ovide 
en belle humeur. Printer’s mark ‘‘la Sphere’ on title. 
12mo, blue levant morocco, triple line border, gilt back and 
inside borders, gilt edges, by Trautz-Bauzonnet. 

Suivant la Copie imprimée a Paris (Leyde, B. & A. EI- 
zevier), 1651. 


148. ASSOUCY (CHARLES COPYEAU D’). Le Ivge- 
ment de Paris, Travesty en vers bvrlesqves, de M’* Das- 
soucy. 12mo, grey morocco gilt, wide dentelle borders, 
gilt edges, by Thompson. Paris: Gabriel Qvinet, 1664 


149. ASSOUCY (CHARLES COPYEAU D’). Les Avan- 
tvres de Monsievr d’Assoucy. First EDITION. Woodcut 
portrait. 2 vols. in 1,12mo, red levant morocco gilt, gilt 
edges, by Chambolle-Duru. Paris: Claude Audinet, 1677 


150. ASTRUC (ZACHARIE). Les Alhambras. 16 
planches hors texte. Royal 8vo, original covers, uncut. 
Paris, 1908 
* One of 50 copies with the plates in two states. 


151. ASTRY (SIR J. A.—Translator). The Royal Poli- 
tician, represented in One Hundred Emblems. Written in 
Spanish by Don Diego Saavedra Faxardo. ... With a large 
Preface, containing an Account of the Author, his Works, 
and the usefulness thereof. Done into English from the 
original by Sir J. A. Astry. Portrait of William, Duke of 
Gloucester (un duplicate), and 103 emblematical engravings. 
2 vols. 12mo, blue levant morocco, pointillé tooling, gilt 
edges, by Riviére. 

London: Printed for Matt. Gylliflower, 1700 

152. AUBERY (ANTOINE). Memoires pour |’Histoire 


du Cardinal Due de Richelieu. Vols. 1 and 2 (should be 
5), 12mo, red morocco, gilt. Cologne: Pierre Marteau, 1667 


23 


153. AUBIN: Refugé Francois. Histoire des Diables de 
Loudun, ete. .. et dela condamnation & du suplice d’Ur- 
bain Grandier. 12mo, red levant morocco gilt, backs orna- 
mented with the monogram ‘‘E. B.,’’ gilt edges, by Hardy- 
Mennil. Amsterdam: Aux Depens de la Compagnie, 1752 


154. AUDUBON (JOHN JAMES). The Birds of America 
from drawings made in the United and their territories. 
500 colored plates. % vols. royal 8vo, green levant morocco, 
gilt backs, side corners, gilt edges, specimens of original 
blue wrappers bound in, by Bedford. 

New York: Published by J. J. Audubon, 1840—41—42-43-44 


155. AUDUBON (JOHN JAMES) and BACHMAN 
(JOHN). The Quadrupeds of North America. 155 colored 
plates. 3 vols. royal 8vo, bound uniform with the preced- 
ing lot, by Bedford. New York, 1849-1854 


156. AUGUSTINUS (ST.). Enchiridion de fide con- 
seriptus ad Laurentium primicerium. FIRST EDITION. 
Gothic character, 59 unnumbered leaves, without signatures 
and catchwords, 27 lines to the page. Rubricated, and with 
mitials painted in red. Ato, old red straight-grain morocco, 
gilt. [Cologne: Ulric Zell, ca. 1467] 

* LARGE COPY OF THIS RARE VOLUME. From the Count 


Boutourlin collection, with bookplate. Hain, 2028; Proctor, 
810. oy 


157. AUGUSTINUS (ST.). Lelivre dela foy, de l’esper- 
ance et de la charité, traduit en frangoys par Antoine 
Arnauld. Wath the Latin text at the end. 8vo, red levant 
morocco, gilt edges, by Chambolle-Duru. Paris, 1648 


158. AUMALE (HENRI D’ORLEANS—DUC D’). Lettre 
sur Vhistoire de France. Adressé au.Prince Napoleon. 
FIRST EDITION. 8vo, mauve levant morocco, brown russia. 
linings, gilt top, uneut, by Zaebnsdorf. [Name ‘‘H. G. 
Bohn, Esq.,’’ on title. | Londres: W. Jeffs, 1861 


159. AUNOY (oR AULNOY—LA COMTESSE D?’). 
Memoires de la Cour d’Espagne [1679-1681]. Cinquiéme 
edition, reviie et corrigée. 2 vols. in 1, 12mo, green levant 
morocco, gilt fillets, gilt edges, by Belz-Niédrée. 

Amsterdam: N. Etienne Lucas, 1716 


160. [AUSTEN (JANE).| Sense and Sensibility: a 
Novel. By A Lady. 3 vols. 12mo, blue levant morocco 
gilt, gilt tops, uncut. 

London: Printed for the Author, 1811 
*FIRST EDITION. Scarce in uncut state, and with all the half- 
titles. 
24 


161. [AUSTEN (JANE).] Mansfield Park: a Novel. 
FIRST EDITION. 3 vols. 12mo, blue levant moroceo gilt, 
gilt tops, uncut. London: Printed for T. Egerton, 1814 

* FIRST EDITION, with all the half-titles. 


162. [AUSTEN (JANE).] Northanger Abbey, and Per- 
suasion. With a Biographical Notice of the Author. 4 
vols. 12mo, original boards, entirely uncut (with new backs, 
and the labels missing, except one). London: Murray, 1818 


* FIRST EDITION; not often found in boards. Each volume 
contains the half-titles, and in Vol. I are the four pages of 
advertisements. 


163. AUVRAY (JEAN). Le Banquet des Muses, ou vers 
Satyriques du Sieur Auvray. 8vo, red levant morocco, gilt 
fillets and edges, by Trautz-Bauzonnet. 

Rouen: David Ferrant, 1624 


164. AYRES (PHILIP). Emblems of Love. In four 
Languages. Dedicated to the Ladys. First EDITION. Hn- 
graved throughout, and printed on one side of the paper only. 
Frontispiece by S. Nicholls, and 41 plates of emblems. Small 
8vo, red levant morocco gilt, gilt edges, by The Club 
Bindery. 

Printed for John Wren... near Great Turnstyle, [1680] 


165. AYRES (PHILIP). Emblemata Amatoria. With 
45 plates engraved by J. van Vianen; engraved text in four 
languages :—Latin, French, Italian and Dutch. Small 8vo, 
red levant morocco, gilt rose ornaments on back, gilt fillets, 
gilt edges, by Thibaron. 

Londe [Hollande]: l’Amoureux [ca. 1700] 


166. AZARIA AND HUSHAI: A Poem (attributed to 
Pordage and also to Settle). Small 4to, half red levant 
morocco, gilt edges, by Riviére. London: Charles Lee, 1682 


25 


oe 


TWENTY-FIRST SESSION, MONDAY, 8:15 P. M.. 


A SELECTION OF BOOKS 


IN 


FINE BINDINGS. 


167. ALBUM. Blank Album, oblong folio. Green 
straight-grain morocco, gilt borders, centre and corners 
ornaments, painted in brown and red, on the centre of the 
front cover a gilt circular frame with glass, enclosing a 
charming miniature portrait of a lady, gilt back, and inside 
borders, silk linings, gilt edges, by Susse. About 1840: 


168. ALMANACH Royal, année M.DCC.LVII. — 8vo. 
Paris, 1757 

* Old French citron morocco, gilt and mosaic compartments 

inlaid in tinsel paper, gold and red, covered with isinglass, 
painted arms in the centre similarly covered, the compart- 
ments of citron morocco covered with gold dots, and outlined 

by tooled scrolls of dark brown morocco, mosaic back, gilt 
edges, probably by DUBUISSON. Ina citron levant morocco slip 


case. : 

169. ANACREON. Ode, greece, prefixo commentario 
quo poet genus traditur. Printed in capitals. 16mo, old 
-English red straight-grain morocco, large grape-vine 
wreaths exquisitely tooled and gilt on the sides, corner 
ornaments of pointille, ete., gilt tooled back, morocco 
joints, gilt edges, by ROGER-PAYNE, in a morocco slip case. 
Parme, in eedibus Palatinis (Bodoni), 1791 


170. ANTONINUS (MARCUS AURELIUS). Vita di M. 
Aurelio Imperadore, con le alte et profonde sue Sentenze, 
notabili documenti ammirabili essempi, & lodeuole norma 


di uiuere, Tradotta di Spagnuolo in lingua Toseana per 


Mambrino Roseo da Fabriano. 8vo. 
Vinegia: Bartholomeo detto l’Imperador, & Francesco 

Venetiano, 1543. 3 
* Old Italian red morocco, richly gilt tooled, in compart- 
ments, with the DEMETRIUS CANEVARI MEDAuLION in centre 
representing the Sun driving his chariot, and the title of the 
book stamped in gold on both covers, gilt edges. Skilfully 
rebacked and corners restored. Exhibited at the Burlington 

Fine Arts Club and reproduced in Catalogue, plate 47. 


171. APOLLONIUS RHODIUS. Argonauticon libri 
quatuor, grece, cum scholiis grecis. Text printed m 
capitals, the commentary in minuscules. 171 leaves, with 
signatures. EDITIO PRINCEPS. 4to. Hain, 1292; Proctor, 
6407. Florentiz: [Lorenzo di Francesco di Alopa], 1496 


* Old English green levant morocco, gilt panelled sides, gilt 
tooled lateral floral ornaments, gilt back, gilt edges, by ROGER 


PAYNE. 


26 
3 


ely 


THE EaruL OF LEICESTER’S Copy oF ARISTOTLE, 1554. 
(See No. 173.) 


BOOKS IN FINE BINDING—Continued. 


* 172. APULEIUS. L’Amovr de Cvpido et de Psiche, 
Nouuellement histoirée, & Exposée tant en vers Italiens, 
que Francgoys . [par Jean Maugin, dit le Petit Angevin]. 
Eingraved borders and thirty-two woodcut illustrations after 
the so-called Raphael designs, copied from the engravings 
of Mare Antonio, presumably by Bernard Solomon. 24mo, 
old red morocco, THE ARMS OF MADAME DE POMPADOUR 
on each cover, within border composed of crown and fleur- 
de-lys stamps, gilt edges, in a morocco ease. 

Paris: Ianne de Marnef, 1546 


173. ARISTOTLE. Aristotelis de Moribus ad Nicoma- 


chum, greece. 4to. Parisiis: apud Adr. Turnebum, 1554 
* Contemporary English binding in brown calf, the sides in 
compartments, decorated with an ornamental cartouche painted 
in dark green and silver, within gilt lines, corner pieces in 
gold, the spaces occupied by a semis of small gold trefoils; in 
the centre the device of the Bear and ragged staff stamped in 
silver and gold, gilt mosaic back, gilt edges; BOUND FOR ROBERT 
DUDLEY, EARL OF LEICESTER, the favorite of Queen Elizabeth. 
Specimens from his library are very rare. The James Maid- 
ment and Sir Edward Sullivan copy, shown at the Burlington 
Fine Arts Club Exhibition, and illustrated in the Catalogue, 
plate 73. In astraight-grain morocco slip case. 


[See Reproduction. ] 


174. AUDOENUS (JOANNHES). Epigrammata, cura A. A. 

Renouard. LARGE PAPER. 12mo. Paris, 1794 

* Old English green straight-grain morocco, gilt panelled 

sides, with floral corner ornaments, gilt tooled back and inside 

borders, leather joints, gilt edges, by ROGER PAYNE: with his 

autograph bill inserted: ‘‘. . . Bound in the very best manner 

in the finest green morocco of an extra rich grain. Sew'd in 

the best manner on bands on ye outside of the back... ,” etc. 
Preserved in a case. From the Beckford library. 


175. BALBI(G. B.). Balletti d’invenzione nella Finta 
Pazza. Hngraved title and 18 plates of dances after Stefano: 
della Bella, all colored by hand and heightened with gold. 
Oblong 4to. [ Paris, 1645] 


* Old French brown morocco, rich gilt tooled borders, the 
panels covered by a semis of interlaced ‘A's’, gilt edges 
(corners and back restored). THE PRESENTATION COPY TO 
ANNA OF AUSTRIA, Queen of King Louis XIII of France, with 
her arms painted on the title-page, and a manuscript dedicatory 
letter, signed by the author. 


176. [BALDERIC.]| Vie du bien-heureux Robert d’Ar- 
brissel fondateur de l’ordre de Fontevrauld. (Text in Latin 
and French.) Auled throughout in red. 8vo. 

A la Fleche, 1648 


* Contemporary French binding in red morocco, gilt tooled 
ornamental borders, the panels covered with a semis of inter- 


27 


BOOKS IN FINE BINDING—Continued. 


laced Bs, Ds and fleurs-de-lys, alternately placed, WITH THE , 
ARMS OF JEANNE BAPTISTE DE BOURBON, ABBESS OF FONTE- 
VRAULT, daughter of Henry IV and Charlotte des Essars, 
stamped on each cover; semis of small fleurs-de-lys in the 
panels of the back, gilt edges. 


177. BEAUCHASTEAU (F. M. CHASTELET DE). La 
Lyre du Jeune Apollon, ou la Muse Naissante. uled 
throughout with redink. Engraved-title and 19 fine portraits, 
including that of the author and one of Queen Henrietia 
Maria, wife of Charles I. 4to, old French citron morocco, 
richly tooled and gilt with scrolls and pointillé ornaments, 
the arms of a prelate of the celebrated Fouquet family 
inlaid in the centre of each cover, gilt back, gilt edges. 

Paris, 1657 

* FirsT EDITION. This collection of French and Italian 

poems was by an extraordinary French boy, who afterwards 

went to England. It isa very curious book, almost unknown 

to collectors. The two extra leaves and portrait of Cardinal 
d’Este in part II are missing. 


178. BELLORIUS (JO. PETRUS).. Veterum Illustrium 
Philosophorum, Poetarum, Rhetorum et Oratorum Imagines, 
ex vetustis nummis, gemmis, hermis, marmoribus, aliisque 
monumentis desumpte. Frontispiece and 92 plates. Folio. 


Rome, 1685 

* Old French red morocco, gilt panelled sides, fleurs-de-lys in 

the corners, with the arms of JEAN-BAPTISTE COLBERT, MAR- 

ae DE TOROY, stamped in gold on each cover, gilt back, gilt 
edges. 


179. BERGER (J. A. DE). Succinecta Commentatio de 
Imperio Maris Adriatici Cesari qua Regi Dalmatarum ac 
principi Istriz ut et Regi Neapoleos atque Siciliz proprio, 
sive Confutatio Seriptionis apud Londorpium T. I. Act. 
Publ. Lib. Il. Cap. XV. Pro Republica Venetorum concin- 
nate. Ato. Lipsiz, 1723 

* Contemporary German binding in red morocco. the covers 
being embossed with gold on one side and silver on the other; 
in the centre a medallion portrait of Charles VI, Emperor of 
Germany, surmounted by two Cupids supporting a crown, and 
at the sides the figures of Peace and Justice. At the top, in a 
cartouche, substained by two angels, is a presentation inscrip- 
tion in German to ‘‘ Herrn Frantz Jacob des Heil. Rom. Reichs 
Grafen und Herrn von und zu Brandis,” etc., and below a 
representation of the Magi on their way to Bethlehem; the 
intervening spaces having coats of arms of German Princes. 
The lower cover is the same with the exception of the repre- 
sentation of the Nativity in the place of the above inscription. 
A curious and interesting specimen. 


180. BERNIS (FRANCOIS JOACHIM DE PIERRE, 
CARDINAL DE). (£uvres Meslées en prose et en vers. 
12mo, old red morocco, gilt back, wide floral borders on 
the sides, THE ARMS OF MADAME DE POMPADOUR on both 
covers, gilt and floral end papers, gilt edges. 

Geneve: Chez Ant. Philibert, 1753 


28 


ABOUT 1600. 


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188. 


(See No. 


BOOKS IN FINE BINDING—Continued. 


181. BERRETINI and PETRIOLI. Tabule Anatomie. 
27 full-page plates. FIRST ISSUE. Royal folio, scored rus- 
sia, filleted panels on sides, gilt edges, by ROGER PAYNE. 

Rome, 1741 


* A characteristic bill to Dr. Moseley isinserted ‘‘. . . exceed- 
ing fine Russia of ye true colour as imported. This book 
being printed ona full sheet of paper for each leaf, left the 
irregularitys of the outside... Ithink but few if any other 
book-binder would have guarded against that deffict (sic) 
which would have shew’ d itself odious like a bad folded 
octavo.” Also inserted is the receipt written in Payne's auto- 
graph and signed ‘‘ ROGER PAYNE, BOOKBINDER.”’ 


182. BERTAUT (JEAN). Recueil de quelques vers 
amoureux. 8vo. Paris: veufve de Mamert Patisson, 1602 


* Old vellum, a semis of gilt fleurs-de-lys on the sides, the 
arms of HENRy IV on the centre of each cover and crowned H 
in the corners, gilt ‘back and edges, in a silk bag. 


183. [BEVERIDGE W.] (Bishop of St. Asaph). The 
Church Catechism explained for the use of the Diocese of 
St. Asaph. 4to. Lond. 1704 


* Old English red morocco, gilt panelled sides, with lateral 
ornaments, the CROWNED MONOGRAM OF QUEEN ANNE stamped 
in gold in the centre and in the corners, gilt back, gilt edges. 


184. BIBLE (THE HOLY), containing the Olde Testa- 
ment and the New, with the Book of Common Prayer, ete. 


12mo. Lond. 1638 
* Contemporary English silk binding embroidered with gold 

and silver thread and spangles, in the centre panels the figure 

of a man in needle work; the back divided into three panels 

with flowers in colored silk, silver clasps, gilt edges, in a case. 


185. BIBLIA: dat is de gantsche H. Schrifture. Hn- 
graved title. 8vo. Dordrecht, 1720 


* Contemporary Dutch binding in tortoiseshell, chased sil- 
ver floral corner ornaments, hinges, clasps and rings at top 
for a chain, gilt edges. 


186. BIBLIA: das ist die gantze Heilige Schrift, Alten 
und Neuen Testaments, nach der Teutschen Ubersetzung 
D. Martin Luthers. Thick 12mo. Lemgo, 1731 


* Contemporary German binding of repoussé silver; on the 
front cover, within a framework of scrolls and cherubs’ heads, 
an oval panel representing Moses; on the back cover, enclosed 
by a similar frame, another oval panel representing Aaron; the 
back divided into three symbolical panels; chased silver clasp 
with figure of St. Anna, gilt edges. In the same volume are 
bound three other works of a devotional character. 


187. BIBLIA GALLICA. La Sainte Bible. Ruled 
throughout in red, and with numerous woodcuts. 
Lyon: Ian de Tournes, 1554 


* Contemporary French binding in calf, covered with a Gro- 
lieresque design in compartments formed by interlaced bands 
painted black and outlined in gold, with gilt scrolls and ara- 
besques painted yellow, blue, etc.; gilt and blind tooled back, 
gauffred gilt edges; in a morocco case lined with deer skin. A 
FINE SPECIMEN, ; 

; 2 


BOOKS IN FINE BINDING—Continued. 


188. BIBLE, that is, the Holy Scriptures contained in 
the Old and New Testament (with the Booke of Common 
Prayer). Folio. London: Robert Barker, 1607 


* Contemporary English binding embroidered with gold and 
silver threads, spangles and colored silks; covers with a rep- 
resentation of the Garden of Eden and the Fall of Adam and 
Eve (this last in needle work), and at the bottom of each the 
inscription ‘‘ A DREAME”; the back divided into four panels 
filled with birds, insects, trees, etc., gauffred gilt edges. Ina 
morocco case. A BEAUTIFUL AND INTERESTING SPECIMEN. 


[See Reproduction. ] 


189. BIBLE. [Das alte und Neue Testament verdeutschet 
durch D. Martin Luther]. 8vo. | Leipzig, 1755 


* Contemporary German binding in repoussé silver; the 
sides divided into three panels, and a Louis XV border. The 
panels on the front cover represent Cain and Abel, Moses giv- 
ing the laws, and Lot’s wife; those on the back cover the 
Annunciation, Christ Blessing the Children and Christ at the 
Well. Silver back, also divided into three panels, represent- 
ing Biblical scenes, and the repoussé silver clasp has a figure 
of St. John the Baptist. 


190. BODIN (JEAN). Les six livres de la Repub- 


lique. FIRST EDITION. Folio. 
Paris: Chez Jacques du Puys, 1576 
* Old French red morocco, richly tooled and gilt in com- 
partments, with arabesques, leaf sprays, scroll work, small 
vases, etc., in the style called ‘‘a la fanfare,” back gilt in a 
similar manner, gilt edges, by LE Gascon. In a morocco slip 


case, 
[See Reproduction. ] 


191. BOILEAU-DESPREAUX (NICOLAS). (Q&uvres 
poétiques accompagnées de nouvelles notes par M. Auger. 
Portrait of Boileau after Rigaud inserted. 8vo. Paris, 1825 


* Calf, outside borders of gilt line tooling, blind tooled orna- 
mental corners, and centre stamped with architectural frame, 
heightened by coloring in green, blue, yellow and red, in the 
manner of enamel, gilt edges. Interesting specimen of modern 
French binding done by L. Fontaine, an apprentice of Liége, © 
at Paris, in 1829. 


192. BONNE FEMME (LA), ou le Phénix, parodie 
d’Alceste, in deux actes (and 7 other dramatical pieces by 
Piis and Barré). 8vo. Paris, 1780-81 

* Old French red morocco, gilt tooled dentelle borders on the 
sides, WITH THE ARMS OF QUEEN MARIE ANTOINETTE in the 
centre of each cover; gilt back, silk linings, gilt edges, by 
JUBERT. Ina morocco slip case. Fine specimen, 

198. BOOK-COVER. A wooden book-cover. Folio, 
gilt panelled sides, ornamental borders; on the central 
panel of the front cover is painted the figure of a martyr, 


30 


She RU MAR anova Ro 


AGA AS AAR ARIA a 


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BOOKS IN FINE BINDING—Continued. 


and on that of the back cover several arms, and the 
inscription ‘‘ Inventario delle cose mobili della Sacristia 
del domo di Siena,’’ ete.; all in perfect imitation of the 
famous Sienese bindings of the 15th Century. 


194. BOOK-COVER. A 16th Century Italian book cover, 
the sides richly tooled and gilt in compartments, with the 
ARMS OF THE GONZAGA FAMILY in the centre, adapted to 
use as a writing portfolio. Folio. 


195. BOSCHIUS (JACOBUS). Symbolographia sive de 
Arte Symbolica Sermones Septem. Frontispiece and 171 
plates engraved by J. Miller and J. G. Wolfgang, contain- 
ang 2,052 emblems. Folio. Auguste Vindelicorum, 1702 

*Contemporary German binding in red morocco, richly 
tooled and gilt in a design of leaves, scrolls, flowers, birds, 
etc., with the seal of the monastery ‘‘ Ettalensis” on the front 
cover, and the ARMS OF PLACIDUS, ABBOT OF THE SAID 
MONASTERY, on the back cover, gilt back and edges. 


196. BOURGOING (FRANCOIS). Les Veritez et Ex- 
cellences de Jesus-Christ nostre Seigneur. Hngraved title. 
4 vols. in 2 vols. Ato. Paris, 1636 


* Old French red morocco, gilt tooled dentelle borders on the 
sides, inner corner ornaments of scrolls and dots, THE ARMS OF 
CARDINAL RICHELIEU in the centre; gilt backs and edges. 


197. BULL (GEORGE). Opera omnia, latine conscripta. 


Portrait by Vander Gucht. Folio. Londini, 1721 


* English binding of the 19th Century in silver gilt over vel- 
vet. The covers have five medallions, with figures of cupids 
at play, joined by pierced strap-work, with heads, birds, ani- 
mals and vases of flowers, a narrow chased border surrounding 
the whole; chased back representing cupids and garlands, 
chased and pierced clasps, silk linings, gauffred gilt edges; in 
a cloth case. 


198. BUSSY (ROGER DE RABUTIN, COMTE DE). Les 


- Memoires de Messire Roger de Rabutin Comte de Bussy. 


Lieutenant General des Armées du Roy, et mestre de 
Camp General de la Cavalerielegere. Portrait by Edelinck 
after Le Febure. FIRST EDITION. 2 vols. 4to, old citron 
morocco, floral backs, the arms of MADAME SOPHIE DE 
FRANCE (1734-1782), DAUGHTER OF LOUIS XV, on thesides, 
gilt edges. Paris, 1696 


199. CASSAR. I Commentarii di C. Giulio Cesare (Bal- 
delli’s translation). 2 maps and 40 plates engraved on cop- 
per after the designs of Andrea Palladio. 4to. 

Venetia: Pietro de’ Franceschi, 1574 
* Olive morocco, in compartments formed by interlaced fil- 
lets painted red and gray, interspersed with gold dots and orna- 
mented with arabesques painted in various colors and outlined 
in gold, gilt and painted back; doublure of dark olive morocco, 
entirely tooled and gilt in a design similar to that on the front 
cover, gauffred and painted gilt edges (joints slightly cracked 
at top and lower part). From the library of Baron Seilliére. 


31 


BOOKS IN FINE BINDING—Continued. 


200. CAVICEO (JACOMO). Il Peregrino nuovamente 
revisto. 8vo. [ Venice] 1533 


* Old Italian binding in red morocco, gilt borders of inter- 
lacing fillets and arabesques on the sides, in the centre of each 
cover the well-known medallion device of DEMETRIO CANEVARI 
representing the Chariot of the Sun, above it the title of the 
book printed in gold capitals, gilt edges; in a morocco slip case, 
From the library of Baron de La Roche Lacarelle. 


201. CAMPEGGI (RIDOLFO).: Lagrime di Maria Verg."*.. 


Engraved title. Ato. Bologna, 1617 


* Contemporary Italian brown morocco, gilt arabesque bor- 
ders, the corners formed by escutcheons containing the arms 
of France and the arms of Medicis, fleurons in the inner cor- 
ners, semis of fleurs-de-lys and ‘‘ besants” alternately placed, 
with the crowned ARMS OF QUEEN MARIE DE MEDICIs in the 
centre of each cover, gilt back and edges; in a morocco slip 
case. 

The PRESENTATION COPY to the Queen, to whom the work is 


dedicated. 
[See Reproduction. ] 


202. CARACCI (ANNIBALE). Pensieri diversi lineati 
et intagliati d’Annibale Caracci. Title engraved by Bloe- 
mart, and 40 plates by Caracct. Portrait of Pope Clement 
XI, engraved by Frezza, inserted. Ato. 

Presso Venanzio Monaldini [1609} 


* Italian silk binding of the beginning of the 19th century, 
embroidered gold borders on the sides, the arms of a member 
of the noble ALBINI FAMILY embroidered in colored silks and 
gold in the centre of each cover, gilt edges. 


203. CASTIGLIONE (BALDASSARE). Le Parfait Cour- 
tisan; de la traduction de Gabriel Chapuis (in French and 
Italian). 8vo. Lyon, 1580 


* Contemporary French binding in red morocco, the sides 
in mosaic compartments of citron and brown morocco coy- 
ered with gilt tooled ornaments, accompanied by interlaced 
Ys, ®s, @ and A and closed S.) gilt back, gilt edges, by 
CuLovis Eve (skilfully restored and rebacked). Probably 
bound for Philippe Des Portes, abbé de Thyron. 


204. CERVANTES-SAAVEDRA (MIGUEL DE). His- 
toire de 1’Admirable Don Quichotte de la Manche, Traduite 
de "Espagnol de Michel de Cervantes. Nouvelle edition. 
Illustrated with 55 plates, including frontispieces, and ruled 
with red lines. 6 vols. 12mo. Paris, 1713 


* Old French red morocco gilt, THE ARMS OF ELIZABETH 
FARNESE, QUEEN OF PHILIP V OF SPAIN, on the covers, fleurs- 
de-lys in the panels of the backs; doublure of olive morocco, 
with dentelle borders, gilt edges, probably by DUSEUIL. 


32 


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me eee ee 


BOOKS IN FINE BINDING—Continued. 


205. CERVANTES-SAAVEDRA (MIGUEL DE). Les 
Principales Avantures de l’admirable Don Quichotte, re- 
présentées en figures par Coypel, Picart le Romain, et 
autres habiles maitres. Mlewron on title, a vignette by 
Schley, and 31 very fine plates engraved by Fokke, Picart, 
Schley and Tanjé after Boucher, Cochin, Coypel, Lebas, 
Preart and Tremoliéres, all unnumbered and first impres- 
sions. Large 4to. La Haye: Pierre de Houdt, 1746: 


* LARGE PAPER. Old French red morocco, wide gilt tooled 
dentelle borders on the sides, baronial arms in the centre, gilt 
back and inside borders, blue silk linings, gilt edges, by 
PADELOUP. 


206. CHARTIER (JEAN). Histoire de Charles VII roy 
de France, par Jean Chartier, Jacques le Bouvier, Mathieu 
de Coucy, et autres autheurs du temps. Qui contient les 
choses les plus memorables, advenues depuis l’an 1422 
jusques en 1461. Folio. Paris: Imprimerie Royale, 1661 


* Old French olive morocco, panels of green morocco with 
an oval of olive morocco, enclosed in a gilt wreath and bearing 
THE ARMS OF KING LouIs XIV oF FRANCE; broad borders with 
a ‘‘semis” of ‘‘)’”’ repeated, also on the panels of the back, gilt 


edges, probably by BOYER. 


207. COMMINES (PHILIPPE DE). Cronique et his- 
toire contenant les choses advenues durant le regne du 
Roy Loys unziesme, & Charles huictiesme son filz. 16mo. 

Paris: par Jehan Ruelle, 1560 


*Old French brown morocco, medallion representing the 
Crucifixion stamped in gold on the centre of each cover, and 
on the back, the skull, the royal arms of France, and the motto 
‘‘SPES MEA DEVS”, gilt edges; bound for Kina Henry III oF 
FRANCE. (Slightly restored.) 


208. COMMON PRAYER (The booke of), and adminis- 
tration of the Sacramentes, and other rites and Ceremonies 
in the churche of Englande (with The Psalter or Psalms of 
David, after the translation of the great Bible, poynted as. 
it shal be saide or song in Churches, with Certayne Godly 
Prayers). Black letter. Titles within woodcut figured bor- 
ders, the first in red and black. Imprinted at London in 
Powles Churchyard, by Richard Jugge and Iohn Cawood, 
1571.—The Whole Boke of Psalmes, collected into Englishe 
metre by T. Sternhold, W. Whitingham, I. Hopkins, and 
others. Black letter. Title within woodcut border, and 
music noted on 5 lines. Imprinted at London by John 
Day, 1571. In one volume, small 4to. (Slight defect on 
one leaf, injuring two words of text.) London, 1571 


*Contemporary English (or Lyonnese) binding in calf, the 
sides stamped with large centre and corner ornaments painted 
white, brown and green on a gold ground, the spaces between 
the ornaments splashed with white, richly gilt back, gauffred 
and painted gilt edges (in a blue morocco slip case). 

No FINER Copy of the Common Prayer, Psalter and Psalms. 


38 


BOOKS IN FINE BINDING—Continued. 


of 1571 could be desired, It is said to have been bound by 
ARCHBISHOP PARKER’S BINDER, but the binding is characteristic 
of the Lyonnese style, of which many specimens were executed 
late in Queen Elizabeth’s reign, and through the reign of 
King James I. From the libraries of Lord Crawford and Lord 
Amherst, 


209. COMMON PRAYER (The Book of) and Adminis- 
tration of the Sacraments and other Rites and Ceremonies 
of the Church. 8vo. London: John Baskett, 1719 


* Contemporary English morocco, inlaid with black and red, 
the centre pieces and corners being tulips of green. Bound 
without any back, which is an unusual form of bookbinding. 
The inlays are of a character rarely found, the tulips and 
lozenge centre and corner-pieces are in chamois leather 
stained green, and the narrow fillet inlays are of light brown 
morocco. Probably from the workshop of Charles Mearne or 
his successors. (Upper cover loose.) 


210. COMMON PRAYER (The Book of) and Adminis- 
tration of the Sacraments and other Rites and Ceremonies 
of the Chureh. 12mo. Oxford, 1772 


* Contemporary binding in repoussé silver, the sides divided 
into compartments formed by floral scroll ornaments and 
medallions representing scriptural scenes, repoussé silver back 
and clasp. 


211. COWLEY (ABRAHAM). Works, now published 
out of the author’s original copies. Seventh Edition. Por- 
travt engraved by Faithorne. Folio. 

London: H. Herringman, 1681 


* Contemporary English binding in red morocco, gilt panelled 
sides, inlays of citron and blue morocco, covered with designs 
of flowers and fruit, stars and crescents, gilt edges. A MOST 
ELABORATE AND REMARKABLE SPECIMEN OF ENGLISH BIBLIO- 
PEGY OF THE PERIOD. From the library of Silence Folkes 
with her book-plate, and inscriptions on title: ‘‘Silence Folkes 
her booke Anno Dni 1705,” and ‘‘ Given by my good friend Mrs, 
March.” 


212. DIAMANTE DEL CRISTIANO, devocionario com- 
pleto nuevamente revisado que contiene las Horas divinas, 
ete. Hngraved plates. 16mo. Barcelona, 1855 

* Contemporary Spanish binding in mother-of-pearl, the front 


cover carved to represent the Flight into Egypt, velvet back, 
silver clasp, gilt edges. 


213. DIODORUS SICULUS. Bibliothece Historic libri 
XVII. Thick 16mo. 
Lugduni: apud Hered. Seb. Gryphii, 1559 


* Contemporary French calf, the sides stamped in a rich de- 
sign of arabesques and scrolls painted green, white and black, 
on a gold ground, WITH THE ARMS OF JACQUES MALINFANT OF 
TOULOUSE, almoner to the Queen of Navarre, stamped in gold 
in the centre of each cover, painted and gilt ornamental panels 
on the back, gauffred and painted gilt edges (skilfully rebacked 
and corners restored), Ina morocco case. From the Firmin- 
Didot collection. 


34 


BOOKS IN FINE BINDING—Continued. 


214. DONNE (JOHN). The Poems of John Donne, 
from the text of the edition of 1633. Revised by James 
Russell Lowell, with the various readings of the other edi- 
tions of the seventeenth century, and with a Preface, an 
Introduction and Notes by Charles Eliot Norton. 2 etched 
portraits. 2 vols. 12mo. New York: The Grolier Club, 1895 


* Green levant morocco, gilt and mosaic decoration in com- 
partments, and panels of dark blue and light brown morocco, 
doublure of red morocco tooled in narrow borders, red moiré 
silk linings in cases, by The Club Bindery. One of 380 copies. 


215. DORE (PIERRE). L’Image de vertu demonstrant 
la perfection & saincte vie de la bienheurée vierge Marie 
mére de dieu. Ruled throughout in red. Smail cut on title 
and woodcut initials. 8vo. Paris: Maistre P. Vidoue, 1540 

* Contemporary French binding in brown morocco, gilt 
panelled sides formed by ornamental borders, gilt arabesques 
in the inner panel, the arms of KING FRANCIS I OF FRANCE, 
surrounded by the order of St. Michel, in the centre of each 
cover, gauffred gilt edges (skilfully restored). In a morocco 
slip case. From the Baron Double library, and reproduced in 
Guigard’s ‘‘ Nouvel Armorial du Bibliophile.”’ 


216. DUCLOS (CHARLES PINOT). Considerations sur 
les Moeurs de ce siécle. Portrait engraved by Duflos after De 
La Tour and a plate by De Lafosse after Gravelot. 12mo. 

Paris, 1764 

* Old French red morocco gilt, with the arms of a Lady of 

the Du PLESSIS DE WIGNEROT DE RICHELIEU D’AIGUILLON 

family, accompanied by another coat of arms, probably those 

of her husband, stamped in gold on the centre of the covers, 
gilt edges, probably by Padeloup. 


217. ECHARD (LAURENCE). A General Ecclesiastical 
History. Folio. London. 1702 
* In a 17th century repoussé and pierced metal binding, or- 
namental borders on the sides, the Crucifixion on the front 
cover, and the Resurrection on the back; repoussé and pierced 

back and clasps. 


218. ELLIS (JOHN). S. Austin Imitated: or Retrac- 
tations and Repentings In reference unto the late Civil and 
Ecclesiastical Changes in this Nation. With the ‘ Leaf of 
approbation ” preceding the engraved title. Small 4to, old 
morocco, gilt edges, gilt back, stamped on each side with 
THE ARMS OF CHARLES II OF ENGLAND. 

London: W. Godbid [1662] 


219. EMERSON (R. W.). Poems. FIRST EDITION. 
12mo. Boston, 1847 
* Light green levant morocco, entirely tooled and gilt ina 
design of trefoils and stars, with the author’s name in the 
centre, gilt edges, by the Doves Bindery. In a morocco slip 
case. 

The following, IN THE AUTOGRAPH OF T. J. COBDEN-SANDER- 
SON, is written on one of the fly-leaves: ‘‘Hmerson. Designed 
by me & Bound at the Doves Bindery, Hammersmith, for Mr. 

Robert Hoe, New York. T. J. Cobden-Sanderson, 1894.” 


35 


BOOKS IN FINE BINDING—Continued. 


220. EPISTOLA INDICA et Japanice de multarum 
gentium ad Christi fidem, per Societatem Jesu conversione. 
Item de Tartarorum potentia, moribus, et totius Asiz re- 
ligione. 2 vols. in one, 8vo. 

Lovanij: apud Rutgerum Velpium, 1570 


* Brown levant morocco, the sides covered with a rich 
Grolieresque design formed by interlaced bands in dark brown 
and citron morocco outlined in gold, gilt mosaic back; doublure 
of green morocco, entirely tooled and gilt in an elegant lace 
design, gilt edges, by Capé. Ina morocco slip case. A beau- 
tiful specimen of modern binding. 


221. ESCHERNY (F. L. D’). Mélanges de Littérature, 
d’Histoire, de Morale et de Philosophie. 3 vols. 12mo. 
Paris, 1811 


* Contemporary French red straight-grain morocco, gilt bor- 
ders on the sides, WITH THE ARMS OF NAPOLEON I. stamped in 
gold in the centre of the covers, gilt backs and edges. 


222. EVANGELIUM SANCTUM D. N. Jesu Christi con- 
scriptum a quatuor Evangelistis, arabice et latine. 154 
woodcuts by L. Penns after Tempesta. Folio. 

Rome: in typographia Medicea, 1590 
* Brown morocco, the sides richly tooled and gilt, with orna- 
mental corner pieces in mosaic on a gold ground, 4 mosaic 
dragons, 4 gold lions and 2 gilt medallions in imitation of an- 
cient cameos; in the centre a sunken oval panel of ivory morocco 
with figures of Sagittarius and arabesques painted brown and 
outlined in gold, the ground covered by a semis of stars, in the 
inner centre a coat of arms stamped in gold and silver within 
an ornament of arabesques, gilt mosaic back, gilt edges, in a 
morocco case. The Hoe catalogue states the arms to be those 
of Claude de Boullion. 


223. EXERCISE Spirituel, ot le Chrestien peut appren- 
dre la maniére d’employer le jour au service de Dieu, par 
V.C. P.. Frontispiece and engraved plates. 8vo. 

Paris, 1664 


* Contemporary French binding of white satin, embroidered 
in an ornamental design of gold threads and cords forming a 
frame on each side; on that of the front cover being a painted 
and embroidered head of Christ, and in the one of the lower 
cover a head of the Virgin; back embroidered in colored silks, 
rose silk linings, gilt edges, in a cloth case. 


294. FAERNUS (GABRIEL). Fabule Centum, ex anti- 


quis auctoribus delecte. (Text in French and in Latin.) 
Frontispiece and numerous fine copper engravings by C. Du 
Bosc. Ato. Londini, 1743 


* Contemporary English binding in compartments of mosaic 
formed of citron, blue and red morocco, within gold lines, and 
with ornaments of fleurons, dots, and stars, in the centre and 
corners the arms of an English nobleman, gilt back and broad 
inside borders, silk linings, gilt edges. In a morocco slip case. 
A very fine specimen of English 18th century mosaic binding in 
perfect condition. 


36 


BOOKS IN FINE BINDING—Continued. 


225. FENELON (F. DE SALIGNAC DE LA MOTHE). 
Ciuvres spirituelles. Nouvelle édition. Portrait engraved 
by Daulle after Vivien. 4 vols., Paris, 1752; Histoire de la 
Vie et des ouvrages de Fénelon, Amsterdam, 1729. Together, 
5 vols. 12mo. 


* Old French olive green morocco, gilt floral borders on the 
sides, with the ARMS OF PRINCESSE VICTOIRE-LOUISE-MARIE- 
THERESE, daughter of Louis XV, in the centre of the covers, 
gilt edges, by FOURNIER. 


226. FLAUBERT (GUSTAVE). Bouvard et Pécuchet. 
Ciuvre Posthume. First Epirion. 22 ORIGINAL WATER- 
COLOR SKETCHES ON MARGINS, HEAD-AND-TAIL PIECES, &c. Small 
8vo, dark blue levant morocco, elaborately decorated on back 
and sides in a design of intertwining flowers and leaves with 
inlays of light-blue, brown and red morocco, doublure of dark 
green levant with inlays of red and olive, red silk end-papers, 
gilt over rough leaves, original covers bound in, by GRUEL. 
In slip case. Paris: Alphonse Lemerre, 1881 


227. FRANCINI (HORACE DE). Hippiatrique. Ou 
est traicté des causes des maladies du Cheual tant interieures 
qu’exterieures. 4to. Paris, 1607 


* Old French olive morocco, THE ARMS OF JACQUES AUGUSTE 
DE THOU, and his second wife, Gasparde de La Chastre, stamped 
in gold on the centre of each cover, and their interlaced mono- 
gram repeated six times on the panels of the back, gilt edges. 
From the Library of Baron A. de Seilliére, with bookplate. 


228. GOMBAULD (JEAN OGIER DE). L’Endimion. 
Frontispiece-title and 16 plates engraved by Crispin de Pass, 
Léonard Gaultier, and Picart, brilliant impressions. First 
Epition. 8vo, old olive morocco, gilt back with the mono- 
gram I. M. in four panels, sides ornamented with stars and 
fleurs-de-lys with the same monogram repeated four times, 
the ARMS OF CARDINAL MAzarIN in the centre, gilt edges. 

Paris: Nicholas Buon, 1624 


229. GRAFFIGNY (FRANCOISE D’ISSEMBOURG 
D’HAPPONCOURT DE). Cenie. /Piéce en cinq actes. 
Représentée pour la premiére fois par les Comediens Francois 
Ordinaires du Roi, le 25 Juin 1750. 12mo, old red morocco 
gilt, gilt edges, with the arms of Martz JosiPHE DE SAXE, 
mother of Louis XVI, on the sides, by PapELoup. Paris, 1751 


_ 230. GUARINI (BATTISTA). II Pastor Fido, the Faith- 
ful Shepherd. A Pastoral now translated out of the originall. 
[By Sir Richard Fanshaw.| First Epirion. Portrait of 
Guarini engraved by Cross and a plate, and an wmserted por- 
trait by Fatthorne. Ato. London: R. Raworth, 1647 
* Contemporary English black morocco, WITH THE ARMS OF 

Kine CuHar_es I. of ENGLAND stamped in gold on the centre of 


37 


BOOKS IN FINE BINDING—Continued. 


each cover, gilt edges. THE PRESENTATION COPY to King Charles 
I, with his motto and signature ‘‘Dum spiro spero. C. R.’’ in 
his autograph on the first fly-leaf. Below it is the following 
inscription in a 17th century hand: ‘‘This book was presented 
to K. Charles I. by Sr. Richard Fanshaw, the translator; and 
the Motto above is of His Majesties own hand-writing.’’ The 
above is the copy mentioned by Lowndes. 


231. GUIDETTUS (JOHANNES). Cantus Ecclesiasticus 
Officii Majoris Hebdome, nune autem a Francisco Suriano 
emendatus. Officium vero a 8. Manlilo restitutum. /fuull- 
page copper engraving representing the Last Supper, wood- 
cut initials and music noted on 4 lines. Printed in black and 
red. Folio. (Leaf containing engraving mended.) 

Rome, 1619 


* Contemporary Italian binding in red morocco, the sides 
tooled and gilt in a design representing two saints conversing; 
architectural background, all within gilt tooled ornamental 
borders, gilt edges. A VERY UNUSUAL SPECIMEN. 


232. HERMANN (M. K.). Anterhaltungen eines Christen 
mit Gott und seinen Heiligen. Frontispiece and a plate. 
12mo. Augsburg [18th century | 


* Contemporary German binding in red straight-grain mo- 
rocco, ornamental silver frames of open work on both sides, 
and centre ornaments, the one on the front cover representing 
the Crucifixion, and that on the back, cover, the Resurrection; 
ornamental silver piece on the back, Abraham ready to sacri- 
fice his son, silver clasps, gilt edges. 


233. HEURES Imprimées par l’ordre de Monseigneur le 
Cardinal de Noailles, Archeveque de Paris; A l’usage de 
son Diocése. Portrat of Clement XI, inserted, and 3 plates 
engraved by Thomassin, with the arms of Cardinal Noailles 
on each plate. Ruled in red ink. 12mo. Paris, 1701 


* Old French red morocco gilt, THE ARMS OF POPE CLEMENT 
XI on the centre of each cover, the tiara and crossed keys alter- 
nately stamped on the panels of the back; doublure of red mo- 
rocco, with dentelle borders, and the crossed keys surmounted 
by the tiara in the centre, gilt edges, by DusruiL. Probably 
the copy presented to the Pope by Cardinal de Noailles. 


234. HEURES Nouvelles dediées a Madame Royale, con- 
tenant Les Exercises du Matin & du Soir. 12mo. 
Bruxelles: Jean Joseph Boucherie [1759] 


* Old French red morocco, gilt tooled dentelle borders on the 
sides, in the centre a large vase filled with flowers and sur- 
rounded by insects, -gilt back and inside borders, silk linings, 
gilt edges, by PADELOUP, in a morocco slip ease. 

A MOST EXQUISITE SPECIMEN OF BINDING. Copper-plate of 
the Crucifixion by J. Galle inserted. This volume formerly be- 
longed to the PRINCESS ELIZABETH, sister of Louis XVI, and 
has her autograph signature, dated from the Temple, 1793, 
where she was imprisoned prior to her execution the following 
year. 

This is the earliest known specimen of typography from a 
Brussels press in which the script type is in imitation of 
engraving. 

38 


BOOKS IN FINE BINDING—Continued. 


235. HEURES Nouvelles dédiées a la Reine. Rare frontis- 
prece containing the portrait of Marre Leczinska, praying, and 
copper-plates. 12mo. . Paris, 1761 

* Old French green morocco, the sides with mosaic ornaments. 
in red and citron morocco elaborately tooled and gilt, pointillé 
ground, on the centre of the front cover an oval miniature paint- 
ing representing St. Peter, another on the back representing St. 
Therese; gilt tooled mosaic back, gilt inside borders, silk linings, 
by PADELOUP. REMARKABLE SPECIMEN; in morocco slip case. 


236. HOE (ROBERT). One Hundred and Seventy-Six 
Historic and Artistic Book-Bindings, dating from the Fif- 
teenth Century to the Present Time. Pictured by etchings, 
autotypes, and lithographs, after the originals, selected from 
the library of Robert Hoe. 2 vols. royal 4to, brown levant 
morocco, gilt fillets, doublure of red morocco, large corner 
ornaments of scrolls, azure tooled, gilt edges, by Merctzr. 
(Small stain on two margins. ) 

New York: Dodd, Mead and Co., 1895 
* THE ONLY COPY PRINTED WITH THE ILLUSTRATIONS ON VEL- 


LUM, and the text on Japan paper. Annotated by Carolyn 
Shipman. 


237. HUGO (HERMANNUS). Pia Desideria Emblem- 
atis, Elegiis & affectibus SS. Patrum illustrata. 46 emblem- 
atic woodcuts by C. van Sichem, and several remarkable tail- 
preces, apparently from silver plates. Small 8vo. 


Antuerpie, 1628 

* Old French red morocco, the sides and back richly tooled 

and gilt, with inscription in the centre of each cover: ‘‘ Hoc te 
munere donarvit Claudius Tapin, 1642’’; gilt edges. 


238. HYGINUS. Fabularum liber, ad omnium poetarum 
lectionem mire necessarius & antehac nunquam excusus. 
Poeticon astronomicon libri quatuor. Palephati de fabulosis 
narrationibus, liber I, ete. Folio. 

Basileew: apud Ioan. Hervagium, 1535 
* Old Italian brown morocco, gilt borders on the sides formed 
by interlacing bands, the spaces filled with arabesques, on the 
centre of each cover the Cameo medallion representing’ the 
Chariot of the Sun, surrounded by the Greek inscription, 
DEMETRIO CANEVARI, PHYSICIAN TO PoPpE URBAN VIII. Over 
the medallion of the front cover the title of the book is tooled 
in gold capitals, gilt edges. IN THE FINEST CONDITION. In a 
morocco slip case. From the Libri, Solar, Firmin-Didot and 
Techener libraries. 
Laid in is a strip of paper with.a Latin sentence said to be 
in the handwriting of Canevari. 


239. JEANNE (JACQUES). Thresor sacré des prero- 
gatives et grandeurs de la glorieuse et trés saincte Vierge 
Marie Mére de Dieu. Engraved title and fine copper-plates, 
8vo. Paris, 1620 


* Old French red morocco, gilt panelled sides, centre and 
‘corner ornaments of scrolls and pointillé in the inner panel, 
gilt tooled back, gilt edges, by Le Gascon. In morocco case. 
FINE SPECIMEN IN PERFECT CONDITION. From the Beckford 
Library. 

39 


BOOKS IN FINE BINDING—Continued. 


240. JOANNES CHRYSOSTOMUS. MHomélies ou Ser- 
mons au peuple d’Antioche. Ruled throughout in red. 8vo, 


Paris, 1689 


* Old French blue morocco, the sides in mosaic compartments 
of red and citron morocco richly tooled and gilt with pointillé 
ornaments, in the manner of Le Gascon, gilt mosaic back, gilt 
inside borders and edges, by PADELOUP, in a morocco slip case. 


241. JOANNES DAMASCENUS. Opera, grece et latine. | 
Item Ioannis Cassiani Eremite non prorsus dissimilis ar- 
gumenti. Folio. Basile, 1559 


* Contemporary French binding in brown morocco, gilt tooled 
borders of interlacings and arabesques on the sides, with inter- 
laced silver ‘‘HD’’ in the corners, central panels tooled and 
gilt with arabesques and small fleurs-de-lys, three interlaced 
silver crescents in the upper and lower part, the title of the 
work stamped in gold capitals in the centre of the front cover 
(much restored), in a morocco slip case. Probably bound for 
Henry II and DIANE DE POITIERS. 


242. JOVIUS (PAULUS). Historiarum sui temporis 


Tomus 


Primus (Vol. I only). Folio. 
Florentie: Laurentius Torrentinus, 1550 


* FROM THE MAIOLI COLLECTION IN A XVITH CENTURY ITALIAN 
BINDING in brown calf with an exquisite pattern on the sides of 
geometrical interlacements in compartments, formed of bands 
painted in black within gold lines, some of the spaces filled with 
gold dots, and two at the top and the bottom, having a decora- 
tion of arabesque ornament consisting of gold lines with varie- 
gated leaf-shapes; the title of the work stamped in gold capitals 
in the centre-piece of the front cover, the name ‘‘THO. MAIOoLII 
ET AMICORVM”’’ at the foot; and in the centre-piece of the lower 
cover Maioli’s motto ‘‘INGRATIS SERVIRE NEPHAS’’; back orna- 
mented in the same manner, gilt edges. ONE OF THE MOST 
MAGNIFICENT SPECIMENS OF BINDINGS EXECUTED FOR THOMAS 
Matoul. In straight-grained morocco ease. 


243. KEMPIS (THOMAS A). De Imitatione Christi 
libri IV. Engraved title; ruled throughout in red. Folio. 


Parisiis: e Typographia Regia, 1640. 
* Contemporary Italian binding embroidered in colored silks 
and silver threads, the ARMS OF POPE BENEDICT XIII em- 
broidered in the centre of each cover, satin linings, gilt edges, 
in a cloth case. A facsimile of this binding is given by Count 
Libri in his Monuments peu connus, ete. Exhibited at the Art 
Treasures Exhibition in 1876. 
The above volume is the first production of the Imprimerie 
Royale established by Cardinal Richelieu. 


[See Reproduction. ] 
40 


emsegetroencsey 
pret Sroene ns 


statute ee 


be ie “ee ; 


# 
z 
in 


Peis NET SO 


A’KEMPIS: ITALIAN EMBROIDERED BINDING FoR PopE BENEDICT VIII. 
(See No. 243.) 


BOOKS IN FINE BINDING—Continued. 


244, KEMPIS (THOMAS A). De l’Imitation de Jesus 
Christ. Traduction nouvelle par le Sieur de Beiiil (L. I. Le 
Maistre de Sacy). Frontispiece and 4 plates engraved by 
Audran and Bosse after Baugin. 8vo. Paris, 1663 


* Old red morocco, gilt crowned H within laurel branches 
in the corners, with the arms of HENRIETTA MaRIA, Queen of 
Charles I of England, in the centre of each cover, surrounded 
by a laurel wreath, the crowned H repeated in the panels of 
the back, gilt edges in a levant morocco slip case. Portrait of 
aver Henrietta Maria, engraved by Hollar after Van Dyck, 
aid in, 


245. KEMPIS {THOMAS A). L’Imitation de Jesus- 
Christ. Traduction nouvelle par le Sieur de Beiiil. Ruled 
throughout with red ink. Frontispiece and 4 plates. 8vo. 

Paris, 1690 
* Old French citron morocco, the sides and back worked in a 
mosaic in red, green, ivory and dark brown morocco with gilt 
toolings; doublure of olive morocco richly tooled and gilt in 
an ornamental design in the Louis XV style, gilt end papers, 
gilt painted edges, by MONNIER (signed six times, once on each 
outside cover and twice on each inside cover). In a morocco 
case. ONE OF THE FINEST BINDINGS EXECUTED BY MONNIER, 
and one of the most remarkable for its curious effects. The 
mosaic designs represent personages in Chinese costume, among 
pagodas, flowers and animals, including a parrot, a dog and a 
camel led by a negro. 


[See Frontispiece. ] 


246. KLEINKNECHT (C. D.). Immer Quellender Brunn 
Taglich-Heiligher Andachten. Frontispiece and 4 plates 
engraved by Friderich. 12mo. Ulm, 1735 


* Contemporary German binding in repousse silver, on the 
front cover a representation of the Annunciation, and on the 
back cover one of the Nativity ; repoussé back and clasps, gilt 
edges. 


247. KRANTZ (ALBERTUS). Saxonia. Tle within 
an interlaced and ornamental woodcut border. Initials 
painted in gold and colors. Folio. Colonia, 1520 


* Old French dark brown calf, the sides covered with a geo- 
metrical design of interlacing bands painted black, ornaments 
and fleurons painted white and green, all outlined in gold. In 
the centre the title of the work, and in a cartouche at the 
bottom the name ‘10. GROLIERIL ET AMICORVM”’; on the 
centre of the lower part Grolier’s motto: ‘‘PORTIO MEA 
DOMINE SIT IN TERRA VIVENTIVM”’; gilt back, gilt edges, 
in a morocco slip case. From the library of Herr von Druffel, 
Minster, Westphalia. Unknown to Le Roux de Lincy. 


[See Reproduction. ] 
41 


BOOKS IN FINE BINDING—Continued. 


248. LACTANTIUS. Divinarum Institutionum libri VII; 
de Ira Dei liber I, etc. 16mo. (Lateral margin of title ent 
off.) Lugduni, 1594 


* Contemporary French red morocco, the sides and back 


tooled and gilt in a semis of fleurs-de-lys and crowned dolphins, 
crowned Hs in the corners, the arms of KING HENRY IV OF 
FRANCE surrounded by the orders of St. Michael and the Holy 
Ghost, stamped in gold in the centre of each cover, gilt edges 
(two corners and upper and lower part of back skilfully 
restored). In a morocco case. From the Double collection. 


249. LA FONTAINE (JEAN DE). Fables choisies, avec 
un nouveau commentaire par M. Coste. Portrait of La 
Fontaine engraved after Rigaud, plate of Atsop and ani- 
mals, and 249 vignettes engraved in copper. 2 vols. 12mo. 


Paris, 1769 

* Old French red morocco, with the arms of MARTE JOSEPHINE 

LOUISE DE SAVOIE, COMTESSE DE PROVENCE, in the centre of 
the covers, gilt backs and edges. 


250. LEONE EBREO. Léon Hébrieu de L’ Amour (traduit 
par Ponthus de Thyard). 2 vols. in one. 8vo. 
Lyon: Iean de Tournes, 1551 


* Old French brown morocco, gilt panelled sides, fleurons in 
the corners, centre ornaments with crowned Ls and crowned 
interlaced As, gilt back and edges, bound for King Louis XIII 
and Queen ANNA OF AUSTRIA, by Le Gascon; initials HD in 
the centre of the covers, probably added at a later date; in a 
morocco slip case. From the library of H. Bordes. 


251. LITANILZ omnium Sanctorum, cum selectis aliquot 
hymnis et orationibus. Ruled throughout with red ink. 2 
jine copper-plates. 8vo. 

Antuerpiz: ex officina Plantiniana, 1621 
* Old French red morocco, the sides tooled and gilt in com- 


partments formed by interlaced bands, with pointillé and other - 


ornaments, fleurs-de-lys and crowned Ls in the intervening 
spaces, THE ARMS OF KinG Louis XIII oF FRANCE in the centre 
of each cover, gilt back, the crowned Ls repeated 5 times in the 
panels, gilt edges, by LE Gascon. Ina morocco slip case. 


252. LITURGIE (LA), ec’est a dire le formulaire des 
priéres publiques, de l’administration des sacremens, et des 
autres ceremonies et cotitumes de 1|’Eglise, selon l’usage de 
l’Eglise Anglicane. 12mo. Londres, 1678 

* Contemporary English red morocco, the sides entirely tooled 
and gilt with pointillé in the manner of Le Gascon, central and 
lateral inlays of olive, green and citron morocco, outlined in 
gold, gilt-tooled back, gilt edges, probably by Charles Mearne 
in a morocco slip case. In the finest condition. 


253. LONGUS. Les Amours Pastorales de Daphnis et 
de Chloé. Plates engraved by Audran after Philippe 
ad’ Orléans. 12mo. The advertisement misbound. 

. [Paris], 1718 
* LARGE PAPER Light brown levant morocco, the sides in 


42 


a i 


PR ne ee ee 


TODS SORES ORO RT LITO ANNIE IE 
A ” 
st fede tetrediecs: + 


PER ALBEKTViMl 


Ss 
= 
a 
< 
ia] 
Na 
<i 
Fy 
‘) 
< 
e 
a 
e) 
a 
< 
9) 
3) 
es 
H 
Fy 
‘o) 
bi 
pu 
) 
S) 
a 
ee 
& 
= 
=) 
) 
ea 
oO 


(See No. 247.) 


el 
- 
“ 
‘ 
4 
. 


BOOKS IN FINE BINDING—Continued. 


mosaic compartments of ornamental leaves in darker brown, 
orange red and citron morocco, outlined in gold, and richly 
tooled and gilt with dots, in the manner of Padeloup; doublure 
of red levant, gilt borders, silk linings, gilt edges, by Marius 
prone in a morocco slip case. Plate of the Petits pieds inserted 
at end. 


254. LOWELL (JAMES RUSSELL). Conversations 
with Old Poets. First EDITION. Small 8vo. 
| Cambridge, 1845 


* Bound in white vellum, with decorative ornaments in gold 
on sides, yellow silk ties, original colors preserved, in brown 
morocco case, by T. J. Cobden-Sanderson. 

A most attractive example, not signed on the cover as usual, 
but 7n the binder’s autograph ‘‘ Lowell’s Conversations. Bound 
by me at Hampstead, 1893, T,. J. Cobden-Sanderson,”’ 


255. MAITLAND CLUB. Babell: a Satirical Poem, on 
the Proceedings of the General Assembly in the year 
M.DC. XCII. (by Archibald Piteairne). 4to. Edinburgh, 1830 


* THE ONLY COPY PRINTED ON VELLUM. Blue morocco, the 
sides in mosaic compartments of red, light blue, brown, ivory 
and citron morocco, all elaborately tooled and gilt with point- 
illé and fillet work, gilt mosaic back, gilt tooled inside bor- 
ders, doublure and linings of vellum, with floral borders 
illuminated in gold and colors, gauffred gilt edges, by Hayday. 
In a morocco slip case. A BEAUTIFUL SPECIMEN. 


256. MANTUANUS (BAPTISTA). Omnia Opera Bap- 
tistiz Mantuani Carmelite. Folio. 

Bononize: Benedictus Hectoris, 1502 
* Old French brown morocco, on the sides an ornament of 
interlaced ribbon painted in dark brown outlined with gold and 
arabesque in colors; on the centre of the front cover the title 
of the volume and in the lower part the name ‘‘I10 GROLIERII 
ET AMICORVM,” and on the centre of the back cover Grolier’s 
motto ‘‘PORTIO MEA DOMINE SIT IN TERRA VIVENTIVM,” gilt 
edges (very skilfully rebacked). In a morocco slip case. On 
the fly-leaf are the signatures of Thomas Ruddiman, 1730, and 
Alexander Boswell, 1758, both of Edinburgh. Not recorded by 

Le Roux de Lincy. 


257. MARTIAL. Epigrammaton libri, animadversi, 
emendati, et commentariolis luculenter explicati. 8vo. 


Sedani: Typis Ioannis Jannoni, 1624 
* Old French red morocco, gilt tooled dentelle borders on the 
sides, with a centre ornament inlaid in citron morocco within 
gold lines, gracefully tooled and gilt, gilt back, gilt inside bor- 
ders, colored and gilt paper linings and ends, gilt edges, by 
Padeloup, in a morocco slip case. 
[See Reproduction. ] 


43 


BOOKS IN FINE BINDING—Continued. 


258. METHODUS CATECHISMI Catholici, antea docte 
ex decreto 8. Concilij Tridentini S. D. N. Pij. V. Pont. 
Max. iussu scripti, ad parrochos. 16mo. Lugduni, 1579 


* Old French red morocco, the sides and back tooled and 
gilt with floral ovals, within a border of leaf sprays, in the cen- 
tre of the front cover an escutcheon ‘‘d la fasce chargée de 
trois fleur-de-lis,” and on the back cover a natural fleur-de-lys 
surrounded by the motto ‘‘ Expectata non eludet,” gilt edges. 
Probably bound for MARIE-MARGUERITE DE VALOIS DE SAINT- 
Remy (see Guigard ‘‘ Armorial du Bibliophile ”). From the 
White Knights and Heber collections. 


259. MISSALE ROMANUM ex decreto Sacrosancti Con- 
eilii tridentini restitutum. Hngraved title, 10 plates and 
borders by Messager. Folio. Parisiis, 1631 (altered to 1632) 


* Old French red morocco, panelled sides, exquisitely gilt 
tooled large centre pieces, lateral and corner pieces formed of 
scroll and pointillé work, gilt tooled back, gilt edges, sic LE 
GASCON. 


260. MUNSTER (SEBASTIEN). La Cosmographie Uni- 
verselle, contenant la situation de toutes les parties du 
monde, avec leurs proprietez et appartenances. Woodcut 
portrait of Munster, numerous maps (2 RELATING TO 
AMERICA) and views of cities, and nearly 900 other wood- 
cuts, including arms, portraits, etc. Folio. 

Au despens de Henry Pierre, 1556 


* Contemporary French binding in calf, the sides tooled and 
gilt in a sémis of fleurs-de-lys, centre ornaments painted blue 
and white, outlined in gold, enclosed within an oval studded 
with trefoils, the order of St. Michel, gilt medallions of KING 
HENRY II OF FRANCE, commemorative of his wars in Italy, 
Germany and France in the corners, gilt tooled and painted 
back, gilt edges (joints and corners skilfully restored), In a 
morocco slip case. From the H. Bordes collection. 


261. NAPOLEON AND JOSEPHINE. TESTAMENTUM 
Novum. Bound with Clement Marot and De Beza’s 
‘* Pseaumes de David.” Ruled in red ink. 12mo, red mo- 
rocco, richly tooled in panels, gilt edges, with gold: clasps 
on morocco thongs, by Le Gascon. In a modern ¢ase of 
brown levant morocco. Paris: Cellier, 1656-1659 


* Described in the Hoe catalogue as presentation copy from 
Josephine Beauharnais to Napoleon before her marriage to him, 
with autograph inscription, ‘‘ Au General Bonaparte. ce testa- 
ment Lutherain est presenté de part de la veuve Beauharnois,” 
and Napoleon’s signature below. It passed into the hands of 
Cardinal Fesch, Napoleon’s step-uncle, and was privately dis- 
posed of to the Duke of Sussex when the Fesch collection was 
sold in Paris. Contains bookplate of the Duke of Sussex. 


262. NATALIS (HIERONYMUS). Evangelice Historie 
Imagines Ex ordine Euangeliorum, que toto anno in Missze 
sacrificio recitantur. In ordinem temporis vite Christi 
digeste. Hngraved title and 153 plates by Jéréme, Jean, 
and Antoine Wierix, A. Collaert, and C. de Mallery, after 


44 


> 
SEC an seee 


baer | 


D BY PADELOUP. 


BOUN 


I 


1624 


ehaatizg 


iis 
~ 
Ye) 
Qn 
5 
o 
o 
RM 
a 


’S EPIGRAMS, 


MARTIAL 


BOOKS IN FINE BINDING—Continued. 


the designs of Martin de Vos and Bern. Pass. Ruled with 

red lines. Folio. Autuerpiz, 1596 

*Old English red morocco, mosaic compartments of black 

and citron morocco on the sides, elaborately tooled and gilt 

with pointillé and other ornaments, gilt back and edges, by 
SAMUEL MEARNE. 


263. OFFICE de laSemaine Saincte. Hngraved title and 
plates. 8vo. Paris, 1659 
* Old French red morocco, the sides’and back covered with a 


semis of crowned Ls and fleurs-de-lys, gilt edges, bound for 
KinG Louis XIV, 


264. OFFICE de la Semaine Sainte en Latin & en Fran- 
cois a usage de Rome & de Paris. Hngraved title and 3 
plates by Scotin. 8vo. Paris, 1746 

* Old French red morocco, gilt tooled sides in compartments, 
WITH THE ARMS OF MARIE LECZINSKA, Queen of Louis XV, in 
the centre of each cover and her crowned monogram in the 
corners, the same repeated five times on the panels of the back, 
gilt end-papers, gilt edges, by PADELOUP. 


265. OFFICIO della B. V. Maria per tutti i tempi dell’ 

anno. Frontispiece and 14 plates after J. Passarus. 8vo. 

Roma, 1756 

* Contemporary Italian binding in marbled calf, the sides in 

compartments formed by interlaced bands painted light blue 

and grey outlined in gold and accompanied by gilt ornaments, 

gilt back, painted gilt edges, in a contemporary and richly gilt 
marbled calf slip case. 


266. ORIENTAL BOOK COVER in repoussé silver for 
carrying the Koran, one of the sides worked in a design of 
leaves and flowers, and the other with circular ornaments 
in the Arabian style (7? x 54 inches). 19th century. 


267. PAUSANIAS. Accurata Grecie Descriptio, greece 
et latine, cum notis G. Xylandri et F. Sylburgii. Folio. 
Hanovie, 1613 


*Old French red morocco, gilt panelled sides, dentelle 
borders, the central panel covered with the monogram of 
CARDINAL EMANUEL OF SAVOY, alternated with fleurons, his 
arms stamped in gold on the centre of each cover, back gilt 
with same monograms, gilt edges, in morocco case. On the 
first fly-leaf is the following inscription: ‘‘ Ex dono [llus- 
trissimi Principis a Sabaudia Immanuelis Cardinalis anno 
1633.”” Bookplate of Hadrian Beverland with his autograph on 
title. From the Earl of Crawford’s library (second sale), Ex- 
hibited at the Burlington Fine Arts Club Exhibition of Bind- 
ings, 


268. PLUTARCH. Vite comparate illustrium virorum 
Grecorum et Romanorum. 3 vols. 16mo. 
Lugduni: apud Antonium Gryphium, 1566 


* Old French red morocco, the sides and back tooled and 
gilt with floral ovals, within a border of leaf-sprays, in the 
centre of the front covers an escutcheon ‘‘a la fasce chargée 
de trois jleur-de-lis,” and on the back covers a natural 


45 


BOOKS IN FINE BINDING—Continued. 


269. 


fleur-de-lys within the motto ‘‘expectata non eludet,” gilt 
edges, in morocco slip cases. 

Probably bound for MARIE-MARGUERITE DE VALOIS DE SAINT- 
Remy, daughter of Henry de Saint-Remy, natural son of King 
Henry III of France. See Guigard, ‘‘ Armorial du Bibkopo i: 
From the Didot and Double collections. 


PONTANUS (JOANNES JOVIANUS). Amorum 


libri II. De amore coniugali HI. Tumulorum II, ete. 
Initials painted in gold. 8vo. 


270. 


Venetiis: in sedibus Aldi et Andree soceri, 1518 

* FROM THE LIBRARY OF GROLIER, bound in contemporary 
brown morocco, the sides elegantly tooled and gilt in a geo- 
metrical interlaced pattern, with arabesques, on the centre of 
the front cover the title of the book printed in gold capitals, 
and on the lower part the name ‘‘ 10, GROLIERIL ET AMICORVM ” 
and on the centre of the back cover Grolier’s motto, ‘‘ PORTIO 
MEA DOMINE SIT IN TERRA VIVENTIVM”’; gilt back, vellum fly- 
leaves. gilt edges. On the lower cover there have been added, 
probably by another owner, two crescents, painted in white 


and red. Corners very skilfully restored. In red morocco slip 
case. 


In this volume the ownership of Grolier is further established 
by his autograph signature on the verso of leaf 64, which reads, 
‘‘Io, Grolierij Lugdunensis et amicorum.” From the De Selle, 
Léon Techener, Baron Franchetti, and Count de Mosburg col- 
lections. Le Roux de Lincy, 251. 


PORTFOLIO. A morocco portfolio, in 8vo, the 


sides gilt in a sémis of fleurs-de-lys, enclosed in lozenges, 
and lined with silk. 


271. PROCES-VERBAL de l’assemblée de notables, tenue 
a Versailles, en l’année M DCCLXXXVII. 4to. Paris, 1788 


272. 


* Old French red morocco, with the arms of the DAUPHIN 
LovulIs-JOsEPH (d. 1789), first son of Louis XVI, stamped in the 
centre of the covers, and his crowned monogram repeated on 
the panels of the back, gilt edges. 


PROCOPIUS. De Bello Persico. FIRst EDITION. 


Small folio. Rome: Eucharius Silber, 1509 


* FROM THE MAIOLI LIBRARY, bound in old Italian calf, the 
sides in compartments formed by bands painted black and 
silver and outlined in gold, filled in with gilt scrolls and ara- 
besques, some painted red and silver, the ground of the cen- 
tral compartment covered by a thick pointillé of gold, the title 
of the work in the centre of the front cover, and the inscription 
‘‘ THO. MAIOLI ET AMICORVM”’ at the bottom; and Maioli’s in- 
terlaced monogram in the centre of the back cover, gilt back, 
gilt edges, in a morocco slip case. One side slightly cracked 
and some slight restorations, otherwise one of the most beau- 
tiful specimens executed for Maioli. From the Didot and 
Mosbourg collections. 

[See Reproduction. ] 
46 


BOOKS IN FINE BINDING—Continued. 


273. PSAULTIER DE DAVID, contenant cent cin- 
quante Pseaumes, avec les Hymnes et Cantiques de toute 
Année. Ruled throughout in red. With a copperplate. 

Paris: Iamet Mettayer, 1586 


* Contemporary French olive morocco, in the centre of the 
upper cover a gilt medallion representing the Crucifixion, and 
on that of the lower one the ARMS OF KING HENRY III, skullsin 
the corners; skull, arms of France, fleurs-de-lys and the motto 
‘‘SPES, MEA. DEVS.” on the panels of the back, gilt edges 
(corners and back slightly restored), in a levant morocco slip 
case. Engraved portrait of King Henry III inserted. 


274. RECUEIL des Portraits et Eloges en vers et en 
prose [de personnage de temps, par Mlle. de Montpensier et 
autres]. 8vo. Paris, 1659 


* Old French red morocco, gilt triple fillet borders on the 
sides, and fleurs-de-lys in the corners, repeated five times in the 
panels of the back, with THE ARMS OF MARIE-ANNE-LOUISE 
D'ORLEANS, DUCHESSE DE MONTPENSIER stamped in gold in 
centre of each cover, gilt edges. In morocco case. IN THE 
FINEST CONDITION. 

Third edition. Not only did ‘‘la Grande Mademoiselle” 
own this copy, but she is believed to have contributed several 
of the ‘‘portraits.” On the title is the signature of Charles de 
Lorraine (fifth duke of the name), to whom the book was 
probably given by Mademoiselle de Montpensier. From the 
libraries of C. Van Baviere, R. S. Turner, Baron de La Roche- 
Lacarelle and Count de Mosbourg, with book-plates. 


275. RECUEIL General des Caquets de ’ Acouchée. Ou 
discours facecieux, ou se voit les mceurs, actions, et facgons 
de faire des grands et petits dese siecle. FIRST COLLECTED 
EDITION. Hngraved frontispiece. 8vo. 

[Paris:] Imprimé au temps de ne se plus fascher, 1623 


* Orange levant morocco, the sides and back covered with 
mosaic compartments in red and blue, exquisitely tooled and 
gilt doublure of blue levant, wide gilt tooled dentelle bor- 
ders, gilt edges, by TRAUTZ-BAUZONNET. In pig-skin case, 
lined with deer-skin, 

THIS IS No. 18 OF THE TWENTY-TWO MOSAIC BINDINGS by 
TRAUTZ-BAUZONNET, and especially interesting on account of the 
design, which was never repeated: it was executed in 1876. 
From the library of Eugéne Paillet, with his autograph signa- 


ture. 
[See Reproduction. ] 


276. REGISTRE. Le Registre des ans passez puis la 
creation du monde iusques a lannee presente Mil cineq cens 
xxxii. Nearly 100 woodcuts colored by hand. Two parts in 
one volume. 4to, old red morocco, gilt back, ARMS OF 
MADAME DE POMPADOUR on the sides, gilt edges. 

Paris: Antoine Couteau pour Galliot du Pre, 1532 


47 


BOOKS IN FINE BINDING—Continued. 


277. SACRE et Couronnement de Louis XVI roi de France 
et de Navarre, a Rheims le 11 Juin 1775 (par l’abbé Pichon), 
précédés de recherches sur le sacré des rois de France (par 
Gobet). Engraved title, frontispiece, 48 full-page or double- 
page plates of the ceremomes and costumes of the coronation, 
within borders, 14 vignettes, and a plan of the city of Rheims, 
engraved by Patas. Ato. Paris, 1775 


* LARGE HOLLAND PAPER. Old French ra morocco, it triple 
line border on the sides, fleurs-de-lys in the corners, with the 
ROYAL ARMS OF FRANCE stamped in gold on the centre of cover, 
gilt back, gilt edges. Laid in is an official document, dated 1777, 
signed by Louis XVI. 


278. SALLUSTIUS. De coniuratione Catiline. Eiusdem 
de Bello Iugurthino, etc. First AupIngE Epition. Initials 
painted in gold, and colored anchor. 8vo. 

Venetiis, in edibus Aldi et Andres Asulani, 1509 


* FROM THE LIBRARY OF GROLJER bound in old marbled brown 
morocco, the sides tooled and gilt in a geometrical pattern, in 
the centre of the front cover the title of the book in gold capi- 
tals, and in the lower part the name ‘‘10. GROLIERII ET AMI- 
CORVM’’; and in the center of the back cover Grolier’s motto 
‘¢PORTIO MEA DOMINE SIT IN TERRA VIVENTIVM,’’ gilt back, gilt 

edges, vellum fly leaves, in a morocco slip ease. 

From the Libri and Baron de La Roche Lacanelle collection. 
Le Roux de Liney, no. 270 (?). 


279. SANNAZARO (JACOPO). Arcadia, Vinegia, 


Marchio Sessa, 1532; Rime di Messer Giacobo Sannazaro, 
Vinegia, Nicolo d’Aristotile, 1532; Ameto di Giovanni Boe- 
caecio, Vinegia, G. de Gregori, 1526. In one vol. 8vo. 


* Old black morocco, gilt panelled sides, centres lozenges, 
with a figure holding a flag on the front :cover and inscription 
on the back, gilt edges (much restored). In a morocco ease. 


280. SAVONAROLA (HIERONYMUS). De Simplicitate 
christiane Vite libri V. Ruled throughout in red. Engraved 
title wluminated wn gold and colors, and letters of address and 
dedication heightened with gold. 12mo. Antuerpixw, 1635 


* Old French citron morocco, gilt panelled sides, outside and 
inner fleurons, pointillé tooling in the panels, inlaid centre 
pieces of red morocco with interlaced Ns on the front cover and 
interlaced Bs on the back cover, gilt back, silver clasps, gauffred 
and painted gilt edges, by Lk Gascon. Presentation copy from 
the editor, Jean Balesdens, to NicouAsS BARREAU, almoner of 
King Louis XIII, to whom the volume is dedicated. 


281. STRADA (IACOBUS DE), Epitome du Thresor 
des Antiquitez, traduit par Iean Louveau d’Orléans. Numer- 
ous cuts of ancient Roman medals. Ato. 

Lyon: Jacques de Strada et Thomas Guerin, 1553 


* Old French brown morocco, the sides tooled and gilt in com- 
partments formed by interlacings, the spaces occupied by leaf 
Sprays and arabesques, gilt back and edges, by CuLovis EvE. 
Fine specimen from the Beckford Library. 


48 


BOOKS IN FINE BINDING—Continued. 


282. TASSO (TORQUATO). la Gerusalemme Liberata 
con le figure di Giambatista Piazzetta. Frontispiece, portratt 
of Empress Maria Theresa, 20 plates within ornamental bor- 
ders, initials, letters, vignettes and tail-pieces, engraved by 
Polanzani after Piazzetta. Large folio. Venegia, 1745 


* Old French red morocco, richly gilt tooled borders of leaves 
on the sides, inner corner ornaments of flowers and leaves, the 
ARMS OF LOUIS-JULES BARON MANCINI MAZARINI, Duc DE 
NIVERNAIS, on the centre of both covers, gilt back; doublure of 
olive morocco, gilt tooled broad dentelle borders, with the same 
arms stamped in the corners, silk linings, gilt edges, by 
PADELOUP, with his ticket pasted at the foot of the frontispiece. 
In a morocco slip-case. A MAGNIFICANT SPECIMEN. 


283. TAYLOR (JEREMY). The Rule and Exercises of 
Holy Living; The Rule and Exercises of Holy Dying. En- 
graved frontispreces and 2 plates. In one volume, 8vo. 

London: M. Flesher for Richard Royston, 1686 


* Contemporary English binding in red morocco, the sides in 
mosaic compartments of ivory and black morocco, richly tooled 
and gilt with flowers, leaf-sprays, scrolls, ete., gilt mosaic back, 
THE FORE EDGES PAINTED to a floral design and gilded, by 
SAMUEL MEARNE. In a morocco case. 


284. TENNYSON (ALFRED, LORD). Maud. First 
Epition. 12mo. London: E. Moxon, 1855 


* Crimson levant morocco, sides and back covered with rich 
tooling of roses and leaves, foliage inside borders, foliage 
gauffred edges, by COBDEN-SANDERSON, signed ‘418 C. 8. §0.’? 
In maroon morocco solander case. 


AN EARLY AND EXQUISITE SPECIMEN. 


285. TESTAMENT (Her NinUWE) onses Heeren I[esu 
Christi. Title within an architectural woodcut border. 8vo. 
Middelburch, 1617 


* SEVENTEENTH CENTURY DUTCH BINDING IN PURPLE SILK, 
borders of flowers embroidered in colored silks and gold thread 
in the sides, corner pieces of gold thread and pearls, with a 
medallion containing a representation 3f Faith on the front 
cover, and of Hope on the back cover, both in fine needlework; 
large fleurons on the, back in gold thread and pearls, gauffred 
gilt edges, in a silk velvet bag. 


286. TESTAMENT (Het Nieuwe), ofte alle Boeken des 
Nieuwen Verbonts onses Heeren Jesu Christi. Hngraved 
title. 16mo. Amsterdam, 1700 

* Dutch binding of tortoise shell, of the first part of the 19th 
century, ornamental central panels, silver hinges, silver filigree 
clasps, gilt, edges. 

In the same volume are bound two other works of a devotional 
character. 


49 


BOOKS IN FINE BINDING—Continued. 


287. THEOPHRASTUS. De historia plantarum libri 
decem. Eiusdem de causis plantarum . .. Aristotelis proble- 
matum..., grece. Small folio.. Venetiis: Aldus, 1497 


* FROM THE LIBRARY OF HENRY II AND DIANA DE POICTIERS. 
OLIVE MOROCCO, GILT GAUFFRED EDGES, THE SIDES BEAUTIFULLY 
ORNAMENTED WITH THE ROYAL ARMS, INTERLACED D HD, INTER- 
LACED CRESCENT, BOW AND FLEURS-DE-LYS, WITH CLASPS. In a 
red morocco slip case. 

A wonderfully fine example of the famous library of Anet, 
with the back entirely sound, which is a circumstance of extra- 
ordinary rarity in volumes of this kind. The ornamental design 
by the binder is contained within a broad rectangular frame- 
work on the sides, which is formed by a number of fillets, gilt 
and blind tooled. The pattern of the inner panel is a gilt 
geometrical interlacement. Above the upper border the title is 
stamped in gold, outside and beneath it are the crescent and the 
D.H.D. In the central space are the royal arms, collar and 
crowned H.H. within an ornamental frame composed of four 
united bows, around which are scattered the crescent and other 
devices. At the top of the central compartment the letter A. in 
gold, which may mean Anet. It cannot be the Greek numeral 
‘fone,’’? because this volume is complete in itself, and if con- 
sidered in relation to the set of Aristotle, published by Aldus, 
could only be considered as volume V, not volume I. On the 
front edge the letter H stands in the midst of the arabesque 
gauffering; on the top edge is the D and H monogram, and on 
the bottom the interlaced crescents. 


[See Reproduction. ] 


288. TURBERVILLE (GEORGE). The Booke of Faul- 
conrie or Hauking, for the onely delight and pleasure of all 
Noblemen and Gentlemen: collected out of the best authors, 
as well Italian as Frenchmen, ete. Gothic type. Curious 
woodcuts. Ato. London: for Christopher Barker, 1575 


* Old blue velvet, silver bosses and large silver falcons on the 
sides, red silk linings, gauffred gilt edges, in a morocco slip 
case. 


289. TURBERVILLE (GEORGE). The Noble Arte of 
Venerie or Hunting. Wherein is handled and set out the 
Vertues, Nature and Properties of fivetene sundrie Chaces 
Togither with the order and maner how to hunte and kill 
every one of them. Gothic type. Numerous curious wood- 
cuts and 4 pp. of music at end. Ato. 

[London] emprinted by Henry Bynneman for Christopher 
Barker [1575]. 


* Stag skin, silver corner bosses and stags on the sides, doub- 
lure and linings of sprinkled calf gilt and blind tooled, with 
rabbits and foxes stamped in the centre, gauffred gilt edges, 
in a morocco slip case. 


50 


SS 


Mosaic BINDING BY TRAUTZ-BAUZONNET. 


(See No. 275.) 


BOOKS IN FINE BINDING—Continued. 


290. VENETIAN BOOK-COVER in morocco of the end 
of the 16th century. 8vo, gilt tooled sides and flaps in com- 
partments, with morocco bands, gilt chased and pierced brass 
clasp. Saec. XVI. 


291. WHITE (FRANCIS). Treatise of the Sabbath-Day. 
Containing a Defence of the Orthodoxall Doctrine of the 
Chureh of England, against Sabbatarian-Novelty. 4to. 

London, 1635 

*Contemporary English binding in brown morocco, gilt 

panelled sides, the arms of ARCHBISHOP LAUD stamped in gold 

in the centre of each cover, gilt edges. From the Amherst 
Library. 


TWENTY-SECOND SESSION, TUESDAY, 2:30 P.M. 


292. B (J.). The Epitomie of the Art of Husbandry. 

* Comprizing all necessary Directions for the 
Improvement of it, viz. Plowing, Sowing, Grafting, Gar- 
dening, Ordering of Flowers, Herbs; Directions for the Use 
of the Angle, ordering of Bees, &c. To which is Annexed 
by way of Appendix, a New Method of Planting Fruit- 
Trees, and Improving of an Orchard: With directions for 
Taking, Ordering, Teaching and Curing of Singing Birds, 
by J. B. Gent. Small 8vo, brown levant morocco gilt, gilt 
edges, by The Club Bindery. London, 1685 


293. B. (T.—Gent). A Poem of the Drawing Room; 
together with three Epilogues. The way of the World,— 
The Provoked Wife—The Pilgrim. Small 8vo, dark red 
roan, gilt edges. London: James Roberts, 1716 


294. BACHERIUS (PETRUS). MHortulus Precationum. 
Dat is het Hofkender bedinghen: Inhoudende velschoone 
ende costelijeke ghebeden, ghetrocken vut diversche heyli- 
ghe ende gheleerde mannen, met sommighe ghebeden op 
die Evangelien. Hach page within architectural woodcut 
borders and with woodcuts representing scenes from the life 
and passion of Christ. 4to, contemporary Flemish binding 
in calf, gilt panelled sides, corner and centre ornaments, 
gauffred gilt edges (rebacked and corners restored). Last 
leaf of table missing. Loeven: Jan Bogaert, 1566 


295. BACON (SIR FRANCIS). Essaies. Religious Medi- 
tations. Places of perswasion and disswasion. Seene and 
allowed. 16mo, green levant morocco gilt, gilt edges, by 


The Club Bindery. Printed at London for John Jaggard,1606 
* EXCESSIVELY RARE, Third edition and the first ‘‘ Pirated” 
edition of Bacon’s Essays, with the blank leaves completing 

the first and last signatures. 


51 


296. BACON (SIR FRANCIS). The Essaies of S* Fran- 
cis Bacon Knight, the Kings Solliciter Generall. 12mo, 
original vellum, gilt, with the original end-papers. 

Imprinted at London by Iohn Beale, 1612 


* FOURTH EDITION, enlarged. It is dedicated ‘‘To my loving 
brother, Sr John Constable,” and the Table calls for forty 
Essays; the last two, however, were not included—‘‘ Of the 
Publike ” and ‘‘Of Warre and Peace.” The ‘‘ Mediations ” and 
‘‘Colours of Good and Evil” were also omitted, but they are 
retained in Jaggard’s edition of the same date. 


297. BACON (SIR FRANCIS). The Wisdome of the 
Ancients, done into English by Sir Arthur Gorges, Knight. 
12mo, light brown levant morocco, gilt edges, by The Club 
Bindery. London: Imprinted by John Bill, 1619 

* The Latin edition was published in 1609. 


298. BACON (SIR FRANCIS). Certaine Miscellany 
Works of the Right Honovrable Francis Lo.-: Verulam. 
Published by William Rawley. Small 4to, brown levant 
morocco gilt, gilt edges and inside borders, by The Club 
Bindery. (Front margin badly cut by a former binder, 
though it still has considerable breadth.) 

London: Printed for I. Haviland, 1629 


* First EDITION. Contains the general title and three sepa- 
rate titles. 


299. BACON (SIR FRANCIS). The Two Bookes of 
Sr. Francis Bacon of the Proficience and Advancement of 
Learning, Divine and Hvmane. THIRD EDITION. Small 
4to, red levant morocco gilt, gilt edges, by The Club Bind- 
ery. Oxford: Printed by I. L. for Thomas Huggins, 1633 


300. BACON (SIR FRANCIS). Resuscitatio, or, bring- 
ing into Publick Light several Pieces of the Works, Civil, 
Historical, Philosophical, and Theological, hitherto Sleep- 
ing, of the Right Honourable Francis Bacon. Together 
with his Lordship’s Life. The Second Edition, somewhat 
enlarged. By William Rawley. Portrait. Folio, brown 
levant morocco gilt, gilt edges, by Chambolle-Duru. 

London: S. Griffin, 1661 


* Contains the extra leaf, signature Oo. ‘‘ Essay of Fame ” 
and the ‘‘ Perfect List” at the end. 


301. BACON (SIR FRANCIS). The Essays or Counsels. 
civil and moral, and Wisdom of the Ancients. Edited by 
Bb. Montagu. Thick 12mo, crimson levant morocco, sides 
and back covered with a decoration in pointillé seroll de- 
signs, doublure of crimson levant, gilt edges, by The Club 
pete signed by Leon Maillard, in half morocco cover. 

London: William Pickering [1845] 
* ONE OF ONLY TWO COPIES PRINTED ON VELLUM. With the 
ex libris of D, C. Majoribanks. 


52 


RK ER = * sm WES Ropero OM TRO ne nan ens ciliate 
sa : EIR pa ere OT no sespaeanetetiadinnar tae eel 
ipicanis sania eons ctantes ; 


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3802. BACON (SIR FRANCIS). Essays, Of the Profi- 
cience and Advancement of Learning; Novum Organum. 
Edited by B. Montagu. 3 vols. 12mo, calf, antique. 

London: Pickering [1845-1850-1851] 


303. BADAUDERIES PARISIENNES. Les Rassemble- 
ments physiologies de la rue observées et notées par Paul 
Adam, Athys, Blum, ete. Prologue par Octave Uzanne. 
Plates by Felix Vallotton and text illustrations by Fr. Cour- 
boin. 4to, figured silk, gilt top, uncut, original covers 
bound in. 

Paris: imprimé pour les Bibliophiles Indépendants, 1896 


* One of 225 copies printed on vellum paper, the full-page 
illustrations on Japan paper. 


304. BALBUS DE JANUA (JOHANNES). Summa que 
voeatur Catholicon. Gothic character, double columns, 
with the ** Incipit”’ printed in red; 372 unnumbered leaves 
(should be 373), without signatures and catchwords; 66 
lines to the page; rubricated throughout and initials painted 
in blue and red. FIRST EDITION. Large folio, red levant 
morocco, gilt inside borders, gilt edges, by Matthews, in a 


case. Mainz | John Gutenberg], 1460 

* This is regarded as the FOURTH BOOK PRINTED WITH A 
DATE, and its great rarity and value have been mentioned by 
many bibliographers. The missing leaf is the 189th, corre- 
sponding to signature vd. 

A CLEAN AND VERY LARGE COPY, having several leaves with 
rough edges, and with the ancient manuscript signatures still 
visible. On the top margin of the first page is the following 
inscription: ‘‘Iste liber pertinet ad fratres Carthusienses in 
domo Rutilana S. Sixti unanimiter commorantes.”” The Sun- 
derland (since rebound) and Ives copy. MHain-Copinger, 2254; 
Proctor, 146. 

[See Reproduction. ] 


305. BALLADS. Ancient Ballads & Broadsides Pub- 
lished in England in the Sixteenth Century, chiefly in the 
earlier years of the Reign of Queen Elizabeth. Reprinted 
from the unique original copies, mostly in black-letter, 
preserved in the library of Henry Huth, Esq. Thick small 
Ato, brown levant morocco, gold and blind tooled, doublure 
of maroon russia, gilt top, uncut, by Zaehnsdorf. 

London: Whittingham, 1867 


* One of 50 copies. Among the writers represented are W. 
Elderton. John Symon and George Mell. 


306. [BALZAC (J. L. G. DE).] Le Barbou. Vignette on 
title. FIRST EDITION. Small 8vo, red levant morocco, gilt 
fillets, gilt over rough edges, by Cuzin. (Frontispiece 
missing.) Paris: Augustin Courbé, 1648 

53 


307. BALZAC (J. L. G. DE). Lettres Familiéres de Mon- 
sieur de Balzac, a Monsieur Chapelain. Hngraved frontis- 
piece. 8vo, red levant morocco, gilt side panels, gilt edges, 
by The Club Bindery. Paris: A. Courbé, 1656 


308. BALZAC (J. L. G. DE). Les Entretiens. 12mo, blue 
levant morocco, entirely uncut, by Motte. 
Amsterdam: L. et D. Elzevier, 1663 
* Second Elzevier Edition. 


309. BALZAC (J. L. G. DE). Les Gkuvres Diverses. 12mo, 
blue levant morocco, entirely uncut, by Trautz-Bauzonnet. 
* Third Elzevier Edition. Amsterdam: D. Elzevier, 1664 


310. BALZAC (J. L. G@. DE). Lettres Choisies Du Sr. de 
Balzac. Engraved title. 12mo, red levant morocco, gilt 
fillets and corner ornaments, gilt top, uncut, by Chatelin. 

Amsterdam: les Elseviers, 1678 


311. BANKS (JOHN). The Innocent Usurper; or, The 
Death of the Lady JaneGray. A Tragedy. FIRST EDITION. 
Small 4to, dark blue levant morocco gilt, gilt edges, by The 


Club Bindery. London: Printed for R. Bentley, 1694 
* The performance of this play was prohibited by the author- 
ities. 


312. BANKS (JOHN). The Albion Queens: or, The 
Death of Mary, Queen of Seotland. A Tragedy. Small 
4to, half brown levant morocco, gilt edges, by Riviére. 

London: Ric. Wellington and E. Rumbal, 1704 


* This is ‘‘The Island Queens,” 1684, under a new title. 


3138. BANVILLE (THEODORE F. DE). Odes Funam- 
bulesques. /rontispiece engraved by Bracquemond, in two 
states (one on India paper), music score at page 8, and 
(inserted) portrait printed in red. 16mo, red levant morocco, 
gilt top, uncut, original covers bound in, by Cuzin. 

* First EDITION, printed on Holland paper. Alencon, 1857 


314. BAPST (GERMAIN). Histoire des Joyaux de la 
Couronne de France d’aprés des documents inédits. 40 
engraved illustrations. 4to, original covers, uncut. 

Paris, 1889 


* Presentation copy from the author, with inscription. 


315. BARBERINO (FRANCESCO). Documenti d’ Amore. 
Engraved title and 15 full-page plates by Bloemaert, Zuccaro, 
etc. Royal 8vo, green levant morocco, gilt fillets, gilt 
edges, in a case, by Noulhac. Roma: V. Mascardi, 1640 


316. BARBEY D’AUREVILLY (JULES). Du Dandysme 
et de G. Brummell. 16mo, cloth, uncut, original covers 
bound in, by Pierson. Caen: B. Marcel, 1845 

* First EDITION. From the library of Edmond de Goncourt, 
with his autograph. . 


54 


Onfirauces pfeera’ qua ored finthafiz uo 
cant nalct ad omni Autoy ¢xponcm.et 
jo niic & confteuccdne pnapaliter et 
' (uis fpocebus. et. ptibus dreemus.aind. 
te reaimime fubiiigemus.Saas ezqv gy. confhruic 
conn alia pfreta. hut illa que pfretu; fenfum ge 
Newt m ammo auditors. ut perms crit. Alia 
impezfecta ficur ila que impertectuz-fenfu; gene 
rat ut homo albus. 
Onfkzuccdnis quatuor.funt fpecies .fe3 mtza 
fitiua tzanfitiua reaproa et vetzanfitiua. Jn 
teanfitiua conitzucco ¢ illa m qua non ondituz fi 
eri rranficd actits ul paMionis v yna pezfona i m 
aliam.ut foes cunt.Czanfitina ¢ illa m qua on 
oitur ficri t2zanficd actus ul pafhomis ae vna plo 
nam aba.acus ut dhago te.paMonis.ut dilgor 
a te.Reaproca Calla in qua onditur fien reflex 
o actiie ul paffionis a 'vna pfona m feipfam.uel 
2 plunbuf'm feipis.Qng fingulanter qng plu 
raticcr. Smqulant ut dligo me.dilgor a me. plu 
raliter ut dilgimufnos.diligimur a nobis.ct D2 
a reci Qd iter et pzoco quod eft re. Jn recipzoca 
2. reiteahua. Reteanfitina ¢illa.m qua onditur 
fier tzanficd actus ul paffionis a vna pfona m 
alia Bereammate.t.cti ca Aali.ut rogo te ut doce 
af hh mei: vii p3 cy 6 confkzucsd.oiligo te oils 
gente me ic rerdnfitiua.imo ¢ tnfitina-Omnis 
enim confkzucco retzanfitiua | mdiget ribo firbiunc 
tini modi cli adiictina coniiictione.ul Dcone bn 
te VIM CONiNCOnIs ADdiictine.ut rogo te ut dil 
gas me.Ct fcias op tref fpeacf ciuncconis conue 
niune fer rnoent tnbus motibufm natu2a.¢ eni3 
smotus rcig.et ifti conncni¢t conftzuccd teanfitina 
Jrem ¢ motus arculang.ct huie conuenit reapzo 
ci conftzauccd.€t ¢ motuf compofitus.et buic mo 
ha rnoe ul connenit confkzucco reteanfitina. Jn 
tzanfitiua 10 conftzuccd nd Cuenit motui & ett 
€od pt quen.am bec cofkaiccd. bec capa ¢ pe 
tn fit mtaanfitita.Oico gq fimpliater ¢ m<n 
fitina.qz non onditur ibi fen tzanfico actus uel 
paMomfc vna pfona m alin.Cft camen ibi tinh 


CATHOLICON, 1460, PRINTED BY JOHN GUTENBERG. 
(See No. 304.) 


am 


Steere y 


4 Fim tas roe ‘es 


v 
om 


317. BARBEY D’AUREVILLY (JULES). Une Vieille 
Maitresse. FIRST EDITION. 3 vols. 8vo, half blue morocco 
gilt, gilt tups, uneut. Paris, 1851 


318. BARBEY D’AUREVILLY (JULES). Onze Eaux- 
fortes. Designed and engraved by Félix Buhot for ‘* Une 
Vieille Maitresse.’? 8vo, boards. Paris, 1880 


319. BARBEY D’AUREVILLY (JULES). Un Prétre 
Marié. First EDITION. 2 vols. 12mo, half red levant mo- 
rocco, gilt tops, uncut, by Reymann. Paris, 1865 

* With autograph signature of the author on the half-title. 


320. BARBEY D’AUREVILLY (JULES). Une Histoire 
Sans Nom. FIRST EDITION. 12mo, half blue levant mo- 
rocco, gilt back, figured blue satin sides, gilt top, uncut, 
original covers bound in, by The Club Bindery. Paris, 1882 

* Holland paper copy. 


321. BARBEY D’AUREVILLY (JULES). Le Chevalier 
Des Touches. Dessins de Julien Le Blant gravés par Cham- 
pollion. 8vo, brown morocco, gilt fillets, gilt top, uncut, 
original covers bound in, by The Club Bindery. Paris, 1886 


* One of 20 copies on thick India paper, with the portrait and 
etchings in 2 states. 


322. BARBEY D’AUREVILLY (JULES). Les Dédicaces 
a la main de M. Barbey d’Aurevilly. Notice par M. Jean 
de Bonnefon. 62 reproductions in facsimile and a portrait 
of the author. Royal 8vo, original covers, uncut. Paris, 1908 


* One of 19 copies on Japan paper, with the portrait in two 
states. 


323. BARBE-MARBOIS (COMTE FRANCOIS). Com- 
plot d’Arnold et de Sir Henry Clinton contre les Etats-Unis 
d’Amérique et contre le Général Washington Septembre 
1780. Orné de deux portraits (Washington and Arnold, 
by Adam after du Simitier) et d’une carte. FIRST EDITION. 
8vo, red straight-grain morocco gilt, gilt top, uncut, by 
The Club Bindery. Paris: Didot, 1816 


324. BARCLAY (SIR RICHARD). The Felicitie of 
Man, or, His Summum Bonum. EHmblematic frontisprece 
title, engraved by W. MZ. (Marshall?). 4to, blue morocco, 
blind tooled, gilt edges, some lower margins uncut, by 
Larkins. London: Printed by R. Y., 1631 


325. BARCLAY (ROBERT). Barclay his Argenis: or, 
The Loves of Poliarchus and Argenis: Faithfully trans- 
lated out of Latine into English, by Kingsmill Long, Gent. 
First EDITION. Folio, brown levant morocco, gilt edges, 
by Thompson. Marginal notes in ink and pencil through- 
out. London: Printed by G. P. for Henry Seile, 1625 


59 


326. BARCLAY (ROBERT). Barclay his Argenis, or, 
The Loves of Polyarchus & Argenis. Faithfully translated 
outof Latin into English by Kingsmill Long, Esquire. THE 
SECOND EDITION, beautified with Pictures. Small 4to, calf 
gilt, gilt edges, by F. Bedford. 

London: For Henry Seile, 1636 


* FIRST ILLUSTRATED EDITION, containing an Engraved Title, 
Portrait of Barclay by Claude Mellan, and 24 plates engraved 
by Leonard Gaultier and Claude Mellan. 


327. [BARCLAY (SIR WILLIAM—Governor of Vir- 
ginia).] The Lost Lady. A Tragy Comedy. Small folio, 
blue levant morocco, corner ornaments, gilt edges, by The 
Club Bindery. (Tiny hole in H?). 

Imprinted at London by JO. Okes for John Colby, 1638 


*} IRsT EDITION, of which only two other copies are known, 
both in public libraries. The Henry Edward Bunbury copy 
(rebound), 


328. BARENGER (ANDRE THOMAS). Le Guide 
fidele de la vraie gloire. Hngraved throughout by Franc. 
Ertinger: title, leaf of approbation, dedication, preface, and 
forty-nine illustrations, opposite which are as many pages 
of text. Small 8vo, red levant morocco, gilt ornaments on 
the back and sides, gilt edges, by C. Claessens. 

Paris: C. Guérard, 1688 


329. BARFORD (RICHARD). The Assembly. An 
Heroi-Comical Poem in Five Cantos. FIRST EDITION. 
Small 8vo, brown leather, gilt edges, by The Club Bindery. 

London, 1726 


* Contains the final leaf of advertisements. 


330. BARHAM (RICHARD H. D.). The Ingoldsby 
Legends, or, Mirth and Marvels. 2 portrais, 3 engraved 
titles, and 17 plates, by Cruikshank and Leech. FIRST 
EDITION. With the printing on page 236. 3 vols. 8Vvo, 
green levant morocco gilt, gilt tops, uncut, by The Club 
Bindery. London, 1840-42-47 


331. BARHAM (RICHARD H. D.). The Life and Re- 
mains of Theodore Edward Hook. Portraits. FIRST EDI- 
TION. 2 vols. 12mo, half green levant morocco, gilt tops, 
uneut, by All6d. London, 1849 


332. BARHAM (RICHARD H.D.). The Life and Let- 
ters of the Rev. Richard Harris Barham, author of the 
Ingoldsby Legends: with a selection from his Miscellaneous 
Poems. By his Son. Portrait. FIRST EDITION. 2 vols. small 
8vo, half red morocco gilt, gilt tops. uneut. London, 1870 


56 


333. [BARNES, JULIANA.] The Book containing the 
Treatises of Hawking; Hunting; Coat-Armour; Fishing; 
and Blasing of Arms. As printed at Westminster, by 
Wynkyn de Worde; the Year of the Incarnation of our 
Lord M CCCC LXXXXVI. Edited by Joseph Haslewood. 
Royal 8vo, brown levant morocco, rich floral and emblem- 
atic gold tooling, gilt edges, by Joly. London, 1810 

* Edition limited to 150 copies. 


334. BASAN (PIERRE F.—HEditor). Recueil d’Estampes 
gravées d’aprés les tableaux du cabinet de Monseigneur le 
Due de Choiseul. Portrait, engraved title, 13 pages of en- 
graved text, and 128 plates engraved by Le Bas, Delvauz, 
Dunker, etc. 4to, red morocco gilt, gilt edges, by Kal- 
thoeber. Paring. 7) 


* First issue, with the plates before letters, and half of 
them before numbers. 


335. BASAN (PIERRE F.—Kditor). Collection de Cent- 
vingt Estampes [with text]. Engraved by Borgnet, Ma- 
thieu, Le Grand and others, from the paintings in the col- 
lection of M. Poullain. 4to, red levant morocco, gilt fillets, 
gilt edges, by Hardy-Mennil. Paris: Basan et Poignant, 1781 

* Many of the plates are proofs before the engraver’s name. 


336. BASCHET (ARMAND). Le Roi chez la Reine ou 
Histoire Secréte du Mariage de Louis XIII et d’Anne 
d’Autriche. 8vo, red levant morocco gilt, gilt top, uncut, 
by Capé. Paris, 1864 

* Printed on thick Holland Paper. 


337. BATE (JOHN). The Mysteries of Nature and Art; 
of Water Works; of Fire Works, ete. The Third edition 
with many additions. Hngraved and printed title, and 
separate titles to each part. [No portrait issued with this 
edition.| Small 4to, brown levant morocco gilt, gilt edges, 
by The Club Bindery. 

London: Printed for Andrew Crooke, 1654 


338. BATES (WILLIAM). The Danger of Prosperity: 
Discovered in several Sermons Upon Prov. 1, 27. Small 
8vo, old red morocco, with compartments in blue, covered 
with rich tooling, flowers, leaves, and scroll work, gilt 
edges. [Autograph of Elizabeth Roberts on title. | 

London: Brabazon Aylmer, 1685 
* A remarkable specimen of English binding of the period. 


339. BAUDELAIRE (CHARLES). Les Fleures du Mal. 
FIRST EDITION. 12mo, brown levant morocco, doublure of 
a lighter shade, blind tooled, emblematic ornament in the 
centre, gilt over rough edges, original covers bound in, by 
Chambolle-Duru. Paris, 1857 

* Unique copy, with two original drawings by Hannoteau 
and Bichard inserted. 


57 


340. BAUDELAIRE (CHARLES). Les Epaves. Piéces 
Condamnées; Galanteries; Epigraphes; Piéces Diverses; 
Bouffonneries. 12mo, calf gilt, gilt top, uncut, by Riviére. 
(Margin of one page torn.) Bruxelles, 1866 


341. BAUDERON (BRICON). Paraphrase sur la Phar- 
macopeee, divisée en deux livres. 16mo, blue levant mo- 
rocco, gilt edges, by Trautz-Bauzonnet. 

Lyon: Estienne Servain, 1596 
* From the Yemeniz collection. 


342. [BAXTER (NATHANIEL) oR BRETON (NICHO- 
LAS).] Sir Philip Sydneys Ourania, That is, Endimions 
Song and Tragedie, Containing all Philosophie. Written 
by N. B. Small 4to, maroon levant morocco gilt, doub- 
lure of green morocco, mosaic ribbon ornamentation in 
maroon, gilt filigree, rough gilt edges, by Kaufmann. (Cor- 
ner of title repaired and some margins strengthened. ) 

London: Printed by Ed. Allde for Edward White, 1606 


* VERY SCARCE. Attributed to both Nicholas Breton and 
Nathaniel Baxter, but probably by the latter, as he was tutor 
to Sir Philip Sidney. At sig. I3 there are some interesting ref- 
erences to America: 

‘* Plenty of Goulde is in America, 
Peru, Mollucus and Phillipiana, 
Little Goulde or Silver in Virginia 


America so neare the burning line 
Breedeth abundantly the golden mine,”’ etc. 


343. BAXTER (RICHARD). The Saints Everlasting 
Rest; or, a Treatise of the blessed State of the Saints in 
their enjoyment of God in glory. Portrait (inserted) and 
engraved frontispiece, by T. Cross. Separate titles to the 
four parts. (Name erased from blank margin of title.) 
Small 4to, brown levant morocco, gilt and blind pet tiet 
gilt edges, by Bedford. : 

London: For Francis Tyton and Jane Underhill, 1662 


344. BAXTER (RICHARD). Poetical Fragments : 
Heart-Employment with God and It Self. The Concordant 
Discord of a Broken-healed Heart. Sorrowing-rejoicing, 
Fearing-hoping, Dying-living. The third edition. 16mo, 
blue levant moroeco, richly tooled, gilt edges, by Riviére. 

London: Tho. Parkhurst, 1699 


345. BAYLE (PIERRE). Dictionnaire historique et 
critique. Nouvelle édition, augmentée de notes extraites 
de Chaufepié, Joly, La Monnoie, Leduchat, L.-J. Leclere, 
Prosper Marchand, etc., ete. 16 vols. 8vo, half green levant 
morocco gilt, gilt tops, uncut, by Matthews. Paris, 1820 


* The last volume contains a life of the author and a general 
Index. 
58 


346. BAY PSALM BOOK. A Literal Reprint of the 
Bay Psalm Book, being the earliest New England version 
of the Psalms and the first book printed in America. 8vo, 
blue levant morocco gilt, gilt top, uneut, by Matthews. 

Cambridge, 1862 


* Only 50 copies printed for subscribers. 


347. BEAMES (THOMAS). The Rookeries of London: 
Past, Present, and Prospective. Woodcut dllustrations. 
12mo, half green levant morocco, gilt top, uncut, by Zaehns- 
dorf. London, 1850 


348. BEARDSLEY (AUBREY). The Yellow Book. An 
Illustrated Quarterly. Complete set. With many drawings 
by Beardsley, Housman, etc. 13 vols. 4to, decorated yellow 
cloth, uncut. London, 1894-97 


349. BEARDSLEY (AUBREY). The Savoy. An Illus- 
trated Quarterly. Edited by Arthur Symons. With nu- 
merous illustrations by Beardsley. 8 parts (complete set), 
royal 8vo, boards and paper. London, Jan’y to Dec., 1896 


350. BEARDSLEY (AUBREY). The Pierrot of the 
Minute. A Dramatic Phantasy, written by Ernest Dowson. 
Frontispiece, initial letter, vignette, etc., by Beardsley. Ato, 
decorated vellum. London, 1897 

* One of 30 copies on Japan vellum, 


351. BEARDSLEY (AUBREY). A Book of Fifty Draw- 
ings. With an Iconography by Aymer Vallance.  4to, 
decorated vellum, gilt top, uncut. London, 1897 

* Japan paper copy; only 50 printed. 


352. BEARDSLEY (AUBREY). Early Work. Wath 
2 portraits and 156 illustrations. 4to, decorated buckram. 
* * Japan paper copy; only 120 printed. London, 1899 


353. BEARDSLEY(AUBREY). A Second Book of Fifty 
Drawings. Portrait. 4to, decorated vellum, gilt top, 


uncut. London, 1899 
* One of 50 copies on Japan vellum, 


354. BEARDSLEY (AUBREY). Later Work. With 
173 illustrations. 4to, buckram. London, 1901 
* Japan paper copy. 


& 355. BEARDSLEY (AUBREY). Under the Hill, and 

other Essays in Prose and Verse. With illustrations. © 4to, 

decorated cloth, uncut. London, 1904 
* Japan paper copy. 


356. BEARDSLEY (AUBREY). Illustrations to Salome. - 
17 plates on Japan paper. Quarto, half vellum case. 
London [n. d. | 
59 


357. BEATTIE (JAMES). The Minstrel; or, the Progress 
of Genius, in two books. With some other Poems. four 
plates engraved after the designs by Burney. 12mo, half 
red levant morocco gilt, gilt top, uncut. London, 1797 


358. BEAUCHAMPS (P. F. G. DE). Les Amours d’Is- 
mene et d’Ismenias. Hngraved title, vignette and 2 plates 
on copper. Small 8vo, old French red morocco, gilt back, 
the ARMS OF MADAME DE POMPADOUR on the sides, gilt 
edges (small blank margin of title cut off, 2 plates missing). 


La Haye, 1743 © 


359. BEAUCHESNE (A. DE). Louis XVII, sa vie, son 
agonie, sa mort; captivité de la Famille Royale au Temple. 
Troisieme Edition, enrichie d’autographes et ornée des por- 
traits de la Famille Royale, gravés en taille-douce sous la 
direction de M. Henriquel Dupont. 2 vols. royal 8vo, half 
brown levant morocco gilt, gilt tops, uneut, by Hardy. 

Paris, 1861 

* In addition to the illustrations issued with this work, 39 por- 

LR | and 22 views, many of them India proofs, have been 
aaaed, 


360. BEAUCHENE (M.). Maximes, Réflexions et Pen- 
sées Diverses. Deuxiéme Edition, corrigée et augmentée. 
12mo, brown straight-grain morocco gilt, gilt edges, by 
Trautz-Bauzonnet. Paris, 1818 


361. BEAUMARCHAIS (PIERRE). Théatre Complet. 
Réimpression des Editions Princeps, avee les variantes. 
Portrait. 4 vols. 8vo, red levant morocco, gilt fillets and 
panels, gilt edges, by Lortic. Paris, 1869-71 

* One of 15 copies on China paper. 


362. BEAUMONT AND FLETCHER. The Maides 
Tragedy. Woodcut on title. Small 4to, crimson evant 
morocco gilt, gilt edges, by Chambolle-Duru. [Bottom 
corner of title supplied and some repairs to last leaf. | 

London: Printed for Richard Higgenbotham, 1619 

* AN EXTREMELY RARE ISSUE OF THE FIRST EDITION, having 
a variation in the imprint unknown to Gregg and other bibli- 
ographers. The usual title reads ‘‘ printed for Francis Con- 
stable.” 


363. BEAUMONT AND FLETCHER. Phylaster. Or 
Love lyes a Bleeding. Written by Francis Baymont and 
John Fletcher, Gent. FIRST EDITION. Woodcut on title. 
Small 4to, crimson levant morocco gilt, gilt edges, by David. 

London: For Thomas Walkley, 1620 

* The Mitford and Locker-Lampson copy, rebound. With an 

autograph note by Mitford on the Malone and Kemble copies, 

etc., anda pencilled page of comments on the play by Fred- 
erick Locker, 


60 


3864. BEAUMONT AND FLETCHER. A King and No 
King. And now the second time Printed, according to the 
true Copie. Small 4to, flexible red levant morocco, gilt 
edges. London: Printed for Thomas Walkley, 1625 


365. BEAUMONT AND FLETCHER. Cvpid’s Re- 
venge. As it was often Acted (with great applause) by the 
Children of the Reuells. THE SECOND EDITION. Small 
4to, red levant morocco gilt, gilt edges, by David. 

London: Printed for Thomas Iones, 1630 


366. BEAUMONT AND FLETCHER.  Philaster, or 
Love lies a Bleeding. THE FOURTH IMPRESSION. Small 
4to, red levant morocco gilt, gilt edges, by David. 

London: Printed by W. J. 1634 


367. BEAUMONT AND FLETCHER. The Knight Of 
the Bvrning Pestle. Full of Mirth and Delight. Small 4to, 
red levant morocco, partly uncut, by Riviére. 

London: Printed by N. O. for I. 8. 1635 

* SECOND EDITION, with the blank leaves at the beginning 
and end. There are two issues, both dated 1635. This is 
probably the first, with ‘‘ Beamount” on title. Both omit 
the dedication by Walter Burre to Mr. Robert Cesar, found 
only in the first edition of 1613. The issue above has a smaller 


type in the address ‘‘To the Readers of this Comedy,” and 
larger in the Prologue. 


368. BEAUMONT AND FLETCHER. The Knight Of 
the Burning Pestle. Full of Mirth and Delight.—As it is 
now Acted by Her Majesties Servants at the Private house 
in Drury Lane. Small 4to, red levant morocco gilt, gilt 
edges, by F. Bedford. . (Lacks sigs. Bz Bs, and slight repairs 
to the margins of the last two leaves, but has the prelimi- 
nary blank leaf A, ) 

London: Printed by N. O. for I. 8. 1635 


* SECOND EDITION. Beaumont correctly spelt on the title. 


369. BEAUMONT AND FLETCHER. The Maides 
Tragedie. THE FOURTH IMPRESSION, Revised and Refined. 
Woodcut on title. Small 4to, green morocco, gilt ornaments 
on back and sides, gilt edges, by Zaehnsdorf. (A trifling 
repair to bottom corner of title.) 

[London]: Printed by E. G. for Henry Shepherd, 1638 


370. BEAUMONT AND FLETCHER. A King and No 
King. And now the fourth time printed, according to the 
true Copie. Small 4to, crimson levant morocco, entirely 
uncut (several margins skilfully repaired). 

London: Printed by EK. G. for William Leake, 1639 


* FOURTH EDITION, Scarce in uncut state. Contains the 
original blank fly-leaves. 


61 


371. BEAUMONT AND FLETCHER. Wit without 
Money. <A Comedie, As it hath beene Presented with good 
Applause at the private house in Drurie Lane, by her 
Majesties Servants. FIRST EDITION. 4to, red levant mo- 
rocco, gilt edges, by David. 

London: Printed by Thomas Cotes, for Andrew Crooke, 
and William Cooke, 1639. 


372. BEAUMONT AND FLETCHER. Comedies and 
Tragedies. Written by Francis Beavmont And lIohn 
Fletcher, Gentlemen. Never printed before, And now pub- — 
lished by the Authours Originall Copies. Brilliant impres- 
sion of the portrait of Fletcher by Marshall—Second state, 
with ‘*Vates Duplex’ in capitals. London: Printed for 
Humphrey Robinson, and for Humphrey Moseley, 1647; THE 
WILD GOOSE CHASE. A Comedie. As it hath been Acted 
with singular Applause at the Black-Friers. FIRST EDITION. 
London: Printed for Humphrey Moseley, 1652. Folio, two 
works in one volume, red levant morocco, back and sides gold 
tooled in panels, gilt edges, by Bedford. London, 1647-1652 

* First collected edition, edited by Ja. Shirley, and contain- 
ing 34 plays, all that had not previously appeared. A large 
copy, measuring 131g x 81¢ inches. 

373. BEAUMONT AND FLETCHER. The Beggars 
Bush. . . . You may speedily expect those other Playes, 
which Kirkman, and his Hawkers have deceived the buy- 
ers withall, selling them at treble the value, that this and 
the rest will be Sold for, which are the onely Originall and 
corrected copies, As they were first purchased by us at no 
mean rate, and since printed by us. Small 4to, mottled 
ealf gilt, by The Club Bindery. 

London: Printed for Humphrey Robinson, 1661 
* The play first appeared in the collected folios of 1647. It 
was first printed separately in 1661, two issues appearing with 
the same date, one with the curious complaint against Kirk- 
man on the title, and the other omitting it. It is difficult to 
decide which had priority, but this edition is the more inter- 
esting. No copy issued by Kirkman is known, and it is un- 
likely that he did issue one. VERY SCARCE. From the Lefferts 
collection. 

3874. BEAUMONT AND FLETCHER. The Island 
Princess; or the Generous Portugal. A Comedy. As it is 
Acted at the Theatre Royal, by His Majesties Servants. 
Small 4to, red levant morocco, gilt back, corner ornaments, 
gilt edges, by Riviere. : 

London: Printed for H. R. and A. M. 1669 
* First separate edition, previously printed in the collected 
folio of 1647. Not mentioned by Gregg. 

375. BEAUMONT AND FLETCHER. The Prophetess: 
or, The History of Dioclesian. With alterations and addi- 
tions after the manner of an opera. Small 4to, brown levant 
moroceo gilt, gilt edges, by The Club Bindery. London, 1690 

* First Edition of the alteration by Betterson. 


62 


076. BECKER AND VON HEFNER. Kunstwerke und 
Gerithschaften des Mittelalters und der Renaissance. Ded- 
wcatory frontispiece (to Fredrich Wilhelm IV) colored by 
hand, and 142 colored plates. 3 vols. 4to, half brown mo- 
rocco. Frankfurt, 1852 


377. [BECKFORD (WILLIAM).] Italy; with Sketches 
of Spain and Portugal. By the author of ‘‘ Vathek.”’ 
FIRST EDITION. 2 vols. 8vo, half brown levant morocco 
gilt, gilt tops, uncut. London, 1834 


378. [BECKFORD (WILLIAM).] Biographical Memoirs 
of Extraordinary Painters. Hngraved frontispiece. 12mo, 
half green morocco gilt, gilt top, uncut, by C. Lewis. 

* A burlesque by the author of ‘ Vathek.” London, 1834 


379. BEDDOES (THOMAS LOVELL). The Bride’s Trag- 
edy. FIRST EDITION. 8vo, polished calf gilt, gilt edges, 
by Riviere. London: Rivington, 1822 


380. BEDDOES (THOMAS LOVELL). The Poems, Post- 
humous and Collected. [With Memoir.] 2 vols. 12mo, red 
levant morocco gilt, gilt edges, by David. London, 1851 


3881. BEHN (APHRA). The Luckey Chance, or an Al- 
derman’s Bargain. A Comedy. First EDITION. Small 
4to, green levant morocco gilt, gilt edges, by Pratt. 
London: R. H. for W. Canning, 1687 


382. BEHN (APHRA). The Emperor of the Moon: a 
Farce. FIRST EDITION. Small 4to, half dark blue calf. 
London: R. Holt, 1687 


383. BEHN (APHRA). The Emperor of the Moon: a 
Faree. SECOND EDITION. Small 4to, maroon levant mo- 
rocco gilt, gilt edges, by Pratt. London: R. Holt, 1688 


384. BEHN (APHRA). The Fore’d Marriage, or the 
Jealous Bridegroom, a tragi-comedy. SECOND EDITION. 
Small 4to, red straight-grain morocco gilt, gilt edges, by 
Riviere. London: James Knapton, 1688 


385. BELLA (STEPHANO DELLA). Divers Embarque- 
ments. A set of 8 etched plates, followed by two other 
sets of plates, the first of 8 ‘‘ Varie figure ’’ and the second 
of 15 pastoral scenes. Oblong 4to, brown levant morocco, 


gilt fillets with ornamental corners, gilt edges, by David. 
Paris, ca. 1700 
386. BELLAY (JOACHIM DU). Recueil de Poesie, 
presente a tresillvstre Princesse Madame Marguerite, seur 
Vnique du Roy, & mis en lumiere par le cOmandement de 
maldicte Dame. Reueu, & augmenté depuis la premiere 
edition, Par I. D. B. A. Small svo, blue levant morocco, 
back and sides richly decorated in panels of small tools, 

gilt edges, by Trautz-Bauzonnet. 

Paris: Guillaume Cauellat, 1553 


63 


387. BELLAY (JOACHIM DU). Ode svr la Naissance 
dv petit Dve de Beavmont, fils de Monseign. de Vandosme 
Roy de Navarre. 4to, red levant morocco, doublure of 
olive morocco covered with an elaborate design in scrolls, 
leaf sprays and azured ornaments, gilt edges, by Chambolle- 
Duru, the gilding by Marius Michel. Paris: F. Morel, 1561 


388. BELLAY (JOACHIM DU). Les (Céuvres Fran- 
coises. 8vo, red levant morocco, tooled in compartments 
with interlacing fillets, gilt edges, by Capé. 


Paris: F. Morel, 1573 


389. BELLEROPHON, of Lvst tot Wysheyd. Vzgneite 
on title-page, and 31 copperplates. 4to, brown levant mo- 
rocco, blind-tooled, gilt edges, by Petit. 

Amsterdam: Direk Pietersz, 1514 


390. BELLERS (FULKE). Abrahams Interment: or 
The good Old-mans Buriall in a good Old Age. Opened in 
a Sermon, At Bartholomews Exchange, July 24. 1655. at 
the Funerall of the Worshipfull John Lamotte Esq; Some- 
times Alderman of the City of London. With a Short Nar- 
rative of his Life. Portrait of John Lamotte by Fatthorne. 
Small 4to, brown morocco, gilt edges, by The Club Bindery. 

London; Printed by R. I., 1656 


391. BELLOY (PIERRE L. B. DE). Cé£uvres Choisies. 
2 vols. 18mo, green vellum, uncut, in cases. 
Paris: Didot, 1811 


* PRINTED ON VELLUM. From the Syston Park collection. 


392. BEMBO(PIETRO). De Aetnaad Angelum Chabrie-. 


lemliber. First EDITION. Roman character, 30 numbered 

leaves, 22 lines to the page. Small 4to, blue straight-grain 

morocco, covered with exquisite gold tooling in compart- 

ments, inside panels of citron morocco, watered silk linings, 
vellum fly-leaves, gilt edges, by Thouvenin. 

Venetiis: in aedibus Aldi Romani, 1495 

* THE FIRST LATIN BOOK PRINTED BY ALDUS, and one of the 


most beautiful specimens from his press. The Beckford copy. 
Renouard, p. 7, no. 4; Hain, 2765; Proctor, 5550. 


393. BEMBO (PIETRO). Lettere. Primo volume (Vol. I 
only). 4to, old brown morocco, gilt panelled sides, with 
arabesque ornaments, gilt edges (rebacked and corners re- 
stored). 4 leaves missing. 

Roma: Valerio Dorico et Luigi Fratelli, 15438 
* PRINTED ON VELLUM. Very scarce in this state. 


394. [BENARD.] ElogedelVEnfer. 3 vignettes and 16 
plates by Sibellius. 2 vols. 12mo, half red levant morocco 
gilt, gilt tops, uncut. La Haye: Pierre Gosse, Jr., 1759 


64 


395. BENI (PAOLO). Risposta alle considerationi o 
dubbi del Dottor Malacreta sopra il Pastor Fido. 4to, old 
vellum. Wormed. Padova, 1600 


396. BEQUET (EMILE), BERTHET anv oTHERS. Fleur 
des Nouvelles. Marie ou le Mouchoir bleu. [par | Etienne 
Béquet] suivi de contes et nouvelles diverses [par Elie Ber- 
thet, Madame de Bawr, et Hégésippe Moreau] recueillis par 
Arthur Delanoue. 16mo, blue levant morocco, gilt edges, 
by Hardy-Mennil. Paris, 1854 


397. BERAIN (JOHANNES). Ornemens Inuentez par 
J. Berain. Portrait by S. Silverstre after Vivien, and 145 
plates. Ina portfolio, large folio, half red morocco case. 


[Paris, ca. 1697] 
* FIRST EDITION, with the imprint of Theuret. 


398. BERANGER. (PIERRE JEAN DE). Chansons. 
SECOND EDITION [with additions]. 2 vols. 12mo, blue levant 
morocco gilt, gilt over rough edges, by Cuzin. Paris, 1821 


399. BERANGER (PIERRE JEAN DE). Chansons 
Nouvelles et Derniéres. 12mo, green levant morocco, gilt 
edges, by Reymann. Paris: Perrotin (Didot l’ainé), 1833 


400. BERGERAC (SAVINIEN CYRANO DE). Les 
(Huvres diverses de Mt de Cyrano Bergerac. Vignette on 
title, dedication pages, and (inserted) portrait. 4to, maroon 
levant morocco gilt, gilt edges, by Hardy. 

Paris: Charles de Serey, 1664 


401. BERGERAC (SAVINIEN CYRANO DE). _ Les 
Ciuvres diverses. Portrait and 7 plates by Laurent Scherm. 
2 vols. small 8vo, green levant morocco gilt, gilt edges, by 
Bauzonnet-Trautz. Amsterdam, 1699 


402. BERGOMENSIS (JACOBUS PHILIPPUS). No- 
vissime hystoriarum omnium repercussiones...., que Supple- 
mentum supplementi Cronicarum nuncupantur. 4 full-page 
woodcuts surrounded by fine ornamental borders, represent- 
ing the creation of Eve, the Temptation, Adam and Eve 
expelled from Eden, the murder of Abel, the construction of 
the tower of Babel, and numerous small cuts in the text repre- 
senting cities. Folio, brown levant morocco, panelled sides 
with blind tooled ornaments, gilt edges, by David. 

Venetiis: Albertinus de Lissona Vercellensis, 1503 


* Folios 441 v. to f. 442 v. contain an account of the first 
voyage of Columbus and of the newly discovered island. 


403. BERINGTON (JOSEPH). The History of the Lives 
of Abeillard and Heloisa; comprising a period of eighty-four 
years, from 1079 to 1163. With their genuine Letters, from 
the collection of Amboise. age ealf, gilt back. 

Birmingham, 1787 
65 


404. BERNARD (AUGUSTE). Geofroy Tory, peintre et 
graveur, Premier Imprimeur Royal, reformateur de 1’Ortho- 
graphe et de la Typographie sous Francois Ie’. 36 woodcut 
wlustrations. Royal 8vo, dark green levant morocco gilt, gilt 
top, uncut, by Emile Rousselle. Paris, 1865 

* PRINTED ON VELLUM. 


405. BERNARD (PIERRE JOSEPH). Ciuvres. With 
4 plates in two proof states by Boisson after Prud’hon. Folio, 
maroon levant morocco gilt, gilt over rough edges, by Cham- 


bolle-Duru. Paris: P. Didot l’Ainé 1797 


* LARGE PAPER COPY, on I’rench vellum paper. 


406. BERNARD (PIERRE JOSEPH). L’Art d’Aimer. 
Small 4to, boards, uncut, in a ease. 
Parme: Bodoni, MDCCIIC [1798] 


* One of a small number on LARGE HOLLAND PAPER. 


407. BERNARD, MIRABAUD ET LE MASCRIER. Le 


Monde, son Origine et son Antiquité; De L’Ame et de son 
Immortalité; Essai sur La Chronologie. First Epirion. 3 
parts (the third part without title) in one volume, 8vo, old 
red morocco gilt, gilt edges, by Dérome the younger, with his 
ticket. Londres [Paris, Briasson], 1751 


408. BERNI (FRANCESCO). Orlando Innamorato com- 
posto gia del Signor Matteo Maria Boiardo Conte di Seandi- 
ano, et rifatto tutto di nuovo. 4to, brown morocco richly 
tooled and gilt in compartments, doublure of red levant, gilt 
edges, in the manner of Nicolas Eve, by Hardy. 

Milan: Andrea Calvo, 1542 

409. BERNIS (FRANCOIS, CARDINAL DE). Céuvres. 
Two portraits and 5 plates. 2 vols. 12mo, purple straight- 
grain morocco gilt, gilt edges, by Thouvenin. (Blank cor- 
ner of one leaf torn off:) Paris, 1822 


410. BEROALDE DE VERVILLE (FRANCOIS). Le 
Cabinet de Minerve. Au quel sont plusieurs singularités, 
figures, tableau, antiques, etc. First Epirion. 12mo, old 
French citron morocco gilt, gilt edges. (Lower margins 
slightly waterstained. ) Paris: Matthieu Guillemot, 1596 


411. [BEROALDE DE VERVILLE (FRANCOIS).] Le 
Moyen de Parvenir. (#uvre contenant la raison de tout ce 
qui a esté, est, & fera, etc. 12mo, red levant morocco gilt, 
doublure of green morocco, silk guards, gilt edges, by Lortic. 

[ Holland, ca. 1700] 


412. BEROALDE DE VERVILLE (FRANCOIS). Le 
Moyen de Parvenir. (#uvre contenant la raison de tout ce 
qui a esté, est, & fera, ete. 12mo, brown levant morocco, blind 
tooled fillets, gilt edges, by Thomson. .(Height 139 mm.) 

[ Holland, ca. 1700] 


* Although similar to the above, this edition is entirely reset. 
66 


413. BEROALDE DE VERVILLE (FRANCOIS). Le 
Moyen de Parvenir, ete. 2 vols. 16mo, old red French mo- 
rocco gilt, gilt edges. Nulle part, 1000700388 [1738] 


414. BEROALDE DE VERVILLE (FRANCOIS).] Le 
Moyen de Parvenir, etc. Nouvelle Edition (edited by B. de 
la Monnoye). frontispiece by Martinet with inverted por- 
trait of the author. 2 vols. 12mo, old citron levant morocco 
gilt, gilt edges, in cases. 

A ****** | Paris, Grange] 10070057 (1757) 


* From the Nodier and Pixérécourt Collections. 


415. BERQUIN (ARNAUD). Idylles. Engraved title 
and 24 plates by Delaunay, Ponce and others after Marilier. 
First Epirion. 2 vols. in one. 12mo, orange levant morocco, 
richly tooled, and inlaid with green morocco, gilt edges, by 
Cuzin. In an orange levant morocco case. [Paris, 1774-75] 


416. BERQUIN (ARNAUD). Romances. Frontispiece 
and 6 plates by Delaunay, Ponce and others, and 12 pages of 
music. First Epirrion. 12mo, Spanish calf gilt, gilt edges. 

* Large and thick paper copy. Paris, 1776 


417. BERTAUD (JEAN). Encomium Ioannis Bertaudi 
Petragorici Turrisalbe in ducatu Engolismensi alumni, de 
eultu trium Mariarum adversus Lutheranos cum missa solen- 
niore et officio canonico earumdem. Woodcut by Geofroy 
Tory on the title-page and 25 other fine cuts,—mostly full 
page,—reprints of those in Vostre’s Book of Hours. The 
mass and office of the three Marys are in Gothic characters, 
red and black, within beautiful historiated and ornamental 
borders. 4to, blue levant morocco, gilt borders, doublure of 
red levant with border repeated, gilt edges, by Chambolle- 
Duru. (Side of one woodcut shaved.) 

* Rare. [Paris]: Jodocus Badius Ascensius, 1529. 


418. BERTRAND (LOUIS). Gaspard de la Nuit. Fan- 
taisies a la maniére de Rembrandt et de Callot; Nouvelle édi- 
tion, augmentée de piéces en prose et vers, et précédée d’une 
introduction par M. Charles Asselineau. Frontispiece by 
Félicien Rops. 8vo, green levant morocco, back and sides 
decorated with owls, gilt over rough edges, by Lortiec. 

Bruxelles, 1868 
* One of 50 copies on large Holland paper. 


419. BERWICK (JAMES FITZ-JAMES). Mémoires du 
Maréchal de Berwik, duc et pair de France, et generalissime 
des armées de Sa Majesté. Portrait. First Epirion. 2 vols. 
12mo, red levant morocco, gilt edges, by Hardy-Mennil. 

A Londres [Paris], 1758 


67 


420. BEST (THOMAS). A Concise Treatise on the Art 
of Angling, confirmed by actual experience, and minute ob- 
servations. With the proper Methods for Breeding and 
Feeding Fish, and of making Fish-Ponds, Stews, &. Frontis- 
piece. THE FourtH Epirion, corrected and improved. 12mo, 
half brown levant morocco, gilt top, uncut. London, 1798 


421. [BESTE (GEORGE).]. <A True Discourse of the 
late Voyages of discoveries, for the finding of a passage to 


Cathaya, by the Northwest, under the conduct of Martin Fro- - 


bisher Generall: Devided into three Bookes. In the first 
whereof is shewed, his first voyage. Wherein also by the Way 
is sette out a Geographicall description of the Worlde habitable 
with a generall Mappe adioyned. In the Second, is set out 
his second voyage with the adventures and accidents thereof. 
In the Thirde, is declared the strange fortunes, with a sev- 
erall description of the Countrey and the people there in- 
habiting. PRINTED IN GOTHIC TYPE, with two folded maps, 
the coat-of-arms of Sir Christopher Hatton, a woodcut of a 
fish (p. 15) and a large historiated initial. 4to, blue straight- 
grain morocco, gilt edges. London: Henry Bynnyman, 1575 
* VERY RARE. There are at least two, and probably three 
issues of this work, of which this is presumably the second. 
Signature ailij is here printed correctly; in the first it is aiii. 
Numerous errors are corrected on this page, showing it to have 
been reset. The typographical differences throughout the text 
are many. 
The maps have been skilfully repaired, but are nevertheless 
very fine examples, the map of the world having margins on all 
sides, and the word ‘‘ West’’ being intact. 


422. BETTERTON (THOMAS). The Amorous Widow; 
or, the Wanton Wife: a Comedy. As it has been Acted in all 
Theatres with great Applause for many Years: By Her Ma- 
jesty’s Servants. Never Printed before. First EpIrion. 
Small 4to, half red levant morocco, gilt edges. 

London: W. Turner, 1706 
* Betterton played the part of Lovemore. 


423. BEWICK (THOMAS). A General History of 
Quadrupeds. 186 cuts of animals and numerous tail-pieces. 
First Epirion. Royal 8vo, citron levant morocco gilt, gilt 
top, uncut, by The Club Bindery. Neweastle, 1790 

* LARGE PAPER COPY, with the two leaves of addenda. Mar- 


maduke Tunstall’s copy, containing pencilled notes on several 
pages. 


424. BEWICK (THOMAS). A General History of Quad- 
rupeds. The figures engraved on wood by T. Bewick. Tue 
THIRD EDITION. 8vo, citron levant morocco, gilt back, gilt top, 
uncut, by Chambolle-Duru. . Newcastle, 1792 


68 


425. BEWICK (THOMAS). <A General History of Quad- 
rupeds. The figures engraved on wood by T. Bewick. THE 
FOURTH EDITION. Royal 8vo, green levant morocco gilt, gilt 
top, uncut, by T. Broga. Neweastle, 1800 


* LARGE PAPER COPY. 


426. BEWICK (THOMAS). History of British Birds: 
containing descriptions of the Land and the Water Birds. 
The figures engraved on wood by T, Brwicx. 2 vols. 8vo, 
green levant morocco gilt, gilt tops, uncut, by Bedford. 

Neweastle, 1797-1804 
* FIRST ISSUE OF THE FIRST EDITION, UNCUT, with the mis- 
printed price on title-page, and earliest form of advertisement 


on last page of Vol. 1, the tail-piece ‘‘ before the bar’’ in Vol. 1 
and other features. 


427. BEWICK (THOMAS). A History of British Birds, 
containing the History and Description of the Land and the 
Water Birds. The figures engraved on wood by T. Bewick. 
2 vols. royal 8vo, green levant morocco, gilt backs and side 
panels in Roger Payne’s style, gilt edges, with some rough 


leaves, by Bedford. London, 1805 
* LARGE PAPER COPY of the SECOND EDITION, with an inserted 
portrait. 


428. BEWICK (THOMAS). A General History of Quad- 
rupeds. The figures engraved on wood by Thomas Bewrck. 
THE FIFTH EDITION. Imperial 8vo, green levant morocco, gilt 
back and side panels in Roger Payne’s style, gilt edges, by 
Bedford. Neweastle, 1807 


* IMPERIAL PAPER COPY, with the following plates inserted: 
The unfinished print ‘‘Waiting for Death,’’ with the original 
wrapper and description; the large print of Kyloe Ox; unique 
impressions of the Chillingham Bull on India paper, and in 
three other states; portrait; facsimile letter and drawing. 


429. BEWICK (THOMAS). The Fables of A)sop, and 
others. With designs on wood by Thomas Bewick. Imperial 
8vo, green levant morocco, gilt back and side panels in Roger 
Payne’s style, gilt edges, by Bedford. Neweastle, 1818 


* IMPERIAL PAPER COPY, with portrait inserted and the sub- 
scriber’s receipt before the title. 


430. BEWICK (THOMAS). Select Fables. With cuts 
designed and engraved by Thomas and John Bewrck, and 
others, previous to the year 1784; together with a memoir; 
and a descriptive Catalogue of the works of Messrs. Bewick. 
Royal 8vo, red levant morocco, emblematic tooling on back, 
gilt top, uncut, by Matthews. Neweastle, 1820 

* SUBSCRIBER’S LARGE PAPER COPY, SIGNED BY BEWICK, and 
with an India paper proof portrait. 


69 


431. BEWICK (THOMAS). A General History of Quad- 
rupeds. The figures engraved on wood by Bewick. Seventh 
edition. 4to, red levant morocco, gilt over rough edges, by 
Marius MIcHEL. Neweastle, 1820 

* LARGE PAPER COPY; with portrait, India proof before letters. 


432. BEWICK (THOMAS). A Supplement to the His- 
tory of British Birds. The figures engraved on wood by T. 
Bewick. Part I containing the history and description of 
Land Birds. (Part II containing the history and description 
of Water Birds.) First Epirion. 8vo, green levant morocco 
gilt, gilt top, uncut, by Bedford. Neweastle, 1821 


* THICK PAPER COPY, with final leaf of advertisement of 
‘History of Quadrupeds’’ and ‘‘Fables of Aisop.’’ 


433. BEYLE (HENRI). De l’Amour. First EpIrion. 
2 vols. 12mo, half red levant morocco gilt, gilt tops, uncut, by 
David. Paris, 1822 


434. BEYLE (HENRI). la Chartreuse de Parme, par 
l’auteur de Rouge et Noir. First Epirion. 2 vols. 8vo, half 
ealf. Paris, 1839 


435. BEYLE (HENRI). L’Abbesse de Castro par M. de 
Stendhal. First Eprrion. 8vo, half brown morocco gilt, un- 
cut, original covers bound in. Paris, 1839 


436. BIBLIOGRAPHICAL miscellanies, being a selection © 
of Curious Pieces, in Verse and Prose. [Edited by Ph. 
Bliss.| 4to, light brown levant morocco, centre ornaments, 
oilt top, uncut, by Pratt. Oxford, 1813 


* ONE OF 104 COPIES ON LARGE PAPER. This copy belonged 
to the Editor, Dr. Philip Bliss. An autograph letter from him 
is inserted and his name is on the page of advertisement. The 
volume contains the first appearance of several selections, others 
are from unique originals. 


437. BIBLIOPHILE FANTAISISTE (Le). Ou choix 
de piéces désopilantes et rares. Portrait of Villon, inserted. 
18mo, half blue morocco, gilt top, uncut. Turin [1869] 

* One of 100 copies on Holland paper. 


438. BICKELL (DR. L.).  Bucheinbande des XV. bis 
XVIII. Jahrhunderts; aus Hessischen Bibliotheken. With 
52 illustrations. Large folio, cloth, morocco back, gilt top. 

Leipzig, 1892 


439. BIDPAY. Directorium humane vite alias parabole 
antiquorum sapientium. Gothic character. 82 unnumbered 
leaves, with signatures A-M. 119 woodcuts, some repeated. 
Folio, red levant morocco, gilt inside dentelle borders, gilt 
edges, by BAUZONNET-TRAUTZ. . . 

[Strassburg: Johann Priiss, ca. 1483] 


* FIRST ISSUE, the chapter-headings, having the Roman 
numerals. Fine and large copy from the Yemeniz library. 
Hain-Copinger, 4411; Proctor, 558. 


70 


440. BIDPAY. Das ist das buoch der weissheit darin 
erlernt wiirt der welt lauff. Gothic characters. 119 curious 
woodcuts. Small folio, contemporary binding in aalf, 
panelled sides with blind stamped ornaments, red edges. 

Strassburg: Johann Gruninger, 1529 


* RARE. The famous story of Kalila and Dimna, known in 
medizval Latin as the Directorium Humane Vite. 


441. BIERSTADT (O. A.). The Library of Robert Hoe, 
a contribution to the History of Bibliophilism in America. 
100 rllustrations and a portrait. 8vo, green levant morocco, 
panelled back and sides, doublure of the same material 
with borders and leaf sprays, gilt over rough edges, by 
The Club Bindery. In a cover and case. New York, 1895 


442. BIGORNE qui Mange tout les Hommes qui fot le 
Comademét de leurs Femmes. Woodcut. 12mo, red levant 
morocco, gilt, by Capé. [Paris: Crapelet, 1840] 


* Facsimile reprint, on vellum, 


443. BILLARDON DE SAUVIGNY (H.). Les Aprés 
Soupers de la Société. Petit Théatre Lyrique et moral. 
Engraved titles, 22 plates and 60 pages of music, engraved 
by Hisen, Binet and Martinet. 6 vols. 16mo, old French 
red morocco gilt, gilt edges (Vol. 6 not uniform). 

Paris: Chez l Auteur [1783] 


444. BINET (ESTIENNE). Meditations Affectueuses 
sur la Vie de la tres Sainte Vierge Mere de Dieu. Hn- 
graved title-page and 32 plates by C. de Mallery and C. 
Galle, after Th. Galle. 12mo, blue morocco, gilt edges, 
probably by Charles Lewis (one leaf re-margined). 

Anvers: Martin Nutius aux Depens de Theodore Galle, 
1682. 


* From the Beckford collection. 


445. BIOGRAPHIE Universelle, ancienne et moderne, 
ou histoire, par ordre alphabétique, de la vie publique et 
privée de tous les hommes qui se sont fait remarquer par 
leurs écrits, leurs actions, leurs talents, leurs vertus ou 
leurs crimes. Ouvrage entiérement neuf, rédigé par une 
société de gens de lettres et de savants. With numerous 
portraits. 52 vols. 8vo, red levant morocco, gilt backs, gilt 
edges, by Belz-Niédrée. Paris: Michaud fréres, 1811-1828 


* Copy on papier velin. 


446. BIRCH (THOMAS). The Heads of Illustrious Per- 
sons of Great Britain, engraved by Mr. Houbraken and Mr. 
Vertue. With their Lives and Characters. Beautiful i1m- 
pressions of the 108 plates, some of them being proofs. 2 
vols. large folio, pigskin, stamped back and side orna- 
ments and panels, gilt over rough edges, by The Club 
Bindery. London: 1743-1751 

*LARGE PAPER COPY OF THE FIRST EDITION. From the 
library of the Earl of Aylesford, with his bookplate. 


Rp? 


447. BISSELIUS (JOHANN). Delicie Astatis. Three 
engraved titles, two full-page plates and 21 vignettes by 
Kilian. 12mo, red levant morocco, gilt fillets, gilt edges. 

* The Heber copy. [Monachii: Nicolai Henrici], 1644 


448, BITAUBE (P. J.). Joseph. Quatriéme édition. 
Portrait, engraved by Saint-Aubin after Cochin, and 9 
plates by Née after Marillier. 2 vols. 8vo, old French red 
Straight-grain morocco gilt, silk linings, gilt edges; in 
morocco slip cases. Paris: Didot, 1786 


* PRINTED ON VELLUM, and one of a very few copies to which 
the publisher added a painted miniature portrait, and a set 
ue miniature paintings on vellum copied from the engraved 
plates. 


449. BIVERUS (PETRUS). Sacrum Oratorium Piarum 
Imaginum Immaculate Marie. Hngraved title and 42 cop- 
per-plates, representing subjects of the old and new Testa- 
ments, in the manner of Théo. Galle. 4to, red levant mo- 
rocco, corner ornaments, gilt back and edges, by David. 

Antuerpie: Officina Plantiniana, 1634 


450. BLADES (WILLIAM). The Life-and Typography 
of William Caxton, England’s first printer. 457 plates, 
specimens of Caxton’s types, etc., on India paper. 2 vols. 
4to, original half roan, gilt tops, uncut (one back repaired). 

London, 1861-63 


451. BLADES (WILLIAM). A List of Medals, Jettons, 
Tokens, &e., in connection with Printers and the Art of 


Printing. 93 plates. 12mo, cloth. London, 1869 
* Only 100 copies printed. Presentation copy from the 
author. 


452. BLAKE (WILLIAM). SonGs OF INNOCENCE. 17 
leaves, containing designs and text colored by hand. 8vo, 
citron levant morocco, mosaic sides and back of tulips, 
leaves, etc., on a red background, doublure of red levant 
with similar mosaic border, gilt over rough edges, by The 


Club Bindery. 
The Author and Printer, William Blake, 1789 


* WiTH Mr. HOEF’S NOTE THAT THIS COPY WAS GIVEN BY 
BLAKE TO HIS PHYSICIAN. As the arrangement of the plates 
differs from that in the copy sold in part I of the Robert Hoe 
collection, they are listed as they appear here: 

Page 1. Blank. 2. Frontispiece of Piper. 3. Title ‘‘Songs of 
Innocence, the author and printer,” etc. (as above). 4. Blank. 
5. Introduction, ‘‘Piping down the Valleys Wild,” etc. 6. 
Blank. 7. The Shepherd. 8. Infant Joy. 9-10. Cradle Song. 
11. Laughing Song. 12-13. The Little Black Boy, 14. The 
Voice of the Ancient Bard. 15-16. The Ecchoing Green. 17. 
Nurses Song, ‘‘ When the voices of children are heard on the 
green, And laughing is heard on the hill.” 18, ‘‘’Twas on a 


72 


Holy Thursday.” 19. On Anothers Sorrow. 20-21. Spring. 
22. The School Boy. 23. A Dream. 24-25. The Little Girl 
Lost, ‘‘In Futurity I prophetic see.” 25-26. The Little Girl 
Found, ‘‘ All the night in woe.” 27. The Blossom. 28. The 
Lamb, 29. The Little Boy lost. 30. The Little Boy found. 
31-32. Night. 33. The Chimney Sweeper, ‘‘ When my mother 
died,” etc, 34. The Divine Image. 


453. BLAKE (WILLIAM). Illustrations of the Book of 
Job. Invented and Engraved by William Blake. FIRST 
EDITION. Hingraved title and 21 plates, proofs on India paper. 
Large folio, new half cloth and boards, gilt top, uncut. 


London: Published .. March 8, 1825, by William Blake. 
* FIRST EDITION, LARGE PAPER COPY. VERY SCARCE IN 
THIS STATE, 


454. BLAKE (WILLIAM). There is no Natural Religion. 
Facsimile reproduction, in colors. Small 4to, original paper 
covers. London, 1886 


455. BLAKE (WILLIAM). The Prophetic Books of 
William Blake. Jerusalem. Edited by E. R. D. Maclagan 
and A. G. B. Russell. Royal 8vo, boards, uncut. 

London, 1904 

456. BLANC (CHARLES). L’(C£uvre Complet de Rem- 
brandt, decrit et commenté par Charles Blane. Hitched fac- 
sumiles on India Paper. 2 vols. in 1, royal 8vo, red levant 
morocco gilt, gilt edges by Allo. Paris, 1859 

* LARGE PAPER Copy. 


* 457. BLOODGOOD (S. DEWITT). The Sexagenary; or, 
Reminiscences of the American Revolution. 3 inserted 
portraits. 8vo, half blue morocco, gilt top, uncut. 

* One of 50 copies on Large Paper. Albany, 1866 


458. BLOOMFIELD (ROBERT). The Farmer's Boy: a 
Rural Poem. First EDITION. Vignettes (some by Thomas 
Bewick). Ato, green levant morocco, gold tooled borders, 
gilt edges, by The Club Bindery. London: Vernor, 1800 


* Unusual copy, printed on a paper different from that of 
the ordinary first edition and with the title on India paper. 


459. BLOOMFIELD (ROBERT). The Farmer’s Boy; a 
rural poem. Woodcuts by Bewick. 12mo, half green levant 
morocco gilt, gilt top, uncut. London, 1820 


460. BLOUNT (THOMAS). The Art of making Devises: 
treating of Hieroglyphicks, Symboles, Emblemes, Atnig- 
ma’s, Sentences, Parables, Reverses of Medalls, Armes 
Blazons, &e. Small 4to, brown levant morocco, gilt edges 
by Riviére. London: Printed for John Holden, 1650 


* LOWNDES’ SECOND EDITION, but not differing from the edi- 
tion of 1648, except that the plates precede instead of follow 
the text. : 

t 


461. BLOUNT (THOMAS). Boscobel: or, The History 
of his Sacred Majesties Most miraculous Preservation After 
the Battle of Worcester, 3. Sept. 1651. FIRST EDITION. 
Portrait (by Faithorne), another inserted, coat of arms by 
Robt. Vaughan, and folding plate. 12mo, russia gilt, gilt 
edges. London: Henry Seile, 1660 

* From the Beckford collection. 


462. BLOUNT (THOMAS). Boscobel: or, the History 
of His Sacred Majesties most miraculous preservation 
After the Battle of Worcester, 3 Sept. 1651. Portrait of. 
Charles II, engraved view, and 2 folding plates. 12mo, 
half green morocco, gilt top, uncut. London, 1822 


463. BLUNDERELLA: or, the Impertinent. A tale: 
To which is Added The Beau Monde, or, the Pleasures of St. 
James’s. A new ballad. To the Tune of, Oh! London is 
a fine Town &e. Folio, half brown levant morocco, uncut. 

| London: A. Dodd, 1730 


464. BLUNT (WILFRID SCAWEN). In Vinculis. Por- 
trait on Japan paper. 12mo, original paper covers, uncut. 
* Large paper copy, one of 50 copies printed. London, 1889 


465. BLUNT (WILFRID SCAWEN). The Love Lyrics 
and Songs of Proteus, with the Love Sonnets. Small 4to, 
vellum. London, 1892 

* Kelmscott Edition, only 300 copies printed. — 


466. BOADEN (JAMKS). Fountainville Forest, a Play 
in five acts (founded on the Romance of the Forest), as 
performed at the Theatre-Royal, Covent-Garden. FIRST 
EDITION. 8vo, black morocco, gilt edges, by The Club 
Bindery. London, 1794 


467. BOADEN (JAMES). The Life of Mrs. Jordan; 
including original private correspondence and numer- 
ous anecdotes of her contemporaries. 2 vols. thick 8vo, 
red levant morocco gilt, gilt edges, by Pratt. London, 1831 


* WXTRA-ILLUSTRATED, by the insertion of 275 portraits, some 
proofs, some in colors and many quite scarce, ORIGINAL POR- 
TRAIT DRAWINGS IN COLOR and a few autograph letters 
including one from Samuel Rogers, 1829, mentioning Turner’s 
illustrations for the first edition of ‘‘ Italy.” 


468. BOADEN (JAMES). The Life of Mrs. Jordan; 
including original private correspondence, and numerous 
anecdotes of her contemporaries. Portrait and a facsimile 
(another portrait inserted). FIRST EDITION. 2 vols. 8vo, 
boards (somewhat broken), uncut. London, 1831 


469. BOAISTUAU, DE TESSERANT anp DE BELLE- 
FOREST. Histoires Prodigieuses, extraictes de plusieurs 
fameux Autheurs, Grees & Latins, sacres & Prophanes.. . 
augmenté de dix histoires par Francois de Belle-Forest 


74 


Comingeois. 74 woodcuts. 2 vols. 16mo, old green mo- 


rocco gilt, gilt edges. Paris; Jean de Bordeaux, 1574 
* A third title is in Vol. II introducing Belleforest’s portion 
of the work. 


470. BOCCACCIO (GIOVANNI). Genealogie deorum 
gentilium libri XV. Roman character. 296 leaves (includ- 
ing the blanks 11 and 296) without signatures and catch- 
words; 41 lines to thepage. Initials painted in red. FIRST 
EDITION. (Blank leaf 11 missing.) Venetiis, 1472; De 
montibus, sylvis, fontibus, lacubus, fluminibus, stagnis, ete. 
Roman characters, 76 unnumbered leaves (last blank) with- 
out signatures and catchwords: 41 lines to the page. FIRST 
EDITION. (Blank leaf 76 missing.) Venetiis, 1473. In 
one volume, folio, old green morocco, gilt floral borders on 
the sides, gilt edges. 

Venetiis: | Vindelimus de Spira], 1472-73 


* First EDITIONS. Hain-Copinger, 3315, 3326; Proctor, 4045 
& 4048. 


471. BOCCACCIO (GIOVANNI). L’Amorosa_ Fiam- 
metta, 1565; Ameto, 1545; Laberinto d’Amore, 1545. In 
one vol. 8vo, old vellum. Venezia: Giolito, 1545, 1565 


472. BOCCACCIO (GIOVANNI). A Treatise excellent 
and compédious, shewing and declaring, in maner of 
Tragedye, the falles of sondry most notable Princes and 
Princesses vvith other Nobles, through § mutabilitie and 
change of vnstedfast Fortune together with their most 
detestable & wicked vices. First compyled in Latin by 
the excellent Clerke Bocatius, an Italian borne. And sence 
that tyme translated into our English and Vulgare tong, 
BY DAN JOHN LIDGATE, Monke of Burye. And nowe 
newly imprynted, corrected, and augmented out of diuerse 
and sundry olde written copies in parchment. In edibus 
Richardi Tottelli. THIRD EpITIon. Title within an elab- 
orate woodcut border, and 12 curious woodcuts, including 
** Adam and Eve in the garden of Hden,’’ and numerous 
woodcut mnitials. Small folio, blue levant morocco, covered 
with a rich mosaic of red and citron levant in compart- 
ments, heavily tooled, doublure of vellum, gilt borders, 
vellum fly-leaves, gilt edges, in a case, by The Club Bind-\ 
ery. 

Imprinted at London in Flete-strete within Temple barre 
at the sygne of the hande and starre, by Richard Tottel, 
the x. day of September in the yeare of oure Lorde. 1554. 

* Tall copy measuring 12 3/16x7 11/16inches. It contains 
‘«The daunce of Machabree” (12 pp, at end), also the duplicate 


leaf CCX X, with ‘*‘ Greneacres’ a Lenucy vpon John Bochas,”’ 
sometimes missing. 


7d 


473. BOCCACCIO (GIOVANNI). The tragedies, gathered 
by Jhon Bochas, of all such Princes as fell from theyr estates 
throughe the mutability of Fortune since the creacion of 
Adam, vntil his time: wherein may be seen what vices 
bring menne to destrueccion, wyth notable warninges howe 
the like may be auoyded. Translated into Englysh by JOHN 
LIDGATE, MONKE OF BuRYE. Title within a woodcut bor- 
der and crude woodcut representing the Creation of Hve, 
the tempting of Adam, etc. Folio, full brown levant mo- 
rocco gilt, gilt edges, by Bedford. 


Imprinted at London, by John Wayland, at the signe of — 


the Sunne ouer against the Conduite in Flete-strete. Cum 
priuilegio per Septennium. [1555-53.] 

* The fine Sir Edward Sullivan copy, with bookplate. Printed 
in Gothic type, with double columns. On the title-page of the 
copy of this edition described by Hazlitt are written these 
words: ‘‘This book was bought in the yere of Or Lorde God 
1555,”” which appears to fix the date earlier than it has usually 
been given by Lowndes and others. 


474. BOCCACCIO (GIOVANNI). Le Decameron traduict 
par Maistre Antoine Le Macon. Medallion portraits on the 
verso of title and 10 cuts. 16mo, blue levant morocco, gilt 
centre ornaments, gilt edges, by Trautz-Bauzonnet. 

Lyon: Guillaume Roville, 1558 


475. BOCCACCIO (GIOVANNI). LeDecameron. Por- 
trait, 5 frontispieces, 110 plates and 97 tail-pieces, engraved 
by Lempereur, Le Mire and others, after Gravelot, Boucher, 


Cochin and Eisen. 5 vols. 8vo, old green levant morocco, — 


rich gilt back and side ornaments, gilt edges. 
Londres [Paris] 1757-61 
* Large Holland paper copy. 


476. BOCCACCIO (GIOVANNI). Nouvelles de Jean 
Boceace. Traduction libre, Ornée de la Vie de Boceace, 
des Contes que Lafontaine a empruntés de cet auteur, ete. 
& plates engraved by Courbe and Delvaux, after Marillier. 
4 vols. in 2, 8vo, blue morocco, gilt and blind-tooled bor- 
ders, gilt edges, by Duplanil. Paris: L. Duprat, 1802 


4°7. BOCCACCIO (GIOVANNI). Les Dix Journées de 
Jean Boceace traduction de le Macon réimprimée par les 
soins de D. Jouaust. Avee Notice, Notes et Glossaire par 
M. Paul Lacroix. Onze Eaua-fortes par Flameng. 4 vols. 
8vo, brown levant morocco gilt, gilt over rough edges, by 
Marius Michel. Paris, 1873 


* One of 15 copies on Whatman paper, with proof impressions 
of the etchings. 


478. BOCCACCIO (GIOVANNI). The Decameron. Now 
first completely done into English Prose and Verse by John 


Payne. 3 vols. small 4to, vellum, gilt tops, uncut. 
London: Villon Society, 1886 


* LARGE PAPER COPY, only a small number printed. 
76 


ae 


ey 


479. BOCCACCIO (GIOVANNI). Le Déeaméron. Tllus- 
trations de Jacques Wagrez. Traduction et notes de Fran- 
cisque Reynard. 3 vols. thick royal 4to, light green levant 
morocco, back and side corners ornamented with mosaic 
flowers in citron and dark green, figured yellow and rose 
silk linings, gilt over uncut edges, with the original covers, 
by Canape. Paris, 1890 

* One of 25 copies printed on Japan paper, with the full-page 
plates in three states, engraver’s etching, remarque proof, and 
proof after letters, and a duplicate set of the vignettes, proofs 
before letter. On the half-title of Volume I is an exquisite 
ORIGINAL WATER-COLOR DRAWING SIGNED BY JACQUES WAGREZ. 


480. BOCCHIUS (ACHILLES). Symbolicorum Ques- 
tionum, libri quinque. Portrait and 150 copper-plates by 
G. Bonas, one colored by hand. 8vo, old red morocco, 
broad gilt borders, blue silk linings, gilt edges, probably by 
Derome the Elder. 

Bononiz: Nove Academiz Bocchiane, 1555 
* FIRST EDITION. 


481. BOCCHIUS (ACHILLES). Symbolicorvm Qves- 
tionvm, De vniuerso genere, quas serio ludebat, libri 
qvingqve. With a portrait and 151 copper-plates. Ato, 
brown morocco gilt, gilt edges, by Matthews. 

Bononiz: Apud Societatem Typographize Bononiensis, 1574 


482. [BODONI (G. B.).] Gestorum ab episcopis Salutien- 
sibus Anakephaleosis recusa quum ad eam sedem nuper 
esset evectus Josephus Joachimus Lovera patricius savilia- 
nensis. Hach page within typographical ornaments, front- 
esprece and numerous vignettes. 8vo, half calf, uncut. 

Parme ex regio typographeo (G. B. Bodoni), 1783 


483. BOHN (HENRY G.—KEditor). A Dictionary of 
Quotations from the English Poets. Thick small 4to, red 
levant morocco, doublure of russia, russia guards, gilt top, 
uncut, by Zaehnsdorf. London: Privately printed, 1867 


484. BOIARDO (MATTEO MARIA). Tutti li libri de 
Orlando Inamorato. Numerous cuts. 4to, red levant mo- 
roceo, the sides richly tooled and gilt in compartments, 
doublure of green levant, dentelle borders, gilt edges, by 
Cape, in a morocco slip case. Mediolani, 1539 


* This edition contains only the three books of Boiardo and 
first book of Agostini. 


485. BOILEAU-DESPREAUX (NICOLAS). (,uvres 
diverses Du Sieur D * * * avec le Traité du Sublime 
ou du merveilleux dans le discours. Traduit du Gree de 
Longin. Allegorical frontispiece and one other plate. Ato, 
green levant morocco gilt, gilt edges, by Petit. 

Paris: Denys Thierry, 1674 


*One of four issues of the First Edition. 
rer 


486. BOILEAU-DESPREAUX (NICOLAS). Quvres 
complétes contenant ses poésies, ses écrits en prose, sa 
traduction de Longin, ses lettres a Racine, a Brossette, eta 
diverses autres personnes. Avec les variantes, les Textes- 
d’ Horace, de Juvénal, &c. Portraitof Boileau by St. Aubin, 
and 6 plates by Moreau in two states. 3 vols. 8vo, calf gilt, 
gilt tops, uncut, by Bedford. Paris, 1809 


* Large copy, on papier vélin. 


487%. BOILEAU-DESPREAUX (NICOLAS). (C£uvres. 

9 vignettes by Girardet, and others, after Fortin. 2 vols. — 
large folio, purple morocco gilt, uncut, in cases. 

Paris: P. Didot, l?Ainé, 1819 

*THE ONLY COPY PRINTED ON VELLUM, with the dedication 

from the printer to Louis XVIII. It also contains the original 

drawings made for the vignettes. From the collections of the 

Duchesse de Berry and Beaufoy. 


TWENTY-THIRD SESSION, TUESDAY, 8:15 P.M. 


488. BOILLOT (JOSEPH). Nouveaux Pourtraitz et 
figures de termes pour user en l’architecture. FIRST EDI- 
TION. Title within an architectural border engraved on 
copper, author’s portrait and 55 plates on wood and copper, 
the latter with the name of Boillot. Folio, brown levant 
morocco, panelled sides, with blind tooled ornaments, gilt 
edges, by Lortic. Rare. Lengres: Jehan de Prey [1592] 


489. BOIS-JOURDAIN. Mélanges historiques, sati- 
riques et anecdotiques de la fin du régne de Louis XIV, des 
premiéres années de celui de Louis XV, et de la Régence. 
With an engraving. 3 vols. 8vo, half purple ealf. - 

Paris: Chevre et Chanson, 1807 


490. BOIS-ROBERT (FRANOQOIS LE METEL DE). Les 
Epistres en Vers et autres CHuvres Poetiques. Small 8vo, 
blue levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Paris, 1659 


491. BOIS-ROBERT (FRANCOIS LE METEL DE). La 
Jalouse d’elle-mesme. Comédie. 18mo, citron levant mo- 
rocco gilt, gilt edges, by Trautz-Bauzonnet. 

Suivant la Copie imprimée a Paris, 1662 


492. BOISSARD (JEAN JACQUES).- Theatrum Vite 
Humane. First EDITION. Engraved title, portrait and 
60 copper-plate illustrations by De Bry, from sacred and 
profane history. Small 4to, brown levant morocco gilt, 
skull and cross-bone ornaments, gilt edges, by Motte. 

Mediomatricorum Civitas (Metz): Abraham Faber, im- 
pensis Theodori Bryi, 1596. 

78 


493. BOISSY (DESPREY DE). Lettres sur les spec- 
tacles; avec une Histoire des Ouvrages pour & contre les 
Théatres. Sixiéme Edition, Revue, corrigée & augmentée 
par |l’Auteur. 2 vols. 12mo, red morocco gilt, vilt edges, 
probably by Derome. Paris, day gs 


494, BOISSY (LOUIS DE). The Frenchmanin London. 
A Comedy. From the French. First EDITION. §8vo, 
black morocco, gilt edges, by The Club Bindery. 

London, 1785 


495. BOLDONI (OCTAVIUS). Theatrvm Temporanevm 
AKiternitati Czsaris Montii S. R. E. Cardinalis et Archiep. 
Mediolanen. Sacrvm, ete. Frontispiece, vignette on title, 
6 plates and 60 emblem vignettes by J. Paul Bianchi. Small 
folio, red levant morocco, gilt ornaments, gilt top, by 
Smeers. Mediolani, 1636 


496. BOLOGNE (PIERRE DE). Amusemens d’un Sep- 
tuagénaire, ou Contes, Anecdotes, Bon Mots, Naivetes, &c. 
mis en vers. 12mo, red straight-grain morocco, gilt edges. 

Paris, 1786 
* From the Pixerécourt and La Bédoyére collections with 
labels. 


497. BOLSWERT (BOETIUS A.—Editor). Le Pelerin- 
age de Deux Sceurs Colombelle et Volontairette Vers leur 
Bien-aymé en la Cité de Jerusalem: Contenant les divers 
aecidens arrivez en leur voyage. Mis en lumiere par 
Boetivs a Bolswert; & nouvellement traduit en Francois. 
With 27 curious plates by Bolswert. Small 8vo, brown 
levant morocco, gilt panels, gilt top, uncut, by Riviere. 

Bruxelles: F. Toppens, 1684 


* It is possible that this book, first printed in 1636, suggested 
to Bunyan the idea of ‘‘ Pilgrim’s Progress.”’ 


498. BONANNI, HERMAN, SCOONBEEK (AND OTHERS). 
Histoire du Clergé Seculier et Regulier. Des Congrega- 
tions de Chanoines et de Cleres & des Odres Religieux de 
lun et de l’autre sexe, qui ont été établis jusques a Pres- 
ent. 444 plates of costumes of the Clergy and all Religious 
Orders, including frontispieces. 4 vols. 8vo, red levant 
morocco gilt, gilt edges, probably by Derome the younger. 

; Amsterdam: Pierre Brunel, 1716 


* LARGE PAPER copy from the La Valliére aed Renouard 
Collections. 


499. BONARELLI (PROSPERO). II Solimano tragedia 
del Co. Prospero Bonarelli, all’ Illustrissimo Sig. Alessan- 
dro Tasca . . . Con due lettere Discorsiue al S* Antonio 
Brvni. Engraved title and.5 plates by Callot. 4to, red 
levant morocco, gilt edges, by Capé. [Bologna, 1649] 


79 


500. BONIFACIUS VIII. Liber Sextus Decretalium. 
Gothic character of two sizes, double columns. 141 unnum- 
bered leaves without signatures and catchwords; 48 and 70 
lines to the page. Headings printed in red, and FIRST 
INITIAL ILLUMINATED IN GOLD AND COLORS. Folio, dark 
brown levant morocco, gilt panelled sides, gilt inside borders, 
vellum linings, gilt edges, by Matthews, in a ease. 

Mentz: Johannes Fust and Petrus Schoeffer, 1465 


* FIRST EDITION. PRINTED ON VELLUM. <A few leaves 
slightly stained, otherwise a fine and perfect copy, with the 
preliminary 4 leaves containing the ‘‘ Explicatio arboris con- 
sanguinitatis” by Joannes Andrea. The Sunderland [since 
rebound], and Ivescopy. Hain-Copinger, 3586; Proctor, 81. 


[See Reproduction. | 


501. BONIFACIUS VIII. Liber Sextus Decretalium. 
Gothic characters of two sizes, double columns. 162 unnim-- 


bered leaves without signatures and catchwords; 51 and 66 

lines to the page. Rubricated throughout: first imatral 

painted in gold, the others in blue and red; at the end the 
printer’s mark printed in red. Folio. 

MENTZ: PETRUS SCHOEFFER, 1473 

* PRINTED ON VELLUM. Exceedingly rare. Contemporary 

German binding in wooden boards, covered with stamped 


calf (rebacked), ornamented brass clasps, centre and corner- 
pieces. Hain, 3590; Proctor, 101. 


502. BONNARD (BERNARD DE). Poésies. Portrait. 
24mo0, green straight-grain morocco gilt, gilt edges, by 
Simier. Paris, 1824 


503. BONNEFONS (NICOLAS DE). Les Delices de la 
Campagne, suite du Jardinier Francois, ou est enseigné a 
preparer pour l’usage de la vie, tout ce qui.croist sur la 


terre & dans les eaux... Cinquiesme Edition, Augmentée 
par ’Autheur. Engraved frontispiece. 12mo, red levant 
morocco, gilt edges, by Marius-Michel. Paris, 1673 


* The second part of this book, ‘‘ Le Floriste Francois,” treats. 
of the origin of tulips, with a catalogue of their names and 
colors; while the third part is devoted to hunting and fal- 
conry. 


504. BONNETAIN (PAUL). Une Femmea Bord. Hol- 
land paper copy. 12mo, cloth, uncut. Paris, n. d. 


* Presentation copy from the author to Edmond de Goncourt, 
with inscription. 


80 


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DECRETALIUM oF Boniractus VIII, 1465. 
PRINTED ON VELLUM BY FUST AND SCHOEFFER. 


(See No. 500.) 


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505. BOOK OF FUN (THE). Comprising: ‘‘ The Illus- 
trated English Grammar, or Lindley Murray Simplified ”’; 
*“The Comic Speaker ’’; ‘‘ Illustrated Arithmetic, or Cypher- 
ing made Comical’’; and ‘‘ The Comie History of Rome.’’ 
Inthographic title-page and numerous woodcut illustrations. 
12mo, red levant morocco, gilt top, uncut, cloth covers 
bound in. London [n. d. | 


506. BOOK OF GEMS (THE). The Poets and Artists of 
Great Britain. Edited byS. C. Hall. First Epition. With 
149 vignettes on steel after Turner, Reynolds, Mulready, 
Lawrence, etc. 3 vols. 8vo, calf gilt, gilt tops, uncut, by 
Riviére. London, 1836-37-38 


507. BORDELON (LAURENT). Moliére comedien aux 
Champs Elisées. Nouvelle Historique, Allegorique & 
Comique. Hrontispiece by Welsing. FIRST EDITION. 18mo, 
red levant morocco, gilt edges, by Capé. 

Amsterdam: A. Braakman, suivant la copie de Paris, 1696 


508. BORDELON (LAURENT). L’Histoire des Imagina- 
tions extravagantes de Monsieur Oufle causées par la lec- 
ture des livres qui traitent de la Magie, du Grimoire, des 
Démoniaques, .. . le tout enrichi de figures, & accompagné 
d’un trés-grand nombre de Nottes curieuses, que rapportent 
fidellement les endroits des Livres. .With 8 plates. FIRST 
EDITION. 2 vols. inl. 12mo, brown calf, gilt edges, by C. 
Smith. Amsterdam, 1710 


* The Beckford copy, with his memorandum, ‘‘ Handrot sale, 
July 1833.” 


509. BOREL (PETRUS). Champavert. Contes immo- 
raux. First EDITION. Vignette on title, by Godard after 
Jean Gigoux. 8vo, half brown morocco, gilt top, uncut. 

Paris: Eugene Renduel, 1833 


510. BOREL (PETRUS). Rapsodies. With etched frontis- 
prece. 16mo, cloth. Bruxelles, 1868 
* One of 280 copies printed. 


511. BOREL (PETRUS). Champavert. Contes immo- 
raux. 8 etchings by Audrien Aubry and a facsimile. 8vo, 
half maroon morocco, gilt. Bruxelles, 1872 


* One of 200 copies on Holland paper. 


512. BOREL (PETRUS). Madame Putiphar. Seconde 
édition, conforme pour le texte et les vignettes a l’édition 
de 1839. Préface par M. Jules Claretie. 2 vols. 8vo, half 
maroon levant morocco, uncut, by Carayon. Paris, 1877 


* One of 50 copies on large Whatman paper. 
| 81 


513. BORJA (JUAN DE). Empresas morales. Fvrontts- 
piece by fh. Collin and 224 copper-plate emblems (cuts on 
pages 41 und 331 have been cancelled and others substituted). 
Part I, second edition; Part II, first edition. 4to, blue mo- 
rocco, wide gilt borders, gilt edges, by Schaefer. 

Brussels: F. Foppens, 1680 


* From the Cortina Collection, with arms. 


514. BORROMEO (CARLO). Cantiques Nouveaux de 
S. Charles Borromée et de S® Catherine d’Alexandrie. Tirés 
d’un manuscrit. 8vo, old red morocco, gilt back, narrow 
side borders, gilt edges. a L’isle Sonnante, 1779 


* A curious satire, with frontispiece by B. L. Prévost after 
C. N. Cochin, the younger, six plates by N. C. B., five of them 
in two states; also two inserted portraits. 


515. BORROW (GEORGE). Targum, or Metrical Trans- 
lations from Thirty Languages and Dialects. FIRST EDI- 
TION. 8vo, half calf, gilt top. St. Petersburg, 1835 


516. BOSSE (ABRAHAM). La Maniere Vniverselle de 
Mr. (Girard) Desargves Lyonnois, povr poser lessiev, & 
placer les heures & autres choses aux cadrans av soleil. 
Engraved title and numerous plates. 8vo, polished calf 
gilt, gilt edges, by Raparlier (title at p. 28). 

Paris: Pierre des-Hayes, 1643 

517. BOSSE (ABRAHAM). Traité des Pratiques geome- 
trales et perspectives, enseignées dans 1’ Academie Royale 
de la Peinture et Sculptvre. Hngruved frontispiece-tille, 
leaf of dedication, title between pp. 47 and 49, and 67 other 
plates illustrative of perspective. 8vo, polished ealf gilt, gilt 
edges. Paris: Chez l’ Auteur, 1666 


518. BOSSE (ABRAHAM). De la maniere de graver a 
Veau-forte et au burin, et de la gravure en maniere noire. 
Avec la fagon de construire les Presses modernes, & d’im- 
primer en Taille-Douce. Nouvelle Edition, Augmentée de 
Vimpression qui imite les tableaux, de la Gravire en 
maniere de crayon, & de celle qui imite le lavis. Frontis- 
piece, dedicatory plate, 4 vignettes and 21 folding plates en- 
graved by Hrtinger, Bonnet and Fessard. 8vo, mottled 
ealf, red edges. Paris, 1758 


519. BOSWELL (JAMES). The Journal of a Tour to the 
Hebrides, with Samuel Johnson, L.L.D., containing some 
Poetical Pieces by D* Johnson, relative to the Tour, and 
never before published; a Series of his Conversation, Lit- 
erary Anecdotes, and Opinions of Men and Books: with an 
Authentick Account of the Distresses and Escape of the 
Grandson of King James IJ, in the Year 1746. 8vo, orig- 
inal russia binding, gilt back panels, edges entirely un- 
trimmed. London, 1785 

* FIRST EDITION. BOSWELL’S OWN COPY, with manuscript 
corrections and additions in his autograph. 


82 


520. BOSWELL (JAMES). The Lifeof Samuel Johnson, 
LL.D. Comprehending an account of his studies and 
humerous works, in chronological order; a series of his 
epistolary correspondence and conversations with many 
eminent persons; and.various original pieces of his com- 
position, never before published. The whole exhibiting a 
view of literature and literary men in Great-Britain, for 
near half a century, during which he flourished. Portrait. 
FIRST EDITION. 2 vols. 4to, blue levant morocco gilt, gilt 


tops, UNCUT, by The Club Bindery. London, 1791 
* Inserted is an autograph letter from William Forbes to Miss 
Boswell. 


521. [BOUCHER (FRANCOIS).] Francois Boucher, Le- 
moyne et Natoire, by Paul Mantz. Numerous full-page 
dlustrations. Folio, in cloth portfolio. Paris, 1880 

* One of 50 copies on Holland paper. 


522. BOUCHET (JEAN). les anciennes et modernes 
genealogies des Roys de France et mesmement du roy Phara- 
mond. Avec leurs Epitaphes et Effigies. Lettres bdtardes. 
64 woodcut portraits. Small 4to, calf gilt, gilt edges, by 
Bauzonnet. The Yemeniz copy. 

Poictiers: par Jacques Bouchet, 1535 


523. BOUCHET (JEAN). Les Triumphes de la noble et 
amoureuse Dame: et l’art de honnestement aymer, composé 
par le Traverseur des voyes perilleuses. Lettres bdtardes. 
Title in red and black within a fine ornamental woodcut bor- 
der on black ground, and a woodcut. Folio, brown levant 
morocco, the sides tooled in an interlaced Grolieresque pat- 
tern, gilt edges, by Capé. 

Paris: pour Ambroise Girault, 1536 


524. BOUCHOT (HENRI). La Femme Anglaise et ses 
Peintres. Colored frontispiece, 19 full-page plates and nu- 
merous woodcuts in the text. Ato, original covers, uncut. 

* One of 30 copies on large vellum paper. Paris, 1903 


525. BOUDARD (JEAN BAPTISTE). Iconologie, tirée 
de divers auteurs. 630 copper-plates, 3 of which are colored 
by hand. 3vols.inl. 8vo,brewn levant morocco gilt, gilt 
edges, by Motte. Vienne: J. T. de Trattnern, 1766 


526. BOURCHIER (JOHN, LORD BERNERS—Trans- 
lator). The History of the Valiant Knight Arthur of Little 
Britain. A Romance of Chivalry. Frontispiece and 24 
plates engraved by Heath from illuminated drawings in an 
old manuscript.. 4to, red morocco, back and sides richly 
tooled, with coat of arms, doublure of vellum, uncut edges, 
by Thompson. London, 1814 


527. BOURGET (PAUL). Andre Cornelis. First EDI- 
TION. 12mo, half red levant morocco, gilt top, uncut. 
Paris, 1887 
83 


528. BOURGHESIUS (JOANNKES). Vitze Passionis et 
Mortis Jesu Christi Domini nostri Mysteria, Pijs Medita- 
tionibus et Adspirationibus exposita par P. Joannem Bour- 
ghesium... Figuris eneis expressa per Boetium a Bolswert. 
Engraved title and 76 brilliant copper-plates by Bolswert. 
Small 8vo, red levant morocco gilt, gilt edges, by Bedford 
(half-title repaired). Antwerpiz, 1622 


529. BOURSAULT (EDME).- Le Mort Vivant, comedie. 
Dediée a Monseignevr Je Duc de Guise. Representée par 


les Comediens du Roy. FIRST EDITION. 12mo, green’ 


levant morocco, gilt edges, by Trautz-Bauzonnet. Paris,1662 


530. BOURSAULT (EDME). Le Portrait du Peintre, 
ou la Contre-Critique de L’Escole des Femmes. Comedie 
Representée sur le Theatre Royal de |’ Hostel de Bourgogne. 
12mo, red levant morocco gilt, gilt edges. Paris, 1663 


* THE FIRST EDITION, containing passages which were after- 
wards suppressed. 


531. BOURSAULT (EDME). Le Medecin Volant, Come- 
die. First EDITION. 12mo, green levant morocco, gilt 
edges, by Trautz-Bauzonnet. Paris, 1665. 


532. BOURSAULT (EDME). La Metamorphose des 
Yevx de Philis, changez en Astres. Pastoralle. Repre- 
sentée par la Troupe Royale, Et mise au Theatre. FIRST 
EDITION. 12mo, green levant morocco, gilt edges, by 
Trautz-Bauzonnet. Paris, 1665 


533. BOURSAULT (EDME). (éuvres de M. Boursault, 
contenant les pieces de Theatre, Nouvelle Edition augmen- 
tée. Two frontispieces and 7 other plates. 2 vols. 12mo, 
vellum boards, uncut, by Pouillet. Amsterdam, 1721 


534. BOURSAULT (EDME.). Le Prince de Condé, 
roman historique. Suivi d’éclaircissements et de piéces 
intéressantes sur les régnes de Francois II, de Charles IX 
et de Henri III]. PAPIER VELIN COPY. 2 vols. 12mo, red 
morocco, gilt edges, probably by Derome. Paris, 1792 


535. BOUSSOLE. La Boussole des Amans. 12mo, Shere 
levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 
Cologne, 1670: 


536. BOUTEROUE (CLAUDE). Recherches Curieuses 
des Monoyes de France, depuis le commencement de la 
monarchie. Vignettes by N. Bonnart and numerous plates 
of coins in the text. Folio, blue morocco gilt, gilt edges, by 
Boyet. Paris: Edme. Martin, 1666 

* From the libraries of the Duc de la Valliére and Prince 
Radziwill. 


84 


537. BOZE (CLAUDE GROS DE). Histoire de 1’ Aca- 
demie Royale des Inscriptions et Belles-Lettres, ete. Hin- 
graved frontispiece, 3 flewrons and 3 vignettes. 3 vols. 
small 8vo, old red morocco gilt, arms of the Cardinal de 
Fleury, gilt edges. | Paris: H. L. Guerin, 1740 


538. BRACHELIUS (ADOLPH). Historianum Nostri 
Temporis. Editio Ultima. In duas Partes divisa, ete. 
Frontispiece and 97 portraits. 12mo, vellum, boards. 

Amsterdam: J. van Meurs, 1659 


539. BRADLEY (JOHN W.). A Dictionary of Minia- 
turists, Illuminators, Calligraphers, and Copyists, with 
reference to their works, and Notices of their Patrons, from 
the Establishment of Christianity to the Eighteenth Cen- 
tury. LARGE PAPER cCOoPY. 3 vols. royal 8vo, cloth, gilt 
tops, uncut. London: Quaritch, 1887-1889 


540. BRAMSTON (JAMES). The Man of Taste. Oc- 
easion’d by an Epistle of Mr. Pope’s on that Subject. 
First EDITION. Frontispiece and vignette. 8vo, morocco, 
uncut. London: J. Wright, 1733 


541. BRANDT (SEBASTIAN). Stultifera Navis. Nar- 
ragonice perfectionis nunquam satis laudata nauis. Roman 
character. CLIX numbered leaves, a blank, and 4 un- 
numbered leaves between 144 and 145, with signatures ; 30 
lines to the page ; 117 woodcuts. 4to, citron levant morocco, 
gilt panels, back and inside borders, gilt edges, by Bedford. 

Basileze: Johannes Bergman de Olpe, 1497 


* ON VERSO OF LEAF 76 THERE ARE REFERENCES TO THE DIS- 
COVERY OF AMERICA. Hain, 3750. 


542. [BRATHWAIT (RICHARD).] A Solemne Joviall 
Disputation, Theoreticke and Practicke; briefly shadowing 
the Law of Drinking: together with the Solemnities and 
Controversies occurring, etc.; also The Smoaking Age, or, 
the man in the mist: with the life and death of Tobacco. 
Dedicated to those three renowned and imparalle’d Heroes, 
Captain Whiffe, Captaine Pipe, and Captaine Snuffe, ete. 
Engraved frontispieces by Marshall to both parts, but lacks 
both explanatory leaves. 12mo, calf, gilt, by W. Pratt. 

OENOZ. YT HOPOAIE: At the Signe of Teare-Nose. 1617 


* FIRST EDITION. The frontispieces are the earliest known 
work of Marshall. 


548. BRATHWAIT (RICHARD). <A New Spring 
Shadowed in Sundry Pithie Poems. Musophilus. Woodcut 
on title. Small 4to, ealf gilt, gilt edges. (Very slight re- 
pair to the margin of sig. Ez ) 

London: Printed by G. Eld for Thomas Baylie, 1619 
* First EpITION. One of only four perfect copies known. 


85 


544. [BRATHWAIT (RICHARD).] Natvres Embassie: 
or, the Wilde-mans Measvres: Danced naked by twelue 
Satyres, with sundry others continued in the next Section. 

Wilde men may dance wise measures; Come then 
ho, 
Though I be wilde, my measures are not so. 


16mo, red levant morocco gilt, gilt edges, by Lortic. 
[London]: Printed for Richard Whitaker, 1621 
* First EDITION. With the separate titles to each part, 


545. BRATHWAIT (RICHARD). The English Gentle- 
woman, drawne out to the full Body: Expressing, what 
Habilliments does best attire her, what Ornaments doe 
best adorne her, what Complements doe best accomplish 
her. Frontispiece-title engraved by Marshall. Small 4to, 
red levant morocco gilt, gilt edges, by Riviére. (Lacks 
the ‘‘ Explanation of the Frontispiece ’’; the frontispiece 
and title re-margined, and corners of some ‘of the last leaves 
repaired. ) 

London: Printed by B. Alsop and T. Faweet for Michael 
Sparke, 1631. 

* FIRST EDITION. 


546. [BRATHWAIT (RICHARD).] A Strange Meta- 
morphosis of Man transformed into a Wildernesse. De- 
ciphered in characters. 18mo, dark blue levant morocco 
gilt, gilt edges, by The Club Bindory. 

London: Printed by Thomas Harper and are to be sold 


by Lawrence Chapman, 1634. 


* FIRST EDITION, apparently unknown to most bibliographers 
of Brathwaite. 


547. BRATHWAIT (RICHARD). A Survey of History: 
or, a Nursery for Gentry. Contrived and Comprized in an 
Intermixt Discourse upon Historicall and Poeticall Rela- 
tions, ete. Hngraved title by W. Marshall. Small 4to, 
half blue levant morocco gilt, gilt edges. 

Imprinted at London by 1 Okes for Jasper Emery, 1638 


548. [BRATHWAIT (RICHARD).] Barnabees Journal 
under the Names of Mirtilius & Faustulus shadowed: for 
the Travellers Solace lately published, to most apt numbers 
reduced, and to the old Tune of Barnabe commonly chanted. 
By Corymboeus. Hngraved title by W. Marshall, and 
separate titles to each part. 18mo, dark blue levant morocco, 
ornamental gilt tooling, doublure of green levant panels, gilt 
borders, gilt edges, by The Club Bindery. (A few headlines 
shaved.) [London: Printed by John Haviland, 1638] 


* FIRST EDITION, many passages of which were altered in 
later issues to suit a more modern taste. It was licensed to 
John Haviland, June 7, 1638, but no imprint is on the volume. 
The frontispiece by Marshall appeared only in this edition. 


86 


549. BRATHWAIT (RICHARD). The English Gentle- 
man; and the English Gentlewoman: Both In one Volvme 
couched, and in one Modell portrayed: to the living glory of 
their Sexe, the lasting story of their Worth. Being presented 
to present times for ornaments; commended to posterity for 
Presidents. With a Ladies Love-Lectvre And a Svpplement 
lately annexed, and Entituled The Tvrtle’s Trivmph. THE 
THIRD EDITION revised, corrected, and enlarged. Engraved 
Frontispiece by Marshall, and with the two folding leaves of 
explanation. Folio, mottled calf gilt, centre ornaments, gilt 
edges, by Bedford. London: Printed by John Dawson, 1641 

* Although described on the title as ‘‘Third Edition,” it is 
probably the first issue of the two books in this form. 

Contains a few lines of errata at the end of part one, not 
found in all copies. 

550. BRATHWAIT (RICHARD). The Honest Ghost, 
or A Voice from the Vault. Hngraved title by Vaughan 
and one plate with preluminary leaf of description (all re- 
margined). 12mo, red morocco gilt, with arms, gilt edges, 
by Murton. London: Printed for Ric. Hodgkinsonne, 1658 

* First EDITION, Apparently a thick paper copy. From the 
Bindley collection, with bookplate, and with the Griswold 
Arms on the cover. 

551. BRATHWAIT (RICHARD). A Comment Upon 
the Two Tales of our Ancient, Renovvned, and Ever- 
Living Poet Sr Jeffray Chaucer, Knight. The Miller’s 
Tale, and The Wife of Bath. FIRST EDITION. 12mo, brown 
levant morocco, gilt and blind-tooled, gilt over red edges, 
by Riviere. London: Printed by W. Godbid, 1665 


552. BRATHWAIT (RICHARD). Drunken Barnaby’s 
Four Journeys to the North of England. In Latin and 
English Verse. Wittily and Merrily (tho’ near One Hun- 
dred Years ago) compos’d; found among some old musty 
Books, that had a long time lain by in a Corner; and now 
at last made publick. To which is added, Bessy Bell. 
Frontispiece after W. Marshall, and another plate. SECOND 
EDITION. 12mo, brown straight-grain morocco gilt, gilt 
edges. London: S. Illidge, 1716 

* Witk introductory matter and an Index not found in the 
First Edition. The Lefferts copy, with bookplate. 

553. BRATHWAIT (RICHARD). Drunken Barnaby’s 
Four Journeys to the North of England. In Latin and 
English Metre. Wittily and merrily (tho’ an Hundred 
Years ago) compos’d; found among some old musty Books 
that had lain a long time by in a Corner, and now at last 
made publick. Together with Bessy Bell. Illustrated with 
several new copper cuts (engraved by J. Clark). 12mo, calf 
gilt, gilt edges, by C. Lewis. London: 8. Illidge, 1723 


* Inserted is a portrait of William Bosworth, the supposed 
author of the book, after the print by Glover. The Third 
Edition and the first to contain the plate of the Puritan hang- 
ing his cat for catching a mouse on the Sabbath day. 


87 


554. BRATHWAIT (RICHARD). Barnabe Itinerarium, 
ete. Edited by Joseph Haslewood. Plates, some inserted, 
by Hazlewood. 12mo, green morocco gilt, gilt edges. 

London, 1818 


* Joseph Haslewood’s edition of 1818, with a collection of 
title-pages, engravings, etc., from various editions and trial- 
proofs for his new edition published in two volumes, 1820. 
Haslewood’s copy, with his bookplate, corrections and notes. 

‘‘ This is a cut-down copy to size with the later one, of the 
jirst edition edited by me. It has the printer's specimens, &c. 
(set up for the next edition), in the precedent matter, and is 
embellished or illustrated with several incidental prints, etc.” 


555. BRATHWAIT (RICHARD). Barnabe Itinerarium, 
or, Barnaby’s Journal. With a Life of the Author, a 
Bibliographical Introduction to the Itinerary, and a Cata- 
logue of his Works. Edited by Joseph Haslewood. Two 
portraits and reproduction of the engraved title of the first 
edition. 2 vols. 12mo, olive straight-grain morocco gilt, 
gilt edges. London, 1820 


* Eighth Edition, of which only 123 copies were issued. 
Joseph Haslewood’s copy, with his pencilled note, ‘*A choice 
picked copy for the Editor himself.” 


556. BRATHWAIT (RICHARD). Barnabe Itinerarium, 
or Barnabee’s Journal. With a Life of the Author, a 
Bibliographical Introduction to the Itinerary, and a Cata- 
logue of his Works. Edited from the first edition, by 
Joseph Haslewood. New edition, carefully revised by W. 
Carew Hazlitt. Plates. 2 vols. 8vo, red levant morocco, 
gilt tops, uncut, by The Club Bindery. 

London: Printed for private circulation, 1876 


* ONE OF TWO COPIES PRINTED ON VELLUM, with signed 
statement by the printers to that effect. 


557. BRAYLEY (EDWARD W.). Views in Suffolk, 
Norfolk and Northamptonshire; illustrative of the Works 
of Robert Bloomfield, accompanied with descriptions, 
[and], Memoir of the Poet’s Life. Numerous ilustrations. 
Original edition. 4to, sprinkled calf. 

London: Vernor [ca. 1806] 


* Autograph ‘‘. . . Smets, Savannah, Nov, 30th, 1824,” on 
title. 


558. BRETEX (JACQUES). Les Tournois de Chauvenci, 
donnés vers la fin du treizieme siécle. Annotés par feu 
Philibert Delmotte...et publiés par H. Delmotte, son fils. 
8vo, rose velvet embossed with a design in panels, silver- 
gilt corners and clasps, vellum linings, gilt edges. In a 
half-morocco.ecase. Valenciennes, 1835 


* Printed in Gothic type on vellum. Outline frontispiece on 
India paper, with two duplicates painted by hand, and, in- 
serted, a sepia portrait of Delmotte by Madou, an illuminated 
facsimile page of text and two pages of arms colored by hand. 


88 


509. BRETT (ARTHUR). Threnodia. On the Death 
of the High born Prince Henry, Duke of Glocester. FIRST 
EDITION. Small 4to, blue levant, centre panels of brown 
stamped morocco, the intervals studded with gilt dots, gilt 
edges, by Riviére. 

Oxford: Printed by H. Hall, for Ric. Davis, 1660 


560. BRIANVILLE (CLAUDE-ORONCE F. DE). His- 
toire Sacrée en Tableaux, pour Monseigneur le Dauphin. 
Frontispiece and 138 illustrations by S. Le Clerc. 3 vols. 
12mo, old red morocco gilt, gilt edges, by Derome. 

Paris: Charles de Serey, 1677-75 


561. BRIDGES (ROBERT). Prometheus the Firegiver. 
FIRST EDITION. Small 4to, half parchment, uncut. 
Oxford: H. Daniel, .1883 
* Only 100 copies privately printed. 


562. BRIDGES (ROBERT). Plays. Consisting of Nero. 
Parts 1 and 2. Palicio; Ulysses; Captives; Achilles; Hu- 
mours; Feast of Bacchus. FIRSTEDITIONS. 8 plays in 1 
vol. 4to, brown levant morocco, panelled back and sides, 
gilt top, uneut, by The Club Bindery. London, 1885-94 


* At the back are bound the original paper covers, 5 original 
manuscript prologues by Thomas Hutchinson, and several 
addressed envelopes in Bridges’ autograph. 


563. BRIDGES (ROBERT). The Feast of Bacchvs. 
4to, half parchment, uncut. Oxford: H. Daniel, 1889 
* One of 105 copies privately printed. 


564. BRIDGES (ROBERT.) The Growth of Love. 4to, 
half parchment, uncut. Oxford: H. Daniel, 1890 
* Only 100 copies privately printed. 


565. [BRISSART-BINET (C. A.).] Cazin; Sa Vie et 
ses Editions. Par un Cazinophile. 8vo, half red morocco 
gilt, gilt top, uncut Cazinopolis [Reims], 1863 

* One of 50 copies on large paper. 


566 BRITISH DRAMA. The Ancient British Drama. 
Vignettes on titles. 3 vols. London, 1810, also, the British 
Drama, comprehending the best Plays in the English lan- 
guage. Vignettes on titles. 5 vols London, 1804. Together, 
8 vols. royal 8vo, half brown levant morocco gilt, gilt tops, 
uncut, by Zaehnsdorf. London, 1810-1804 


* Edited by Sir Walter Scott. The material of the former is 
taken chiefly from Dodsley’s Old Plays. 


567. BRITISH ESSAYISTS. The British Essayists;— 
Tatler, Guardian, Rambler, Spectator, Mirror, ete., with 
Prefaces, Historical and Biographical. Portraits on India 
paper. 38 vols. 12mo, half cloth and boards, paper labels, 
uncut. Boston: Little Brown and Co., 1866 

* One of 100 copies on large paper. 


89 


568. BROGLIE (JACQUES VICTOR ALBERT, DUC 
DE). La Journée de Fontenoy. 4to, olive levant morocco, 
elaborately tooled on the back and sides with an original 
design, inside borders, green silk linings, gilt top, uncut, 
by The Club Bindery. Navarre, 1897 


* One of 75 copies on papier vélin, with the 12 etchings by 
Lalauze in 2 states, also an original water-color drawing by 
Lalauze. 


569. BROME (ALEXANDER). A Canterbury Tale, 
translated Out of Chaucers old English Into our now vsvall 
language. Whereunto is added the Scots Pedler. Newly 
enlarged by A. B. Small 4to, green levant morocco, gilt 
edges, by Riviére. Printed in the yeare 1641 


* FIRST EDITION OF BROME’S EARLIEST PRODUCTION. One of 
only two coples known. 


570. BROME (ALEXANDER). The Coming Lovers. 
A Comedy. First EDITION. Small 4to, blue levant mo- 
rocco cilt, gilt edges, by The Club Bindery. 

London: Printed for Will. Sheares, 1654 


571. BROME (ALEXANDER—HEditor). The Rump, or 
A Collection of Songs and Ballads, made upon those who 
would be a Parliament, and were but the Rump of a House 
of Commons, five times dissolv’d. Frontispiece. Small 
8vo, green morocco, gilt centre panels on a blind-tooled 
background, doublure and ‘end papers of brown morocco, 
with broad gilt and blind-tooled borders, gilt edges, by 
Hering. In blue morocco solander case. (Front margin 
of last leaf restored. ) 

London: Printed for H. Brome and N. Marsh, 1660 


* FIRST EDITION. VERY RARE. THIS COPY IS ON THICK PAPER 
AND IS BELIEVED TO BE THE ONLY COPY KNOWN. The Per- 
kins copy, with a long MS. note inserted, which calls attention 
to certain points not discovered in other copies examined, and 
pronounces this to be ‘‘the only copy at present known with- 
out these variations.” 

The collection was edited by Alexander Brome, who also 
wrote many of the songs. Most of these pieces appeared from 
time to time in the form of broadsides. 


572. BROME (ALEXANDER). Songs and other Poems. 
FIRST EDITION. Portrait by Hertochs. 12mo, red levant 
morocco, richly tooled, gilt edges, by Riviére. (Title re- 
margined at top, and errata cut down and inlaid.) 

London: Printed for Henry Brome, 1661 


* EK. H. Granger’s copy, with autograph dated 1785, on re- 
verse of portrait. 


573. BROME (ALEXANDER—Hditor). Rump: or an 
exact collection Of the Choycest Poems and Songs relat- 
ing to the Late Times. By the most Eminent Wits, from 
Anno 1639. to Anno 1661. Frontispiece and engraved 


90 


title. Small 8vo, green levant morocco gilt, gilt edges, 
by R. De Coverly. 

London: Printed for Henry Brome and Henry Marsh, 1662 

* The Address to the Reader is the same as in the First Edi- 
tion (1660), but the text is altogether different. 

o74. BROME (ALEXANDER). Songs and other Poems. 
THE SECOND EDITION, Corrected and enlarged. Portrait by 
Loggan. 12mo, blue levant morocco gilt, gilt edges, by 
Riviére. London: Printed for Henry Brome, 1664 

* With the extra leaf at end containing ‘‘ Mr. Brome’s Songs,”’ 
printed lengthwise of the page. 

d75. BROME (ALEXANDER, AND OTHERS—Transla- 
tors). The Poems of Horace, Consisting of Odes, Satyres, 
and Epistles, Rendered in English Verse by Several Per- 
sons. Portrait of Brome by Loggan and of Horace by Dun- 
stall. 12mo, red levant morocco, gilt and blind tooled, gilt 
edges, by Riviére. (Name stamped on reverse of one por- 
trait.) London: Printed by E. Cotes for Henry Brome, 1666 

* FIRST EDITION, with the leaf of imprimatur. The greater 
part of these translations were made by Brome. Others were 
by Sir Richard Fanshaw, Cowley, Sir John Denham, Sir Thomas 
Hawkins, and Ben Jonson. 

576. BROME (ALEXANDER). Songsand other Poems. 
THE THIRD EDITION ENLARGED. Jfortrait of Brome by 
Loggan. 12mo, sprinkled calf. (Piece of margin torn 
from p. 125.) London: Printed for Henry Brome, 1668 


* Apparently the only ‘‘ enlargement” from the second edi- 
tion is the poem entitled ‘‘On a Parson and a Lawyer.” 


577. BROME (ALEXANDER) AND OTHERS. A Collec- 
tion of Loyal Songs Written against the Rump Parliament, 
Between the Years 1639 and 1661. With an Historical In- 
troduction to the Whole. 2 vols. 12mo, russia gilt, gilt 
edges. London: Printed for J. Stone, 1731 


578. BROME (RICHARD). The Antipodes; a comedie. 
Acted in the Yeare 1638. FIRST EDITION. Small 4to, red 
levant morocco gilt, gilt edges, by Zaehnsdorf. 

London: Printed by J. Okes, 1640 
* Laid in is a four-page letter from Prof. Lake comparing 
this with the Hammond copy. 

579. BROME (RICHARD). A Joviall Crew; or, The 
Merry Beggars. Presented in a Comedie, at the Cock-pit 
in Drury-Lane, in the year 1641. First EDITION. Small 4to, 
ealf. London: Printed by J. Y. for E. D. and N. E., 1652 


* The Perkins copy, with arms on sides. 


580. BROME (RICHARD). Five New Plays (Viz.), 
Madd Couple well matcht, Novella, Court Beggar, City Witt, 
Damoiselle. First EpITion. Portrait by Cross (slightly 
defective on lower blank margin). 12mo, red levant mo- 
rocco gilt, gilt edges, by The Club Bindery. 

London: Printed for Humphrey Mosely, ete., 1653 


91 


581. BROME (RICHARD). Five new Playes: viz. The 
English Moor, 1658; The Love-sick Court, 1658; TheWeeding 
of the Covent Garden, 1658; The New Academy, 1658; The 
Queen and Concubine, 1659. Each with separate titles. In 
one volume, 12mo, original calf, with the label. 

London: Printed for Andrew Crook, ete., 1658-59 

* First EDITIONS. The English Moor has the two titles, that 
of 1658 without the author's name, and the cancel title of 1659 
with the author’s name. Extremely rare in this state, the two 
copies in the British Museum being both imperfect and the 
Grenville copy having only the cancel title. The Sir Henry 
Hope Edwards copy, with bookplate. 


582. BRONGNIART (A.). Traité des arts céramiques 
ou de poteries considérées dans leur histoire, leur pratique 
et leur théorie. 2 vols. 8vo. With anoblong 4to atlas con- 
taining 60 plates, tables, etc. Together, 3 vols. green levant 
morocco gilt, gilt edges. Paris, 1854 


583. [BRONTE (CHARLOTTE).] Poems. First Ept- 
TION; with Smith, Hider & Co. title. 12mo, half green 
levant morocco gilt, gilt top, uncut. London, 1846 


584. [BRONTE (CHARLOTTE).] Jane Eyre. An Auto- 
biography. Edited by Currer Bell. 3 vols. 12mo, half 
brown levant morocco, gilt tops, uncut, by Champs. 


London, 1847 


* FIRST EDITION. VERY SCARCE. This copy has the adver- 
tisements bound in the back. 


585. [BRONTE (CHARLOTTE).] Shirley. A Tale. 
By Currer Bell. First EDITION. 3 vols. 12mo, half green 
levant morocco, gilt tops, uncut, by Champs. London, 1849 


586. BRONTE (CHARLOTTE).] Villette. By Currer 
Bell. FIRST EDITION. 3 vols. 12mo, half blue levant mo- 
rocco, gilt tops, uncut. . London, 1853 


587. BRONTE (CHARLOTTE). .] The Professor, a Tale. 
First EDITION. 2 vols. 12mo, half green levant morocco 
gilt, gilt tops, uneut, by Champs. London, 1857 


588. BROUER (MATTHEUS). Zederyke Zinnebeelden 
der Tonge, door Mattheus Brouérius van Niedek. F'rontis- 
piece engraved by Folkema, vignettes and 40 emblems. Small 
Svo,old red morocco, gilt panels, gilt edges. Amsterdam,1716 


589. BROUER (MATTHEUS). Zederyke Zinnebeelden 
der Tonge. Frontispiece-title engraved by J. Folkema after 
A. Houbraken, and 40 vignettes. 8vo, green morocco, gilt 
and blind-tooled, gilt top, uneut, by The Club Bindery. 

Amsterdam: Pieter Meijer, 1764 


92 


090. BROUGHAM (HENRY PETER, LORD). Albert 
Lunel; or, The Chateau of Languedoc. First EDITION. 
3 vols. 12mo, red morocco gilt, gilt tops, uncut, by 
Matthews. . London, 1844 

* Suppressed on the eve of publication. 


0991. BROUGHTON (HUGH). A Concent of Scripture, 
by H. Brovghton. Small 4to, brown straight-grain morocco, 
blind tooled panels, gilt fillet, gilt over rough edges. 

[1591 or 1592] 
* PERFECT COPY ON VELLUM of the second edition, with an 
ordinary woodcut ‘‘T” beginning the dedication. It has 37 
leaves of letterpress, no colophon, an engraved title, a folded 
map with both hemispheres in one globular projection, and 
four plates, which are more brilliant impressions than those in 
the copy sold in Part I. of the Robert Hoe collection (no, 515), 
The engraved title is not signed ‘‘ WR’’(ogers), and the top and 
bottom margins of the map are much wider. Only three copies 
on vellum are known, the third being in the Bodleian Library. 
Dawson Turner’s copy with his autograph and manuscript 
notes on the fly-leaf. 


592. BROUGHTON (HUGH). Epistole Hebreex, qua 
Byzantiaco Judo respondetur de religione, etc. Translated 
from the Hebrew into Greek and Latin. Map and four 
engraved plates, probably by W. Rogers. 4to, sprinkled 
ealf, gilt back. Amsterdam, 1606 

* A British Museum duplicate. 


593. BROWN (JOHN, D®). Barbarossa. <A Tragedy. 
As it is Perform’d at the Theatre-Royal in Drury Lane. 
FIRST EDITION. 8vo, black morocco, gilt edges, by The 
Club Bindery. London: J. and R. Jonson, 1755 

* Prologue and epilogue by Garrick. 


594. BROWN (RAWDON). Avisi di Londra. (Com- 
munication to the Philobiblon Society.) 8vo, brown levant 
morocco, doublure and fly-leaves of maroon russia, gilt 
top, uncut, by Zaehnsdorf. [ London, n. d. | 


595. [BROWN (THOMAS).] <A Description of Mr. 
D(ryde)n’s Funeral. A Poem. THE THIRD EDITION, with 
Additions. Small folio, half morocco. London, 1700 


596. [BROWNE (I. H.).] A Pipe of Tobacco; in Imita- 
tion of Six Several Authors (Young, Pope, Swift and 
others). FIRST EDITION. 8vo, roan (cut down, and sev- 
eral margins defective). London, 1736 


597. BROWNE (WILLIAM).  Britannia’s Pastorals; 
Lond. print. for Geo. Norton, dwell: at Temple-barr, (1613). 
(II) Britannia’s Pastorals. The second Booke. ... Lon- 
don; Printed by Thomas Snodham, 1616. FIRST EDITIONS 
OF BOTH PARTS. Engraved title by W. Hole. Small folio, 


93 


two books in one volume, crimson levant raoroeco gilt, 
doublure of crimson morocco, gilt edges, by The Club 
Bindery. (Several margins repaired, and tiny wormhole 
through a few pages. ) London, 1613, 1616 


598. BROWNING (ROBERT). Selections from the 
Poetry; with an Introduction by Richard Grant White. 
Portrait in two states. 8vo, citron levant morocco, gilt, 
corner ornaments, by Cuzin. New York [1883] 

* Large Japan paper copy, only 70 printed. 


599. [BRUEYS (DAVID AUGUSTIN).] Gabinie. - 


Tragedie Chrétienne. First EDITION. 18mo, red levant 


morocco, gilt edges, by Thibaron. Paris, 1699, 


600. BRUGIS (THOMAS). Vade Mecum: or, a Com- 
panion for a Chyrurgion: fitted for times of peace or war. 
Compendiously shewing the yong Artist the use of every 
severall Instrument belonging to a Chyrurgion; ete. Por- 
trait of the author engraved by T. Cross. 16mo, dark brown 
levant morocco gilt, gilt edges, by The Club Bindery. 
[Contemporary medical manuscript laid in. | 

London: Printed by T. H. for Thomas Williams, 1652 


* FIRST EDITION. Watts gives the date of the first edition as 
1651, in which he is probably in error. 


601. BRUNES (JOHANNES DE). Emblemata of Zinne- 
werck. Engraved title and 52 copper-plate wlustrations by 
Pass, Blon, Vander Venne and others. 4to, green levant mo- 
rocco gilt, gilt edges, by Riviére. 

Amsterdam: Abraham Latham [after 1624] 


602. BRUNET (GUSTAVE). Fantaisies Bibliographi- 
ques. 12mo, half red levant morocco gilt, top, uncut, by 


David. Paris, 1864 
* Holland paper copy, only 250 printed. 


603. BRUNET (GUSTAVE). la France littéraire au 
XVe siécle ou catalogue raisonné des ouvrages en tout genre 
imprimés en langue francaise jusqu’a l’an 1500. First EpI- 
TION. 8vo, half red levant morocco gilt, gilt top, uncut, by 


David. Paris, 1865 
* One of 300 copies on Holland paper. 


604. BRUNET (GUSTAVE). Imprimeurs imaginaires et 
libraires supposés. Etude bibliographique suivie de re- 
cherches sur quelques ouvrages imprimés avec des indications 
fictives de lieux ou avec des dates singuliéres. First Epirion. 
Svo, half red levant morocco gilt, gilt top, uncut, by David. 

Paris, 1866 

605. [BRUNET (GUSTAVE).]| Bibliomania in the Pres- 
ent Day in France and England; or some accounts of cele- 
brated recent sales, from the French of Philomneste Junior. 
Portrait. 12mo, paper. New York, 1880 


* One of 30 copies on vellum paper. 
94 


ee eee ae eS ee a ee a ee 


606. BRUNO (GIORDANO).: Il Candelaio, comedia. 
12mo, old citron morocco, with inlaid borders of red morocco, 
gilt edges. (2 leaves missing. ) Parigi, 1582 


607. BRYANT (WILLIAM CULLEN). Thirty Poems. 
First Epirion. Post 8vo, citron levant morocco gilt, gilt over 
rough edges, by The Club Bindery. New York, 1864 


608. BRYANT (W. C.) anp GAY (S. H.). A popular 
History of the United States, from the first discovery of the 
Western Hemisphere by the Northmen, to the end of the first 
century of the Union of the states. Preceded by a sketch of 
the pre-historic period and the age of the mound builders. 


Portrait, numerous steel plates and woodcuts. First Epirion. 


4 vols. royal 8vo, half red straight-grain morocco, gilt tops, 
uncut. New York, 1876-81 


609. BUCK (SIR GEORGE). The Great Plantagenet. 
Or a continved svecession of that Royall Name, from Henry 
the Second, to our Sacred Soveraigne King Charles. Small 
4to, purple straight-grain morocco gilt, gilt edges. 

London: Printed by Nicholas and John Okes, 1635 


* The First Edition was published in 1605, and is here re- 
printed with the author’s alterations and additions. This copy 
has both the separate title to ‘‘Eclog between Damaetas and 
Silenus,’’ and the leaf preceding title, with the royal arms. 


610. BUCK (SIR GEORGE). The History of the Life 
and Reigne of Richard the Third. Portrait of Richard III, 
by Cross. -Srconp Epirion. Folio, brown levant morocco 
gilt, gilt edges, by The Club Bindery. 

London: Printed by W. Wilson, 1647 


611. BUCKINGHAM (JOHN SHEFFIELD, DUKE 
OF). The Works of John Sheffield, Earl of Mulgrave, Mar- 
quis of Normanby, and Duke of Buckingham. 2 vols. 12mo, — 
blue straight-grain morocco gilt, gilt edges. 

London: Printed for John Barber, 1726 
* The Gosford Copy. 


612. BULLEN (A. H.—Editor). Lyrics from the Song- 
Books of the Elizabethan Age. 8vo, half calf, gilt top, un- 


eut. Large Paper Edition limited to 250 copies. 
London, 1887 


6138. BULLEN (A. H.—Editor). Speculum Amantis: 
Love Poems from rare Song-Books and Miscellanies of the 
Seventeenth Century. 4to, half blue calf, gilt top, uncut. 
500 copies printed. London: Privately Printed, 1889 


614. BULLEN (A. H.—Editor). Poems, Chiefly Lyrical, 
from Romances and Prose-Tracts of the Elizabethan Age: 
With chosen Poems of Nicholas Breton. 8vo, half calf, gilt 
top, uncut. Large Paper Edition, 260 copies printed. 

London, 1890 


95 


615. [BULLET (JEAN BAPTISTE).] Recherches Histo- 
riques sur les Cartes a Jouer, Avec des Notes critiques & in- 
téressantes. First Epirion. Small 8vo, calf gilt, gilt edges, 
by Trautz-Bauzonnet. | Lyon, 1757 


616. BULLIARD (PIERRE). Dictionnaire Elémentaire 
de Botanique; Histoire des Plantes Vénéneuses et Suspectes 
de France. First Eprrion. 10 plates, 9 of which are colored. 
2 vols. in 1, 4to, old red morocco gilt, gilt edges. 

Paris, 1783-84 


617. BULLIARD (PIERRE). Herbier de la France, ou — 


Collection complette des plantes indigenes de ce royaume; 
Avec leurs Détails Anatomiques, leurs Propriétés, et leurs 
Usages en Medecine. 384 plates. 4 vols. 4to, old red mo- 
rocco gilt, gilt edges (4 parts missing). 
Paris: Didot le Jeune, 1780-93 
618. BULLOCK (WILLIAM). Virginia Impartially ex- 
amined, and left to publick view, to be considered by all 
Iudicious and honest men: Under which Title, is compre- 
hended the Degrees from 34 to 39, wherein lyes the rich and 
healthfull Countries of Roanock, the now Plantations of Vir- 
ginia and Mary-land. Looke not upon this Booke, as those 
that are set out by private men, for private ends; for being 
read, you’! find, the publick good is the Authors onely aime. 
For this Piece is no other then the Adventurers or Planters 
faithfull Steward, disposing the Adventure for the best ad- 
vantage, advising people of all degrees, from the highest 
Master, to the meanest Servant, how suddenly to raise their 
fortunes. Peruse the Table, and you shall finde the way 
plainely layd downe. By William Bullock, Gent. First 
Epirion. Small 4to, red levant morocco gilt, gilt edges, by 
The Club Bindery. (Small repairs to blank margins of the 
title-page. ) London: Printed by John Hammond, 1649 


619. [BULWER-LYTTON (SIR. EDWARD).|] Eugene 
Aram. <A Tale. First Epirion. 3 vols. 12mo, original 
boards, uncut (joints weak). _ London, 1832 


620. [BULWER-LYTTON (SIR EDWARD).] Ernest 
Maltravers. First Epirion. 3 vols. 12mo, original boards, 
uncut. London, 1837 


621. [BULWER-LYTTON (SIR EDWARD).] Alice, or 
the Mysteries: a Sequel to ‘‘Ernest Maltravers.’’ First 
Epition. 3 vols. 12mo, original half cloth and boards 
(loose), uncut. London, 1838 


y] 


622. [BULWER-LYTTON (SIR EDWARD).] Zanoni. 
First Eprrion. 3 vols. 12mo, original half cloth and boards 


(loose), uncut. London, 1842 | 


96 


623. [BULWER-LYTTON (SIR EDWARD).] The Last 
of the Barons. First Epirion. 3 vols. 12mo, original half 
cloth and boards (one loose), uncut. London, 1843 


624. [BULWER-LYTTON (SIR EDWARD).] Harold, 
the last of the Saxon Kings. First Epirion. 3 vols. 12mo, 
original half cloth and boards (somewhat loose), uncut. 

London, 1848 

625. [BULWER-LYTTON (SIR EDWARD).] The Cax- 
tons, a family picture. First Eprrion. 3 vols. 12mo, origi- 
nal cloth (slightly worn), uncut. London, 1849 


626. [BULWER-LYTTON (SIR EDWARD).] The 
Poetical and Dramatic Works. Portrait and engraved titles. 
First Collected Edition. 5 vols. 12mo, cloth, uncut. 

London, 1852-4 

627. BUNYAN (JOHN). The Pilgrim’s Progress from 
this World to that which is to come; to which is added the 
Life of the Author. Frontispiece portrait, 21 plates and a 
map, by J. Sturt. 8vo, sprinkled ealf gilt, red edges. 

London, 1775 

628. BUNYAN (JOHN). The Pilgrim’s Progress from 
this World to that which is to come. With a memoir of the 
author, by George Cheever. Numerous engravings by G. E. 
and J. Dalzvel from designs by Harvey. Royal 8vo, half dark 
red morocco, gilt top, uncut. One of 50 copies on Large 
Paper. London, 1850 


629. BURGMAIER (HANS). Images de Saints et Saintes 
issus de la famille de l’empereur Maximilian I. 119 plates 
from the original wood blocks by Frank, Seemann, and others, 
after the designs of H. Burgmamer, presented in the Hofbsblro- 
thek in Vienna. Folio, red morocco gilt, wide borders, arms 
on the covers, gilt edges. Vienne: la Veuve Alberty, 1799 


630. BURGUNDIA (ANTONIUS A.). Lingue Vitia & 
Remedia Emblematicé expressa. Engraved title and 93 plates, 
containing the cancel leaf pages 15-16 (blank). Oblong 24mo, 
red levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Antwerpiez, 1631 

631. BURGUNDIA (ANTONIUS A.). Mundi Lapis 
Lydius sive Emblemata Moralia nobilissimi viri. D. Antonii 
a Byrgvndia quondam Archidiaconi Brugensis. in quibus 
Vanitas per Veritatem falsi accusatur & conuincitur. Versi- 
bus illustrabat Avrelivs Avgvstinvs Clemens Bruxellensis, 
Fr. Eremita Augustinianus. Engraved title by Diepenbeck 
and 51 copper-plate emblems by J. Galle. 4to, old calf, gilt 
back. Antwerpie [1665 | 


632. [BURKE (EDMUND).] The Case of Great-Britain 
and America, addressed to the King, and both Houses of 
Parliament. 8vo, red levant morocco gilt, panelled sides, un- 
eut, by Zaehnsdorf. London, 1769 

97 


633. BURNABY (CHARLES). The Reform’d Wife. A 
Comedy: As it is Acted at the Theatre-Royal, in Drury- 
Lane. Small 4to, half sprinkled calf, gilt top, uncut, by 
Lloyd. London: Thos. Bennet, 1700 


* Contains the final leaf of ‘‘ Poems and Plays (by Suckling, 
Shakespeare, etc.). Printed by Tho. Bennet.’’ 


634. BURNAND (SIR FRANCIS C.). The Incompleat 
Angler. After Master Izaac Walton. Illustrations in colors, 
by Harry Furniss. 8vo, calf gilt, gilt top, uncut, by Riviére. © 

London, 1887 


635. BURNET (JOHN). Practical Hints on Light and 
Shade in Painting. Illustrated by Examples from the Italian, 
Flemish, and Dutch Schools. With 8 plates (39 twlustrations) 
on India paper. 4to, boards, uncut. LarGeE PAPER COPY. 

London, 1826 


636. BURNET (JOHN). A Treatise on Painting. In four 
parts. With illustrations from the Itahan, Venetian, Flem- 
ish, and Dutch Schools. 4to, cloth, uneut. London, 1835-1837 

* Contains 4 title-pages, and 120 figures on 33 plates. 


637. BURNET (JOHN). A Treatise on Painting. In 
four parts. Consisting of an Essay on the Education of the 
Eye with reference to Painting, and practical hints on Com- 
position, Chiaroscuro, and Color. Portrait and numerous 
illustrations. 4to, polished calf, gilt edges, by Lewis. 

London, 1837 


6388. BURNET (JOHN). Rembrandt and his Works; 
comprising a short Account of his Life; with a critical Ex- 
amination into his principles and practice of Design, Light, 
ete. Illustrated by examples from the etchings of Rembrandt. 
Folio, original cloth. London: David Bogue, 1849 


* One of 50 copies printed on large and thick paper, with the 
plates on India paper. 


639. BURNET (JOHN) anp CUNNINGHAM (PETER). 
Turner and his Works: illustrated with 10 Examples from 
his Pictures, and Critical Remarks on his Principles of Paint- 
ing. 4to, cloth, uncut. London, 1859 


640. BURNS (ROBERT). Poems, Chiefly in the Scottish 
Dialect. Portrait of Burns by Beugo after Nasmyth. 8vo, 
half green levant morocco, gilt top, with some uncut edges, by 
Zaehnsdort. Edinburgh: Printed for the Author, 1787 


* Second issue of the first Edinburgh edition, with the errors 
on page 263 corrected to ‘‘skinking’’ and ‘‘Haggis.’’ Con- 
tains the half-title usually missing. 


641. BURNS (ROBERT). Poems, Chiefly in the Scottish 
Dialect. Srconp Epirion, considerably enlarged. Portrait 
of Burns by Beugo after Nasmyth, and an extra portrait en- 


98 


graved by Tiebout, inserted. 2 vols. 8vo, red levant morocco, 
dentelle borders, gilt edges, by Riviére. 

London: Printed for T. Cadell, 1793 

*On the back of the half-title of volume one, there is an 

obituary notice of Burns written by a contemporary owner, 


copied from the ‘‘Star’’ July 27, 1796, the day after Burns’ 
death. 


642. BURNS (ROBERT). Letters Addressed to Clarinda, 
&e. By Robert Burns, the Ayrshire Poet. Never before 
published. First Epirion. 16mo, green straight-grain mo- 
rocco, gilt edges, by Bedford. 

; Glasgow: Printed by Niven, Napier, &c., 1802 
* The letters to ‘‘Clarinda’’ (Agnes M’Lehose) are undated, 
but were written in Edinburgh in 1787-88, just previous to his 


marriage with Jean Armour, although not printed until five 
years after Burns’ death. 


643. BURNS (ROBERT). The Works of Robert Burns; 
with an account of his life, and a-criticism on his writings. 
To which are prefixed, some observations on the character 
and condition of the Scottish Peasantry. . .. THE SECOND EDI- 
TION. London: printed for T. Cadell, Jun. and W. Davies, ... 
1801. Also, Reliques of Robert Burns; consisting chiefly of 
original letters, poems, and critical observations on Scottish 


songs. Collected and published by R. H. Cromek. . . . Lon- 
don: printed for T. Cadell, and W. Davies, ... 1808. Por- 
trait by Neagle after Nasmyth. 5 vols. 8vo, calf, gilt. 

* Large paper copy. London, 1801-8 


644. BURNS (ROBERT). Poems, Chiefly in the Scottish 
Dialect. Numerous illustrations. Imperial 8vo, green levant 
morocco gilt, gilt edges, by Bedford. 

. Kilmarnock, 1786 (1867) 

* Reprint of the First Edition on Large paper. Only 50 
copies printed. EXTRA-ILLUSTRATED by the insertion of 86 
plates, many proofs, and some of Stothard’s illustrations, re- 
touched for the engraver. At the end is bound a facsimile of 


the original manuscript of the ‘‘Jolly Beggars.’’ Glasgow, 
1823. 


645. BURTON (ROBERT). The Anatomy of Melancholy: 
what it is. VVith all the kindes, cavses, symptomes, prog- 
nosticks, and severall cvres of it. In three maine partitions, 
with their seuerall Sections, Members, and Svbsections. 
Philosophically, medicinally, historically opened and cut vp, 
by Democritvs Iunior. With a Satyricall Preface, conducing 
to the following Discourse. THE Sreconp Enpirion, corrected 
and augmented by the Author. Small folio, maroon levant 
morocco, richly tooled, inside borders, gilt edges, by Riviére. 

At Oxford: Printed by John Lichfield, 1624 


99 


646. BURTON (ROBERT). The Anatomy of Melancholy. 
What it is, with all the kinds, causes, symptomes, prognos- 
tickes, & seuerall cures of it. In three Partitions, with their 
severall Sections, members & subsections. Philosophiecally, 
Medicinally, Historically, opened & cut up. By Democritus 
Junior. With a Satyricall Preface, conducing to the follow- 
ing Discourse. Kirra Epirion. Engraved title in compart- 
ments, containing portrait of Burton, by C. le Blon. Small 
folio, brown levant morocco gilt, gilt edges, some uncut, by 
The Club Bindery. Oxford: Printed for Henry Cripps, 1638 — 

* With the bookplate of Sir Rob’t. Throckmorton, 


647. BURTON (ROBERT). Anatomy of Melancholy. 
Engraved facsimile of the original title, India proof; and 
extra illuminated titles. 3 vols. 8vo, red levant morocco, gilt 
tops, uncut, by Bradstreet. Cambridge: Riverside Press, 1861 

* Large Paper Copy; only 75 printed. 


648. BUTLER (FRANCES ANNE). [Fanny Kemble. | 
Poems. First Epirion. Portrait by Cheney after Sully. 
12mo, blue levant morocco, gilt back and side panels after the 


manner of Roger Payne, gilt over uncut edges, by Riviére. 
Philadelphia, 1844 


* Laid in is a one-page letter by Fanny Kemble, relative to 
the assumption of her name by another. 


649. BUTLER (SAMUEL). MHudibras, with Dr. Grey’s 
annotations. A new edition, corrected and enlarged. Wood- 
cuts, 64 portraits and numerous plates, proofs on India paper. 
3 vols. 8vo, green levant morocco gilt, gilt edges, by Riviére. 

London, 1819 


* LARGE PAPER Copy of the best modern edition. 


650. BUTSCH (ALBERT FIDELIS). Die Biicher-Orna- 
mentik der Renaissance. With 105 plates. Folio, in half- 
cloth portfolio. Leipzig, 1878 


651. BUTSCH (ALBERT FIDELIS). Die Biicherorna- 
mentik der Hoch-und Spatrenaissance. With 111 plates. 
Folio, half maroon levant morocco, gilt top, uncut, by 
Carayon. Leipzig, 1881 


652. BYFIELD (NATHANIEL). An Account of the Late 
Revolution in New-England. Together with the Declaration 
of the Gentlemen, Merchants, and Inhabitants of Boston, 
and the Country adjacent. April 18,1689. Written by M’. 
Nathanael Byfield, a Merchant of Bristol in New-England, to 
his Friends in London. Small 4to, red levant morocco gilt, 
gilt edges, by Pratt. London: Printed for Ric. Chiswell, 1689 

* FIRST EDITION. Very scarce. The author was one of the 
_ early settlers of Bristol, Rhode Island, his name being found as 
one of the original members of the First Congregational 
Church there in 1687. Later he is called Captain Byfield, 
probably from having served in some of the numerous expedi- 
tions against the Indians. The volume gives a narrative of the 
Revolution in New-England in which Gov. Andros was seized 
and deposed. 
100 


653. BYLAERT (HANS JACOB). [Dutch title.] Nou- 
velle maniere de Graver en Cuivre des estampes coloriées; 
de facon que, quoiqu’imprimées dans une Presse ordinaire, 
elles conservent l’air & le Caractére du Dessin. Traduit 
du Hollandais par L. G. F. Kerroux. 2 plates. 8Vvo, 


half calf, uncut. Leide, 1772 
* The Dutch and the French texts are on opposite pages. 


654. BYRON (GEORGE GORDON, LORD). English 
Bards and Scotch Reviewers. With the additional pas- 
sages from the subsequenteditions. 4to, dark blue straight- 
grain morocco, gilt edges (portion of back cover repaired). 


[London] 1815 

* Extra-illustrated copy from the Drury Collection, with 

special title-page and the original text inlaid to quarto, supple- 

mented by manuscript readings of the variations in text of the 

3rd, 4th and 5th editions. Twenty-six portraits are inserted, in- 

cluding a colored stipple of Madame Catalani, mezzotint by C. 
Turner of the Earl of Aberdeen, etc. 


655. BYRON (GEORGE GORDON, LORD). The Works 
of Lord Byron; with his Letters and Journals, and his 
Life, by Thomas Moore. FIRST Issuk. Portrait, and 33 
frontispieces and vignettes. 17 vols. 12mo, cloth, uncut. 

London: John Murray, 1832-33 


BIBLES. 


(SEE ALSO UNDER MANUSCRIPTS, NOS. 2425-2428.) 


THE FAMOUS GUTENBERG (OR ‘‘ 42-LINE”’) BIBLE. 


656. BIBLIA LATINA. Gothic characters, double 
columns. 642 unnumbered leaves without signatures or 
catchwords, including last blank. Leaves 1-5 r. with 40 lines 
to the page, leaf 5 v. has 41 lines ; leaf 6 and the succeeding 
pages generally have 42 lines. Rubricated throughout and 
with numerous large and small ornamental initials painted 
mm blue, red, etc , the titles of the books in red on the wpper 
margins throughout. Fol. 1 r., col. 1: Ineipit epistola 
sancti iheronimi | ad paulinum presbiterum de omnibus | 
diuine historie libris. capituli p’mt (printed in red). | 
[F]Rater ambrosius | tua michi munus- | cula pferens. 
detulit | sil’ et suauissimas | lras. q a principio | amicicia 
2¢. fidé pba- | te iam fidei z veteris amicicie noua:|... 
Fol. 5 r., col. 1: Inecipit liber bresith qué nos genesim | 
dicim’ (printed wm red) | [I]N principio creauit deus 
cela | et terram. Terra autem erat inanis et | vacua: et 
tenebre erat sup facié abissi. .. Fol. 324 v., col. 1. line 21: 
... laudet dnm. All’a. Fol. 325 r., col. 1: [I]ungat 
epistola quositgit sacerdoti- | um: immo carta non diuidat: 
quos | xpi nectit amor... Fol. 641 v., col. 2, line 40: Venio 

101 


BIBLES—Continued. 

cito amen. Venidomine ihe-|su. Gratia dni nri ihesu 
eristi ti omni- | b? vobis amé. Jol. 642 blank. Bound in 
2 vols. folio, red levant morocco, blind tooled panels, the 
titles of the work printed in gold letters around the inner 
panels of the front covers, doublures of light brown levant 
with gilt tooled borders, vellum fly-leaves, gilt edges, by 


MERCIER, in morocco eases. 
[Mocuntia, Jo. GUTENBERG et Jo. Fust, 1450-55] 


* EDITIO PRINCEPS OF THE BIBLE. Whereas all copies vary - 


slightly, the above is one of the few with headings at the com- 
mencement of the Epistle of St. Jerome, the prologue to Genesis, 
and the first book of Genesis printed in red, it being presumed 
that on account of the difficulty encountered in printing in a 
second color, this undertaking was discontinued. Inthe British 
Museum copy these spaces were left blank. The other chapter 
headings throughout are written in red, thus preserving the 
symmetry of the pages. THE PRESENT COPY IS ABSOLUTELY 
PERFECT AND GENUINE THROUGHOUT, AND MEASURES 15x 1034 
INCHES. 

At the end of each volume there is a Latin inscription dated 
March 7, 1471, and authenticated by a notary, showing that 
this’Bible belonged to a certain John Vlieghet, priest and bene- 
ticiary of the Cathedral of Utrecht, and that he left it to the 
monastery called ad Castrum, near Amersford. The Hoe 
catalogue states that this copy was formerly in the library of 
Lord Ashburnham, and that it was sold a year before his death. 
Hain, 3031; Pellechet, 2265; Hessels, p. 170, No. 6; Proctor, 56. 

Twenty-seven copies on paper (four containing Vol. I only, 
and one only Vol. II) are known to exist. By calculations 
based on the proportionate use made of two of the four kinds 
of paper used for the book, Dr. Schwenke suggests that the 
total number of paper copies printed may have been 180. 


657. BIBLIA LATINA. Gothic character. double col- 
umns; 481 unnumbered leaves without signatures and 
catchwords; 48 lines to the page; first page ornamented 
with a SEMI-BORDER AND A LARGE INITIAL ILLUMINATED IN 
GOLD AND COLORS; rubricated throughout and initials 
painted in red and blue. Bound in 2 vols. Folio, old red 
moroceo, gilt edges, probably by Padeloup (binding 
rubbed). Nurnberg: Antonius Koberger, 1475 


* A magnificent copy of this very rare Bible, and one of the 
most noted books from the celebrated press of Coburger. From 
the libraries of Cardinal Lomenie de Brienne and Michael 
Wodhull. Hain, 8056; Proctor, 1970. 


658. BIBLIA LATINA. (Gothic character, double col- 
umns, 470 unnumbered leaves [including 2 blank leaves], 
with 52 lines to. the page. 2 large HISTORIATED INITIALS 
ILLUMINATED IN GOLD AND COLORS, representing St. Jerome 
and a View of the Garden of Eden; a few other illuminated 
initials and the remainder painted in blue and red. Folio, 

102 


es! ioe ale 


BIBLES—Continued. 


old blue straight-grain morocco, blind-tooled borders, gilt 
edges, in a morocco slip case. (The two blanks a! and 
H.!? and last leaf containing the Register missing; two- 
thirds of 2 leaves (a” and a) in facsimile and 3 leaves 
soiled.) Venetiis: Nicolaus Jenson Gallicus, 1476 

* PRINTED ON VELLUM; ONLY SEVEN OR EIGHT COPIES KNOWN 
IN THIS STATE. The first Jenson Edition and the most beautiful 
specimen printed in Gothic character from his press. From 
the Hanrott Library. Hain-Copinger, 3061; Pellechet, 2290; 
Proctor, 6696. 

659. BIBLIA LATINA. Gothic characters, double col- 
wmns. 1 unnumbered leaf, cccclaj numbered, and 6 un- 
numbered = 468 leaves, without signatures and catchwords; 
51-53 lines to the page. Rubricated throughout; first initial 
uluminated in gold and colors, the others painted in red and 
blue. Large folio. Nuremberg: Antonius Koberger, 1478 

* KOBERGER’S FOURTH EDITION OF THE BIBLE. Contempo- 
rary German binding in wooden boards covered with stamped 
calf (rebacked and front cover split, also small portion of mar- 
gin of first leaf mended, and a few wormholes). 

On the recto of first leaf is the following inscription in a 
15th century hand: ‘‘Hunc noui veterisque testamenti librum 
Jacobus Helder prutenus singulari ductus fauore ob sue anime 
salutem fratribus moybensibus decreuit fore transmittendum,”’ 
Hain, 3069; Proctor, 1989. 

660. BIBLIA LATINA. Biblia cum summariorum ap- 
paratu pleno, quadruplicique repertorio insignita. Gothic 
character, double columns; title in red and black, ornamental 
and historiated woodcut initials 8vo, brown levant mo- 
rocco, panelled sides, gilt centre ornaments and fleurons in 
the corners, vellum linings, gilt edges, by F. BEDFORD. 
(Blank leaf preceding the text missing.) 

Lugduni: in officina Jacobi Mareschal, 1514 


661. BIBLIA LATINA, Vetus Testamentum. Sacra 
Biblia ad LXX. interpretum fidem diligentissime tralata. 
Ruled throughout in red ink, and the witials illuminated in 
gold and colors. Woodcut of the Creation at the beginning of 
Genesis. 4to, contemporary binding in dark brown morocco, 
gilt panelled sides, with the title stamped in gold capitals on 
the centre of the front cover, gilt arabesques in the Aldine 
manner on the back, gilt edges (slightly cracked, back and 
corners restored). Basilez: per Andream Cratandrum, 1526 


662. BIBLIA GALLICA. Le premier [et seconde] vo- 
lume de la Bible en franeoys. Lettres bdtardes, double col- 
umns; 833 woodcuts, some of considerable size, mainly re- 
prints of those by Verard in the edition of 1517. 2 vols. 
in 1, folio, scored russia, gilt centre and corner ornaments, 
gilt edges, by Tripton. (Blank leaves (?) at the end of both 
volumes missing.) Paris: Anthoyne Bonnemere, 1537-38 


663. BIBLIA GALLICA. Lepremier [et second] volume 
de la Bible en Francois (translated by Raoul de Presles). 
Lettres bdtardes, double columns ; titles within architectural 


108 


BIBLES—Continued. 


woodcut borders, and 229 woodcuts, some of considerable 
size, reprints of those by Verard in the edition of 1517. 
2 vols. in one, folio, brown levant morocco, gilt Grolieresque 
ornaments in the centre of each side, gilt edges, by David. 
(Some leaves supplied from a shorter copy.) RARE. 
Paris: Nicolas Conteau pour Oudin Petit, 1541 


664. BIBLE. The Bible (Genevan or ‘‘ Breeches ’’) trans- 
lated according to the Ebrew and Greek and compared 
with the best translations in divers languages, with most 
profitable Annotations, Chronologies, Calendar, ete. Gothic 
type. Title within woodcut borders, and woodcuts. Large 
folio, old russia gilt. London: Christopher Barker, 1583 


665. BIBLE.—(I) Biblia, dat is, de gantsche heylige 
Schrifture, vervattende alle de canonijeke boecken des 
Ouden en des Nieuwen Testaments. (II) Het Nieuwe 
Testament, ofte alle Boecken des Nieuwen Verbonts onses 
Heeren Jesu Christi. (III) De Boecken genaemt Apo- 
eryphe. Three parts in two volumes. Folio, blue levant 
moroceo, gilt and blind tooled, gilt edges, by The Club 
Bindery. Leyden, by de Weduwe Johan Elzevier, 1663 


* The Elzevier Bible, known as the ‘‘ Bible des Etats,” con- 
taining two maps, one of Jerusalem, Volume I, folio 229, and 
‘‘ Het Beloofde Landt Canaan,” engraved by Broeck after C. 
Visscher Volume, II, preceding folio 1. The first volume has a 
rubricated title following a frontispiece engraved by Matham 
after N. Berchem. Between the folios 324 and 825 in Volume 
I is a second title, ‘‘De Prophetien der Propheten,’’ 1663. 
Inserted are eighty-five double plates engraved by C. Visscher, 
N. Visscher, Clemendt de Jonghe, and others, after de Bruyn, 
Visscher, de Vos, Vinckenbooms, Rubens, Pieter de Jode, J. 
Jordaens, Tintoret, and others. The second volume has also 
an inserted double frontispiece. 


666. BIBLE. La Sainte Bible traduite en frangois sur la 
Vulgate; avec des Notes courtes tirées des SS. Peres & 
des meilleurs Interprétes, pour l’intelligence des endroits 
les plus difficiles, La Traduction du Pseautier selon 
VHébreu a cdté de la Vulgate, et la Concorde des Quatre 
Evangelistes. Frontispiece, by S. Thomassin (repaired) 
and numerous vignettes. 3 vols. 4to, old brown morocco, 
doublure of citron morocco, gilt edges. Liege, 1700 


667. BIBLE. Biblia, Das ift: Die Heilige Schrift Altes 
und Neues Testaments, Nach der Deutschen Uerbersetz- 
ung D. Martin Luthers, ete. 4to, original stamped calf, 
with bosses (no clasps, and back repaired). 

Germantown .. . Christoph Saur, 1743 
* First Edition of the Saur Bible. 


668. BIBLE. Bibliorum Sacrorum Vulgatze versionis 
Editio. . . . Jussu Chrestianissimi Regis ad Institutio- 
nem Serenissimi Delphini. 8 vols 8vo, red levant morocco, 
vellum linings, uncut, by Belz-Niédrée. Paris: Didot, 1785 

* PRINTED ON VELLUM. 


104 


TWENTY-FOURTH SESSION, WEDNESDAY, 2:30 P.M. 


669. CABINET SATYRIQUE (LE). Recueil parfaict 

“ des vers piquants et gaillards de ce temps, tiré 

des secrets Cabinets des Sieurs de Sygognes, Regnier, Motin, 

Maynard et autres. Prontispiece etching. 2vols inl. 12mo, 
citron levant morocco, gilt, uncut. By Chambolle-Duru. 

* Printed on India paper. Paris, 1864 


670. CAZESAR (CAIUS JULIUS). Opera. Roman char- 
acters, 168 unnumbered leaves without signatures and 
catchwords; 38 lines to the page (Fol. 1 a blank, cut away). 
Fol. 2 r.: (G)‘Allia est omnis diuisa in partes tres: qua- 
rum | unam incolit belge: ... Fol. 166 v., line 21: Anno 
Christi. M.CCCC. lxix. die uero. xii. mensis maii. Paulo 
| florente. ii. anno eius. v. Rome in domo Petri de Maxi- 
mis. fol. 167 r.: (D) Iectatoris Cesaris cé6mentarios: iam 
pridem multa diligentia | me recognonisse memineram. .. . 
Same page, line 34: ...{|&prouirili imitandum. Jol. 
167 v. contains an index of 19 lines. Fol. 168 blank (cut 
away). Folio, light brown levant morocco, the sides. cov- 
ered with a rich Grolieresque design of mosaic interlacings 
in dark brown levant outlined in gold, mosaic back, vellum 
linings and fly-leaves, gilt edges, by THE CLUB BINDERY; 
in a case. 

Rome, [Conradus Sweynheym et Arnoldus Pannartz, | 
1469. 

* EDITIO PRINCEPS ; OF EXTREME RARITY A clean and large 
copy measuring 1314 x8% inches. Bound with the volume are 


six vellum pages from a 13th century Latin MS. treatise on Law. 
The Sunderland and W. H. Crawford copy, since rebound. 


671. CHSAR (CAIUS JULIUS). C. Julii Cesaris que 
extant Ex Emendatione Jos. Scaligeri. Hngraved title and 
other illustrations. 12mo, olive morocco, back inlaid with 
red morocco and covered with small dots, gilt borders, gilt 
edges, by Padeloup 

Lugduni Batavorum: Ex Officina Elzeviriana, 1635 


672. CAESAR (CAIUS JULIUS). Mémoires. Translated 
by M. Artaud. 3 vols. 8vo, red levant morocco, gilt backs, 
with the monogram E. B., gilt edges, by Belz-Niédrée. 

Paris, 1835-37 


673. CAILLY (JACQUES DE). Diverses Petites Poésies 
du Chevallier d’Aceilly. Premier Volume (all issued). 12mo, 
blue levant morocco, crowned monogram on the back, arms 
on the sides, gilt edges, by Duru. 

Paris: André Cramoisy, 1667 

* FirsT EDITION OF THE ONLY VOLUME ISSUED. Presentation 

copy from the author (probably to M. Monicault, whose auto- 

graph is on a fly-leaf), From the Collection of Baron J. F. 
Pichon. ipa 


674. CALEDONIA; or, The Pedlar turn’d Merchant. A 
Tragi-Comedy. As it was Acted by His Majesty’s Subjects 
of Scotland in the King of Spain’s Provinee of Darien. 
FIRST EDITION. Small 4to, blue levant morocco, ornate 
borders, gilt on rough edges, by The Club Bindery. 

London: Printed ... by the Booksellers of London, 1700 


675. CALENDRIER Historique d’Orléans, Curieux & 
nécessaire, avec le détail du commerce de la Ville & du 
Département du Loiret... Année 1792. 18mo, old red 
morocco, gilt back, the sides covered with gold tooling © 
having in the centre pastoral and other emblems, green 
figured satin linings, gilt edges. Orléans [1795] 


676. CALENDRIER Récréatif, ou Choix d’Anecdotes 
Curieuses et de Bons-Mots. 16mo, old green morocco. 
Amsterdam [Paris]: Veuve Duchesne, 1786 


677. CALLOT (JACQUES). Vie de la Mére de Dieu 
representée par Emblesmes. With an inserted portrait of 
Callot, title and 26 plates. 4to, red straight-grain morocco 
gilt, gilt edges, by The Club Bindery. — [Paris] [1626] 


678. CALLOT (JACQUES). Salvatoris, Beatz Marize 
Virginis Sanctorum Apostolorum imagines, 1631.—Cos- 
tumes de la Noblesse Lorraine, 1625.—Capitano de Baroni, 
1622. Hngraved title and 54 plates. Three works in one 
vol. 4to, red straight-grain morocco gilt, gilt edges, by 
The Club Bindery. Paris, 1622-1631 


679. CAMERARIUS (GEORGIUS). Emblemata Ama- 
toria. Hngraved title and 80 copper-plates. Oblong 24mo, 
old red morocco gilt, gilt edges. 

Venetiis: Ex Typographia Sarcinea, 1627 


680. CAMERARIUS (JOACHIM). Symbolorum & Em- 
blematum ex re herbaria desumptorum centuria una. Hn- 
graved title and 100 fine emblematic copper engravings by 
Hans Schroder. Ato. . 

' Noriberge: J. Hofmann & H. Camox, 1590 


* Brown morocoo, the sides tooled and gilt in compartments, 
the intervening spaces occupied by arabesques, floral orna- 
ments and gilt sprays. in the manner of Clovis Eve, ROYAL 
ARMS OF FRANCE AND NAVARRE in the centre, gilt edges, ina 
morocco slip case. With the engraved bookplate of Guy 
Pellion. 

PRESENTATION COPY FROM THE AUTHOR, with autograph 
inscription. 


681. CAMERARIUS (JOACHIM). Joachimi Camerarii 
Symbolorum ac Emblematum ethico; politicorum. Wath 
400 engraved plates in the text. 4 parts in one vol. Small 
8vo, red levant morocco gilt, gilt edges, by The Club 
Bindery. Moguntiz, 1697 

* Joseph Knight’s copy, with his bookplate. 
106 


682. CAMERARIUS (P.). The Living Librarie, or, medi- 
tations and observations historical, natvral, moral, political, 
and poetical. Written in Latin. (Translated by J. Molle.) 
FIRST EDITION. Small folio, red levant morocco, gilt edges, 
by The Club Bindery. London: Printed by Adam Islip, 1621 


683. CAMPBELL (THOMAS). Life of Mrs. Siddons. 
FIRST EDITION. 2 vols. 8vo, citron levant morocco, gilt and 
mosaic backs and sides elaborately tooled in the manner of 
Derome, gilt over rough edges, by David. London, 18384 


* EXTRA-ILLUSTRATED by the insertion of 186 portraits, etc., 
including 41 portraits of Mrs. Siddons, a brilliant mezzotint of 
E. Kean, colored portrait of Kynaston, and a water-color 
drawing of Glasgow Cathedral. A large number of the plates 
are in proof state. 


684. CAMPBELL (THOMAS). Poetical Works. /Por- 
trait, and 20 vignettes after designs of Turner. Small 8vo, 
citron morocco gilt, gilt edges, by Brany. London, 1837 


* A portrait by Holl and illustrations by Westall, both proofs, 
are inserted. 


685. CANEVARI (DEMETRIO). Ars Medica. Folio, 
wrappers, uncut (stamp on verso of title). 
Geneve: apud J. Pavonem, 1627 


686. CAPELLA (GALEAZZO). Beschribung und Ge- 
schicht des Meylandischen Kriegs, ete. Translated into 
German by D. Wencelaum Lincken. Small folio, boards. 

Berne: M. Apiarius, 1539 


687. CAPON (GASTON). Les Petites Maisons galantes 
de Paris au XVIII®¢ siécle. Folies, Maisons de Plaisance et 
Vide-Bouteilles d’aprés des documents inédits et des rap- 
ports de police. Préface par R. Yve-Plessis. Orné de 16 
planches hors texte. Holland paper copy. 8vo, original 
wrappers, uncut. Paris, 1902 


688. CARACCI (ANNIBALE). Le Arti di Bologna. 
Portrait of A. Caracci and 80 plates representing the itin- 
erant trades of Bologna, engraved by S. Guilini, after A. 
Caracci. Folio, old Italian brown calf, borders formed by 
interlaced bands painted in red within gold lines, accom- 
panied by gold tooled ornaments and the arms of a prelate 
of the noble Spinola Family of Genova, gilt back and 
edges. _ Roma, 1740 


689. CARAMAN (RIQUET, COMTE A. DE). Anet, son 
passé, son état actuel. Notice historique sur les person- 
nages qui ont illustré ce séjour; sur les phases diverses 
qu’a subies son architecture et sur les principaux événe- 
ments, dont il a été le théatre. Frontispiece and 25 photo- 
graphic ulustrations. 12mo, brown levant morocco, bands 
of dark brown, crowned ‘‘H’”’ of Henri IJ and the crescent 
of Diane de Poitiers in mosaic (a reproduction of the 
frontispiece) on the sides, gilt edges, by Capé. Paris, 1860 


107 


690. [CAREW (RICHARD).] Examen de Ingenios. 
The Examination of mens Wits. In which, by discouering 
the varietie of natures, is shewed for what profession each 
one is apt, and how far he shall profit therein. By John 
Huarte. Translated out of the Spanish tongue by M. 
Camillo Camilli. Englished out of his Italian, by R. C. 
Esquire. 4to, blue levant morocco gilt, gilt edges, by The 
Club Bindery. London: Adam Islip, 1604 

* Third Edition. J. PAYNE -COLLIER’S COPY. 


691. CAREW (THOMAS). The Works of Thomas © 
Carew, Sewer in ordinary to Charles the First. Reprinted 
from the original edition of M.DC.XL. Edited by Lord 
Dundrennan. 12mo, boards, cloth back, uncut. 

* Only 125 copies printed. Edinburgh, 1824 


692. CAREY (HENRY). Poems on Several Occasions. 
FIRST EDITION. 12mo, red levant morocco gilt, gilt top, | 
uncut, by The Club Bindery. London: J. Kent, 1713 


* Very unusual in this state, with uncut edges, half-title and 
final blank leaf, Lowndes does not mention it. 


693. CAREY (HENRY). Dramatick Works. FIRST 
EDITION. Small 4to, calf (rebacked, and edges damaged). 
London: For §. Gilbert, 1743 
* The H. W. Poor copy, with bookplate. 


694. CARIGNAN (PRINCE DE). Maximes et Reéflex- 
ions politiques, morales et religieuses d’un Administrateur 
Couronné, qualifié du titre de philosophe bienfaisant, ex- 
traites des ‘‘ Mémoires de Stanislas Leckzinski,’’ Roi de 
Pologne, mort en 1766. 8vo, blue levant morocco, gilt fil- 
lets, scrolls, and dots, gilt edges, uncut, by Joly, in case. 

Parme: Bodoni, 1822 


* According to Melzi, this work is attributed to Prince de 
Carignan, afterwards King of Sardinia. 


695. CARPANI(JOSEPH). Haydn, Sa Vie, ses Ouvrages, 
ses Voyages et ses Aventures, traduction De D. Mondo. 
8vo, half green levant morocco, gilt top, uncut. Paris, 1837 


696. CARRA (JEAN LOUIS). Esprit de la Morale et 
de la philosophie, divisé en quatre parties. 12mo, old red 
morocco gilt, gilt edges. La Haye, 1777 


697. CASA (GIOVANNI DELLA). Le Galatee. Text 
in French, German, Spanish, Italian and Latin. Small 
BOs red levant morocco, gilt edges, by Trautz-Bauzonnet. 

Genéve: Jean de Tournes, 1609 


698. CASANOVA DE SIENGALT (GIOVANNI 
JACOPO). Mémoires écrits par lui méme. Edition origi- 
nale, la seule complete. 6 vols. 12mo, half maroon mo- 
rocco, gilt tops, uncut. Bruxelles, 1860 

108 


699. CASSETTE. La Cassette Ouverte de l’Illustre 
Criole; ou, Les Amours de Madame de Maintenon. 12mo, 
red levant morocco, gilt edges, by Trautz-Bauzonnet. 

Ville Franche [Holland] 1691 
* FIRST EDITION. Attributed to Pierre Lenoble. 


700. CASTANIER (PROSPER). La Courtisane de 
Memphis. Jllustrations by A. Calbet. 12mo, half red 
levant morocco gilt, red satin sides, gilt top, uncut, origi- 
nal covers bound in, by The Club Bindery. Paris, 1900 


* One of 50 copies on Japan paper, with an extra set of the 
full-page plates, in red. 


701. CASTANIER (PROSPER). la Fille de Crésus. 
Roman antique. Illustrations by F. Schmidt. 12mo, half 
orange levant morocco gilt, figured satin sides, gilt top, un- 
cut, by The Club Bindery. Paris, 1901 


* One of 50 copies on Japan paper, with an extra set of the 
full-page plates, in red. 


702. CATANEO (PIETRO). I Quattro Primi Libri di 
Architettura di Pietro Cataneo Senese. With 43 woodcuts 
and diagrams, some full-page, and woodcut wmitrals. Folio, 
brown levant morocco, rough edges (some margins restored). 

[Colophon]: In Venegia, in casa de figliuoli di Aldo, 1554 


*First Epition of the first four books. Very large copy, 
with some uncut leaves. 


703. CATS (JACOB). Silenus Alcibiadis, sive Proteos. 
Text in Dutch, Latin, and French. Numerous emblems and 
other illustrations by Schillemans, P. de Gode, Alex. Van de 
Vinne, &c. 4to, brown straight-grain morocco, richly tooled, 
gilt edges (misbound, with part I last; title-page mended). 

Middelburgh: Ex Officina Johannis Hellenij, 1618 


* The book is in three parts, with the emblems repeated. 


704. CATS (JACOB). Proteus ofte Minne-beelden ver- 
andert in Sinne-beelden. Bound with three other works by 
Cats. Engraved titles and more than 100 emblems by J. 
Swelinck after Adrian van der Venne. Ato, original vellum. 

Rotterdam, 1625-27 


705. CATS (JACOB). Alle de Wercken. With 2 frontts- 
pieces, 2 portraits, and 434 plates, besides a title vignette by 
Goeren, repeated in the second volume. Two vols. in one. 
Folio, old calf, gilt. Amsterdam, 1726 


* A large number of the plates are emblematical and after 
Van der Venne’s designs, engraved by Hondius, van Dalen and 
others. 


706. CATULLUS (CAIUS VALERIUS). Poésies. Trans- 
lated by Ch. Héguin de Guerle. 8vo, red levant morocco, gilt 
back, with the monogram E.B., gilt edges, by Belz-Niédrée. 

Paris, 1837 
109 


707. CATULLUS (CAIUS VALERIUS). The Attis. 
Translated into English Verse, with Dissertations On the 
Myth of Attis, on the Origin of Tree-Worship, and on the 
Galliambic Metre. By Grant Allen. Royal 8vo, half vellum, 


uncut. London, 1892 
* Large paper copy, only 60 printed. 


708. CATULLUS (CAIUS VALERIUS). The Carmina. 
Now first completely Englished into Verse and Prose, the 
Metrical Part by Capt. Sir Richard F. Burton, and the Prose 
Portion, Introduction, and Notes Explanatory and Illustra- 
tive by Leonard C. Smithers. Portrait. 8vo, half vellum, 
uncut. London, 1894 


* Printed for the Translators for private subscribers only. 


709. CANCIONERO de Obras de Burlas Provocantes a 
Risa. 12mo, citron levant morocco gilt, gilt edges, by Bed- 


ford. Madrid [1841] 
* Only 100 copies printed. 


710. CAULFIELD (JAMES). Caleographiana: the Print- 
sellers Chronicle and Collectors Guide to the Knowledge and 
Value of Engraved British Portraits. 8vo, brown morocco 
gilt, gilt edges, by J. MacKenzie London, 1814 — 

* Illustrated by the insertion of 90 portraits, including origi- 
nals by Faithorne, White and Magdalen de Passe, also the por- 
trait of Henry, Prince of Wales, from the Hieroologia. 

From the collection of John Allan. 

711. CAUSSINUS (NICOLAUS). De Symbolica Agypti- 
orum Sapientia: also, Polyhistor Symbolicus, EHElectorum 
Symbolorum, &c., by the same author. First Epirion. En- 
graved frontispiece by L. Gaultier. 4to, brown levant mo- 
rocco, tooled in panels and arabesques, gilt edges, by Riviére. 

Parisiis, 1618 

712. CAVENDISH (GEORGE). The Life of Cardinal 
Wolsey. And Metrical Visions, from the original autograph 
manuscript. With notes and other illustrations, by Samuel 
Weller Singer. 5 portraits, 3 etchings and a facsimile. 2 
vols. royal 8vo, blue morocco, gilt edges, by Hayday. 

* Large paper copy, only 50 printed. Chiswick, 1825 

713. CAVENDISH (GEORGE). The Life of Thomas 
Wolsey, Cardinal, Archbishop of York. Small 4to, vellum, 
with ties. London, 1893 

* Kelmscott Press edition, one of a few PRINTED ON VELLUM. 

714. CAXTON (WILLIAM). The Recuile of the His- 
tories of Troie; First traslated out of latin in to Fréche... 
in the yere... MCCCCLXIIII, and translated out of Frenche — 
in to Englishe by Wyllyam Caxton .. . begon the fyrst day of 
Marche in the yere MCCCCLXVIII, and fynished in the xix 
of Septembre in the yere mencyoned by the sayd Caxton in 
the ende of the seconde booke, ete. Separate titles to each 

110 


of the three books with woodcut on each. Small folio, old 
russia gilt, inside joints, gilt edges. (A small hole injuring 
two letters has been repaired on folio 24 of the third book.) 

Now imprynted anno domini MCCCCCliii by Wyllyam 
Coplad dwelling in Fletestrete at the Signe of the Rose Gar- 
lande nyghe unto Fletebrydge. [1553] 


*The John Fuller-Russell copy. EXTREMELY RARE. 


715. CAXTON (WILLIAM—tTranslator). The Game of 
the Chesse, by William Caxton. Reproduced in facsimile 
from a copy in the British Museum. With a few remarks on 
Caxton’s typographical productions, by Vincent Figgins. 
—4to, mottled calf gilt, gilt over red edges, by Bedford. 


London, 1860 

* Printed with type specially cast for the purpose, on paper 

made expressly for the book, and as nearly as possible like the 
original, with 23 woodcuts traced from the originals. 


716. CAXTON (WILLIAM—tTranslator). The Golden 
Legend. Woodcut title, borders and initials. 3 vols. small 
folio, original half canvas and boards, uncut. 

[Colophon] Here ends this new edition of William Cax- 
ton’s Golden Legend; in which there is no change from the 
original, except for correction of errors of the press, & some 
few other amendments thought necessary for the understand- 
ing of the text. It is edited by Frederick 8S. Ellis, & printed 
by me William Morris at the Kelmscott Press, ... and finished 
on the 12th day of September of the year 1892. 


*The ©. B. Foote copy with bookplates. Contains the in- 
serted slip in volume 1, seldom found. 


717. [CAXTON (WILLIAM).] Caxton Celebration, 1877. 
Catalogue of the Loan Collection of Antiquities, Curiosities 
and Appliances connected with the Art of Printing. Edited 
by George Bullen. 4to, cloth, uncut. 

London: Printed at the Elzevier press [1877] 

* One of 12 copies on hand-made paper, with presentation 

inscription of J. C. Wilkins, a member of the Executive Com- 
mittee. 

718. CAXTON (WILLIAM—tTranslator). The Order of 
Chivalry, translated from the French. Edited by F. S. Ellis. 
Frontispiece by Burne-Jones. 8vo, limp vellum, with ties. 

London, 1893 


* One of a few copies printed on vellum at the Kelmscott 
Press. ‘ 

719. CAXTON (WILLIAM). The History of Godefrey 
of Boloyne and of the Conquest of Jherusalem. Corrected 
for the press by H. H. Sparling. Royal 8vo, limp vellum, 
silk ties. London, 18938 


* Kelmscott Press edition, one of a very few printed on vel- 
lum. 


CAXTON (WILLIAM). See under CHaucer and HIgpEN. 
111 


720. CAYET (PIERRE VICTOR PALMA). Chronologie 
Novenaire, contenant 1’ Histoire de la Gverre, sovs le regne dv 
tres chrestien Roy de France & de Nauarre, Henry IIII. 
First Epition. Frontispiece with equestrian portrait of 
Henri ILV., by Gaultier. 3 vols. small 8vo, red morocco gilt, 
gilt edges, by Derome the younger. Paris: Richer, 1608 


721. CAYLUS (A. C. COMTE DE). les Manteaux. 
First Epirion. 2 parts in one volume, small 8vo, old red 
morocco gilt, gilt edges (lacks frontispiece). La Haye, 1746 


722. CAYLUS (A. C. COMTE DE). Memoires de 
}’Academie des Colporteurs. 9 plates designed by the author. 
First Epirion. Small 8vo, red morocco gilt, gilt edges, prob- 
ably by Derome. [Paris], 1748 


* From the Pixérécourt and Nodier collections, with tickets. 


723. CAYLUS (A. C. COMTE DE). Recueil d’Anti- 
quités Egyptiennes, Etrusques, Grecques et Romaines. Por- 
trait by Inttrel, engraved ttle to Vol. I, six frontispreces, 
numerous vignettes and 826 plates in the text. T vols. 4to, 
old green morocco, gilt panels, gilt edges. Paris, 1761 


* Second edition of Volume I (which was first published in 
1752) and first edition of the others. Volume VII is a post- 
humous Supplement edited from the manuscripts of the author 
by M. de Bombarde. 


724. CAYLUS (MADAME DE). Souvenirs. Nouvelle 
Edition, avec une introduction et des notes par M. Charles 
Asselineau. Wath original portrait drawing and 5 miniatures 
within gold borders. 8vo, red levant morocco covered with a 
design of fleur-de-lys, grotesques and panels, with a lion ram- 
pant in center, doublure of blue levant with deep borders, 
gilt edges, with cover and case, by Gruel. Paris, 1860 

* PRINTED ON VELLUM, probably one of 2 copies So issued. 


725. CELIERES (PAUL). Entre deux paravents, scénes 
et comédies en vers. 4 eaux-fortes de H. Bowlvin wm 2 states. 
8vo, maroon levant morocco, gilt fillets, gilt top, uncut, with 
the original covers, by The Club Bindery. Paris, 1879 


* One of 25 copies on Japan paper. 


726. CERISIERS (RENE DE). Reflections Chrestiennes 
et Politiques sur la Vie des Roys de France. 4 portraits. 
First Epition. 12mo, blue levant morocco, fleurs-de-lys orna- 
ments, gilt edges, by Trautz-Bauzonnet. 

Paris: la Veuve Jean Camusat, 1641 


727. CERVANTES (MIGUEL DE). The History of Don 
Quixote of La Mancha. Edited with notes and memoir by 
John G. Lockhart. 16 original etchings by R. de Los Raos. 
4 vols. 8vo, cloth. London, 1881 

* One of 50 copies on laid paper, with proof etchings on 
Japan paper. 
112 


728. CHALMERS (GEORGE). The Poetic Remains of 
some of the Scotish Kings (James I., James IV., James V., 
Mary, Queen of Scots, ete.). Now first collected. Engraved 
portrait of James I. by Picart, and facsimiles. Post 8vo, blue 
levant morocco gilt, gilt top, uncut, by The Club Bindery. 

London, 1824 


729. CHALUSSAY (BOULANGER DE). Elomire. Hypo- 
condre, ou les medecins vengez. Comedie. First Eprrion. 
12mo, red levant morocco gilt, gilt edges, by Thibaron-Joly. 

Paris: Charles de Cerey, 1670 


730. [CHALUSSAY (BOULANGER DE).] La Critique 
du Tartuffe. Comedie. 12mo, original vellum wrappers. 
Paris: Gabriel Quinet, 1670 


* First Epirion. Attributed to Boulanger de Chalussay and 
also to de Valliers. ; 


731. CHAMBERLAINE (JAMES). <A Sacred Poem. 
Wherein the Birth, Miracles, Death, Resurrection, and Ascen- 
sion of the Most Holy Jesus Are Delineated. Together With 
Poems on several Occasions. Engraved frontispiece title in 6 
compartments, and 1 plate. First Epition. 12mo, brown 
levant morocco, blind-tooled, with mosaic panels of green and 
maroon morocco, gilt dots and corner ornaments, gilt edges, 
by Riviére. London: Printed for R. E. and R. Bentley, 1680 


732. CHAMPLAIN (SAMUEL DE). _ Les Voyages [en 
1604, 1610, 1611] dv sievr de Champlain Xaintongeois, capi- 
taine ordinaire pour le Roy, en la marine. Divisez en devx 
livres. ou, jovrnal tres-fidele des observations faites es des- 
couuertures de la Nouuelle France: tant en la descriptid des | 
terres, costes, riuieres, ports, haures, leurs hauteurs, & plu- 
sieurs declinaisons de la guide-aymant; qu’en la creace des 
peuples, leur superstition, facon de viure & de guerroyer: 
enrichi de quantité de figures. Ensemble deux cartes geo- 
grafiques: la premiere seruant a la nauigation, dressée selon 
les compas qui nordestent, sur lesquels les mariniers nauigent: 
L’autre en son vray Meridien, auec ses longitudes & latitudes: 
& laquelle est adiousté le voyage du destroict qu’ont trouué 
les Anglois, audessus de Labrador, depuis le 53¢ degré de 
latitude, iusques au 63¢ en l’an 1612, cerchans vn chemin par 
le Nord, pour aller 4 la Chine. Maps and plates. Ato, calf, 
gilt back, side borders, gilt edges. 

Paris: Chez Jean Berjon, 1613 
* First EDITION OF THE FIRST THREE VoyaGES. The Beckford 
copy. 


733. CHAMPLAIN (SAMUEL DE). Les Voyages de la 
Nouvelle France, Occidentale, dicte Canada, ete. Folded 
copper-plate map and 6 engravings; Traitté de la Marine et 
du devoir d’un bon Marinier. 2 woodcuts; Ledesme, Doc- 
trine Chrestienne, Traduite en Langage Canadois par le R. P. 


113 


Breboeuf; Massé, L’Oraison Dominicale traduite en Langage 
des Montagnars de Canada. 4to, contemporary vellum. 
Paris: Claude Collet, 1632 


*'THE ONLY COMPLETE EDITION OF CHAMPLAIN, containing 
the reprinted leaves (corrected) of pages 27 to 29, cancelled be- 
cause of the statements reflecting on Cardinal Richelieu, not 
contained in all copies. 

This is the last of Champlain’s works, printed shortly before 
his last voyage to Canada (where he died in 1635), and it is 
perhaps the most important as-it contains a review of all pre- 
ceeding French Expeditions to the New World, interwoven with 
Champlain’s account of his own Voyages to Canada, together 
with a history of that country. It gives the first accurate ac- 
count of the life, habits, and warfare of the Indians in what 
is now the State of New York. 


734. CHAMPMESLE (CHARLES CHEVILLET DBE). 
Les Guvres. 2 vols. 12mo, old red morocco gilt, gilt edges. 
Paris: Par la Compagnie des Libraires Associés, 1742 

* From the Didot collection. 


735. CHAMPSAUR (FELICIEN). Masques Modernes. 
Frontispiece par Félicien Rops. 12mo, striped red silk, un- 
cut, original covers bound in, by The Club Bindery. 

Paris, 1889 

736. CHAMPSAUR (FELICIEN). Nuit de Féte. Jllus- 
trations by Gourguet, Lucas and Bottini. Royal 8vo, striped 
red silk, uncut, original covers bound in, by The Club Bindery. 

Paris, 1899 

737. CHANSONNIER (NORMAND). Préface de Joseph 
L’Hopital. Table Historique de A. Join-Lambert. Head- 
pieces and ornamental page borders by Ad. Giraldon. Small 
folio, dark green levant morocco, inside gold borders, gilt 
edges on the rough, original covers preserved (binding un- 
finished as to its final details). Paris, 1905 

* One of 125 copies printed. 


738. CHANSONS Nouvelles et Airs de Cour |et d’Opéra] 
Nouveau Recueil. Troisiéme Edition. 12mo, seven parts 
in one volume, blue levant morocco gilt, gilt edges, by 
Trautz-Bauzonnet. Paris, 1690-91 


* This book appears to contain the six complete parts of the 
first volume, made up of the first, second and third editions; 
also the first part of the second volume, perhaps the only part 
issued. Some of the Chansons are in Dutch, 


739. CHAP-BOOKS (AMERICAN). (I) An Exact Ac- 
count of the Trial and Execution of Captain Jeane for the 
most vile and unheard of cruel Murder of Richard Peyne, 
his Cabbin-boy, in his Passage homewards from South 
Carolina, ete. (II.) The Great and Wonderful News From 
America, on the arrival of Captain Williams, Commander 
of the Ship, called the Dolphin, who was Seven Weeks and 
three Days in their Passage from Hallifax, in North 
America, being bound for Bristol, but by contrary Winds 


114 


was forced to put in at Parkgate. Vignette. (III.) The 
Havannah’s Garland, consisting of three excellent New 
Songs I. On the Siege and Taking of Havannah. II. Oto 
be married if this the Way. Licensed and entered accord- 
ing to order. Vignette. (LV.) The Poor Unhappy Trans- 
ported Felon’s Sorrowful Account of his Fourteen Years 
Transportation at Virginia, in America. History of the 
Life of James Revel, the unhappy Sufferer. . . . Licensed 
and enter’d according to Order. 4 vols. small 8vo, citron 
levant morocco, uncut, in a morocco case, by Riviere. 

n. p.—probably London, end of XVIIIth century 


740. CHAP-BOOKS. A Collection of Forty-One Curious 
Pamphlets, most of them with woodcuts. Among others 
are: *‘ The History and Lives of all the most Notorious 
Pirates,’’ ‘“ The Hull Tragedy,’’ ‘‘ The Life and Adventures 
of Capt. John Deane,” ete. 12mo, green levant morocco 
gilt, gilt top, uncut, by Bedford. 

London, Worcester, ete. [n. d.] 
* Lettered on back ‘‘ Beggar’s Balderdash.” 


741. CHAP-BOOKS. The Coalman’s Courtship to the 
Creel-wife’s daughter; Odd History of a Scottish Thief; 
The London Spy; History of the King and the Cobler; The 
Laird of Cool’s Ghost; The Merry Tales of the Wise Men of 
Gotham; and others. Woodcuts. 24 works in one vol., 
12mo, green levant morocco, gilt top, by Alfred Matthews. 

1814-17 


* Twenty-four popular, old tracts, all reprinted from earlier 
editions at Glasgow, Stirling, Falkirk and Paisley. They relate 
to Scotland and Scottish manners, with the exception of two 
or three. John Payne Collier’s copy, with his notes on the 
fly-leaf. 


742. CHAPELAIN (JEAN). La Pucelle, ou la France 
délivrée. Hngraved frontispiece, 12 copper-plates. 12mo, 
red morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Suivant la copie imprimée a Paris [Amsterdam: J. Jans- 
son| 1656. : 

*Tall copy. 182mm, Annex to the Elzeviers. 


743. CHAPELLE AanD BACHAUMONT. (Huvres de 
Chapelle et de Bachaumont. 12mo, old citron morocco 
gilt, gilt edges. La Haie, 1755 


744. CHAPELLE AanpdD BACHAUMONT. Voyage de 
Chapelle et Bachaumont, suivi de quelques autres Voyages 
dans le méme genre. Frontispiece by De Launay after 
Marillier. 24mo, calf gilt, gilt edges. Genéve, 1777 


"45. CHAPMAN (GEORGE). The Whole Works of 
Homer; Prince of Poetts. In his Iliads, and Odysses. 
Translated according to the Greeke, by Geo: Chapman. 
At London printed for Nathaniel Butler [1616]. Homer’s 


115 


Odysses Translated according to ¢ Greeke. By Geo: 
Chapman. Imprinted at London by Rich: Field, for Na- 
thaniel Butler. Frontispiece title, and on reverse oval por- 
trait of Chapman surrounded by clouds. Engraved title to 
the Odyssey. Folio, red levant morocco, tooled in inter- 
laced fillets, doublure of red levant, gilt edges, by The 
Club Bindery. London [1616] 


* THE FIRST COLLECTED EDITION; the second complete edition 
of the Iliad, the first of the-Odyssey, with the very scarce 
plate containing the Prince of Wales’ insignia, etc. 


746. CHAPMAN (GEORGE). Bussy d’Ambois: a Tra- 
gedie: As it hath been often Acted with great Applause. 
Being much corrected and amended by the Author before 
his death. Fourth edition. Small 4to, calf, with the F. 
Perkins arms, gilt edges. | London: Printed by A. N., 1641 


* Contains alterations in the text, a Prologue after title, and 
an Epilogue at the end, not in the first edition. 


747. CHAPMAN (GEORGE). The Hymns of Homer; 
the Batrachomyomachia; and two original poetical hymns. 
With an introductory preface. By S. W. Singer. 12mo, 
half brown levant morocco gilt, gilt top, uncut, by Allé. 

Chiswick: C. Whittingham, 1818 


748. CHARLES I. Eixwv BaowuKy. The | Povrtraictvre| 
of | His Sacred | Maiestie | in | his solitvdes | and | svffer- 
ings. | Rom. 8. More then Conqueror, &e. | Bona agere, & 
mala pati, Regium est. | M.DC.XLVIII. 8vo, brown levant 
morocco, back and sides richly gilt and blind-tooled in 
fleur-de-lis, crowns, and scrolls, doublure of blue levant 
morocco, gilt edges, by The Club Bindery. [n. p.], 1648 

* The genuine First Edition [Almack, No.1], with the leaf 
of Errata. ‘‘ Kikon Basilike” has been attributed both to King 


Charles and to Dr. Gauden. Fifty editions are said to have 
been printed at home and abroad during the year 1648-9. 


749. CHARLES II'—Relation en forme de journal, du 
voyage et sejour, Que Le Serenissime es Tres-Puissant 
Prince Charles II Roy de la Grand’ Bretagne, &e. Portraat 
and 4 plates engraved by D. and P. Philippe and Theodor 
Matham after N. Venne and J. T. Viet. First EDITION. 
Folio, blue levant morocco, gilt back, gilt edges, by Riviere. 

La Haye: Adrian Vlaeq, 1660 


750. CHARLEVOIX (PIERRE ANTOINE XAVIER 
DE). Histoire de l’Isle Espagnole ou de 8. Dominique. & 
maps in Vol. I., 10 maps in Vol. II., with 2 vignettes after 
A. Humblot. 2vols. large 4to, calf gilt, gilt edges. 

Paris: Francois Barois, 1730 


* First EDITION. From the libraries of J. J. de Bure, the 
elder, and Count Henry de la Bédoyére. 


116 


751. CHARLEY CHALK;; or, The Career of an Artist: 
being Sketches from the Real Life; comprising a narrative 
of his extraordinary adventures in Great Britain and Ire- 
land, France and Greece. Jllustrations by Jacob Parallel. 
8vo, citron levant morocco gilt, gilt top, uncut, by Cham- 
bolle-Duru. London: G. Berger, n. d. [ca. 1845] 


752. CHARRON (PETER). Of Wisdome, three bookes 
written in French by Peter Charro Doct* of Lawe in Paris. 
Translated by Samson Lennard. Weth the engraved title by 
Hole and the very rare portrait of the author by Vaughan. 
4to, mottled calf, gilt back and edges, by Bedford. 

At London: Printed For Edward Blount & Will: Aspley 
1630 | 


753. CHARTARIUS (VINCENTIUS). Imagines Deorum, 
qui ab antiquis colebantur, etc. Portrait of Verderius and 
88 woodcuts in the text. 4to, old calf, gilt edges (rebacked, 
lacks signature C;). Lugduni: apud Steph. Michaelem, 1581 


* Joseph Knight’s copy, with his bookplate, autograph, and 
pencilled note. 


754. CHARTIER (ALAIN). Les Cfuvres. Small 8vo, 
blue levant morocco gilt, doublure of orange morocco with 
wide dentelle border, gilt edges, by Trautz-Bauzonnet, in 
a brown morocco ease. Paris: Galliot du Pré, 1529 


755. CHASSANT (A.) anp TAUSIN (HENRY). Dic- 
tionnaire des Devises Historiques et Héraldiques. Wath 6 
plates containing 36 figures. 3 vols. 12mo, half brown mo- 
rocco gilt, gilt tops, uncut, by Champs. Paris, 1878 

756. CHASSE (LA) au filles, ou jardin d’amour 
reformé. Dans le quel est enseigné la maniére de conserver 
& d’entretenir une maitraisse. Par L. G. avocat. Cut on 
title. Small 8vo, red levant morocco gilt, gilt edges, by 


Duru. Autun: Pierre Laymére [ca. 1690] 
_* A very rare little book. From the library of Charles Nodier, 
with book-plate, 


757. CHAUCER (GEOFFREY). THE CANTERBURY 
TALES. Gothic type. 3874 unnumbered leaves (including 3 
blanks), without signatures and catchwords. 29 lines to the 
page. Initials painted in red. 

Fol. 1, blank (cut away); Fol. 27r.: Whan that Apprill 
with his shouris sote | And the droughte of march hath pcid 
€rote|.... Fol. 266 blank (cut away). Fol. 873 r., line 
26: Explicit tractatus Galfrydi Chaucer de | Penitencia vt 
dicitur pro fabula Lectoris. Fol. 373 v.: Now pray I to 
hem alle that herkene this litil tretyse | or rede. that yf ther 
be ony thing that liketh hem that | thereof.... Same page, 

paul 


line 28:.... Qui ci patre et spi scd viuit et regnat | deus. 
Per omnia secula seeculo2t Amen. Jol. 374 blank (cut 
away). Thick small folio, brown levant morocco, the sides 
blind tooled in the manner of the early 16th century 
English bindings, with the title of the book stamped in 
gold around the inner panel of the front cover, doublure of 
vellum, gilt dentelle borders, vellum fly-leaves, gauffred 
gilt edges, by Mercier, in a brown levant morocco case. 

[ Westminster: William Caxton, ca. 1477-78] 


* FIRST EDITION OF CHAUCER’S CANTERBURY TALES, AND ONE 
OF THE EARLIEST BOOKS PRINTED IN ENGLAND, BEING PROBABLY 
THE FOURTH OR FIFTH. There are eleven existing copies of this 
book, according to Seymour De Ricci (A Census of Caxtons, 
Bibliographical Society, 1909), of which only two are perfect, 
namely one of the copies of the British Museum, and that of 
Merton College, Oxford. The other nine copies recorded by 
him are all more or less deficient, and none of them has either 
first or last leaf. In the above the last leaf exists in perfect 
condition, but the three blanks are missing, and 17 leaves (2-8, 
128, 152, and 299-306) are in perfect facsimile made from the 
British Museum copy. 

The collation of the volume isas follows: A~Z 8 (A 1 blank); 
A-I 8, K 10 (K 10 blank, L-Q 8, R 6, S-Z 8; Aa 6 (Aa 6 
blank) = 374 leaves. Hain-Copinger, 4921; Blades, 12; Sey- 
mour De Ricci, 22; Proctor, 9626. 


[See Reproduction. ] 


758. CHAUCER (GEOFFREY). The workes of Geffray 
Chaucer newlye printed, wyth dyuers workes whych were 
‘never in print before: As in the table more playnly doth 
appere. Folio, red levant morocco, gilt panels, gilt edges, 
by F. Bedford (small repairs to the four preliminary 
leaves, title and some leaves in the last two signatures 
remargined or repaired). 

Prynted by John Reynes dwellynge at the sygne of saynte 
George in Pauls Churchyarde, 1542. 


* SECOND COLLECTED EDITION containing The Plowman’s 
Tale for the first time. Very tall copy, measuring 125¢ x 8 in. 
A facsimile title is laid in. 


759. CHAUCER (GEOFFREY). The workes of Geffrey 
Chaucer, newlie printed, with divers addicions, which were 
never in print before: With the siege and destruccion of 
the worthy Citee of Thebes compiled by Jhon Lidgate, 
Monke of Berie. Folio, mp levant morocco, gilt back 
and edges, by Joly. 122 x 84 

[Colophon]: Imprinted at Lonion by Jhon Kyngston for 
Jhon Wight, 1561. | 

* VERY FINE COPY OF THE FIRST ISSUE OF THE EDITION 
EDITED BY JOHN STOWE the historian, with the woodcuts to the 


118 


Te (Bal eBpnbe fe ae of 6 ae fe fallicG / be (Bol arpfer by 


_ Pepeesroe Birdy Efoucgh Be neuer fo fonore Saue fepy in (pric * 


_ Th merep of Crift ie alBay vedp 6 vefcepue Bry Go mer 
“Hone Wako ae eye ae Bet noe Cong 
“per feucre in qoodnes be Bal eGpnke a€ the FeGslnes of 

he wupl may so EGinay % Bue men Wol faffre Sym /QWndy 
Reh Bal Baue fromthe of cody candy of alle bol'y BieBe 
_ Gitdy of the protecpoy of aungellis rf Spry Gif » Theme 

hulle men Birrerfonre WHat 16 the Frupe of pendunoe-and 
_ after the Word of Gh fe Cult si 16 nake bU(fe of feuene 
_ Stkre rope Hath no conérariofice of Woo ne gveucemer there 
alle Sarmpe & ynfé of thie mefen€ fpf there as ie fikernes 
_ fro Ele sepnee of fle th we as to the Ble(fidy companpe thre 
_ tetopfer eucemoze encride of offers Jove , thee as th Bop 
fF itary that Whplory Wace foul’ anidp wrk 13 more cleve chan 
the forme there as Thpley th Bop Bae (eGe andy free’, 

Feble andy mortal, Jo mrmoztal andy fo fEronae andy fo oof 
thaé the map no china onpapre hi Aire as nepéler te hunt 


sloxpe Bp PoBneffe the plenée of Joe Sp Guntaer andy ehuilt 
Qtndy th vefte Bp ErauapW andy the Cpf Bp wef andy mo: 
aficxcion of (pnne - Lo Eat Cpf be Se Exprucge EBa€ Souueghe 
Tith is pecpous Blood, men. — 

— LE pphicé Ceactatus Galfipor Chaucer & 
—— @I[Peni&naa Sé diatur pro fabula Lectorts , 


CHAUCER’S CANTERBURY TALES. PRINTED BY CAXTON. 1477-1478. 
(See No. 757.) 


or sre Erie we colar But euerp foul: veplene([Hrd) With che 
ihe of Cle parfpahe Rnokbynay of Eh tpnpte, Chis Slef7 
(fd) veane map may purdace Sp poueré fpwperel andy the 


te ii i ic a li li a SN a i BR iN RA a ae sec 


‘*Prologues.” Inserted is the portrait of Chaucer (‘‘ The 
Progenie of Geffrey Chaucer”) from the edition of 1598. 

This edition of 1561 was evidently a trade issue, separate 
titles being printed for each bookseller who took copies, The 
earliest issues have woodcuts to ‘‘ The Prologues,” the prelimi- 
nary leaves numbering fifteen. The second issue had only ten 
preliminary leaves, owing to the omission of the woodcuts. 
The title of this copy is within an architectural border with a 
representation of the King sitting in Parliament at the top, at 
the bottom, within the ornamental border, is a small shield 
with the device of Richard Grafton. Other issues had a title 
mainly occupied by a large armorial woodcut ;—these have no 
bookseller’s device. 

The portrait of Chaucer is sometimes found in this edition, 
but has in such cases been inserted from the edition of 1598, 
where it is noted on the title as being one of the additions to 
that ‘‘ Impression.” 


760. CHAUCER (GEOFFREY). The Workes of Geffrey 
Chaucer, newlie printed, with divers addicions, which were 
never in print before; With the siege and destruccion of 
the worthy Citee of Thebes, compiled by John Lidgate, 
Monke of Berie. 1561. Folio, contemporary calf, stamped 
with a double border of blind ornaments, with clasps, with 
the letters ‘‘I. P.’’ in the centre of the cover. 

[Colophon]: Imprinted at London, by Jhon Kingston for 
Jhon Wight, 1561. 


* A VERY FINE COPY OF STOWE’S SECOND ISSUE without the 
portrait and woodcuts to the Prologues, but with ten Prelimi- 
nary leaves. A trifling piece of the margin of fo. 163 is lack- 
ing, injuring a letter. Bookplate of Samuel Warren (?). 


761. CHAUCER (GEOFFREY). The Workes of our 
Antient and lerned English Poet, Geffrey Chaucer, newly 
Printed. In this Impression you shall find these Additions: 
1. His Portraiture and Progenie shewed. 2. His Life col- 
lected, &e. Folio, green levant morocco, back and sides 
tooled in gold panels, doublure of vellum, gilt borders, gilt 
edges, by The Club Bindery. (Small hole in sig. Gi.) 

London: Impensis Georg. Bishop, Anno 1598 
*Speght’s First Edition, and the first containing the portrait 
of Chaucer (‘‘ The Progenie of Geffrey Chaucer ’’) probably en- 
graved by John Speed. The preface to this edition is by Fran- 


cis Beaumont. A VERY FINE COPY WITH THE FINAL BLANK 
LEAF, AND THE LEAF OF ERRATA BETWEEN QCjjji AND Civ. 123¢ x 8in. 


762. CHAUCER (GEOFFREY). The Works of our 
Ancient, Learned and Excellent English Poet Jeffrey 
Chaucer: as they have lately been Compar’d with the best 
Manuscripts: and several things added, never before in 
Print, ete. Portrait *‘ The Progenie of Chaucer,’’ (from 
the re-engraved plate). Folio, red levant morocco, gilt in 
a Grolieresque design, gilt edges, by David. 

London: Printed in the year 1687 
* A re-impression of Speght’s sixth edition. 


119 


763. CHAUCER (GEOFFREY). The Canterbury Tales of 
Chaucer. To which are added an Essay upon his Language 
and Versification, Introducing Discourse, and Notes. 5 vols. 
post 8vo, half green levant morocco, richly gilt, gilt tops, un- 
eut, by All6. London: Printed for T. Payne, 1775-1778 


*The fifth volume (the Glossary) is very scarce. The title 
mentions only four volumes, and that there is a fifth is un- 
known to many. The first issue of Tyrwhitt’s edition, A num- 
ber of scarce portraits of Chaucer and a series of plates by 
Stothard have been inserted. 


764. CHAULIN (N. P.). Précis des piéces dramatiques 
de W. Shakespeare, avec observations et notices. 12mo, 
purple ealf gilt, blind-tooled panels, gilt edges, by Simier. 

Paris, 1829 

765. CHAUVEAU (HARDOUIN). C’est Vordre qui a 
este tenu a la novvelle et ioyevse entrée, que treshault, 
tresexcellét, & trespuisat Prince, le Roy treschretien Henry 
deuzieme de ce nom, Aafaicte en sa bonne ville & cité de 
Paris, capitale de son Royaume, le sezieme iour de Iuin 
M.D.XLIX. With 11 large woodcuts by Jean Cousin. 
Quarto,-original rose-colored vellum wrappers, some leaves 
uncut, silk ties (blank corner of one leaf torn off). 

Paris: Jacques Roffet, [1549 } 


766. CHEEKE (HENRY—translator). A Certayne 
Tragedie wrytten fyrst in Italian, by F. Niger Bassentinus, 
entitled, Freewyl, and translated into Englishe by Henry 
Cheeke. First EDITION. Gothic type. Small 4to, red 
levant morocco gilt, gilt edges, by Bedford. 

John Tisdale (?) [n. p.] [1561] 

* Extremely rare. Anold ‘‘moralitie’’ written by F. Niger 

(Negri or Neri) of Bassano, showing the ‘‘ devylish devise of the 
Popish religion.” 


767. CHENIER (ANDRE). Poesies. Précédées d’une 
notice par H. H. de Latouche. Nouvelle Edition, With 
engraved portrat, after H. Dupont. 12mo, green calf, 
gilt, gilt top, uncut, by Matthews. Paris, 1858 


768. CHESTERFIELD (EARL OF). Miscellaneous 
Works: consisting of Letters of his Friends, never before 
printed, and various other articles. To which are pre- 
fixed Memoirs of his Life, tending to illustrate the civil, 
literary and political History of his Time. By M. Maty... 
THE SECOND EDITION .. . with an Appendix, containing 
Sixteen Characters of Great Personages, &e. Portraits 
engraved by Bartolozzi, Sherwin, and others. 4 vols. 8vo, 
half red levant morocco gilt, gilt tops, uncut, by Pratt. 

London, 1779 

769. CHEVIGNE (AUGUSTIN RENE, COMTE DE). 
Contes Rémois. Vignette and 30 illustrations, by M. Perlet. 
Royal 8vo, blue levant morocco, red and gréen mosaic 
roses tooled in gilt on the back and in the side corners, gilt 
edges, by All6. Paris, 1843 

120 


770. CHEVIGNE (AUGUSTIN RENE, COMTE DE). 
Les Contes Rémois. Dessins par EH. Meissonier. 8vo, 
orange levant morocco gilt, gilt edges, by David. Paris, 1858 

* Portrait and 30 plates by Perlet have been inserted. Papier 
velin edition. 

171. CHEVIGNE (AUGUSTIN RENE, COMTE DE). 
Les Contes Rémois. India proof portrait of the author, by 
Buland after Debay, and 57 vignettes on wood after Meis- 
sonier. 8vo, half green levant morocco gilt, gilt top, uncut, 
by Zaehnsdorf. Paris, 1868 


772. CHEVIGNE (COMTE L. M. J. DE). La Chasse et 
la Péche, suivies de poésies diverses. 32 lithographic illus- 
trations after David, proofs on India paper. 16mo, red calf 
gilt, gilt edges, by Bauzonnet, with his ticket. Paris, 1836 


773. CHIPPENDALE (THOMAS). The Gentleman and 
Cabinet-Maker’s Director. Being a large collection of the 
most Elegant and Useful Designs of Household Furniture 
in the Gothic, Chinese, and Modern Taste. 160 copper- 
plates. Large folio, red levant morocco gilt, ornamented 
with deep double borders, pointillé tooling, with the arms 
of Achilles Seilliere in centre of sides, gilt edges, by Lortic 
(a few pages foxed). London, 1754 

* FIRST EDITION. Large copy, scarce. 

774. CHOLIERES (NICOLAS DE). Les Neuf matinees 
du Seigneur de Choliéres. Dediees 4 Monseigneur de Ven- 
dosme. Reueués, corrigees & augmentees par |’ Autheur. 
12mo, red levant morocco gilt, gilt edges, by Niédrée. 

Paris: Jean Richer, 1586 


"75. CHOLIERES (NICOLAS DE). La Gverre des 
Masles contre les Femelles: Representant en trois Dialogues 
les prerogatives and dignitez tant de l’vn que de l’autre 
sexe. Auec les Meslanges Poétiques. Small 8vo, blue 
levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 


Paris: Pierre Cheuillot, 1588 
* FIRST EDITION. One of the scarcest of Choliére’s works. 


"76. CHOLIERES (NICOLAS DE). La Guerre des 
Masles contre les Femelles. Representant en trois Dia- 
logues les prerogatives & dignitez tant de l’un que de 
V’autre sexe. Avec les meslanges Poétiques. 12mo, old 
red straight-grain morocco, gilt vine border, and mono- 
gram of Adolphe Audenet gilt edges, by Koehler. 


Paris: Gilles Robinot, 1614 
* From the Nodier Collection, with his label. 


777. CHOYSELAT (PRUDENT LE). Discours Oecon- 
omique, non moins utile que recreatif. Small 8vo, brown 
levant morocco, gilt back, gilt edges, by AJl6. 


Rouen: Martin le Menestrier, 1612 
* From the collection of M. J.-B. Huzard, who wrote a bib- 
liography of this treatise. o 
1 


778. CHRETIEN (NICOLAS). Les Tragedies de N. 
Chretien Sievr des Croix Argentenois. Volume I contains 
** Les Portugaiz Infortunez,’’ without separate title-page, 
‘‘Tragedie d’Amnon, et Thamar,”’ 1608, and ‘‘ Albovin ou 
la Vengeance,’’ 1608; Volume II. ‘‘ Le Ravissement de 
Cefale,’’ 1608, ‘‘Les Amantes, ou la grande pastorelle,’’ 
1613, and ‘‘ Rosemonde ou la Vengeance,” 1603. 2 vols. 
12mo, green morocco gilt, gilt edges. Rouen, 1608 


779. CHRISTIE (JAMES). An Inquiry into the Early His- 
tory of Greek Sculpture. Portrait. 4to, boards (worn). 
London, 18383 


780. CHRONICLE OF ENGLAND, PRINTED AT ST. 
ALBANS, 1483. Folio 1: HEre begynnys a schort & breue 
tabull on thes Cronicles And ye must vnderstond y* eueri 
leef is markid vnder with A. on.ij.iij. & ilij. & so forth to 
viij. an whatsum et ye fynd shortli writin in this table. ye 
shalt find oppenli in the same letter. 


Folio 9: (1)N so myche that it is necessarie to all creaturis 
of criston religyon. or of fals religyon: os gétyles and 
machomytes: to knaw their prince or prynces that regne 
apon them. and theem to obey. So it is commodyus to 
knaw theer nobull actis or dedys. and the cireumstas of 
theer lyues. Therfoor i yeer of our lorde. M.ilij°.lxxxviij. 
-And in the xxiij. yeer of the regne of Kyng Edward the 
fourth at Saynt Albons so that all men may knaw the actys 
naemly of our nobull kyngys of Englond is cépylit together 
thys book. & moor ouer is translayt owt of latin i to englich 
froom the begiyng of the world... ete. 

Colophon: Here endethe the Croniclis of Engléde with 
the frute of timis. Sanctus albanus. 

287 leaves, fo. 8 blank, with woodcuts; the initials and 
some chapter headings printed in red. ‘The preliminary 
leaves, including Table, to aj, ayi to bi, byi, I; and 2, Is Kj to 
$, and the last leaf in facsimile, but containing in all 260 
genuine leaves, 27 being in facsimile. The last blank—— 
making up the correct number of leaves, 288, is missing. 
4to, brown levant morocco, gilt and blind tooled, doublure 
of vellum, vellum fly-leaves, gilt edges, by Riviére. 

St. Albans Printer, 1483 
* Only about seven copies of this excessively rare book are 
known, allimperfect. 


[See Reproduction. | 
122 


she Byrg. Stephen 


ae hoe Wedord fo Gefferap Plantagines the oulze of ontgame: 


__ fopont Iblome by beqat Theres the fecund afi teyng of Cnraldr fond; 


— Bhom font Shomas of Cantorburi eaned and died, 


cee ot othauius thos emprousafélenu the fourth pi pere and Litt: i 
: : : of bim t 13 Irittpn kof thaé he Thos manlp ra) tle chirches and that. oes 
—_ Spfubduid (Roos the wfurper of the kya of Cicely. Fhuade: 
__ foncto wictou has a nobult man thie fpmeatmus ea nobull 
a Eph ordi2 of font YohH bap 
Ack Forufalern eqan this time ts: the Borfhipfutk man Raps, 
mond miahtelp dt(pofid & erkts ie meres att Hake osdismake 


— Roctos of fhe nacion of Ap fapons . > 


: : i didad ee Be mer) 
: Anno Domi. on .C: “Spon ‘ 
s is This man has a Werap wuote mean. @ Worth (ich 


> as kevicd ebay ald ae 


”: Ctertht ¢ athasthe Fife has ately! 
Se isin et Flteplon Ele of ols 


_ he poftd the fee wd dy in 6, “et Aiea eld e (eg 


CHRONICLE OF ENGLAND, Sr. ALBANS PRINTER, 1483. 
(See No. 780.) 


hie fader Buicis ed és Momasnie. Yoier anne ales fle’ : : 


wee Bee aft Tbonoie piper emo 


__ mieribe fociet him: be pnd (eriffe @H-pere apens spre of Ttow 
Be mes him Qlnocletil and bp (trencth ke toke the pope 
ich Annocent falb . ¢ To's} .qaleps ke fled & fraflee © 
| fhipfullp refaucd of fent QGerenard.the Wich pe 
thy kynaes & he princes in hie and. ¢ fe puokedth 
beng this pope Ynnocent m fo his diqnite apeneratt 
lebprig thas cef iv e hte emnpe Ther difeeuped churahe 
gement of god: fe bow pope dee “end leuted “Leegpaeg: | 


at Tor tong Bone ese On Koes meade : 


| Lops Noranone as ke feed the tfgopne of hie wnicles doth han 


781. CHURCHYARD (THOMAS). The Firste part of 
Churchyardes Chippes Contayninge Twelue seuerall La- 
bours. Deuised and published onlye by Thomas Church- 
yard Gentleman. Small 4to, red levant morocco gilt, gilt 
edges, by Bedford. (The inner border of the woodcut title 
restored, and some corners replaced. ) 

Imprinted at London. .. by Thomas Marshe, 1578 

* SECOND EDITION. Very scarce. Churchyard in his youth 
was page to the Earl of Surrey, and he mentions his indebted- 
ness to him for hisinstruction in poetic composition. The poem 
in this volume, ‘‘Tragecall discours of the unhappie mans 
life,” is autobiographical, narrating his experiences as a soldier 
in Scotland and France, where he had been taken prisoner 
several] times, and concludes by lamenting his poverty and the 
neglect of those he once thought his friends. 


782. CHURCHYARD (THOMAS). The Firste Parte of 
Churchyardes Chippes, containing Twelve severall Labours; 
also Churchyard’s Miscellaneous Poems, antidote against 
Melancholy. 2 vols. 4to, blue straight-grain morocco, gilt 


tops, by Zaehnsdorf. London, n. d. 
ps, Dy 
* Collier’s reprints, with pencil notes, probably in his hand- 
writing. 


783. CHURCHYARD (THOMAS). A generall rehearsal} 
of warres, wherein is fiue hundred seuerall seriuices of land 
and sea: as sieges, battailles, skirmiches, and encounters. 
A thousande gentle mennes names, of the best sort of war- 
riours. A praise and true honour of Soldiours: A proofe 
of perfite Nobilitie. A triall and first erection of Heraldes: 
A discourse of calamitie. And ioyned to the same some 
Tragedies and Epitaphes, as many as was necessarie for this 
firste booke. All whiche woorkes are dedicated to the right 
honourable sir Christopher Hatton knight, vize Chamber- 
lain, Captain of the gard: & one the Queenes maiesties 
priuie counsail. Small 4to, green morocco gilt, gilt edges. 
(Corners of title, first and last leaves, and a few inner mar- 
gins restored.) 

Imprinted at London by Edward White [1579 | 

* First Epition. Extremely rare. The running title of 
of this book is ‘‘ Churchyardes Choise,” but in reality it is the 
second part of the ‘‘ Chippes.” : 
Churchyard was probably with Sir Philip Sidney in Ireland, 
as one of the pieces is an account of an entertainment given in 
Munster by Sidney to Sir Humphrey Gilbert. The Hill (Bibli- 


otheca Anglo-Poetica)-Gilchrist-Heber-Corsar copy, with Gil- 
christ’s autograph on title. 


784. CHURCHYARD (THOMAS). A light Bondell of 
lively discourses called Churchyardes Charge, presented as 
a Newe yeres gifte to the right honourable, the Earle of 
Surrie, in which Bondell of verses is sutche varietie of 
matter, and severall inventions, that maie bee as delitefull 


123 


to the Reader, as it was a Charge and labour to the writer, 
sette forthe for a peece of pastime. Tvtle in woodcut border. 
Small 4to, maroon levant morocco gilt, gilt edges, by The 
Club Bindery. Imprinted at London by Jhon Kyngston, 1580 
* First EDITION. Extremely scarce, very few copies being 

known. On the back of the title is written an interesting 


poetical inscription to Edward Fairfax, possibly by Church- 
yard, 


785. CHURCHYARD (THOMAS). Churehyards Chal- 
lenge. Printer’s ornament on title. Small 4to, brown levant 
morocco, gilt and blind tooled, gilt edges, by Morrell. 

London: Printed by John Wolfe, 1593 


*,A PERFECT COPY OF THE FIRST EDITION, and believed to be 
the only copy (of the half dozen in existence) with the prelim- 
inary blank leaf ‘‘A.” The volume contains a collection of 
Churchyard’s pieces—many of which were circulated only in 
manuscript and the authorship of which had been claimed by 
others—and in support of his claim he says: ‘‘ The books that I 
can call to memorie already printed,” also some that he had 
apparently written for others: ‘‘ These Workes following are 
gotten from me of some such noble freends as I am loath to 
offend,” with a list of a few that had been completely lost. 


786. CHURCHYARD (THOMAS) anp RICHARD ROB- 
INSON). <A Trve Discovrse Historicall, of the Sveceeding 
Governovrs in the Netherlands, and the Ciuill warres there 
begun in the yeere 1565. with the memorable seruices of 
our Honourable English Generals, Captaines and Souldiers, 
especially vnder Sir Iohn Norice Knight, there performed 
from the yeere 1577. vntill the yeere 1589. and afterwards 
in Portugale, France, Britaine and Ireland, vntill the yeere 
1598. Translated and collected by T. C. Esqvire, and Ric. 
Ro. ovt of the Reuerend E. M. of Antwerp. his fifteene 
bookes Historie Belgice; and other collections added. 
Small 4to, red morocco gilt, gilt edges, by The Club Bindery. 

At London: Imprinted for Matthew Lownes, 1602 
* FIRST EDITION. Contains descriptions of the campaigns in 


which Barnaby Rich, George Gascoigne, and Sir Philip Sidney 
served, with a full narrative of Sidney’s death at Zutphen. 


787. CHURCHYARD (THOMAS — Translator). The 
Three First Books of Ovid de Tristibus translated into Eng- 
lish. By Thomas Churchyarde. Small 4to, brown morocco 
gilt, with the arms of Lord Spencer in gold on the sides, 
doublure of vellum covered with a rich gold design, having 
in the center the coronet of the Earl, vellum fly-leaves with 
gold borders, gilt edges gauffréd, by C. Lewis. London, 1816 


* Only 386 copies were printed from the original in the 
Althorp Library by Earl Spencer for the Roxburghe Club, 


124 


788. CIBBER (COLLEY). A Letter from Mr. Cibber, 
to Mr. Pope, Inquiring into the Motives that might induce 
him in his Satyrical Works, to be so frequently fond of Mr. 
Cibber’s Name. THE SECOND EDITION. Small 8vo, brown 
morocco, gilt edges, by The Club Bindery. 

London: Printed and Sold by W. Lewis, 1742 


* Although called the Second Edition in the title it is really 
the Second issue of the First Edition, with the same title-page, 
excepting that the ‘‘Second Edition” is here substituted for 
the ornament above the imprint in the first issue. 


789. CIBBER (COLLEY). Dramatic Works. Portrait. 
4 vols. 12mo, half green levant morocco, gilt tops, uncut. 
) London, 1760 
790. CICERO. Epistole ad M. Brutum, ad Quintum 
fratrem, ad Octavium et ad Atticum. Romamn characters 
wih passages printed in Greek. 199 unnumbered leaves 
without signatures and catchwords; 38 lines to the page. 
First page within a fine semi-border, with an initial in the 
interlaced style wluminated in gold and colors, and capitals 
painted in blue and red. Folio, red levant morocco, gilt- 
tooled back and inside dentelle borders, gilt edges, by 
Trautz-Bauzonnet. 
Rome: Conrad Sweynheym & Arnold Pannartz, 1470 


* Bibliographers are not decided whether this edition, or 
that of Jenson, printed in the same year, is to be regarded as 
Editio Princeps, According to the copy in the Sunderland 
Library Catalogue, quoted as having 203 leaves, the above is 
imperfect. The first leaf is in facsimile. Hain-Copinger, 5218; 
Proctor, 3311. 


791. CICERO. Orationes. Roman characters. 298 
leaves, including the first and last blanks, without signa- 
tures and catchwords, 37 lines to the page. Initials painted 
an red. Folio, old French red morocco, gilt triple lines on 
the sides, WITH THE ARMS OF COUNT DE HOYM stamped in 
gold in the centre of each cover, gilt-tooled back and inside _ 
borders, gilt edges, by Du Seuil. 

[Venetiis] Adam of Ammergau, 1472 


* A LARGE COPY OF THIS RARE EDITION. From the libraries. 
of Count de Hoym, the Abbé Rive, and Hon. George A. Ellis, 
with bookplate of the latter. Hain, 5123; Proctor, 4150. 


792. CICERO. Epistole familiares. 8vo, original limp 
vellum, in morocco case. [Lyon, circa 1503] 
* The forged Aldine Edition of 1502. PRINTED ON VELLUM, 
ENTIRELY UNCUT, AND PROBABLY THE ONLY PERFECT COPY 
KNOWN, as the other three vellum copies mentioned by Re- 
nouard seem to lack the title-page. From the Sunderland 
library. 

793. CICERO. Officiorum libri tres, collatis variis ex- 
emplaribus accuratissime recogniti: Cato Maior sive de 
Senectute. Laelius sive de Amicitia, etc., cum annota- 
tionibus Erasmi Roterodami. Ruled throughout with red 
ink. Title-page within a woodcut border, with device of 


125 


publisher. 16mo, brown levant morocco, the sides inlaid 
with interlaced bands of citron, green and dark blue morocco 
within gold lines; doublure of brown levant richly gilt- 
tooled in the manner of the Eves, gilt edges, by G. Bénard. 
In morocco case. 

Lutetize: Petrus Vidonzeus sumptibus Petri Viart, 1522 


* PRINTED ON VELLUM; PROBABLY THE ONLY COPY IN THIS 
STATE, 


794. CICERO. De Officiis libri tres; de Amicitia, de 
Senectute dialogi duo, ete. 16mo, calf, the sides of the 
contemporary Lyonnese binding, painted in blue within 
gold lines in an interlaced Grolieresque pattern, have been 
skilfully inlaid in the covers, gauffred edges. Ina mottled 
ealf slip-case. Lugduni: apud Seb. Gryphlinum, 1546 


795. CICERO. De Officiis libri tres. Cato major, vel de 
Senectute. Lelius, vel de Amicitia, ete. Hngraved title. 
Ruled throughout 1n red. 12mo, old French red morocco 
gilt, doublure of red morocco, gilt edges, by Duseuil. 

Amstelodami: ex Officina Elzeviriana, 1677 


796. CICERO. Marcus Tullius Ciceroes three bookes of 
duties to Marcus his sonne, tourned out of Latine into 
English, by Nicholas Grimald. Whereunto the Latine is 
adioyned. Small 8vo, brown levant morocco, back and 
sides panelled and richly gilt, inlays of green morocco, gilt 
edges, by The Club Bindery. Inscription on title in ink, 
‘* William Waller his Booke, 1656.”’ London, 1583 


* Printed in double columns, the Latin in Roman type, the 
English in Gothic characters. 


797. CICERO. Qéuvres complétes. Translated by M. 
Deleasso. 36 vols. 8vo, red levant morocco, gilt backs, with 
the monogram KE. B., gilt edges, by Belz-Niédrée. 

Paris, 1835-37 

798. CIECA DI LEONE (PIETRO) and GOMARA 
{FRANCESCO LOPEZ DE). Cronica del Gran Regno del 
Perv, con la discrittione di tutte le prouincie, e costumi, e 
riti, con le nvove citta edificate, & altre strane & marauig- 
liose notitie; Historia della Nvove Indie Occidentali, con 
tvtti i discoprimenti, & cose notabili, auuenute dopo l’ac- 
quisto di esse; and Historia di don Ferdinando Cortes, 
marchese della Valle, Capitano Valorosissimo, con le sve 
maravigliose prodezze nel tempo, che discopri, & acquisto 
la nuoua Spagna. 3 vols. 8vo, red levant morocco, gilt and 
blind tooled, gilt edges, by Lortic. 

Venetia: Francesco Lorenzini da Turino, 1560 
* Complete sets are very scarce. 


799. CIM(ALBERT). Une Bibliothéque. L’art d’acheter 
les livres, de les classer, de les Conserver et de s’en servir. 
12mo, wrappers, uncut. Paris, 1902 

* One of 40 copies printed. 


126 


800. CIM (ALBERT). Amateurs et Voleurs de Livres. 
Frontispiece. 12mo, original wrappers, uncut. 300 copies 
printed. Paris, 1903 


CLAUDE’S ‘‘ Liber Veritatis.’’ See No. 2096. 


801. CLAUDIANUS (CLAUDIUS). Cl. Claudiani Que 
extant. Nie. Heinsius Dan. Fil. Recensuit ac notas addidit, 
post primam editionem altera fere parte nunc auctiores. 
Acecedunt selecta Variorum Commentaria, accurante 
C.(ornelio) S.(chrevelio), M.D. Hngraved title, ruled in 
red. 8vo, red morocco gilt, doublure of red morocco, 
dentelle borders, gilt edges, by Boyet. 

Amstelodami: Ex Officina Elzeviriana, 1665 


802. CLAUDIANUS (CLAUDIUS). (C£uvres complétes. 
Translated by Héguin de Guerle and Alph. Trognon. 2 
vols. 8vo, red levant morocco, gilt backs, with the mono- 
gram E. B.; gilt edges, by Belz-Niédrée. Paris, 1830-33 


803. CLAVIERE (KE. DE). Figure Emblematique en 
trois langves, et seulement en une visible de foy. Ov se 
pevt voir vne flevr de loitianges du Roy Tres-Chrestien, de 
la Royne, de Monseigneur le Dauphin, & le Monseigneur le 
Due d’Orleans. Small 8vo, blue levant morocco, gilt edges, 
by Chambolle-Duru. Paris, 1607 


804. CLELAND (JAMES). A Monument of Mortalitie, 
upon the death and funeral of the Gracious Prince Lodo- 
vick, late Duke of Richmond and Lenox, &e. Frontispiece 
of Duke lying in state. Small 4to, blue levant morocco 
gilt, gilt top, uneut, by Bedford. 

London: Printed by William Stansby, 1624 


805. CLEVELAND (JOHN). Poems. By J.C. With 
Additions never before Printed. Portrait. 16mo, old ealf, 
gilt back. [London]: Printed in the Yeare 1654 


* From the Corser Collection. 


806. CLEVELAND (JOHN). Poems. By J.C. With 
Additions never before Printed. Portrait. 16mo, citron 
levant morocco gilt, gilt edges, by Chambolle-Duru. 

[London]: Printed in the Yeare 1656 


807. CLEVELAND (JOHN). Poems. With Additions 
never before Printed. Bust portrait from an earlier edition 
amserted. 16mo, green levant morocco, gilt edges, by The 
Club Bindery. (Title mended. ) 

London: Printed for W. Shears, 1662 


808. CLEVELAND (JOHN). Clievelandi Vindiciz; or, 
Clieveland’s Genuine Poems, Orations, Epistles, &ce. 
Purged from the many False and Spurious Ones, &c. Por- 
trait of Cleveland from another edition inserted. FIRST 
AUTHORIZED EDITION. 12mo, citron levant morocco, gilt 
edges. London: Printed for Obadiah Blagrave, 1677 


127 


809. COCKTON (HENRY). Stanley Thorn. 15 plates 
by Cruikshank, Crowquill and Leech. FIRST EDITION. 3 
vols. 12mo, half roan, uncut. London, 1844 


810. CODRINGTON (ROBERT). The Life and Death, 
of the Illvstriovs Robert Earle of Essex, &c. Containing 
at large the wars He managed, and the Commands he had 
in Holland, the Palatinate, and in England. Together with 
some wonderfull observations both of himself, and his 
Predecessors, and many most remarkable Passages from his 
Infancie, unto the day of his Death. Frontispiece by W. 
Hole. FIRST EDITION. 4to, red levant morocco, gilt edges, 
by The Club Bindery. London: F. Leach, 1646 


811. COGAN (HENRY—Translator). The History of 
Diodorus Siculus. Containing all that is Most Memorable 
and of greatest Antiquity in the first Ages of the World 
until the War of Troy. Done into English by H. C. Gent. 
First EDITION. Small folio, old calf (rebacked). 

London: Printed by John Macoek for Giles Calvert, 1653 


812. COKAIN (SIR ASTON). Small Poems of Divers 
Sorts, including Two Comedies, with the second title-page. 


A Chain of Golden Poems Embellished with Wit, Mirth- 


and Eloquence, and separate titles to The Obstinate Lady, 
and, Trappolin. Pertrait. 16mo, morocco gilt, by W. 
Pratt. (Portrait cut close and mounted. ) 


London: Printed by William Godbid, 1658 [1659] 


* FIRST EDITION, VERY RARE WITH THE PORTRAIT, The ~ 


second title-page is variously dated 1658 and 1659, in this case 
it is 1659. Cornelius Paine’s copy. 


813. COLARDEAU (CHARLES PIERRE). (£uvres 
choisies de Colardeau. Nouvelle édition, ornée d’une grav- 
ure. Royal 8vo, half red morocco, gilt and blind-tooled, 
uncut. Paris, 1825 


* Large paper copy. Frontispiece engraved by Bosq and 
Devilliers after Desenne, proof before letters on India paper. 
Inserted portrait, proof on India paper. 


814. COLERIDGE (HARTLEY). Poems. With a Me- 
moir of his Life by his Brother, Derwent Coleridge. Por- 
trait. 2 vols. 12mo, red levant morocco, back panels in 
gilt and blue mosaic, gilt tops, uncut, by Champs. 

London, 1851 


815. COLERIDGE (HARTLEY). Essays and Marginalia. 
Edited by his brother, Derwent Coleridge. Portrait. 2 
vols. 12mo, red levant morocco, back panels in gilt and 
blue mosaic, gilt tops, uncut, by Champs. London, 1851 


128 


™ *-@ . 
a a oe 


816. COLERIDGE (SAMUEL TAYLOR). Letters, Con- 
versations and Recollections of 8S. T. Coleridge. 2 vols. 
Svo. London: Moxon, 1836 


* The above and the following 12 lots are uniformly bound in 
red levant morocco, back panels in gilt and blue mosaic, gilt 
tops, uncut, by Champs. 


817. COLERIDGE (SAMUEL TAYLOR). The Friend: 
a series of Essays to aid in the formation of fixed principles 
in Polities, Morals, and Religion, with Literary Amuse- 
ments interspersed. Third Edition: with the Author’s last 
Corrections, and an Appendix, and with a synoptical Table 
of the contents of the work. By Henry Nelson Coleridge. 
3 vols. 12mo. London: Pickering, 1837 


818. [COLERIDGE (SAMUEL TAYLOR).] The Life of 
Coleridge. By James Gillman. 8vo, uncut. Vol. I only 
(all published). London: Pickering, 1838 


819. COLERIDGE (SAMUEL TAYLOR). On the Con- 
stitution of the Church and State according to the idea of 
each. 12mo. London: Pickering, 1839 


820. COLERIDGE (SAMUEL TAYLOR).  Biographia 
Literaria; or, Biographical Sketches of my Literary Life 
and Opinions. Second Edition, prepared for publication 
in part by the late Henry Nelson Coleridge, completed and 
published by his Widow. 14 portraits, etc., mmserted. 3 
vols. 12mo, uncut. London: Pickering, 1847 


821. COLERIDGE (SAMUEL TAYLOR). The Poetical 
and Dramatic Works of Coleridge. 3 vols. 12mo. 

London: Pickering, 1847 

822. COLERIDGE (SAMUEL TAYLOR). Aids to Re- 

flection. Edited by Henry Nelson Coleridge. 2 vols. 12mo, 

uncut. London: Pickering, 1848 


823. COLERIDGE (SAMUEL TAYLOR). Notes and 
Lectures upon Shakespeare and Some of the Old Poets and 
Dramatists, with other Literary Remains of S. T. Cole- 
ridge. Edited by Mrs. H. N. Coleridge. FIRST EDITION. 
2 vols. 12mo. London: Pickering, 1849 


824. COLERIDGE (SAMUEL TAYLOR), Confessions 
of an Inquiring Spirit and Some Miscellaneous Pieces. 
Edited from the author’s MS. by Henry Nelson Coleridge. 
12mo. London: Pickering, 1849 


825. COLERIDGE (SAMUEL TAYLOR). Essays on his 
Own Times: forming a Second Series of The Friend. Edited 
by his Daughter. FIRST EDITION. 3 vols. 12mo, uncut. 

London: Pickering, 1850 

826. COLERIDGE (SAMUEL TAYLOR). Specimens of 
the Table Talk of the late Samuel Taylor Coleridge. Por- 
trait. 12mo, uncut. London, 1851 

129 


827. COLERIDGE (SAMUEL TAYLOR). Notes on Eng- 
lish Divines. Edited by the Rev. Derwent Coleridge. First 
EpitTion. 2 vols. 12mo. London: Moxon, 1853 


828. COLERIDGE (SAMUEL TAYLOR). Notes, Theo- 
logical, Political, and Miscellaneous. Edited by Derwent 
Coleridge. First Epirion. 12mo. London: Moxon, 1853 


829. [COLERIDGE (SARA).] Phantasmion. 12mo, un- 
cut. London: Pickering, 1837 
* Uniform with the 13 preceding lots. 


830. COLLE (CHARLES). la Parie de Chasse de Henri 
IV, comedie en trois Actes et en Prose. Avec quatre estampes 
en tarlle-douce, d’apres les desseins de Gravelot. First Ept- 
TION. 8vo, red levant morocco, gilt top, uncut, by Reymann. 

Paris: Veuve Duchesne, 1766 


831. COLLIER (JOHN PAYNE). A Bibliographical and 
Critical Account of the Rarest Books in the English Lan- 
guage, alphabetically arranged, which during the last fifty 
years have come under the observation of J. Payne Collier. 
4 vols. 8vo, red levant morocco gilt, gilt tops, uncut. 

New York, 1866 
* LARGE PAPER Copy. One of two printed on drawing paper. 


Laid in are six letters from the author relating to his works and 
reprints. 


832. COLLIN’S Seripscrapologia; or, Collin’s Dish of All 
Sorts. Consisting of Songs adapted to familiar tunes, and 
which may be sung without the Chaunterpipe of an Italian 
Warbler, or the ravishing Accompaniments of Tweedle-dum 
or Tweedle-dee. Portrait of Collins, Scripscrapologiae Scrip- 
tor. 12mo, original boards, uncut. (Back repaired.) 

Birmingham: Published by the Author himself, 1804 


833. COLONNA D’ISTRIA (OTTAVIO). Origine, e 
Discendenza della Famiglia Colonna d’Istria. Folded copper- 
plate genealogical tree. 4to, old red morocco, with crest, and 


ARMS OF SPINOLA On each side, gilt edges. 
Parigi: Vedova Ballard, 1777 


834. COLONNA (FRANCESCO). Tableau des riches in- 
ventions couvertes du voile des feintes amoureuses, qui sont 
representées dans le Songe de Poliphile, devoilées des ombres 
du Songe et subtilement exposées par Béroalde de Vervyille. 
Engraved title and 180 woodcuts ascribed to J. Goujon and J. 
Cousin, including that of the Sacrifice to Priapus tact. 
Large 4to, red levant morocco, gilt edges, by Chambolle-Duru. 

Paris: Matthieu Guillemot, 1600 


130 


835. COLUMBUS. Epistola Christofori Colom: cui etas 
nostra multum debet: de Insulis Indie supra Gangem nuper 
invétis. Four leaves, small Gothic type, 40 lines to a full page, 
last leaf blank. Small 4to, crimson straight-grained morocco, 
elt. Impressit Rome Eucharius Silber, 1493 

* THE FIRST DATED EDITION, AND THE FIRST CONTAINING THE 


PRINTER’S NAME AND DATE. The Henry C. Murphy copy. 
Harrisse no. 3. Hain-Copinger, 5492; Proctor, 2870. 


_ [See Reproduction. ] 


836. COLUMBUS. Verardus-Columbus. In laudem Sere- 
nissimi Fedinandi Hisp. regis;—De Insulis nuper inuentis. 
Epistola Christoferi Colom ad Magnificum dominum Ra- 
phaelem Sanxis. Portrait of ‘‘Fernandus Rex hyspanie’’ on 
the title-page, 4 woodcuts and the arms of Castile in the text 
and verso of last leaf. Small 4to, citron levant morocco gilt, 
gilt edges, by Bedford. [Basilee: J. Bergman de Olpe| 1494 


* The first part of this work is merely a drama on the capture 
of Granada from the Moors by Ferdinand. The letter of Colum- 
bus to Raphael Sanxis, translated from the Spanish into Latin 
by Alexander de Cosco and published in the year 1493, occupies 
the final seven and a half leaves. Hain-Copinger, 15942; Proc- 
tor, 7770. Harrisse, no. 15. 


837. COLUMBUS. [Harrisszs (Henry).] Notes on 
Columbus. Folio, limp levant morocco, gilt top, uncut. 
New York: Privately Printed, 1865 


* No. 1 OF TWO COPIES PRINTED ON INDIA PAPER. The whole 
edition, consisting of ninety-nine copies, was for private dis- 
tribution only, and was printed at the expense of Samuel L. M. 
Barlow. This copy has the presentation inscription initialled 
by Mr. Barlow. 


838. COLUMBUS. KeEnneEpy (JoHn §8.). The Letter of 
Christopher Columbus announcing the Discovery of the New 
World. Facsimile of the Earliest Edition [Harrisse No. 2]. 
12mo, cloth. New York, 1890 


839. COLUMBUS. The Letter of Columbus on the Dis- 
eovery of America. A Facsimile of the Pictorial Edition, 
with a New and Literal Translation, and a Complete Reprint 
of the Oldest Four Editions in Latin. 8vo, cloth, uncut. 

New York: Lenox Library, 1892 


* One of 250 copies printed. 


840. [COMBE (WILLIAM).] The Tours of Doctor Syn- 
tax. In Search of the Picturesque; a Poem. Sixth edition, 
with new plates. In Search of Consolation. Third edition. 
In Search of a Wife. Third edition. Colored plates by 
Rowlandson. 3 vols. 8vo, cloth, gilt tops, uncut. 

London [undated but ca. 1830] 


131 


841. COMMINES (PHILIPPE DE). Cronique et hys- 
toire faicte et composée par feu messire Philippe de Com- 
mines cheualier seigneur Dargenton, contenant les choses 
aduenues durant le regne du roy Loys vnziesme ... . Lettres 
batardes. Turtle within an architectural woodcut border, full- 
page woodcut on the verso of title-page and ornamental ini- 


tials. Folio, red levant morocco, gilt panels, enclosing a blind — 


tooled border of fleurs-de-lys, doublure of blue levant, gilt 
tooled borders of leaf and branches, silk linings, gilt edges, 


by Lortie. Lyon: par Claude Nourry dit le Prince, 1526 ~ 


842. COMMINES (PHILIPPE DE). les Memoires de 
Messire Philippe de Commines, Sr. d’Argenton. Derniére 
edition. 12mo, blue levant morocco, elaborate floral and 
seroll design, gilt over red edges, by Capé. : 

Leide: Chez les Elzeviers, 1648 


* This copy measures 5144 x 2% inches. 


843. COMMONWEALTH OF ENGLAND. The Govern- 
ment of the Common-wealth of England, Scotland, and fre- 
land, and the Dominions thereto belonging; as it was pub- 
lickly declared at Westminster the 16. day of December 1653. 
Small folio, brown levant morocco, gilt top, by Zaehnsdorf. 

London, 1653 


* Reprinted by Baron J. B. Heath and presented to members of 
the Philobiblon Society, 1867. . 


844. COMMUNION. Order for the Administration of the 
Holy Communion and Oceasional Offices according to the Use 
of the Church of England. 4to, vellum boards, gilt tooled, 
uncut. London: Wm. Pickering, 1848 


845. COMMUNYCACYON BYTWENE GOD AND 
MAN.—[Text begins, A?] Deus. Our gracyous god moost 
in magnyfycéce His mereyful eyen casteth fro heué on hi,’’ 
CLG: 

[Colophon] Thus endeth the cOmunyeacyon bytwene god 
and man. Enprynted at London in Flete-strete at } sygne 
of ; Sonne by me Wynkyn de Worde. Woodcut of a man 
kneeling at the feet of God. Small 4to, brown morocco, gilt 
edges, in an olive levant morocco case. 
[London, n. d., ca. 1499] 


* THIS REMARKABLE PRODUCTION OF THE PRESS OF WYNKYN 
DE WORDE APPEARS TO BE UNKNOWN TO ALL BIBLIOGRAPHERS. 
PRINTED IN THE LARGER TYPE USED BY DE WOoRDE IN THE 
SULPITIUS OF 1499, AND WITHOUT PUNCTUATION MARKS OF ANY 
KIND, 32 LINES TO THE PAGE. It begins on signature A2, and 
is in the form of a dialogue between Deus and Homo, the 
Creator accusing his creature of ingratitude and sin, and Man 
aren the truth of the charge and expressing con- 
rition. 


182 


@ Epiftola Lhriftofori Colom: cui ctas noftra mulnum debet:de 
_ -Snfulis Indie fupra GSangem nuper tnuctis-Bd quas perquircn 
_ dag octavo antea menfe aufpicitss cre tnutctiflimozum fernandi 
ac lPDelifabet ifpaniag Reau mitlus fucratad ANagnifier dim 
Sabsiclem Sanches:corundem ferenihinoum Regnum Tefan- 
_ Farhi mitla:Qua cencrofus ac litteratus vir Leander de Lofco ab 
IPifpano idiomate in lating couertit:tertio Malci Mhay-AD-cccce 
‘xciy-Pontificatus Alerandri Serti Anno yPzino-, | 


Clontam fufcepte proutnete rem perfectam me confe 
icutum fuifle cratn tibi fore fcio:bas coftitui crarare — 
Ai que te vniufcuiulgs rei in boc noftro ttinere gcitei 
NZS) Agiuentegs admoncant{Zriccfimotertio dic pofta: Bal, 
en 24 dibus difcel in mare Jndich perueni:ybi plurimag ¢ 
nfulas innumeris babitatas bominibus repperi:quarum omnis | 

1 pro focliciflimo Rege noftro pzeconio celebzato cverillis ertvé 
is contradicente nemine pofleffionem accepifprimegs earn di-/ ; 
i Saluatovis nomen impofui-cuius fretys aurilio tam ad banct, Lo 
ad ceteras alia spcruenimus-£am vero indi Suanabanin yor, ‘ o> 
liarumt ett ynam quangs novo nomine nuncupant-Quip | 


co i 


Bliarum ett: | 

> slid infulam Sancte AMarie Conceptionis-alia fernandinams 
13 Dy fabcllam-alima Joanam - ¢ fic de reliquis appellart iu Mie 1 ) ) 
MMprium it cam Jnfulam quam dudum Joana yocartdiré — b-frte Joan 
ppulimus:iurta cius littus occidentem verfusaliquantuli peef _. 
tags cain magna nullo reperto fine inueni:vt non infula:ied 
ontinentem Lhatai prouinciam elle crediderim: nulla ti videns 


‘tiflacitantib? fixecedebat - coftitui alics né operir{ fucceflis: ¢ fie - 
tetrocedens ad pozti quendi quem fignaucram fum reverfas:yn 
— deduog boics er noftris in terram mili qui invefticarent flee ne 
- Wer inca proutncia vrbefise alique Wi per tres dies Gbulaucrunt 
—“Fnuencritgs innunicros populos< babitationes paruas tamcn 
-€abig3 vilo regimine:quap:opter redtcrunt- Jnterra ego iam in- 
tellexcri a gbufdam Jndis quos ibidem fullcepers quo bindi pp 


CoLuMBUS LETTER, RoME, 1493. THE FIRST DATED EDITION. 
(See No. 835.) 


846. CONFESSION OF FAITH (A) Owned ‘and Con- 
sented to by the Elders and Messengers of the Churches In 
the Colony of Connecticut in New-England, assembled by 
Delegation at Say Brook, September 9th 1708. Eph. 4. 5. 
One Faith, Col. 2. 5. Joying and beholding your Order and 
the steadfastness of your faith in Christ. First Epition. 
Small 8vo, original calf, with some uncut leaves. 

New London in N. E.: Printed by Thomas Short, 1710 
* THE FIRST BOOK PRINTED IN CONNECTICUT, very few copies 


of which are known. Autographs of ‘‘ Helena Tallcott, 1731,’’ 
and ‘‘Nathan Perkins.’’ 


847. CONGREVE (WILLIAM). A _ Pindarique Ode, 
Humbly Offer’d to the King On His Taking Namure. First 
Epition. Folio, red morocco, uncut, by The Club Bindery. 

London: Jacob Tonson, 1695 


848. CONGREVE (WILLIAM). Works. Containing the 
Tragedies, Comedy, Masques’ and Poems. 3 vols. 8vo, red 
levant morocco gilt, gilt edges (some uncut), by Riviére. 

London, 1710 


* First COLLECTED EDITION, ON LARGE PAPER. 


849. CONSTANTINI (ANGELO). La Vie de -‘Scara- 
mouche. Frontisprece by Gouwen. 12mo, green levant mo- 
rocco gilt, the ARMs or ADOLPHE AUDINET on the sides, gilt 
edges, by Bauzonnet. Paris: Claude Barbin, 1695 


850. CONSTITUTION FRANCAISE. La Constitution 
Francoise, Décrétée par 1’Assemblée Nationale constituante, 
aux années 1789, 1790 et 1791; Acceptée par le roi le 14 sep- 
tembre 1791. 24mo, red levant morocco gilt, foliage decora- 
tion on sides, doublure of green morocco, silk guards, gilt top, 
uncut. | Paris: Didot, 1’Ainé, 1791 


* PRINTED ON VELLUM. 


851. CONTEMPLATIO Totius Vite et Passionis Do- 
mini Nostri Jesu Christi. Flewron on title and 49 woodcuts 
in the text. Small 8vo, brown calf, blind tooled gauffred gilt 
edges. Venetiis: apud J. Ostaum & P. Valgrisium, 1557 


* From the Hamilton Palace collection. 


852. CONTES et Nouvelles en vers, par Voltaire, Vergier, 
Sénéce, Perrault, &. Portraits and vignettes by Duplessis 
Berthault. 2 vols. in one. 12mo, red levant morocco, deco- 
rated in panels, gilt over uncut edges, by Capé. Paris, 1862 

* One of 20 copies on India paper. 


853. CONTHS secrets russes (Rousskiia zavetnia skazki). 
Traduction complete. 12mo, original wrappers, uncut. Only 
220 printed. Paris, 1891 

133 


854. COOKE (JOHN). Greene’s Tu quoque, or The Cit- 
tie Gallant. As it hath beene diuers times acted by the 
Queenes Maiesties Seruants. Written by I. Cooke, gent. 
Large woodcut (a portrait of Greene as Bubble), on title, 
urthin black borders. Small 4to, crimson levant morocco, 
doublure of the same, ornate borders, uNcuT, by The Club 
Bindery. In a case. (.Several margins skilfully restored.) 

Printed at London for Iohn Trundle, 1614 


* First EpITIon. But few copies exist in uncut state and 
only one has ever been sold at auction. 


855. COOKE (JOHN). Greenes Tu quoque, or The Cittie 
Gallant. As it hath beene diuers times acted by the Queenes 
Maiesties Seruants. Woodcut of Thomas Green on title. 
SECOND EDITION. Small 4to, maroon straight-grain morocco. 
blind and gilt tooled, gauffred gilt edges (inner margins of 
some leaves restored). - London: Thomas Dewe, 1622 


* The play was edited by Thomas Heywood, and first per- 
formed under the title ‘‘The City Gallant;’’ but the inimitable 
acting of Green, who, in reply to every compliment, says ‘‘Tu 
quoque,’’ occasioned the author, out of regard for him, to add 
it to the title. 


856. COOKE (WILLIAM). Memoirs of Samuel Foote, 
Esq. with a Collection of his genuine Bon-Mots, Anecdotes 
&c. mostly original. And Three of his Dramatic Pieces, Not 


published in his Works. Portrait. 3 vols. 12mo, ealf, gilt 


tops, uncut, by Riviére. London, 1805 


TWENTY-FIFTH SESSSION, WEDNESDAY, 8:15 P. M. 


857. [COOPER (JAMES FENIMORE).|] The Wept of 
Wish-Ton-Wish, a Tale. FIRST EDITION. 2 vols. 12mo, 
red levant morocco gilt, gilt tops, uncut, by The Club 
Bindery. . Philadelphia, 1829 


858. [COOPER (JAMES FENIMORE)]. The Pathfinder. 
FIRST EDITION. 2 vols. 12mo, red levant morocco gilt, gilt 
tops, by The Club Bindery. Philadelphia, 1840 


859. [COOPER (JAMES FENIMORE).] The Pathfinder; 
or, The Inland Sea. First ENGLISH EDITION. 3 vols. 
12mo, original cloth, paper labels, uncut. London, 1840 


860. COPPEE (FRANCOIS). Le Reliquaire. Haua-forte 
de Léopold Flameng. First EDITION. 16mo, half calf, 
uncut, original covers bound in, by Champs. Paris, 1866 

134 


861. COPPEE (FRANCOIS). Le Passant, Comedié en 
un acte, envers. 12mo, red levant morocco, gilt fillets, gilt 
top, uncut, original covers bound in, by Joly. Paris, 1869 


* FIRST EDITION, on India paper, with an original water-color 
drawing by O. A. Poirson inserted, and autograph note by the 
artist, on a fly-leaf, 


862. COPPEE (FRANCOIS). Poémes Modernes. 12mo, 
blue levant morocco, with monogram, gilt top, uncut, 
original covers bound in. Paris, 1869 

* Printed on India paper. 


863. COPPEE (FRANCOIS). Poésies. (1864-1869.) Por- 
trait im two states by Rajon. Small 8vo, red levant morocco 
gilt, gilt edges. by Allo. Paris, 1870 


* One of 25 copies, on India paper. 


864. COPPEE (FRANOOIS). L’Abandonée,drame. FIRST 
EDITION. 12mo, half calf, uncut, original covers bound in, 


by Champs. Paris, 1871 

* PRESENTATION COPY from the author to M. de Lescure, with 
inscription. 

865. COPPEE (FRANCOIS). Le Cahier Rouge. 12mo, 

original covers, uncut. Paris, 1874 


* FIRST EDITION, on India paper. 


866. COPPEE (FRANQOIS). Les Récits et les Elégies. 
Récits Epiques. L’Exilée. Les Mois. Jeunes Filles. FIRST 
EDITION. 16mo, half calf, uncut, original covers bound in, 
by Champs. Paris, 1878 


867. COPPEE (FRANCOIS) anp D’ARTOIS. La Guerre 
de cent ans. Drame en cing actes. 16mo, half calf, uncut, 
original covers bound in, by Champs. Paris, 1878 


* FIRST EDITION, printed on thick paper. Presentation copy, 
with autograph of the author. 


868. COPPEE (FRANCOIS). LeTrésor; comédie. First 
EDITION. 16mo, half calf, uncut, original covers bound in, 


by Champs. Paris, 1879 
* PRESENTATION COPY, with the author’s autograph inscrip- 

tion, 
869. COPPEE (FRANQOIS). Le Tresor. 12mo, original 
covers, uncut. Paris, 1880 


* Printed on India paper. 


870. COPPEE (FRANQOIS). La Bataille d’Hernani, 
poésie. First EDITION. 16mo, half calf, original covers 
bound in, by Champs. Paris, 1880 


871. COPPEE (FRANCOIS). La Marchande de Jour- 
naux. Conte Parisien. FIRST EDITION. 16mo, half ealf, 
uncut, original covers bound in, by Champs. Paris, 1880 


135 


872. COPPEE (FRANCOIS). Bleuette. Illustrations by 
Henry Pile. FIrRst EDITION. Small folio, three-quarter 
blue levant morocco, uncut, original wrappers bound in, 
by Guétant. Paris, n. d. [1880] 


* This copy has the illustrations in 4 states, each showing a 
different application of color. 


873. COPPEE (FRANCOIS). Q£uvres. Poésies 1864— 
1872. Le Reliquaire, Poémes divers, &c. Hauafortes par 
EH. Boivin. HOLLAND PAPER COPY. 4to, half citron levant 
morocco, gilt back, gilt bop, uncut, vellum covers bound in, 
by Zaehnsdort. Paris, 1883 


874. COPPEE (FRANCOIS). La Nourrice. First EDI- 
TION. 16mo, half calf, uncut, original covers bound in, by 
Champs. Paris, 1886 


875. COPPEE (FRANOOIS). Le Liseron. Frrst EDI- 
TION. 16mo, half calf, uncut, original covers bound in, by 
Champs. Paris, 1886 


876. COPPEE (FRANCOIS). En Province. First EptI- 
TION. 16mo, half calf, original covers bound in, by Champs. 
Paris, 1886 


877. COPPEE (FRANGQOIS). Une Mauvaise Soirée. 
Poéme. FIRST EDITION. 16mo, half calf, uncut, original 
covers bound in, by Champs. Paris, 1857 


878. COPPEE (FRANCOIS). Arriére Saison: Poésies. 
16mo, half calf, uncut, original covers bound in, by Champs. 
Paris, 1887 


879. COPPEE (FRANQOIS). L’Enfant de la Balle. 
Conte Parisien. FIRST EDITION. 16mo, half ealf, uncut, 
original covers bound in, by Champs. Paris, 1888 


880. COPPEE (FRANCOIS). Henriette. First EDITION. 
16mo, half calf, uneut, original covers bound in, by 
Champs. Paris, 1889 


881. COPPEE (FRANOQOIS). Les Paroles sincéres. FIRST 
EDITION. 16mo, half calf, uncut, original covers bound in, 
by Champs. Paris, 1891 


882. COQUELIN (BENOIT CONSTANT). L’Art du 
Comédien. Pen-and-ink portrait of the author by Toussaint 
on half-title. 16mo, half blue levant morocco, gilt top, 
uncut, original covers bound in. Paris, 1894 


883. COQUETTE. La Coquette Punie, ou le Triomphe 
de Innocence sur la Perfidie. 12mo, green levant morocco 
gilt, uncut, by Hardy-Mennil. 

La Haye: Aux Dépens de la Compagnie, 1740 
136 


: — y 
a ee ee Sl 


884. COQUILLART (GUILLAUME). Sensuyuent les 
droitz Nouveaulx: Avec le debat des dames: Et des armes 
Lanqueste entre la Simple: et la Rusee: Avec son plaidoye: 
La complainecte de Echo a Narcisus... Lettres bdtardes, 
double columns. Title in red and black, and woodcut on 
verso; printer’s mark at the end. 4to, reddish brown mo- 
rocco gilt, gilt edges, by Bauzonnet-Trautz. 

Imprimé nouuellement a Paris par Philippe le Noir 
maistre Imprimeur [ca. 1515]. 

* Probably the second edition of the famous satires, and of 
great rarity. It was unknown to Brunet, and is described 


only in the supplement, by G. Brunet and Deschamps. From 
the Clinehamps, Solar, Armand Bertin and Double collections, 


885. CORBET (RICHARD). Certain Elegant Poems, 
written by Dr. Corbet, Bishop of Norwich. 16mo, brown 
levant morocco, gilt panels, gilt edges, in morocco case, by 
The Club Bindery. London: Printed by R. Cotes, 1647 


* First Edition. The 85-page issue, with three blank pages 
between 53-55. On page 12 there is a reference to Shakespeare’s 
Richard III., which would indicate that Burbage was the orig- 
inal ‘‘ Richard.” 


886. [CORBET (RICHARD).] Poética Stromata: or, a 
Collection of Sundry Pieces in Poetry: Drawne by the 
known and approved Hand of R. C. FIRST EDITION. 
16mo, red morocco gilt, gilt edges. [n. p.] anno 1648 


887. [COREY (JOHN).] A Cure for Jealousie. A 
Comedy. As it was Acted at the New Theatre in Little 
Lincolns-Inn-Fields. First EDITION. 4to, half cloth 
(slightly wormed). London: Richard Harrison, 1701 


888. [COREY (JOHN).] The Metamorphosis: or, the 
Old Lover Out-witted. A Farce. As it is now Acted at 
the New Theatre in Lincolns-Inn-Fields. Written by the 
Famous Moliére. FIRST EDITION. 4to, dark green mo- 
rocca, gilt edges, by Zaehnsdorf. 

London: Bernard Lintott, 1704 


889. CORNAZARO (ANTONIO). Proverbii in Facetie. 
12mo, red straight-grain morocco, gilt back and sides, 
doublure and linings of blue silk, gilt over rough edges, 
by Bozerian, jeune. Parigi: P. Didot, 1812 

* The Renouard copy with bookplate. Only a few copies, 
probably 100, issued. 


890. CORNEILLE (PIERRE). Polyeucte martyr, tragé- 
die. FIRST TWELVEMO EDITION. 12mo, blue levant mo- 
rocco, gilt inside borders, gilt edges, by Cuzin. 

Imprimé a Rouen & se vend a Paris: Chez Antoine de 
Sommaville, 1644. 

137 


891. CORNEILLE (PIERRE). L’IUustre Théatre. Le 
Cid, Horace, Cinna, La Mort de Pompée, Polyeucte; and, 
Le Menteur. 16mo, red levant morocco gilt, gilt edges, by 
Trautz-Bauzonnet. (General title missing. ) 

Suivant le copie imprimée a Paris, 1644-45 


892. CORNEILLE (PIERRE). MHeéraclius, Empereur 
d’Orient. Tragédie. FIRSTEDITION. 4to, red levant mo- 
rocco, gilt inside borders, gilt edges, by Cuzin. ' 

Rouen & Paris: Sommaville, 1647 


893. CORNEILLE (PIERRE). Le Théatre. Portrait and 
4 engraved title-pages. 4vols. 12mo, blue levant morocco gilt, 
gilt edges, by David. Paris: Guillaume de Luyne, 1682 

* This was the last edition printed under Corneille’s super- 
vision. 

894. CORNEILLE (PIERRE). Théatre, avec des Com- 
mentaires, &c. [Par Voltaire.] Frontispiece poriraiwt and 
34 plates after designs by Gravelot. 12 vols. 8vo, old red 
morocco, with the ARMS OF LA BORDE DE MEREVILLE, gilt 
edges, by Derome. [Genéve] 1764 


* This edition was printed by subscription raised by Vol- 
taire for the benefit of Corneille’s great-granddaughter. 
From the Portalis collection. 


895. CORNEILLE (THOMAS). Le Tragedies et Com- 
édies. Hngraved title to each volume and play. 5 vols. 
12mo, red levant morocco gilt, gilt edges, by Trautz-Bau- 
zonnet. Paris, 1662-1678 


896. CORNEILLE (THOMAS). Poémes Dramatiques. 
Engraved titles, and 12 plates by Matheus, Chauveau, and 
others. 3 vols. in 2, small 8vo, red levant morocco gilt, gilt 
edges, by Bedford. Paris, 1665-66 


897. CORNU (PIERRE DE). Les (uvres Poetiques, 
Contenant Sonnets, Chansons, Odes, Discours, Eclogues, 
Stances, Epitaphes, & autres diverses poesies. Small 8vo, 
blue levant morocco, floral ornaments, gilt edges, by 
Trautz Bauzonnet. 

Lyon: Pour Jean Huguetan [de Vimprimerie de Thibaud 
Ancelin], 1583. 


898. CORYAT (THOMAS). (I). Coryats Crudities 
Hastily gobled vp in five Moneths trauells in France, 
Sauoy, Italy, Rhetia comonly called the Grisons country, 
Heluetia alias Switzerland, some parts of high Germany, 
and the Netherlands; Newly digested in the hungry aire of 
Odcombe in the County of Somerset, & now dispersed to 
the nourishment of the trauelling Members of this King- 
dome, ete. (II). Three Crvde Veines are presented in This 
Booke following (besides the fore-said Crvdities) no lesse 
flowing in the body of the Booke, then the Crvdities them- 
Selues, two of Rhetoricke and one of Poesie, ete. FIRST 


138 


EDITION. Hngraved frontispiece, containing portrait of the 
author, by Hole (usually missing), full-length portrait of 
Coryat with a Venetian courtezan, etc. Thick small 4to, 
green levant morocco gilt, gilt edges, by Riviére. [Tall 
copy. | London: Printed by W. S., 1611 


899. COTGRAVE (JOHN). Wits Interpreter: the Eng- 
lish Parnassus, ete. The Third Edition with many new 
Additions. Hngraved frontispiece (a new engraving based 
on that in the two former editions, but unsigned). 12mo, 
green levant morocco gilt, gilt edges, by Riviére. 

London: Printed for N. Brook, 1671 


900. COTIN (CHARLES). Recueil des Enigmes de ce 
temps. 12mo, red levant morocco, gilt edges, by Trautz- 
Bauzonnet. Paris: Nicolas Le Gras, 1687. 


901. COTTON (CHARLES). Poems on Several Occa- 
Sions. 8vo, blue levant morocco, gilt and mosaic back, 
side borders and centre ornaments in red and brown mo- 
rocco, Gasconesque tooling, gilt edges, by The Club Bind- 
ery. London: Thomas Basset, 1689 

* FIRST EDITION. ‘‘ The Retirement,” addressed to Mr. Isaak 
Walton, appears on p. 133. 


902. COTTON (CHARLES). The Compleat Gamester; 
or, Full and Easy Instructions for Playing at ail Manner 
of usual and most Genteel Games, after the best Method. 
viz. I. Ombre, Piquet, &c. Hngraved frontispiece and leaf 
of explanation. 12mo, dark red levant morocco gilt, gilt 
edges, by The Club Bindery. 

: London: Printed for J. Wilford, 1721 


903. COUCH (JONATHAN). A History of the Fishes of 
the British Isles. 252 colored plates from drawings by the 
author. 4 vols. royal 8vo, cloth, uncut. London, 1868-69 


904. COUSIN (CHARLES). Voyage dans un Grenier 
par Charles C..... de la Société des Amis des Livres. 
Bouquins, Faiences, Autographes & Bibelots. Royal 4to, 
red levant morocco gilt, gilt edges, by Chambolle-Duru. 

Paris, 1878 

* One of 10 copies printed on Japan paper, with the § etchings 

in three states, 10 colored plates, also examples of bookbinding, 
autograph facsimiles, etc. 


905. COUSIN (CHARLES). Racontars illustrés d’un 
vieux collectionneur. Designs by Felix Regamey, engrav- 
ings by Charles Manso, etchings by Abot and Cattelain, 
with 3 of the 23 colored plates in six, ten, and eleven: states. 
Twenty-four portraits and other plates in black, four in two 
states, two in three ; and numerous facsimiles and woodcuts 
im the text. 2 vols. in 1, 4to, brown levant morocco gilt, 
gilt top, uncut, original wrappers bound in, by The Club 
Bindery. Paris, 1887 

* One of 150 copies on Japan paper. 
1389 


906. COUSIN (JEAN). Livre De Perspective de Jehan 
Cousin Senonois, maistre Painctre a Paris. Full-page plate 
and 58 diagrams, &c., some folded. Folio, original vellum, 
with ties. (Title-page in duplicate, but both with pieces 
torn from blank margins. ) Paris: Jehan le Royer, 1560 

* FIRST EDITION, 


907. COUSIN (VICTOR). Du Vrai du Beau et du Bien. 
Deuxiéme édition augmentée d’un appendice sur l’art 
Frangais. 8vo, blue ealf, filleted panels, gilt edges, by 
Trautz-Bauzonnet. Paris, 1854 

* Portrait and autograph letter of Cousin inserted. 


908. COUTUMES DE NORMANDIE. Le Grand Coustu- 
mier du pays & duche de Normandie. Avec plusieurs 
additions, allegations, concordances composées par Guil- 
laume le Rouille Dalencon, &e., &c. Title in red and black, 
with woodcut border. Floral rnitials in text. Gothie char- 
acter, double column. Folio, olive green levant morocco 
gilt, gilt edges, by David. Rouen: Nicolas Le Roux, 1539 


909. COWLEY (ABRAHAM). Poeticall Blossomes. The 
second edition enlarged by the author. Portrart. 16mo, 
citron levant morocco gilt, gilt edges, by Lewis. (One leaf 
shaved close by the binder.) 

London: Printed by E. P. for Henry Seile, 1636 
* SECOND EDITION, nearly as rare as the first. Very fine im- 
pression of the portrait of Cowley (the second or smaller plate), 


910. COWLEY (ABRAHAM). Loves Riddle, A pastoral 
comzedie; Written, At the time of his being Kings Scholler 
in Westminster Schoole. Portrait (the second or smaller 
plate). 16mo, brown levant morocco gilt, gilt edges. 

London: Printed by John Dawson, for Henry Seile, 1638 


*Frrst EDITION. Very rare with the portrait. With the 
leaf of ‘‘ Epilogue” at end completing sig. F. 


911. COWLEY (ABRAHAM). A Satyre against Seper- 
atists, or, the Conviction of Chamber-Preachers, and other 
Chismatickes contrary to the Discipline of this our Pro- 
testant Profession. By A.C. Generosus. Small 4to, brown 
levant morocco gilt, gilt edges, by Riviére. 

* First EDITION. London: Printed for A. C., 1642 


912. COWLEY (ABRAHAM). The Mistresse, or seuerall 
copies of Love-Verses. 12mo, old brown morocco gilt, 
richly tooled, with the initials E. P. (E. Phillips, nephew of 
Milton), in gold in centre, gilt edges. 

London: Printed for Humphrey Moseley, 1647 
* FIRST EDITION. Above the Errata, on H, verso, is the fol- 
lowing note: *‘ The Printer made such hast (least the other 
imperfect Copie should get the start of this) as hath occasioned 
these.” 
Phillips has made a few corrections in ink: 2 portraits laid in. 


140 


913. COWLEY (ABRAHAM). A Poem on the late Civil 
War. 4to, red morocco, uncut, by The Club Bindery. (No 
half-title.) London: Printed, 1679 


914. COWLEY (ABRAHAM, AND OTHERS—Translators). 
Anacreon, done into English out of the Original Greek. 
12mo, morocco, gilt, by Matthews (corners of title and last 
two leaves restored). Oxford: L. Lichfield, 1683 


915. COWLEY (ABRAHAM). The Works of Mr. Abra- 
ham Cowley. 32 portraits and plates by Vandergucht, ete. 
8 vols. 8vo, calf gilt, gilt edges, by Pratt. With the 
License Leaf. 

London: Printed for J. Tonson (C. Harper) ete. 1710-11 


916. COWLEY (HANNAH P.). The Belle’s Stratagem, 
a Comedy. FIRSTEDITION. 8vo, red morocco, gilt edges, 
by The Club Bindery. London, 1782 


917. COWLEY (HANNAH P.). The Town before you, 
a Comedy. FIRST EDITION. 8vo, brown levant morocco, 


gilt back, gilt edges, by Riviére. London, 1795 
918. COWPER (WILLIAM). Olney Hymns, in Three 
Books. 12mo, old calf. London, 1779 


* FIRST EDITION. This copy contains the scarce suppressed 
preface by John Newton, of which very few copies are known. 


919. COWPER (WILLIAM). Poems. A New Edition. 
Illustrations by Stothard. 2 vols. 12mo, sprinkled ealf, gilt 
backs, yellow edges, by Bedford. London, 1798 


* With a duplicate set of the Stothard plates inserted, colored 
in imitation of the original drawings. 


920. COWPER (WILLIAM). Poetical Works. 2 vols. 
8vo, red levant morocco gilt, elaborately tooled borders, gilt 
edges, by Riviére. London, 1853 

* Extra-illustrated by the insertion of 206 engravings on steel 


copper, and wood by Stothard,,.Cruikshank, Westall, Harvey and 
others; most of them proofs on India paper, in several states. 


921. CRABBE (GEORGE). Poetical Works; with Let- 
ters and Journals, and Life, by his Son. Hngraved titles and 
frontispieces by E. Finden after G. Stanfield. 8 vols. 12mo, 
ealf gilt, gilt tops, uncut, by Bedford. London, 1834 


922. CRADOCK (JOSEPH). Zobeide. A Tragedy. (Pro- 
logue by Goldsmith.) First Eprrion. Small 8vo, brown mo- 
_ rocco. London: Printed for T. Cadell, 1771 


923. CRAIG (W. M.). <A Course of Lectures on Drawing, 
Painting, and Engraving. Aquatint frontispiece in 5 states. 
8vo, half red levant morocco gilt, gilt top, uncut, by All6é. 

London, 1821 
141 


924. CRAMER (DANIEL). Emblematum Sacrorum. 
Das ist Fiunfftzig Geistlicher in Kupffer gestochener Emble- 
matum ausz der H. Schrifft von dem stissen Namen und 
Creutz Jesu Christi. Inventirt, und angegeben durch den 
Ehrwirdigen und Hochgelehrten Herrn Daniel Cramern ... 
Nachmaln von Herrn Cunrado Bachmanno .. . mit Latein- 
ischen und Teutschen von M. C. R. aber mit Frantzosischen 
unnd Italianischen Versen oder Reymen erklaret gezieret und 
zu einem Gottseitgen Stam und Geseiten Buch angeordnet. 
Engraved border to titles, portrait, and fifty copper-plate en- 
gravings to each part; the second part has an additional sym- 
bol facing the portrat. Printed on one side of the paper 
only.  8vo, red levant morocco, gilt and blind-tooled in 
panels, gilt edges, by Riviére. 

Franckfurt am Mayn. In Verlegung Luce Jennis 1624 


925. CRAMER (DANIEL). Emblemata Moralia Nova, 
Das ist: Achtzig Sinnreiche Nachdenckliche Figuren ausz 
heyliger Schrifft: in Kupfferstiicken fiirgestellet worinnen 
schone Anweisungen zu wahrer Gottesforcht begrieffen. 80 
spirited copper-plates, and engraved title. Small 8vo, printed 
on one side of the paper only, blue morocco, gilt top, uncut. 

Franckfurt am Mayn, 1630 

926. CRANE (WALTER). MRenascence, a Book of Verse. 
Engraved title and vignettes. 4to, boards, uncut. 

* One of 65 copies on Large Paper. London, 1891 


927. CRAPELET (G. A.—Editor). Les Demandes faites 
par le Roi Charles VI, touchant son état et le gouvernement 
de sa personne avec les Réponses de Pierre Salmon, &. Dix 
planches et facsimile. Imperial 8vo, boards, uneut. Paris, 1833 

* One of 7 copies on Holland paper, with a duplicate set of 
the plates beautifully painted in gold and colors, on vellum, 
From the J. J. de Bure collection.. 

928. CRASHAW (RICHARD). Steps to the Temple, 
Sacred Poems. With The Delights of the Muses. THE Suxc- 
OND EprtTion wherein are added divers pieces not before ex- 
tant. Frontispiece portrait by Cross, and with the separate 
title to ‘‘The Delights of the Muses.’’ 16mo, blue levant mo- 
rocco, gilt and blind-tooling, gilt edges by Riviére. 

London: Printed for Humphrey Moseley, 1648 
* The Portrait appears in the second edition for the first time. 

929. CRASHAW (RICHARD). Steps to the Temple, the 
Delights of the Muses, and Carmen Deo Nostro. The SEconpD 
Epition (really the third). Small 8vo, brown morocco gilt, 
gilt edges. London: In the Savoy, 1670 


930. CREBILLON (PROSPER JOLYOT DE). Cuvres. - 


Portrat and 9 plates, after Moreau. 2 vols. 8vo, red levant 
morocco gilt, gilt edges, by Petit. Paris, 1818 
* LARGE PAPER Copy, extra-illustrated with 2 portraits and 


19 plates, including the series by .Peyron and Monnet, the latter 
proofs before letters. 


142 


as 
oi ea 
—P—eo ee ee 


= 
a 


931. CREBILLON (PROSPER JOLYOT DE). Cuvres; 
avec les notes de tous les commentateurs. Edition publiée 
par M. Parrelle. 3 portraits of the author, 2 inserted, and 8 
plates by Simonet and others after Moreau, some of the plates 
in two states, proofs before and after letters. 2 vols. royal 
8vo, half green levant morocco gilt, gilt tops, uncut, by AII6. 

Paris, 1828 


932. CRENNE (HELISENNE DE). Les angoysses 
dovlovrevses qvi procedent d’amovrs: Contenant troys 
parties, Composées, par Dame Helisenne: Laquelle exhorte 
toutes personnes a ne suyure folle Amour. Titles within an 
engraved border, and 110 curious woodcuts. 12mo, red levant 
morocco gilt, gilt edges, by Bauzonnet-Trautz. 

On les vend a Paris en la Rue neufue Nostre dame a Len- 
seigne Sainct Iehan Baptiste contre Saincte Geneuiefue des 
Ardens par Denys Ianot [1538 ?| 


* First Epirion. In addition to the title-pages of the three 
parts mentioned above, a fourth title reads ‘‘Sésuyt vne ample 
et accommodee narration, faicte par le magnanime Gvezinstra.’’ 
Twenty-nine lines to a page. The privilege on the verso of the 
title is dated September 11, 1538. 

From the Yemeniz library. 


9338. CRENNE (HELISENNE DE). ~~ Les Cvvres de 
Madame Helisenne de:Crenne. <A _ scauoir, Les angoisses 
douloureuses qui procedent d’amours; Les Epistres familieres 
& inuectiues; Le songe de ladicte Dame. Le tout reueu & 
corrigé de nouueau par elle. 8 curious woodcut illustrations. 
18mo, old blue morocco, with the ARMS ON THE SIDES OF 
JEANNE Baptiste D’ALBERT DE LUYNES, COMTESS DE VERRUE. 

7 Paris: Estienne Grouleau, 1560 


934. CRETIN (GUILLAUME). Chantz royaulx, oraisons 
et autres petitz traictez. Lettres batardes. Title in red and 
black. 8vo, old red morocco, gilt.edges. Writing on several 
margins. 

Paris par maistre Simon du Bois pour Galliot du Pré, 1527 


935. CROCE (GIULIO CESARE). Histoire de Bertholde, 
contenant ses Avantures, Sentences, Bon-Mots, Reparties In- 
génieuses, &. Frontispiece. 8vo, brown levant morocco, 
gilt edges, by Motte. La Haye, 1750 


936. CRUIKSHANK (GEORGE). Italian Tales. Tales 
of Humour, Gallantry, and Romance, selected and translated 
from the Italian. First Epition. 16 illustrations by George 
Cruikshank. 8vo, calf gilt, gilt top, uncut, by Bedford. 

London, 1824 


937. CRUIKSHANK (GEORGE). A series of plates to 
illustrate Cruikshank’s Comic Almanac, all proofs on India 
paper, on 39 large unfolded sheets; and containing about 150 
distinct engravings. . 

* Very fine impressions of these’ scarce plates. 


143 


938. CRUIKSHANK (GEORGE). Drawings by G. 
Cruikshank, prepared by him to illustrate an intended auto- 
biography. Published for Sir Benjamin Ward Richardson. 
A series of 49 plates on India paper, mounted on heavy white 
paper. 4to, wrappers. London, 1895 

* Only 50 copies printed. 


939. CRYMES (THOMAS). Parlamentum Imperatori- 
um: seu Carmina Progymnastica. With the rare engraved 
portrait of the author by Thomas Cross, inserted from the 
Bindley copy. 8vo, light brown morocco, gilt edges. Signat. 
B1 (a blank?) missing. London: G. Dawson, 1654 


940. CUNNINGHAM (ALLAN). Poems and Songs. With 
an Introduction, Glossary, and Notes, by Peter Cunningham. 
16mo, cloth, uncut, original covers bound in. London, 1847 


941. CUNNINGHAM (HENRY WINCHESTER). Chris- 
tian Remick, an early Boston artist. A Paper read At a 
Meeting of the Club of Odd Volumes of Boston, Massachu- 
setts, February 24, 1904. Small 4to, half brown morocco, 


uncut. Only 100 copies printed. 
Boston: Club of Odd Volumes, 1904 


942. CUNNINGHAM (PETER). The Story of Nell 
Gwyn; and the Sayings of Charles the Second. First Ept- 


TION. Frontispiece and vignettes. 12mo, original cloth, un- 
cut. London, 1852 


943. CURTIUS RUFUS (QUINTUS). Histoire d’Alex- 
andre le Grand. Translated by MM. Aug et Alph. Trognon. 
3 vols. 8vo, red levant morocco gilt, with the monogram 
‘Hy. B.,’’ gilt edges, by Belz-Niédrée. Paris, 1828-29 


944. BB repress (JOSSE DE).] La Practieqve 
et Enchiridion des causes criminelles, illustrée 
par plusieurs elegantes figures, redigée en escript par losse 
de Damhoudere . . . fort vtile & necessaire a tous Souuerains, 
Baillifz, Escoutestes, Mayeurs, & aultres Justiciers & Officiers. 
With 56 plates of crimes and punishments. 4to, red morocco 
gilt, gilt edges, by Bradel-Derome. 
Louvain: Estienne VVauters & Iehan Bathen Imprimeurs, 
Van 1554. ) 


* First FRENCH TRANSLATION by Damhoudere of the ‘‘ Praxis 
rerum criminalium.’’ Some of the plates, owing to the sub- 
jects represented, are nearly always missing. From the library 
of Eugene Paillet. 


945. DAMPIERRE (MARQUIS DE). Recueil de fan- 
fares pour le chasse a une et a deux trompes. Music. noted 
on scale of fwe lines. Engraved throughout by Madame 
Oger. Portrait by Henriques and plates by the same after 

144 


Breton. Oblong 4to, blue levant morocco, ornamental gilt 
borders, doublure of red levant morocco, gilt edges, by Cham- 
bolle-Duru. Paris: Chez Mr Le Clere (18th Century) 


* From the library of Baron Pichon, for whose bindings the 
tools used on this book were specially made. 


946. DANCOURT (FLORENT CARTON). (Huvres 
Choisies. 5 vols. 18mo, green vellum covers, uncut, in half 
red morocco cases. Paris: Didot, 1811 

* PRINTED ON VELLUM. From the Syston Park Library. 


947. DANIEL (SAMUEL). The Whole Workes of Sam- 
uel Daniel Esquire in Poetrie. Engraved title by Cockson. 
Small 4to, brown morocco gilt, gilt edges. 

London: Nicholas Okes for Simon Waterson, 1623 
* A copy formerly belonging to General Thomas Harrison, 
the regicide, with his autograph ‘‘Tho. Harrison’s Booke’’ on 
the reverse of the title-page, and his portrait inserted. The 
volume is apparently made up of the edition of Daniel’s ‘‘ Cer- 
tain Small Poems lately printed’’ issued in 1605, preceded by 
the 1623 edition of the ‘‘ Whole Workes.’’ No copy is known 
to have been issued in this form by the publisher, and it is 
probable that they were originally bound together by order of 
General Harrison, and later by another owner. 


948. DANTE ALIGHIERI. Le Terze Rime di Dante. 8vo, 
blue morocco gilt, gilt edges. (One of the copies without the 


anchor.) Cleaned and a few leaves mended. 
Venetiis: in A‘dibus Aldi, 1502 


949. DARCEL anp DELANGE.—Recueil de Faiences 
Italiennes des X Ve, XVI¢ et XVITe siécles. 100 colored plates. 
Royal folio, half red levant morocco gilt, gilt top, uncut. 

Paris, 1869 


950. DAUDET (ALPHONSE). Fromont Jeune et Risler 
Ainé, mceurs parisiennes. Notice littéraire par Gustave 
Geffroy, douze compositions de Em. Bayard gravées a l’eau- 
forte par J. Massard. 2 vols. 8vo, original paper covers. 

* One of 150 copies on large Japan paper. Paris, 1885 


951. DAUDET (ALPHONSE). The twelve original de- 
signs by mile Bayard for ‘‘Fromont jeune et Risler ainé,’’ 
and three states of the plates, engraver’s etching on Japan 
paper, proof with the artist’s name in dry point, and proof 
with the artist’s and engraver’s name. 4to, half brown levant 
morocco, uncut, by Carayon. Paris, 1885 


952. DAUDET (ALPHONSE). Sapho—Meurs parisi- 
ennes. Illustrations de Rossi, Myrbach, etc. 12mo, half brown 
levant morocco gilt, gilt top, uncut, original covers bound in, 
by Krafft. Paris, 1887 


* One of 50 copies on Japan paper. 
145 


958. DAUDET (ALPHONSE). Trente ans de Paris, a 
travers ma vie et mes livres. Jllustré par Bieler, Montégut, 
Myrbach, Picard et Rosst. \12mo, half brown levant morocco 
gilt, gilt top, uncut, original covers bound in, by Krafft. 

* One of 125 copies printed on Japan paper. Paris, 1888 


954. DAUDET (ALPHONSE). la Lutte Pour la Vie. 
Piéce en Cinq Actes, six Tableaux. First Epirion. 8vo, 
half cloth and boards, uncut, original covers bound in. ; 

* One of 75 copies printed. Paris, 1890 


955. DAULBY (DANIEL). (1). A Descriptive Catalogue 
of the Works of Rembrandt, and of his Scholars, Bol, Livens, 
and Van Vliet, &c. LarGr PAPER, uncut. Liverpool, 1796; 
(2). A Catalogue of Drawings, Prints [&c.] belonging to the 
late Daniel Daulby ... particularly ... of the works of Rem- 


brandt . .. sold by auction, Liverpool, August 12, 1799. 
Priced, with purchasers’ names; (3). Catalogue ... of the 
etchings of Rembrandt and his scholars .. . sold by auction 


[London] May 14, 1800. Priced, with purchasers’ names, 
and inlaid. Proof portrait of Rembrandt by T. Worledge; 
and another engraved by Chapman. Bound in 1 vol. 4to, 
half morocco, gilt top, partly uncut. 


956. DAVENANT (SIR WILLIAM). The Witts. A 
Comedie. Small 4to, red levant morocco gilt, gilt edges, 
by Riviére. Lacks leaf of License, and several pp. re- 
paired. London: Printed for Richard Meighen, 1636 


* FIRST EDITION. ‘Tall copy, almost uncut. 


957. DAVENANT (SIR WILLIAM). Gondibert; an 
Heroick Poem. Small 4to, brown levant morocco gilt, gilt 
edges, by Ruban. London: Printed by Tho. Newcomb, 1651 


* First EDITION. Presumably a presentation copy from the 
author, with inscription: ‘‘ Madam, When you have read 
this Poeme if you like it, give the Author thankes and be as- 
sured of the constant affection of yr. most humble servant.” 


958. DAVENANT (SIR WILLIAM). Two Excellent 
Plays: The Wits, a Comedie: The Platonick Lovers, a 
Tragi-Comedie. THE SECOND EDITION of each play. 12mo, 
red levant morocco, gilt edges, by Riviere. The Lefferts 
copy. London: G. Bedel and T. Collins, 1665 


959. DAVENANT (SIR WILLIAM). The Siege of 
Rhodes: The first and second part; As they. were lately 
Represented at His Highness the Duke of York’s Theatre 
in Lineolns-Inne Fields. The First Part being lately En- 
larg’d. FourRTH EDITION. 4to, brown levant morocco gilt, 
gilt edges, by Riviére. London: Henry Herringman, 1670 


960. [DAVID (J. B. F. C.).] Anacreon Vengé, ou Lettres 
au sujet de la nouvelle Traduction d’Anacréon annoncée 
dans l’année litteraire. Small 8vo, old green morocco gilt, 
ARMS OF CHARLES DE ROHAN, PRINCE DE SOUBISE, on sides. 

A Criticopolis (Paris): Chez Pierre L’Observateur, 1755 


146 


i =a. 


te See eee eee ee ee a Pa. ed 


961. DAVID (JOANNES). Occasio Arrepta. Neglecta. 
Huius Commoda: Illius Incommoda. Engraved title and 12 
plates by Théodore Calle, and printer’s device on final leaf. 
at purple levant morocco, gilt top, UNCUT, by Chambolle- 

uru. 

Antverpie: Ex officina Plantiniana, apud Joannem 
Moretum, 1605. 

* Very unusual in uncut state. 


962. DAVID (JOANNKES). Duodecim Specula Deum. 
Engraved title, 12 brilliant copperplates by Théodore Galle, 
and Plantin’s device on lastleaf. 8vo, calf, fleurs-de-lys on 
back and crucifixion on sides. 

Antverpize: Ex Officina Plantiniani, 1610 


963. DAVID (JOANNKS). Delineata Poenitentia Evan- 
gelici David; Delineata Communio Immaculata. 26 en- 
graved plates by Van Mechelen. Two works in one vol., 
12mo, old red morocco, gilt fleur-de-lys borders, gilt edges. 

Antverpiz: Gerardi Wolffchatij, 1629 


* From the De Bure Collection. 


964. DAVIES (SIR JOHN). Noese teipsum. This Oracle 
expounded in two Elegies. I. Of Humane knowledge. 2. Of 
the Soule of Man, and the immortalitie thereof. Newly 
eorrected and amended. Small 4to, red levant morocco, 
gilt edges, by Stikeman. (Stamp on title, leaf A 3 misplaced, 
and some leaves mildewed.) 


London: Richard Field for John Standish, 1602 
* SECOND EDITION. Very scarce. 


2965. DAVIES (JOHN) anp MARLOWE (CHRISTO- 
PHER). Epigrammes, written by Sir John Davies; and Cer- 
taine of Ovid’s Elegies, translated by Christopher Marlowe. 
... Preface by Charles Edmonds. Small 4to, red levant mo- 
rocco, uncut. London: Printed at the Chiswick Press, 1870 
* Large vellum copy, one of only 6 copies so printed. (Isham 

Reprint. ) 

966. DAVISON (FRANCIS). Davisons Poems, or, A 
Poeticall Rapsodie. Deuided intosixe Bookes. THE FOURTH 
IMPRESSION, Newly corrected and augmented and put into 
a forme more pleasing to the Reader. Small 8vo, brown 
levant morocco gilt, gilt edges, by Mercier. (1st blank leaf 
missing.) London: Printed by B. A. for Roger Iackson, 1621 


* VERY RARE. One of the earliest English anthologies, with 
contributions from Spenser, Sydney, Greene and others. 


967. [DAVY (SIR HUMPHRY).] Salmonia: or, Days 
of Fly Fishing. In aSeries of Conversations. With Some 
Account of the Habits of Fishes belonging to the Genus 
Salmo. By ‘‘An Angler.’? Second Edition. 6 plates of views 
by H. Finden, and cuts of fish, etc. Small 8vo, half maroon 
morocco, gilt top, uncut. London, 1829 

147 


968. DE BRY—GRAND VOYAGES. 


PARTI. HARIOT. Admiranda Narratio...de commodis 
et incolarvm ritibvs Virginie, nvper admodvm ab Anglis, 
qvi 4 dn. Richardo Greinvile...e6d in coloniam anno. 
M.D.LXXXV. dedveti svnt invents, svmtvs faciente dn. 
Waltero Raleigh, ete. Anglico scripta sermone 4 Thoma 
Hariot. Engraved frontispiece-title in an architectural 
border, coat of arms of the Elector Maximilian, map of 
Virginia, and 28 plates by De Bry and G. Veen (Nos. 4, 
6, 11, and 15). Folio, cloth, uncut. 

Francoforti ad Moenum: Joannes Wecheli, 1590 
* FIRST ISSUE OF THE First EDITION of the Latin translation 


of Hariot’s ‘‘ Virginia,” 1588, the first of De Bry’s ‘‘ Grands 
Voyages.” 


PART II. LE MOYNE and LAUDONNIERE. Brevis Narra- 
tio eorvm que in Florida .. . acciderunt, secunda in illam 
Nauigatione, duce Renato de Laudoniere, Anno M D LXIIII. 
Additz figure & Inecolarum eicones ibidem ad vivu ex- 
presse ... Auctore Iacobo le Moyne, cui cognomen de 
Morgues, Laudonierum in ea Navigatione sequuto. Two 
engraved frontisprece-titles of architectural design, map of 
Florida and 42 plates. Folio, cloth, uncut. 

Francoforti ad Moenum: Joannes Wechel, 1591 

* FIRST ISSUE OF THE First EDITION of Jacques Le Moyne’s 
narrative of the second French Huguenot expedition to Florida, 
commanded by Jean Ribaut (1562), René de Laudonniére (1564), 
and Dominique de Gourgues (1567). Itis the second of De Bry’s 
‘‘Grands Voyages,’ and was originally written in French, but 
when De Bry bought the manuscript after Le Moyne’s death 
in London about 1588, he had it translated into Latin, adding 


engravings which are in part the same as those in the author’s 
‘« Clef des Champs,’’ 1586. 


ParRT III. STADEN and DE LERy. (1) Americze Tertia 
Pars Memorabilé provinciz Brasiliz Historiam continés, 
germanico primum sermone scriptam & Ioane Stadio [| Hans 
Staden]... Addita est Narratio profectionis Ioannis 
Lerij in eamdem Provinciam. His accessit Descriptio... 
& eiconibus in es incisis ac ad vivum expressis illustrata, 
ad normam exemplaris predictorum Autorum. (11) Navi- 
gatio in Brasiliam. A Ioanne Lerio Bvrgvndo Gallicé 
primtm scripta. Two similar engraved title-pages of archi- 
tectural design, a map; ‘*‘ Americe pars magis cognita,” 
engraved coat of arms of William, Count Palatine, and 
plate with seven escutcheons, plate of Adam and Eve, thirty 
other plates in Staden’s work, and ten in de Léry’s. Folio, 
cloth. © Francoforti ad Moenum: Joannes Wechel, 1592 

* SECOND ISSUE OF THE FIRST EDITION, with the figures of the 
six Virtues in the plate ona 2 recto, and the name ‘‘ Theodori 


De Bry” after ‘‘officina,” ou the engraved title instead of 
‘‘Sigismundi Feyrabendii.”’ 


148 


DE BRY—GRAND VOYAGES—Continued. 


PART IV. BENZONI. Americze Pars Qvarta. Sive In- 
signis & Admiranda Historia de reperta primim Occiden- 
tali India 4 Christophoro Columbo Anno M.CCCCXCII Seripta 
ab Hieronymo Bezono [sic]. Accessit preeterea illarum 
Regionum Tabula chorographica. Omnia elegantibus figuris 
in ws incisis. Two similar engraved frontispiece-titles, a 
plate of escutcheons, two vignettes, a map ‘‘ Occidentalis 
Americe partis,” and twenty-four other plates with descrip- 
tive text. Folio, cloth. 

Francoforti ad Moenum: Joannes Feyrabend, 1594 
* SECOND ISSUE OF THE FIRST EDITION of the title-page and 
most of the plates. Inthe penultimate line of the title, the 
last two letters in ‘‘ Rudolphus” are partially defaced in cor- 


rection. and in the last line, ‘‘ prevelegio ’ is altered to ‘‘ privi- 
legio.” 


PART V. BENZONI. Americze Pars Qvinta. Nobilis & 
admiratione plena Hieronymi Bezoni Mediolanensis, secun- 
dz sectionis Hia: Hispanorum, tum in Nigrittas seruos 
suos, tim in Indos crudelitatem, Gallorumqz piratart de 
Hispanis toties reportata spolia; Aduentu item Hispanort 
in Nouam Indiz continentis Hispaniam, eorumq, contra 
incolas eius regionis seuitiam explicans Additaad singula 
fere Capita scholia, in quibus res Indizw luculenter expo- 
nuntur. Accessit preterea Tabula Chorographica Nous 
Hispanie in India Occidentalj. Omnia elegantibus figures 
in #s incisis expressa. Two similar engraved frontisprece- 
titles, portrait of Columbus, map, ‘* Hispanic Nove swe 
Magne, recens et vera descriptio, 1595,” and twenty-two 
other plates. Folio, cloth. [Francofurti ad Moenum |], 1595 

* SECOND ISSUE OF THE FIRST EDITION, with corrected title- 
page. In the fifth line ‘‘Hia” is inserted for the omitted 


word, ‘‘ Historiz,’’ and in the third line from the last, ‘‘ In- 
vistis ”’ is corrected to ‘‘ Invictis.”’ 


PART VI. BENZONI. Americe Pars Sexta. Sive Historiz 
ab Hieronymo Bézono. In hac enim reperies, qua ratione 
Hispani opulétissimas illas Peruéni regni provincias occu- 
parint, capto Rege atabaliba: deide orta inter ipsos His- 
panos in eo regno ecivilia bella. Additus est brevis de 
Fortunatis insulis COmentariolus in duo capita distinctus. 
Item additiones ad singula Capita Historiam illustrantes. 
Accessit Pervini regni chorographica Tabula. Omnia ele- 
gantibus figuris in es incisis. Two similar engraved frontis- 
piece- titles, double plan of Cusco, double map of America 
forming a demi-planisphere, with figures of Columbus, 
Vesputius, Magellan, and Pizarro at the corners, and 
twenty-eight other plates. Folio, cloth. 

[Francofurti ad Moenum], 1596 
* FIRST EDITION. This Part contains the third and last por- 
tion of Benzoni’s History relative to Peru. 


149 


DE BRY—GRAND VOYAGES—Continued. 


PaRT VII. SCHMIDEL. Americze Pars VII. Verissima 
et Ivevndissima Descriptio Precipvarvm Qvarvndam In- 
diz regionum & Insularum, ... iam primum ab Vlrico 
Fabro [Ulrich Schmidel] ... inuentee. [llustrata vero pul- 
cherrimis imaginibus. Printed title within an engraved 
border and vignette, similar to those in Part III. Folio, 
eloth. Francofurti ad Moenum, 1599 


* First EDITION. The original German text was printed in 
1597 at Francfurt. 


Part VIII. Artus. Americe Pars VIII. Continens 
Primo, Descriptionem trium Itinervm Francisci Draken, 
qvi peragrato primvm vniverso terrarvm orbe, postea cum 
nobilissimo Equite Johanne Havckens, ad expugnandum 
ciuitatem Panama in Indiam nauigauit. Secvndo, iter no- 
bilissimi Equitis Thome Candisch qui duorum feré annorum 
spacio, 13,000. Anglicana miliaria in mariconfecit, ubi 
describuntur quoque omnia que in hoe itinere ipsi acci- 
derunt & visa sunt. Tertio, duo itinera, Gvaltheri Ralegh 
... quibus describitvr avrifervm et potentissimum Regnum 
Gviana. Vignette on title, map of Guiana, and 18 other plates. 
Pages 78 of Part I and 3 of Pari II have nomaps. Folio, 


cloth. Francofurti ad Moenum: Matthaeus Becker, 1599 — 


* FIRST ISSUE OF THE FIRST EDITION. 


PARTIX. DE Acosta. Americze Nona & postrema Pars. 
Qva de Ratione Elementorvm: de Novi Orbis Natvra: [by 
Jos. de Acosta] de hvivs incolarvm svperstitiosis cultibus: 
deq; forma Politize ac Reipubl. ipsorum copiosé pertrac- 
tatur: Catalogo Regum Mexicanorum omnium, a primo 
vsq, ete. His accessit designatio illivs navigationis, qvam 
5. naues Hollandicz Anno 1598 per fretum Magellanum in 
Muloceanas insulas tentarunt: ... Addita est tertio Nay- 
igatio recens, qvam 4. navivm prefectus Olevier a Noort, 
proxime suscepit, ete. Hngraved frontispiece title, 3 vig- 
nettes, map of the Straits of Magellan, and 39 other plates. 
Folio, cloth. . 

Francofurti ad Moenum: Matthaeus Becker, 1602 


* First EDITION. The words ‘‘ Postrema pars” on the title 
page would appear to indicate that Theodore De Bry’s heirs 
intended to end the series with the ninth part; and it was not 
until seventeen years later, 1619, that Jean Théodore De Bry 
continued it. 


PART X. DEBRY. Americe Pars Decima: Qua econti- 
nentur, I. Duzw Navigationes Dn. Americi Vesputii. II. 
Solida narratio de moderno provincie Virginie... Authore 
Raphe Hamor Virginie Secretario. III. Vera descriptio 
Nove Anglie,.. .a Capitaneo Johanne Schmidt delineata. 
Omnia nune primum in lucem edita, atque elegantis in xs 
incisis iconibus illustrata. The so-called ‘‘ Neptune’’ vig- 
nette on the title-page, representing a fleet of ships im the 


150 


L 
; 
: 
; 
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> 
; 
1 


— Se ee 


DE BRY—GRAND VOYAGES—Continued. 


background, and in the foreground Neptune to the left, an 

Indian woman to the right, both seated. Twelve other plates. 

Folio, cloth. Oppenheimii: Hieronymus Gallerus, 1619 
* SECOND Issue. 


PART XI. DE BRy. Americe Pars Undecima: Seu de- 
seriptio admirandi itineris a Guillielmo Schouten Hollando 
peracti: qua ratione in meridionali plaga freti Magellanici 
novum hactenusque incognitum in mare Australe transitum 
patefecerit, etc. Omnia elegantibus mappis, atque iconibus 
in es incisis. Oppenheimii: Hieronymus Gallerus, 1619 


* THE ONLY EDITION. On the title-page is an engraving of 
the two hemispheres, above which are portraits of Magellan 
and Schouten; to the left are smaller medallions of ‘‘ Franci 
Drack”’ and ‘‘ Olivi von Noort,” to the right, ‘‘ ‘Thomas Can- 
disch”” and ‘‘ Georg: Speilbergh.’’ Two maps, ‘‘ Nova Guinea” 
and ‘‘Tabula Hydrographica Maris Australis,” and twenty- 
nine other plates, one of them a repetition of that on the first 
title-page. The two-page map of the East Indies, ‘‘Mar di 
India,” found in the Huth and Church copies between folios 
al and a2 (not in this copy nor mentioned by Brunet) is Plate I 
in Part XIII. 


PART XII. HERRERA, ORDONES, AND DE AcosTA. Novi 
Orbis Pars Dvodecima. Sive, Descriptio Indiz Occidenta- 
lis, Auctore Antonio de Herrara. . . . Accesservnt et 
aliorvm Indiz Occidentalis Descriptiones, vti & nauiga- 
tionum omnium per Fretum Magellanicum succincta nar- 
ratio, ete. Hngraved frontispiece-title with standing figures, 
“* Magellanus’’ and ‘‘ Franciscus Pisardu’’ at the left and 
right of the foot, also medallion portraits of Columbus and 
Vesputius. The remainder of the border is in nine com- 
partments. Fourteen numbered maps are in Herrara’s text 
and nineteen plates in de Acosta’s. Folio, cloth. 

* THE ONLY EDITION. Francofurti ad Moenum, 1624 


PART XIII. DE BRy. Decima Tertia Pars Historie Amer- 
cane, que continet exactam et accvratam descriptionem 
Il. Nove Angliz, Virginiz, Brasilie, Guiane, & insule Ber- 
mud, quarum hactenus exigua & imperfecta notitia habita 
fuit. Il. Terrze Australis incognita, cuius chorographia 
antehac in nullo Itinerario aut Navigatione litteris tradita. 
III. Expugnationis vrbis 8S. Salvatoris & Sinus Omnium 
Sanctorum ab Hollandis factz, & quomodo Hispani vrbe & 
Sinu illo rursus potiti sint. IV. Novi Mexici, Cibole, Cin- 
aloz, Quivirz, rerumgz memorabilium, que in Iucatan, 
Guatimala, Fonduris & Panama observate sunt, nec non 
aliquot Anglicarum iis locis coloniarum. V. Navigationis 
Hollandorum per Vniversum orbem, duce Iacobo Eremita. 
VI. Classis Hispanics preedivitis ab Hollandis, duce Petro 
Heinio, in portu insule, qui Matanza dicitur, intercepte. 
VII. Vrbis Olindze de Fernambucco in Brasilia ab Hollan- 
dis, duce Henrico Cornelio Lonckio, occupate. Additis 
passim tabvlis eri incisis, qvibus jam memorate descrip- 


151 


DE BRY—GRAND VOYAGES—Continued. 


tiones illustrantur. Engraved frontispiece-title, and the fol- 
fowing plates outside the text: I. Hast Indies, two-page, 
with ‘* Mar di India” in the lower left-hand corner and 
‘* America nouiter delineata’’ in the lower right. 2. Smith’s 
map of Virginia with ‘*‘ Virginia’? at thetop. 38. ** Das 
Norder Theil des Lands Brasilien.’’ 4. ‘* Die Landschafft 
Guarana.” 94. ‘“* Fretum Magellanicum,’’? which appears 
in Part IX, also. 6. A plate representing the Spanish 
fleet, with medallion portraits of ‘‘ General Pieter Pieters 
ayn’ aud ** Admirael Hendrick Cornelisz Long ;’’ un the 
lower left-hand corner, a map, ‘‘ Das EKylandt Cuba.” 7. 
‘¢ §. Salvador.” &. ‘* Description dela Indias Ocidentalis.”’ 
9. ** Olinda” and ‘‘ Olinda de Phernambuco,’’ a double 
folded plate. Folio, cloth. Francofurti ad Moenum, 1634 


* THE ONLY EDITION. Twenty-one copper-plate engravings, 
including three maps, are in the text. The map with the 
words ‘‘ Mar di India” in the left-hand corner mentioned in 
the Huth and Church catalogues as in Part XI, oceurs in this 
volume as the first plate. 


Together 13 vols. folio, cloth. ; 1590-1634 


969. DE BRY-HARIOT. Marveillevx et estrange Rap- 
port, tovtes fois fidele, des commoditez qvi se trovvent en 
Virginia, des facons des natvrels habitans d’iceele, laqvelle 
a este novvellement descovverte par les Anglois qve messire 
Richard Greinville chevalier y mena en colonie lan. 1585. a 
la charge principale de messire Walter Raleigh chevalier 
Svrintendant des mines d’estain, favorisé par la Royne 
d’Angleterre, et avtorisé par ses lettres patentes. Par 
Thomas Hariot servitevr dv svsdit messire Walter l’vn de 
cevx de la-dite colonie, et qvi ya esté employé a descovvrir 
Tradvit novvellement d’Anglois é fracois. Hngraved title 


within architectural border; the coat of arms of the Duc of 


Bavaria ; map of Virginia, and 28 plates, by De Bry and 
G. Veen. Folio, green levant morocco gilt, gilt edges, by 
Chambolle-Duru. 

Francoforti ad Moenum, typis Joannis Wecheli, 1590 


* From the Ives collection. This French version of the first 
Part of the Grand Voyages of De Bry is the only Part that was. 
published in French, and appears to have been published before 
the English, Latin and German versions, The plates, being 
the earliest impression, are superior to those of the Latin edi- 
tion. IT IS OF THE GREATEST POSSIBLE RARITY, only 18 copies. 
having been known to exist as far back as 1850, and very few 
of them complete. THIS COPY IS NOT ONLY COMPLETE BUT IN 


PERFECT AND BRILLIANT CONDITION THROUGHOUT, A duplicate 


map of Virginia is also inserted. 
152 


| 
; 
| 
s 


a an a ee 


—_ ee eee Se 


970. DECKER (THOMAS). The Whore of Babylon. 
“As it was acted by the Princes Servants. Written by 
Thomas Dekker. 4to, crimson levant morocco gilt, doub- 
lure of the same. ENTIRELY UNCUT, SOME LEAVES UN- 
OPENED (some corners restored), by The Club Bindery. 

London: Printed for Nathaniel Butter, 1607 


* FIRST EDITION. Very rare in this condition, only one copy 
having been sold at auction. 


971. DEFFAND (MARIE DE VICHY-CHAMROND 
MARQUISE DU). Lettres 4 Horace Walpole, Ecrits 
dans les années 1766 & 1780; auxquelles sont jointes 
des Lettres 4 Voltaire, écrites dans les années 1759 & 
1775.  Publiées d’aprés les originaux déposés a Straw- 
berry-Hill. Portrait by Forshell. 4 vols. 8vo, half calf, 
uncut. Paris, 1812 


972. DEFFAND (MARIE DE VICHY-CHAMROND, 
MARQUISE DU). Correspondance Inédite de M™e du 
Deffand, précédée d’une Notice par le Marquis de Sainte- 
Aulaire. 2 vols. 8vo, red levant morocco gilt, gilt edges, 
by Trautz-Bauzonnet. Paris, 1859 


973. DEFFAND (MARIE DE VICHY-CHAMROND, 
MARQUISE DU). Correspondance compléte de M™ du 
Deffand avee la duchesse de Choiseul, l’abbé Barthélemy 
et M. Craufurt publiée avec une introduction par M. le 
M's de Sainte-Aulaire. 3 vols. royal 8vo, half brown levant 
morocco gilt, gilt tops, uncut, by Zaehusdorf. Paris, 1860 


974. [DEFOE (DANIEL).| The Double Welcome. A 
Poem to the Duke of Marlboro. First Epirion. 4to, half 
roan. London, 1705 


975. [DEFOE (DANIEL).] The Life and Adventures 
of Mrs. Christian Davies, commonly called Mother Ross; who 
in several Campaigns under King William and the late Duke 
of Marlborough, in the quality of a Foot-Soldier and Dragoon, 
gave many proofs of Courage and Bravery. First EpITIon. 
Small 8vo, original calf. London, 1740 


976. DEFOE (DANIEL). La Vie et les Aventures De 
Robinson Crusoé. Traduction Revue et corrigée sur la belle 
Edition donnée par Stockdale en 1790, augmentée de la vie 
de l’Auteur. Map and 19 colored engravings by Delignon 
after Stothard. 3 vols. 8vo, calf gilt, gilt edges, by Duplanil. 

Paris [1800], 


* The translation was made by Madame de Montmorency. 
153 


977. DEFOE (DANIEL). The Life and surprising Ad- 
ventures of Robinson Crusoe, of York, Mariner. With in- 
troductory verses by Bernard Barton. Illustrated with 
numerous engravings from drawings by George Cruikshank 
expressly designed for this edition. 2 vols. 12mo, green 
levant morocco, gilt edges, by Louise Reymann. London, 1831 

* LARGE PAPER CopPyY. 


978. DEFOE (DANIEL). The Life and Adventures of 
Robinson Crusoe, Mariner, of Hull. Biographical Memoir 
and Illustrative Notes [by John Ballantyne] ... With 8 Htch- 
ngs by M. Moutlleron and Portrait by L. Flameng. 2 vols. 
8vo, cloth, uncut. London, 1882 


* One of 150 copies on Large Paper, with proof etchings on 
Japan paper. 


979. DELAROA (JOSEPH—Editor). Les Patenotres 
d’un Surnumeraire, conseils d’un grand-onele recueillis & mis 
en lumiére par Joseph Delaroa. 18mo, citron levant morocco, 
gilt panels, doublure of blue morocco, wide dentelle borders, 
gilt edges, by Hardy-Mennil. ; Lyon, 1860 


980. DELAVIGNE (JEAN FRANCOIS CASIMIR). 
Messéniennes et Poésies diverses. TThéatre; et, Dernier 
Chants; Poémes et Ballades sur |’Italie. 8 vols. 8vo, half 
red levant morocco, gilt fillets, gilt tops, uneut. Paris, 1833-45 


* Printed on vellum paper, with the portrait by Salmon and 
10 other plates by Kenig, Lacour, Tavernier, and others after 
Alfred Johannot in two states, including proofs before letters on 
India paper. Inserted are an autograph letter by Delavigne, 
an original sepia and pencil portrait of the poet, and over 150 
views and portraits, including twelve of Delavigne, in from one 
to three states. The inserted plates are after the designs of 
Devéria, David, Turner, Northcote, Westall, and others, and 
include proofs on India paper before letters, and before the 
artists’ names. The 26 plates after Devéria are all proofs be- 
fore letters on India paper, and four have duplicates after letters, 
also on India paper. 


981. DELAVIGNE (JEAN FRANCOIS CASIMIR). 
Theatre. Portrait and 12 plates. 6 vols. 8vo, half brown 
morocco gilt, gilt tops, uncut. Paris: Didier, 1850 

* Large paper copy. 


982. DELECLUZE (E. J.). Notice sur la vie et les ou- 
vrages de Léopold Robert, suivie de la Description des quatre 


Tableaux de ce peintre. Royal 8vo, original covers, uncut. 
Paris, 1838 


983. DELEPIERRE (OCTAVE). Analyse des travaux 
de la Société des Philobiblon de Londres. 8vo, orange levant 
morocco, doublure and linings of brown russia, gilt top, un- 
ent, by Zaehnsdorf. London, 1862 

* Only 300 copies printed. 


154 


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‘heii yeaa 


ee ee a ee ee ee ee ee eee ee eee ee ee ee eS. eae ee 


a ical 


984. DELESTRE (J. B.). De la Physiognomonie. Texte, 
Dessin, Gravure. Numerous illustrations. Imperial 8vo, 
half green levant morocco gilt, gilt top, uncut, by Smeers. 

| Paris, 1866 

985. DELILLE (JACQUES). L’Homme des Champs, 
ou les Géorgiques francoises. 4 plates designed and engraved 
by C. Guérin. First Epirion. 4to, red straight-grain mo- 
rocco, gilt borders, gilt edges, by Thraner. Strasbourg, 1802 


986. [DELL (HENRY).] The Spouter; or, The Triple 
Revenge. A Comic Farce in two acts. As it was intended to 
be perform’d. With the Original prologue, written by the 
Author, and intended to be spoke by Mr. Garrick, dress’d in 
Black. First Epirion. 8vo, brown morocco, gilt edges, by 
The Club Bindery. With the final blank leaf, F2. 

London: Printed and sold by W. Reeve, 1756 


987. DELMET (PAUL). Chansons de Femmes. Poésies 
de Henri Bernard, Théodore Botrel, Maurice Boukay, and 
others. Preface by Armand Silvestre. 15 lithographs by 
Steinlen and the music of each song. Royal 8vo, half red 
levant morocco, uncut, original wrappers bound in, by Car- 
ayon. Paris, 1896 


* One of 50 copies printed on Japan paper. 


988. DELMET (PAUL). Chansons de Montmartre. 15 
lithographies de Steimnlen. 4to, half red levant morocco, gilt 
top, uncut, original covers bound in, by Carayon. 

* One of 75 copies on Holland paper. Paris [n. d.]| 


989. DE LORME (PHILIBERT). Le Premier Tome de 
l’Arehitecture. With 204 diagram illustrations of building. 
First Epririon. Folio, red levant morocco, gilt edges, by 
Cuzin. Paris: F. Morel, 1567 

*The title-page lettered ‘‘premier tome,’’ but no second’ 
volume was issued. 


990. DELPHINUS (PETRUS). Epistole. Title within 
a woodcut border, and woodcut. Initials illuminated in gold 
and colors. Folio, old Venetian red morocco gilt, the arms of 
Doce Marco Foscarini stamped in gold in the centre of each 


cover, gilt edges. Venetiis: Bernardinus Benalius, 1524 
* VERY RARE, especially with the 2 leaves of Errata, as in the 
above copy. From the library of Count de La Bédoyére. 


991. DELVAU (ALFRED). Dictionnaire de la Langue 
Verte. 12mo, half green morocco, gilt top, uncut. 
Paris, 1866 
992. DEMOSTHENES. Orationes, Grece. 3 vols. 8vo, 
old French blue morocco, tooled ornamental borders on the 
sides, gilt backs and inside borders, silk linings, gilt edges, by 
Bozerian; with the Aldine anchor stamped in gold (at a later 
date) on the centre of the covers. From the Syston Park. 
Library. Venetiis: apud Paulum Manutium, 1554 


155 


993. DEMOUSTIER (CHARLES ALBERT). Lettres a 
Emilie sur la Mythologie. Portrait by Tardieu and 86 plates 
after Moreau. 6 parts in 2 vols. 8vo, dark blue straight- 
grain morocco, gilt and blind tooled, gilt edges. Paris, 1809 


994. [DENHAM (SIR JOHN).] The Sophy. As it was 
acted at the Private House in Black Friars by his Majesties 
Servants. Folio, blue levant morocco, gilt back, gilt edges, 
by Chambolle-Duru. (Final blank leaf missing.) 

London: Richard Hearne for Thomas Walkley, 1642 


* First EDITION. VERY RARE. No record appears of its 
sale at auction since 1825 and there seems to be no biblio- 
graphical notice of it except with the Poems in 1668 and later. 


995. [DENHAM (SIR JOHN).] Coopers Hill. A Poeme. 
Small 4to, citron levant morocco gilt, gilt edges, by Riviére. 
London: For Tho. Walkley, 1642 


* First EDITION. VERY RARE. 


996. DENHAM (SIR JOHN). Coopers Hill. Written 
in the years 1640. Now printed from a perfect copy; and a 
corrected Impression. SIXTH EDITION, BUT THE FIRST AU- 
THORIZED ONE.. Small 4to, blue levant morocco, gilt edges, by 
Riviere. London: Humphrey Moseley, 1655 


* In the address to the Reader, it states: ‘‘ You have seen this 
Poem often, and yet, never; for, though there have been Five 
Impressions, this now in your hand is the only true copie,’’ etc., 
signed J. B. 


997. DENHAM (SIR JOHN). The Destruction of Troy, 
an Essay upon the Second Book of Virgils Aineis. Written 
in the year, 1636. Small 4to, brown levant morocco gilt, gilt 
edges, by Riviére. London: Humphrey Moseley, 1656 


998. DENHAM (SIR JOHN). Poems and Translations, 
with the Sophy. FIRST COLLECTED EDITION. Small 8vo, brown 
levant morocco, covered with a rich leaf design, with inlays of 
green morocco, the intervals studded with dots, centre mosaic 


of brown and citron, gilt edges, by Riviére. 
London: H. Herringman, 1668 


999. DENHAM (SIR JOHN). Poems and Translations, 
with the Sophy. THIRD IMPRESSION. 12mo, original old Eng- 
lish black morocco, elaborately tooled, gilt edges. 

London: Printed by J. M. for H. Herringman, 1684 


1000. DENHAM (SIR JOHN). Poems and Translations; 
with the Sophy, a Tragedy. The Fifth Edition. 8vo, old 
brown morocco, gilt back. 

London: Printed for Jacob Tonson, 1709 © 
*Large paper copy of the Fourth ne edition. [The 
Fifth edition of ‘‘The Sophy.’’] 


156 


yy eT Oe ee | 


1001. DENIS (JEAN BAPTISTE). Memoires Anecdotes 
de la Cour et du Clergé de France. Avec 1’Histoire du Dif- 
ferend du Cardinal de Noailles avec les Evéques de Lucon & . 
de la Rochelle, & les Jesuites. Frontispiece, folded map, and 
four portrats. 12mo, green morocco, THE MONOGRAM OF THE 
MARQUIS DE COISLIN on the back panels and HIS ARMS on the 
sides, gilt edges, partially uncut, by Duru. 

Londres (Holland) 1712 


1002. DENISOT (NICOLAS). Noelz par le Conte d’Al- 
sinoys. Autres Noelz sur les Chants de plusieurs belles Chan- 
sons. 12mo, red levant morocco gilt, gilt edges, by Trautz- 
Bauzonnet. Mans, 1847 

* One of 50 copies on Holland paper. 


1003. DENNISTOUN (JAMES). Illustrations for the 
Memoirs of the Dukes of Urbino. 32 plates on Indwa paper. 
Ato, cloth. Nop: Isl 


* Presentation copy, with a three-page letter from the ae 
to Dr. Wellesley laid in. 


1004. DENON (VIVANT). Point de Lendemain. Conte 
allustré de treize compositions de Paul Avril. Royal 8vo, 
citron levant morocco, borders in emblematic tools and scrolls, 
gilt over uncut edges, original covers bound in, by Chambolle- 
Duru. Paris, 1889 


* One of 75 copies on Japan paper, with each illustration in 
two states, the duplicates being proofs before letters. On the 
half-title is an ORIGINAL WATER-COLOR DRAWING BY AVRIL. 


1005. DEPPING (GUILLAUME). Merveilles de la 
Force et de 1’ Adresse—agilité—souplesse—dextérité—les ex- 
ercises du corps chez les anciens et chez les modernes. 69 illus- 
trations by Ronjot, Sellier, etc. 12mo, half cloth, uncut. 

* Printed on India paper. Paris, 1869 


1006. DESAUGIERS (MARC ANTOINE MADE- 
LEINE). Chansons et poesies diverses. Sixiéme édition 
considérablement Augmentée. Portrait by J. M. Fontaine 
after A. Devéria and facsimile. 4 vols. 16mo, half blue mo- 
roceo, gilt backs, uncut. Paris, 1827 


1007. DESCAMPS (JEAN BAPTISTE). la Vie des 
Peintres Flamands, Allemands et Hollandois; avec des por- 
traits Gravés en tailledouce, une indication de leurs princi- 
paux Ouvrages, & des Réflexions sur leurs différentes 
maniéres. Frontispiece engraved by Lebas after Descamps, 
two dedicatory vignettes with the arms of the Comte de Vence 
and of La Live de Jully, engraved by Lemire after Descamps, 
and 168 portraits engraved by Ficquet, Gaillard, Legrand, 
M. Aubert, and others. 4 vols. 8vo, red levant morocco, gilt 
edges, by Hardy-Mennil. Paris, 1753-64 

157 


1008. DESCAMPS (JEAN BAPTISTE). Voyage pit- 
toresque de la Flandre et du Brabant, Avec des Reflexions 
relativement aux Arts & quelques Gravures. Dedicatory vig- 
nettes with the arms of the Marquis de Mangny, 5 unsigned 
plates, and folding map. First Epririon. 8vo, red levant 
morocco, gilt edges, by Hardy-Mennil. Paris, 1769 


1009. DESCARTES (RENE). Passiones Anime. 12mo, 
red morocco, gilt edges. P 
Amstelodami: Ludoviceus Elzevirius, 1650 


* One of two Latin editions of this date, the other being in 
quarto. The Syston Park copy. 


1010. DESCAVES (LUCIEN). Les Emmurés. First 
Epition. 12mo, half red cloth, uncut, original covers pre- 


served. Paris, 1894 
* One of 10 copies printed on Holland paper. 


1011. DESCAVES (LUCIEN). Flingot. Illustrations et 
Gravures de Georges Jeannot. 8vo, original paper wrappers, 


uncut. Paris, 1907 
* One of 10 copies printed on Japan paper with the etchings 
in three states. +o. 


1012. DESCHAMPS (EUSTACHE). Le Miroir de Mari- 


age, Poéme. 8vo, half citron levant morocco gilt, gilt top, 


uncut. Reims, 1865: 
* Only 100 copies printed. 


1018. DESCLOZEAUX. Gabrielle d’Estrées, Marquise 
de Monceaux, Duchesse de Beaufort. Frontispiece portrart 
on India paper. Royal 8vo, half brown morocco, figured 
satin sides, gilt top, uncut, original covers bound in, by The 
Club Bindery. Paris, 1889 


1014. DESCRIPTION (A) of a Great Sea-Storm, that 
happened to some ships in the Gulph of Florida, in Septem- 
ber last; Drawn up by one of the Company, and sent to his 
Friend at London. Folio broadside, 1 p., mounted on silk 
and folded to 12mo, in silk covers (worn at folds but neatly 
repaired). London: Printed by Thomas Milbourn, 1671 


* The Poem mentions Virginia, Bermuda, ete. 

1015. DESCRIPTION (LA) de la superbe et imaginaire 
entrée faicte a la Royne Gijllette passant a Venise, en faveur 
du Roy de la Malachie son futur espoux, le premier iour de 
Septembre, 1582. Traduicte de la langue caracterée en lan- 
gue francoise. 12mo, red levant morocco gilt, gilt edges, by 


Trautz-Bauzonnet. [n. pe] 160%, 


1016. DESHOULIERES (ANTOINETTE DU LIGIER 


DE LA GARDE). Poésies. Brilliant portrait engraved by: 


van Schuppen after E. S. Cheron. 2 vols. 8vo, old red mo- 
rocco gilt, arms on the sides, gilt edges. 
Paris: Jean Vilette, 1707-11 
158 


1017. DESLAURIERS. Les C#uvres de Bruscambille. 
Contenant ses Fantasies, Imaginations, Paradoxes, & autres 
discours Comiques. 12mo, red levant morocco gilt, gilt edges, 
by Trautz-Bauzonnet. Lyon: Jean Huguetan, 1634 


1018. [DESLAURIERS.|]  Pensées Facetieuses, et Bons 
Mots de Bruscambille, Comedien Original. Frontispiece. 
12mo, red levant morocco, gilt edges, by Capé. 

Cologne, 1709 

1019. DESPERIERS (BONAVENTURE). Les Nouvelles 
Reeréations & joyeux devis. Title within a woodcut border. 
16mo, citron levant morocco, gilt centre ornaments, gilt edges, 
by Trautz-Bauzonnet. Paris: Nicolas Bonfos, 1572 


1020. DESPERIERS (BONAVENTURE). Cymbalum 
Mundi, ou Dialogues Satyriques sur différens Sujets. Nou- 
velle Edition. Frontispiece and 4 plates by F. de Bakker. 
12mo, half blue levant morocco gilt, gilt top, uncut. 

Amsterdam et Leipzig, 1753 


1021. DESPERIERS (BONAVENTURE). Cuvres Fran- 
eoises. 2 vols. 12mo, red levant morocco gilt, gilt edges, by 


Lortie. Paris, 1856 
* India paper copy. 


1022. DESPORTES (PHILIPPE). Les  Premiéres 
(Euvres. Au Roy de Pologne. 4to, red levant morocco gilt, 
gilt edges, by Thibaron-Joly. Paris: Robert Estienne, 1573 


* FIRST EDITION. 


1023. DE VINNE (THEODORE LOW). The Printers’ 
Price List. 12mo, half morocco, gilt top, uncut. N. Y., 1871 


1024. DE VINNE (THEODORE LOW). The Invention 
of Printing. A Collection of Facts and Opinions descriptive 
of early prints and playing cards, the block-books of the fif- 
teenth century, the legend of Lourens Janszoon Coster, of 
Haarlem, and the work of John Gutenberg and his associates. 
Illustrated with facsimiles of early types and woodcuts. 8vo, 
cloth, uncut. New York, 1876 


1025. DE VINNE (THEODORE LOW). The Practice 
of Typography: a treatise on the processes of type-making 
the point system, the names, sizes, styles and prices of Plain 
Printing Types. 12mo, cloth. New York, 1900 


* Presentation copy from the author. 


1026. DE VINNE (THEODORE LOW). The Practice 
of Typography Correct Composition a treatise on spelling 
abbreviations, the compounding and division of words, the 
proper use of figures and numerals, italic and capital letters, 
notes, ete. with Observations on Punctuation and Proof-read- 
ing. 12mo, cloth. New York, 1901 


* Presentation copy from the author. 
159 


1027. DIALOGUE (LE) de consolation entre lame et 
raison, faict et composé par ung réligeux de la reformation 
de lordre de Fontevrault (Francois Le Roy). Lettres 
batardes. Woodcut on the verso of title. 8vo, blue levant 
morocco, gilt panelled sides, the ARMs oF CHARLES LOUIS DE 
BoursBon, Count VILLAFRANCA on the centre of the covers, 
and his crowned monogram in the corners, gilt edges, by 
Lortic. Rare. Paris: Pierre Sergent, 1537 


1028. DIALOGUS CREATURARUM. Dyalogus creatur- — 
arum moralizatus omni materie morali iucundo et edificativo 
modo applicabilis. 103 unnumbered leaves, with signatures, 
34 lines to the page. With 122 curious and interesting out- 
line woodcuts and on the recto of the last leaf, above the 
colophon, a large cut of the arms of the city of Gouda. Folio, 
red levant morocco, gilt edges, by Trautz-Bauzonnet. [First 
blank missing. | Gouda: Gerardus de Leeu, 1482 


* A TALL copy. Hain, 6127; Campbell, 562; Proctor, 8929. 


1029. DIBDIN (CHARLES). The Cobler: or, A Wife of 
Ten Thousand. A ballad opera. In two acts. First Ept- 
TION. 8vo, morocco, by The Club Bindery. London, 1774 


10380. DIBDIN (CHARLES). Songs, naval and national, 
with a Memoir and Addenda. Characteristic sketches by 
George Crwkshank. First Epirion. 12mo, half brown 
levant morocco, gilt and inlaid back, gilt top, uncut, by 
Krafft. 3 | London, 1841 


1031. DIBDIN (THOMAS FROGNALL). Poems. Title- 
vignette by Poole. 8vo, new cloth, uncut. 
London: Printed for the author, 1797 


* Only 500 copies printed. Nearly the whole of the edition 
was destroyed. 


1032. [DIBDIN (THOMAS FROGNALL).] Brief Re- 
marks upon The Preface and Notes of G. A. Crapelet, attached 
to his Translation of the 30th letter of the Bibliographical, 
Antiquarian, and Picturesque Tour. Royal 8vo, boards, mo- 
rocco back (a few pages foxed). London, 1821 


* Only 36 copies printed. Presentation copy from the author. 


1033. DIBDIN (THOMAS FROGNALL). An Introduc- 
tion to the Knowledge of rare and valuable editions of the 
Greek and Latin Classics. Together with an account of 
polyglot Bibles, polyglot Psalters, Hebrew - Bibles, Greek 
Bibles and Greek Testaments; the Greek Fathers, and the 
Latin Fathers. . . Fourth Edition; greatly enlarged and cor- 
rected. 2: vols. 8vo, red levant morocco gilt, gilt edges, by 
Matthews. London, 1827 

160 


eg re 


1034. DIBDIN (THOMAS FROGNALL). A _ Biblio- 
graphical Antiquarian and Picturesque Tour in the Northern 
Counties of England and in Scotland. Numerous fine en- 
gravings, many on India paper. 2 vols. extended to 3, royal 
8vo, red levant morocco, gilt backs and side corners, gilt 
edges, by Bedford. London, 18388 


* LARGE PAPER COPY, extra-illustrated by the insertion of 152 
plates. The original illustrations are in duplicate, and there 
are many searce proofs, besides 13 of the cancelled pages. 


1035. [DIBDIN (THOMAS FROGNALL).] Corman 
(J. S.) & Turner (Mrs. D.). <A Series of Etchings adapted 
to illustrate Dr. Dibdin’s Bibliographical Tour in France 
and Normandy. 37 plates, proofs on India paper. Royal 
8vo, half morocco, gilt top. ieee ind. 


- 1036. DICKENS (CHARLES). Bleak House. 39 illus- 
trations by H. K. Browne. FIRST EDITION. 8vo, ealf, gilt 
back, gilt top, uncut, by Riviére. London, 1853 


1037. DICKENS (CHARUKHS). Little Dorrit. Illustra- 
tions by H. K. Browne. FIRST EDITION. 8vo, red levant 
morocco gilt, gilt top, uncut. With two original covers 
bound in. London, 1857 


1038. DICKENS (CHARLES). Our Mutual Friend. 
Illustrations by Marcus Stone. First EDITION. 2 vols. 
8vo, green levant morocco gilt, gilt edges, by David. 

London, 1865 


1039. DICKENS (CHARLES). The Mystery of Edwin 
Drood. 12 illustrations by S. L. Fildes, and a portrait. 
FIRST EDITION. 8vo, olive levant morocco gilt, gilt edges, 
by David. London, 1870 


1040. [DIDEROT (DENIS).] Le Pére de Famille, comé- 
die en cing Actes, et en Prose, avec un discours sur la 
poésie dramatique. FIRST EDITION. 12mo, green levant 
morocco, panels tooled in floral ornaments, gilt edges, by 
Chambolle-Duru. Amsterdam, 1758 


1041. DIDEROT (DENIS). CEuvres. Portrait. LARGE 
PAPER COPY. 22 vols. 8vo, half blue levant morocco, gilt 
tops, uncut, by David. Paris, 1821 


1042. DIDEROT (DENIS). Jacques le fataliste et son 
Maitre. Douze dessins de Maurice Leloir gravés a l’eau- 
forte par Courtry, De Los Rios, Mongin, Teyssonniéres. 
Imperial 8vo, green levant morocco, doublure of red levant, 
Roman border, gilt over rough edges, original covers bound 
in, by Cuzin. Paris, 1884 

* One of 130 copies on Japan paper, for subscribers, with the 
plates in two and three states. 


161 


1043. DIDOT (FRANCOIS AMBROISE). Essai de Fables 
Nouvelles dediées au Roi; suivies de poésies diverses et 
d’une épitre sur les progrés de l’imprimerie. 12mo, half 
red morocco, uncut. Paris, 1786 

* This is probably the only copy printed on vellum. 


1044. DIEULAFAIT (LOUIS). Diamants et pierres 
précieuses. Owvrage illustré de 180 vignettes par B. Bon- 
nafoux, P. Sellier, A. Marie, ete. China paper edition. 
12mo, half cloth. Paris, 1871 


1045. [DIGBY (KENELM HENRY).] The Broad Stone 
of Honour; or Rules for the Gentlemen of England. §8vo, 
blue morocco, richly tooled, gilt edges, by Lewis. 

London: Rivington, 1823 


* LARGE PAPER Copy of the Second Edition, published anony- 
mously, while the author was a Protestant. On becoming a 
Roman Catholic, he rewrote the work. 


1046. DIGUET (CHARLES). Les Jolies Femmes de 
Paris. Vingt eaux-fortes par Martial; ornements par 
Morin. 8vo, half red levant morocco gilt, gilt top, uncut, 
with the original vellum wrappers bound in. Limited edi- 
tion. Paris, 1870 


1047. DILKE (THOMAS). The Lover’s Luck: a Comedy. 
FIRST EDITION. Small 4to, calf gilt, gilt edges, by Lloyd 
& Wallis. London: Printed for Henry Playford, 1696 


1048. DILKE (THOMAS). The City Lady; or Folly 
Reclaim’d. A Comedy. FIRST EDITION. Small 4to, half 
blue ealf. London: Printed for H, Newman, 1697 


1049. DILKE (THOMAS). The Pretenders; or, The 
Town Unmaskt. A Comedy. FIRST EDITION. 4to, half 
brown levant morocco, gilt edges, by Riviére. 

London: Printed for Peter Buck, 1698 


1050. DILLON (JOHN). Retribution; or, the Chieftain’s 
Daughter. A tragedy, in five acts. FIRST EDITION. 8vo, 
morocco, by The Club Bindery. London, 1818 


162 


# 


yee i ee ae a, en eS) ee On has” Pe ee ee 


RO ee Ee he Oe tN re 


TWENTY-SIXTH SESSION, THURSDAY, 2:30 P. M. 


1051. DILWORTH (W. H.). The Life of Alexander 
Pope, Esq.; with a View of his Writings, and Many curious 
Anecdotes of his noble patrons. As well as of the Cotem- 
porary Wits, Friends, and Foes. Portrait. 12mo, red 
levant morocco gilt, fancy panels, gilt edges, by The Club 
Bindery. London, 1759 


1052. DIODORUS SICULUS. Les troys premiers livres 
de histoire de Diodore Sicilien historiographe grec, trans- 
latez de latin en francoys par Anthoine Macault. Ruled 
throughout with red ink. Title within a woodcut border, 
full-page woodcut of Francis I listening to the reading of 
a book, large and small ornamental initials, and Geofroy 
Tory’s device of the ‘‘ Pot cassé”’ on last leaf. 4to, red velvet, 
gilt edges. 

Paris: en la rue de la Juifverie devant la Magdalaine a 
Venseigne du Pot Cassé (Olivier Mallard), 1535. 

* PRINTED ON VELLUM; OF EXTREME RARITY. The large 
woodcut mentioned above is regarded as Tory’s masterpiece. 
it having been used by Mallard when he took over the stock of 
Tory, who died in 1533. This copy belonged to FRANCOIS DE 
BouRBon, Duc d’Estouteville, grand-uncle of Henry IV: his 
arms, quartered with those of Estouteville, are painted in gold 
and colors on the verso of the title, together with his motto 
‘‘non est mortale quod opto.” From the libraries of the Duc 
de La Valliére, MacCarthy-Reagh, Baron Pichon and Lord Ash- 
burnham, since rebound. 


1053. DIODORUS SICULUS. Sept livres des Histoires de 
Diodore Sicilien nouvellement traduyts de gree en francoys 
(par Jacques Amyot). Folio, red levant morocco, gilt 
panels, gilt edges, by Niédreé. 

Paris: Michel de Vascosan, 1554 

1054. DIOGENES LAERTIUS. Vite Philosophorum. 
Roman characters. 186 unnumbered leaves without signa- 
tures and catchwords, 84 lines to the page. Small folio, 
brown straight-grain morocco, gilt watered silk linings, 
gilt edges, by Simier. (Last blank leaf cut away.) 

Venetius: Nicholaus Jenson, 1475 

* First EDITION, tall copy. Dibdin, Moss and other bibliog- 
raphers unite in describing this as one of the finest specimens 
of the typographical work of Jenson, and one of the most beauti- 
ful volumes printed in the 15th century. Hain-Copinger, 6199; 


Proctor, 4095. 
163 


1055. DISRAELI (BENJAMIN). The Revolutionary 
Epick. The work of Disraeli the Younger. FIRST EDITION. 
Only 50 copies printed. 4to, boards, uncut. London, 1834 


1056. [D’ISRAELI (ISAAC).] Quarrels of Authors; or, 
Some memoirs for our Literary History. Portrait inserted. 
3 vols. 12mo, half russia, gilt tops, uncut. London, 1814 


* Contains a letter from D’Israeli, in the third person, also 
a presentation inscription. 


1057. [DDISRAELI (ISAAC).] Curiosities of Literature. 
Sixth Edition. 3 vols. 8vo, half russia, gilt tops, uncut. 
London, 1817 


1058. D’ISRAELI (ISAAC). Curiosities of Literature, 
by I. D’Israeli, Esq. Illustrated by Bolton Corney, Esq., 
... Second edition, revised and acuminated. Small 8vo, 
red straight-grain morocco gilt, gilt top, uncut, by The Club 
Bindery. London, 1838 


1059. DOBREE (SAMUEL). The Book of Death. Two 
plates on India paper. 8vo, boards, uncut. 


London: W. Bulmer, 1819 
* Only 60 copies privately printed. 


1060. DOBSON (AUSTIN). Vignettes in Rhyme, and 
Vers de Société (now first collected). FIRST EDITION. 
12mo, original cloth, uncut. London, 1873 


1061. DOBSON (AUSTIN). Proverbs in Porcelain, and 
other Verses. FIRST EDITION. 12mo, cloth. London, 1877 


1062. DOBSON (AUSTIN). Eighteenth Century Essays. 
First EDITION. Frontispiece on India paper. 8vo, blue 
levant morocco, gilt borders, gilt top, uncut, by The Club 
Bindery. London, 1882 


* One of 50 copies on Large Paper. 


1063. DOBSON (AUSTIN) Old-World Idyls and other 
Verses. Frontispiece. 12mo, brown levant morocco, gilt 
top, uncut. London, 1883 


* LARGE PAPER COPY OF THE FIRST EDITION, limited to 50 
copies signed by the Author. George Boughton’s copy, with 
the MANUSCRIPTS of two ‘‘ occasional poems ” by Dobson, signed 
and dated, and two one-page letters from Dobson to Boughton 
inserted, one thanking the latter for a painting. 

One of the poems commences: 


‘The spring will come, but ah! will she 
The girl that Boughton promised me 
%* * %* * * 


Then by and by the crowd will rush 
To praise these fruits of Boughton’s brush.” 


1064. DOBSON (AUSTIN). Old-World Idylls and other 
Verses. FIRST EDITION. 12mo, cloth, gilt top, uncut. 
London, 1883 


164 


ae ee ae 


Las tee Sepa eee | Se 


soy a aire ihe 2 


Te ae) ee ee eee eee eS ee oe ee 


1065. DOBSON (AUSTIN). Thomas Bewick and his 
Pupils. 95 illustrations. 4to, half vellum, uncut. 
London, 1884 
* Special edition. One of 200 copies printed for England. 


1066. DOBSON (AUSTIN). At the Sign of the Lyre. 
FIRST EDITION. Frontispiece. Post 8vo, blue levant mo- 
rocco, gilt edges, by The Club Bindery. London, 1885 

* One of 75 Large Paper copies, autographed by the author. 


1067. DOBSON (AUSTIN). At the Sign of the Lyre. 
FIRST EDITION. Frontispiece by H. A. Abbey. 12mo, 
cloth. London, 1885 


1068. DOBSON (AUSTIN). A Memoir of Thomas Be- 
wick, written by himself. Hmbellished by nwmerous wood 
engravings, designed by the author fora Work on British 
Fishes. A New Edition, Prefaced and Annotated by 
Austin Dobson. Large 8vo, cloth, uncut. 

Neweastle-upon-Tyne, 1887 


1069. DOBSON (AUSTIN). Life of Oliver Goldsmith. 
FIRST EDITION. 8vo, cloth, gilt top, uncut. London, 1888 


1070. DOBSON (AUSTIN—Editor). Prior (Matthew). 
Selected Poems of Matthew Prior. With an Introduction 
and Notes by Austin Dobson. Etched portrait by G. W. 
Rhead. 12mo, cloth, gilt top, uncut. London, 1889 

* Autograph presentation copy from Austin Dobson, with the 
following inscription and manuscript notes in his autograph on 
fly-leaf : 

‘‘For Robert Hoe, with best wishes fr. Austin Dobson, 
16, ix, 1904. 

‘““N. B. I find I said nothing about the 1716 edition here; 
but when the Introduction was reprinted in the third series 
of the Eighteenth Century Vignettes, 1896, I added the fol- 
lowing footnote to p. 254 of that volume: 

“““A second unauthorised collection appeared in 1716, 
which he [Prior] expressly repudiated by notice in the Lon- 
don Gazette for March 24 in that year.’ ”’ 


1071. DOBSON (AUSTIN). Horace Walpole. <A Me- 
moir. With an Appendix of Books Printed at the Straw- 
berry Hill Press. Illustrations by Percy and Léon Moran. 
ues. 8vo, red'levant morocco, uncut, by R. W. Smith. 

New York: Dodd, Mead & Co., 1890 


* One of four copies on vellum; EXTRA-ILLUSTRATED ne the 
insertion of 10 original drawings by Léon Moran, and a set of 
plates in three states. 


1072. DOBSON (AUSTIN). William Hogarth. Portraits. 
and plates. 8vo, olive levant morocco, gilt panels, gilt top, 
uncut, by The Club Bindery. New York and London, 1891 

* EXTRA-ILLUSTRATED by the insertion of 103 plates after the 
designs of Hogarth. 


165 


1073. DOBSON (AUSTIN). The Ballad of Beau Brocade, 
and other Poems of the XVIIIth Century. FIRST EDITION. 
50 illustrations by Hugh Thompson on Japan paper. Royal 


8vo, cloth, uncut. London, 1892 
* One of a limited edition on Large Paper. 


1074. DOBSON (AUSTIN). Eighteenth Century Vig- 
nettes. FIRST EDITION. 7 plates on India paper. 4to, 
half vellum, uncut. London, 1592 

* One of 250 copies on Large Paper. 


1075. DOBSON (AUSTIN). Proverbs in Porcelain, to which 
is added ‘‘Au Revoir,’’ a Dramatic Vignette. FIRST EDITION. 
24 wlustrations. Small 4to, cloth, uncut. London, 1893 


1076. DOBSON (AUSTIN). Eighteenth Century Vig- 
nettes. Second Series. FIRST EDITION. J6 dllustrations. 
Ato, half vellum, uncut. London, 1894 

* One of 200 copies printed on Large paper. 


1077. DOBSON (AUSTIN). Poems on Several Occasions. 
Illustrations an two states by Lalauze, signed by the artist, 
and portrait by Strang. 2 vols. 8vo, red levant morocco, 
gilt fillets, gilt tops, uncut, by The Club Bindery. 

New York: Dodd, Mead and Co., 1895 


* One of 50 copies on Japan paper. 


1078. DOBSON (AUSTIN). The Story of Rosina, and 
other Verses. First EDITION. Illustrations on Japan and 
India paper by Hugh Thompson. 4to, buckram, uncut. 

* One of 250 copies on Large paper. London, 1895 


1079. DOBSON (AUSTIN). A Postscript to Dr. Gold- 
smith’s Retaliation, being an Epitaph on Samuel Johnson. 
4to, half red morocco. 

[Oxford: Clarendon Press], Printed in June, 1896 

* Only a few copies printed. Signed by the author. Mr. 
Dobson has stated in regard to this: ‘‘I wrote the ‘ Postscript’ 
in 1896, to be read at the Johnson dinner at Pembroke College, 
Oxford,” etc. 

1080. DOBSON (AUSTIN). . Verses Read at the Dinner 
of the Omar Khayyam Club on Thursday, 25th March, 
1897. 8vo, half red morocco, uncut, original covers bound 
in: London: Chiswick Press, 1897 


*One of 100 copies printed for Edmund Gosse in March, 
1897, to be presented to the members of the Omar Khayyam 
Club as a memento of his Presidency. 

1081. DOBSON (AUSTIN). Carmina Votiva and Other 
Occasional Verses. FIRST EDITION. Square 12mo, maroon 
levant morocco, gilt borders, gilt over rough edges, original 
covers bound in, by The Club Bindery. 

. London: Printed for private circulation, 1901 
* One of a limited edition signed by the author, 

1082. DOBSON (AUSTIN). Side-Walk Studies. First Ept1- 

TION. Illustrations. 12mo, cloth, gilt top, uneut. London,1902 
166 


2. Pepe: 
ay heer Nh 


1083. DOCTRINE (LA) et instruction que baillent et 
monstrent les bons péres a leurs enfants; Le testament du 
peéere lequel il laissa a son fils. Gothic letter; five woodcuts, 
one repeated. 8vo, green levant morocco, doublure of red 
levant, gilt centre ornaments, gilt edges, by Bauzonnet. 

Lyon: Guillaume Balsarin, 1523 
* From the Firmin Didot and Yemeniz Collections. 


1084. [DODSLEY (ROBERT).] The Economy of Human 
Life. Translated from an Indian Manuscript, written by 
an ancient Bramin. Small 8vo, polished ecalf gilt, gilt 
edges. London, 1751 


* FIRST EDITION. LARGE PAPER COPY, with the engraved 
frontispiece in the finished state. 


1085. DODSLEY (ROBERT). A Select Collection of 
Old Plays. <A new Edition with additional notes and cor- 
rections by I. Reed, O. Gilchrist and J. P. Collier, with 
Five Old Plays forming a Supplement. 13 vols. 8vo, half 
olive morocco, gilt tops. London, 1825-33 

* Large Paper copy. 


1086. DONDEY (THEOPHILE). Poésies Posthumes de 
Philothée O’Neddy (Théophile Dondey). 12mo, half red 
levant morocco, gilt top, uncut, by Rousselle. Paris, 1877 

* One of 75 copies on Holland paper. 


1087. DONI (ANTONIO FRANCESCO). I Marmi del 
Doni, Academico Peregrino. Portraits and numerous other 
alustrations engraved on wood, after the designs of the 
printer, Marcolint. FIRST EDITION. 4 parts in 1 vol. 4to, 
red levant morocco gilt, gilt edges, by Riviére (washed and 
small defect in title-page, which contains also the library 
stamp of Cardinal Alexandrod’Kste). In Vinegia, 1552-53 


1088. DONI (ANTONIO FRANCESCO). Les Mondes 
celestes, terrestres et infernaux. Le Monde petit, grand, 
imaginé, meslé, risible, des sages et fols, et le tresgrand; 
VEnfer des escoliers, des mal mariez, des putains et ruf- 
fians, ete. 15 woodcuts. 8vo, blue levant morocco gilt, 
dentelle Vise gilt edges, by Trautz-Bauzonnet. 

Lyon: Estienne Michel, 1580 


1089. DONNAY (MAURICE) ET DESCAVEKS (LUCIEN). 
La Clariére Comédie en cing actes, en prose. 12mo, olive 
green levant morocco gilt, gilt top, uneut, original covers 
bound in, by The Club Bindery. 

Paris: Editions de la Revue Blanche, 1900 


* One of 20 copies on vellum paper ‘‘ Tiruge special pour 
les XX,” with the signatures of the authors. 


1090. DONNE (JOHN). The Works of John Donne, 
Dean of Saint Paul’s, 1621-1631. With a Memoir of his 
Life, by Henry Alford. Portrart. 6 vols. 8vo, sprinkled 
ealf gilt, gilt edges, by Pratt. London, 1839 


167 


1091. DONNE (JOHN). Unpublished Poems of Donne. 
4to, boards, uncut. [n. p.—n. d.] 


* A LARGE PAPER COPY, with a letter from the editor [dated 
1858], John Simeon, to Sir F. Madden inserted. 


1092. DORAN (JOHN). New Pictures and Old Panels. 
Portrait. 12mo, half brown levant morocco gilt, gilt top, 
uncut, by V. Krafft. London, 1859 


* Extra illustrated by the insertion of 59 portraits and views. 


1093. DORAN (JOHN). ‘‘ Their Majesties’ Servants.’’ 
' Annals of the English Stage from Thomas Betterton to 
Edmund Kean. Edited and revised by Robert W. Lowe. 
50 copper-plate portraits and SO woodcuts. 3 vols. royal 


Svo, cloth, uncut. London, 1888 
* LARGE PAPER COPY, 300 printed, with the plates in two 
states. 


1094. DORAT (CLAUDE JOSEPH). Lettre de Zéila; 
Lettre de Barnevelt; Le Pot-Pourri; Lettre d’Alcibiade @ 
Glicere. With 9 plates, 10 vignettes and 9 culs-de-lampe 
by Longueil, after Hisen. 8vo, calf gilt, gilt edges. 

Paris: Sebastien gorry, 1764 


* First EDITIONS of the two last works on Holland paper. 
Bound with the Marquis of Pezay’s ‘‘ Zelis au Bain.” 


1095. DORAT (CLAUDE JOSEPH). Les Baisers, pre- 
eédés du Mois de Mai, poéme. Frontispiece engraved by 
Ponce, after Hisen, a full-page plate by de Longueil, 23 
vignettes, and 22 culs-de-lampe engraved by Aliamet, Ba- 
quoy, Binet, Delaunay, Lingée, de Longueil, Masquelier, 
Massard, Née and Ponce, after Eisen. 8vo, citron levant 
morocco, covered with a rich mosaic design in red morocco, 
outlined in dark green morocco bands, the mosaics orna- 
mented with small gilt circles, flowers, ete., doublure of 
olive brown morocco, gilt dentelle borders, in the manner 
of Derome, gilt edges, in a green morocco ease, by Marius 


Michel. La Haye et Paris: Lambert & Delalain, 1770 
*On Holland paper, with title printed in red and black. 
One of the masterpieces of 18th century engraving. 


1096. DORAT (CLAUDE JOSEPH). Recueil de Contes 
et de Poémes, par M. D * * *, ci-devant mousquetaire. 
Troisiéme édition augmentée de l’Hermitage de Beauvais. 
Proofs before letters of the 7 plates and 10 vignettes, en- 
graved by Massard, de Longueil, and de Ghendt, after the | 
designs of Hisen. 8vo, blue levant morocco gilt, with crest, 
gilt edges, by Chambolle-Duru. La Haye, 1770 


* LARGE PAPER COPY. Contains Selim and Selima; Irza et 
Marsis ou Visle merveilleuse; Alphonse; Les Cerises; La 
Meprise, lettre de Zelia; Lettre de Julie. 


168 


: 


1097. DORAT (CLAUDE JOSEPH). Fables nouvelles. 
2 frontispieces engraved by De Ghendt, after Marillier, 1 
plate (repeated) by Delaunay, after Marillier, 1 fleuron, 99 
vignettes, and 99 tail-pieces by Arrivet, Baquoy, Delaunay, 
Duflos, etc., after Marilliier. 2 vols.in 1. 8vo, green levant 
morocco, gilt tooled dentelle borders, in the manner of 
Derome, doublure of red morocco, gilt borders, gilt over 
rough edges, by Cuzin. La Haye et Paris, 1773 


* LARGE PAPER COPY. 


1098. DORAT (CLAUDE JOSEPH). Recueil de Contes 
et de Poémes par M. D***. Quatriéme édition; Corrigée 
par l’Auteur, augmentée du Coureur alerte & dela Mois- 
sonneuse. 6 plates and 4 vignettes by Hisen. 8vo, half 
green levant morocco gilt, gilt top, uncut, by All6. 

La Haye: Delalain, 1776 


1099. DORAT (CLAUDE JOSEPH). Poésies. Portrait, 
with vignette below, engraved by N. Delaunay, after Denon. 
4 vols. 24mo, old red morocco gilt, gilt edges. Genéve, 1777 


* FIRST EDITION, 


1190. DORNIS (JEAN). Les Fréres d’Election. llus- 
trations de Myrbach, gravées sur bois par EH. Steinmann. 
8vo, three-quarter maroon levant morocco, uncut, original 
covers bound in, by Carayon. Paris, 1896 


* One of 60 copies on India paper. 


1101. DOUCET (JEROME). Princesses de Jade et de 
Jadis. ORIGINAL: WATER-COLOR DRAWINGS BY LORANT- 
HEILBRONN. Royal 4to, blue levant morocco, borders of in- 
terlaced narrow bands inlaid in red morocco, within gold 
lines, mosaic back, doublure of brown levant, blind tooled 
dentelle borders, with gold pointillé, silk linings, gilt edges, 
by Carayon, in a case. 


* UNIQUE COPY, COMPRISING THE 58 ORIGINAL WATER-COLORS 
ILLUMINATED IN GOLD AND SILVER, BY LORANT-HEILBRONN, 
THE TEXT ENTIRELY WRITTEN BY THE ARTIST for the edition 
printed for the ‘‘ Société d’Editions d’Art,” and used for the 
publication of the work. From the collection of Albert 
Bélinac. 


1102. DOUGLAS (GAVIN). The Poetical Works of 
Gavin Douglas, Bishop of Dunkeld, with memoir, notes, 
and glossary by John Small, M.A., F.S.A.Seot. Hac- 
similes. 4 vols. 8vo, brown morocco, gilt panels, doublure 
of vellum, gilt tops, uncut. Edinburgh, 1874 


* Printed on vellum. 
169 


1103. DOWSON (ERNEST CHRISTOPHER). The 
Pierrot of the Minute: a dramatic phantasy in one act. Writ- 
ten by Ernest Dowson. Frontispiece, Initial Letter, Vignette, 
and Cul-de-lampe by Aubrey Beardsley. Royal 8vo, cloth, 
gilt. One of 300 copies. London, 1897 


1104. DRAKE (JOSEPH R.) ann HALLECK (FITZ- 
GREENE). The Croakers. Royal 8vo, olive green levant 
morocco, gilt fillets, gilt edges, by The Club Bindery. 


New York: (The Bradford Club), 1860 . 


* ONE OF 100 COPIES PRINTED.  Extra-illustrated with 66 
plates, including portraits and early views of New York, many 
in proof state. 


1105. DRAKE (NATHAN). Evenings in Autumn: a 
Series of Essays, narrative and miscellaneous. 2 vols. 12mo, 
half citron levant morocco, gilt tops, uncut. London, 1822 


1106. DRAKE (NATHAN). Noontide Leisure; or, 
Sketches in Summer, outlines from nature and imagination, 
and including a Tale of the Days of Shakespeare. 2 vols. 
12mo, half citron levant morocco, gilt tops, uncut. 

London, 1824 


1107. DRAKE (NATHAN). Mornings in Spring; or re- 
trospections, biographical, critical, and historical. 2 vols. 
12mo, half citron levant morocco, gilt tops, uncut. 

: London, 1828 


1108. DRAYTON (MICHAEL). Englands Heroicall 
Epistles. Newly Corrected, With Idea. FourtH Epirion(?) 
Small quarto, original limp vellum, names written on title- 
page. London: Printed by I. R. for N. L., 1600 


* Described by Hazlitt as the only copy known; not mentioned 
by Lowndes. 


1109. DRAYTON (MICHAEL). To the Maiestie of King 
James. A gratulatorie Poem by Michaell Drayton. Small 
4to, red levant morocco, gilt panels, gilt edges, by The Club, 
Bindery. 3 

At London Printed by James Roberts, for T. M. and H. L. 
1608. 


* THE Figst EDITION; with a curious copperplate genealogical 
tree bound at the end. 


1110. DRAYTON (MICHAEL). Poems. 12mo, old limp 
vellum. (Margins of title repaired, lacks over 100 leaves in 
the centre of the volume.) London: Printed for N. Ling, 1605 


* First EDITION. 
170 


* es 


Le ee ee) ee 


1111. DRAYTON (MICHAEL). Poly-Olbion. By Michael 
Drayton Esqr. Engraved title, double-page copper-plate 
maps, portrait of the Prince of Wales by Hole, and portrait 
of John Selden by White wserted. Small folio, red levant 
morocco gilt in early 17th century English manner, gilt over 
marbled edges, by The Club Bindery. (Slight repairs to leaf 
‘‘Upon the frontispiece’’ and engraved title, ete.) 

London: For M. Lownes, I. Browne, I. Helme and I. Busbie, 
n. d. [1612] 

* FIRST ISSUE OF THE FIRST EDITION OF THE FIRST PART (eight- 
een songs) indicated by the absence of a printed title and table, 
and having the portrait of Prince Henry in proof state, before 
the inscription. 

EXTREMELY RARE, APPARENTLY UNKNOWN TO HAZLITT AND 
OTHER BIBLIOGRAPHERS of the works of Drayton, who refer only 
to the second edition of 1613. John Selden edited the volume 
and appended many descriptive notes to the songs. Drayton 
wrote of this edition ‘‘ Some of the stationers, that had the sell- 
ing of the first part of this poem, because it went not so fast 
away in the sale as some of their beastly and abominable trash 
; . have either despitefully left out, or at least carelessly 
neglected, the Epistles to the readers, and so have cogened the 
buyers with unperfected books.’’ 


1112. DRAYTON (MICHAEL). Poems; newly Corrected 
by the Author. [Probably the sixth edition.]| Small 8vo, 
original limp vellum covers, with ties. 

London: W. Stansby for John Smethwicke, 1613 
* Collation the same as in the 1610 edition, except for two 
final blank leaves. . 

1113. DRAYTON (MICHAEL). The Battaile of Agin- 
court. Fought by Henry the fift of that name, King of Eng- 
land, against the whole power of the French: under the 


- Raigne of their Charles the sixt, Anno Dom. 1415. The 


Miseries of 'Queene Margarite, the infortunate Wife of that 
most infortunate King Henry the sixt, ete. Portrait of Dray- 
ton by W. Hole. Small folio, citron levant morocco gilt, gilt 
edges, by Mercier, in brown levant case. The bottom of sig. 
C.* is folded upwards, showing the full uncut leaf. 

London: Printed for William Lee, :1627 


* First Epirion, with the Final blank leaf. 


1114. DRAYTON (MICHAEL). Poems by Michael Dray- 
ton Esquyer. Newly Corrected & Augmented. Engraved 
title, with four foliage-entwined pillars. Small 8vo, citron 
levant morocco gilt, gilt edges, by David. (Several corners 
repaired. ) 

London Printed by Willi: Stansby for John Smethwick 


[1630] 
* Probably the fourth collected edition. One of a few copies 
with the rare pages 465-496 ‘‘TIdea.’’ 


171 


1115. DRAYTON (MICHAEL). The Muses Elizivm, 
Lately discouered, by a new way over Parnassvs. The pas- 
sages therein, being the subiect of ten sundry Nymphalls. 
Leading three Diuine Poemes, Noahs Floud.' Moses, his Birth 
and Miracles. David and Golia. First Eprrion. Small 4to, 
brown levant morocco, gilt tooling, gilt edges, by Riviére. 
(Some margins repaired. ) 

London: Thomas Harper, for John Waterson, 1630 


1116. DRAYTON (MICHAEL). The Works of Michael 
Drayton, Esq.; a Celebrated Poet in the Reigns of Queen 
Elizabeth, King James I and Charles I. Portrait. 4 vols. 8vo, 
citron morocco gilt, gilt edges. 

London: Printed for W. Reeve, 1753 


1117. DROZ (GUSTAVE). Monsieur, Madame & Bébé. 
Edition allustrée par Edmond Morin, et ornée d’un portrait 
de l’auteur en frontispiece, gravé par Léopold Flameng. 
Imperial 8vo, three-quarter morocco, uncut. Paris, 1878 

* One of 50 copies on Whatman paper. 


1118. [DRYDEN (JOHN).] Lachryme Musarum: The 
Tears of the Muses; Exprest in Elegies; written by divers 
persons of Nobility and Worth upon the death of the most 
hopefull, Henry Lord Hastings. Only sonn of the Right 
Honourable Ferdinando Earl of Huntingdon. Collected by 
and set forth by R.‘B. Frontisprece. Small 8vo, dark blue 
morocco, decorated with panels of stamped leather surrounded 
by a floriated design of red and green inlays, gilt edges, by 
Riviere, in a morocéo case. London: Printed by T. N., 1650 

* Pages 88-92 contain Dryden’s first published work: ‘‘ Upon 


the death of the Lord Hastings.’’ There are also contributions 
by Herrick, Denham, Marvel, Brome, Campion, ete. 


1119. DRYDEN (JOHN). The Tempest, or the Enchanted 
Island. A Comedy. As it is Now Acted at Their Majesties 
Theatre in Dorset-Garden. THIRD Epirion. Small 4to, red 
levant morocco gilt, by F. Bedford. 

London: Printed by J. M. for H. Herringman; and sold 
by R. Bentley, 1690. 


1120. DRYDEN (JOHN). Fables, Ancient and Modern; 
Translated into Verse, from Homer, Ovid, Boccace, and 
Chaucer: with original poems. FourtH Epirion. Hngraved 
frontispiece by Van der Gucht and a portrait by Vertue (in- 
serted). 12mo, polished calf gilt, gilt edges, by F. Bedford. 

London: Jacob Tonson, 1734 


1121. DRYDEN (JOHN). The Works, now first collected. 
Illustrated with notes, historical, critical, and explanatory, 
and a Life by Sir Walter Scott. Portrait. 18 vols. 8vo, blue 
ealf, gilt and blind tooled. London, 1821 


172 


1122. DU BARTAS (GUILLAUME DE SALUSTE, 
SEIGNEUR). Commentaires et Annotations sur la Sep- 
maine de la Création du monde. Engraved title. 4to, old 
French reddish brown morocco, tooled and gilt in a pattern 
of lozenges formed by intersecting leaf-sprays, the centre of 
each containing two interlaced Bs, the same monogram, but 
of a larger size in the centre of the covers, within a wreath, 
gilt edges, possibly bound for Lion pE BouTHILuiErR, ComTE 
DE CHAVIGNY, minister of state in a morocco ease. (Binding 
restored in places.) 

Paris: Abel l’Angelier, de 1’Imprimerie de Pierre Chevillot, 
1583. 


1123. DU BARTAS (GUILLAUME DE SALUSTE, 
SEIGNEUR). Bartas: His Devine Weekes and Workes 
Translated: & Dedicated to the Kings most excellent Maiestie, 
by Josuah Sylvester. Woodcuts. 4to, light brown levant 
morocco gilt, doublure of the same, gilt corner and centre 
ornaments, gilt edges, by Chambolle-Duru. 

At London: Printed by Humfrey Lownes, 1605 


*<¢<«The first edition of Sylvester’s translation was a small 
8vo, London, 1598, of which no perfect copy is known. This is 
a Large Paper copy of the first collected edition. Many of the 
separate parts had been translated by different hands and 
previously published.’’—Hoe Catalogue. 


1124. DU BARTAS (GUILLAUME DE SALUSTE, 
SEIGNEUR). Bartas his Devine Weekes & Workes Trans- 
lated: & Dedicated To the Kings most excellent Maiestie by 
Josuah Sylvester. Engraved title (corner supplied) and 
woodcuts. Second collected edition. 4to, brown levant 
morocco, gilt borders, gilt edges, by The Club Bindery. 

Printed at London By Humphray Lownes, 1608 


* A number of minor pieces have been omitted in this edition, 
—all after ‘‘The Triumph of Faith’’ in the collation of the 
edition of 1605. 


1125. DU BARTAS (GUILLAUME DE SALUSTE, 
SEIGNEUR). Du Bartas his Diuine Weekes And Workes 
with A Compleate Collectid of all the other most delight-full 


Workes Translated and written by } famous Philomusus, 
Iosvah Sylvester Gent. Frontispiece title 1. compartments 
by Elstracke, and numerous ornaments throughout. Folio, 
brown levant morocco, richly tooled in borders, gilt edges, by 
The Club Bindery. 

London printed by Humphray Lownes [1621] 


* Fifth collected edition of Sylvester’s translations of Du 
Bartas, and the first collected edition of his translations and 
original poems. Contains Thomas Hudson’s translation of ‘‘ The 
History of Judith. ’’ 


178 


1126. DU BEC (JEAN). Histoire du Grand Tamerlanes, 
ou sont deserits les rencontres, escarmouches, batailles, siéges, 
assauts, escallades, prinses de villes & places fortes, deffendués 


& assaillies auec plusieurs stratagemes de guerre, qu’il a con- | 


duites & mises a fin, durant son régne, de quarante ou cin- 
quante ans. Frontispiece portrait. 12mo, blue levant morocco, 
gilt edges, by Capé. Paris: Daniel Guillemot, 1612 


1127. DU BOIS (HENRI PENE). Historical Essay on 
the Art of Bookbinding. 12mo, wrappers, uncut. 


New York, 1883. 


* Autograph presentation copy from the author. 


1128. DU BOIS (HENRI PENE). American Bookbind- 
ings in the Library of Henry William Poor. Jllustrated in 
gold-leaf and colors by Edward Bierstadt. 8vo, cloth, 
uncut. New York, 1903. 


* One of 35 copies on Imperial Japan paper. Printed at the 
Marion Press. 


1129. DU CAMP (MAXIME). Une Histoire d’ Amour. 
Portrait by Lamotte and 8 illustrations in three states, en- 
graver’s etching, proofs before and after the engraver’s name, 
by Bulard. 16mo, orange levant morocco, tooled in fillets, 
gilt over rough edges, original covers bound in, by Cham- 
bolle-Duru. Paris, 1888. 


* One of 100 copies on Japan paper. 


1130. DUCHAT (YVES). Relation dv Voyage de Gode- 
froy de Bvillon, En la Palestine. Contenant se qui s’est 
passé en Assie, entre les Barbares, & Tures, contre les 
Francois, & autre Prince Chrestiens, pour la deliuerance, 
de la Iudee, & du 8. Sepulchre. Ensemble les sieges, com- 
bats & prises d’Antioche, de Hierusalem, de Nicee, & autre 


villes de Iudee, & d’Egipte, & reduction de la Capadoce, & 


autre Prouinces. Small 8vo, red moroeeo, narrow chain 

borders on the sides, purple moiré silk linings, gilt edges, 

by Bozerian. Paris: [ean Petit-par, 1636. 
* The Beckford copy. 


1131. [DUCHE DE VANCY.] Histoires Edifiantes. 
Pour servir de Lecture aux jeunes Personnes. 12mo, old 
blue morocco, the (second) ARMS OF THE MARECHAL DE. 
RICHELIEU in the centre, dentelle borders, rose silk linings, 
gilt edges. Paris, 1757 


1132. DUCHESNE AINE (JEAN). Essai sur les Nielles, 


gravures des orfévres florentins du XVe siécle. Nwmerous 


plates on India paper. 4to, half red morocco, gilt top, 


uncut. Paris, 1826. 


* One of six copies on large Holland paper. 
174 


Rae rte 


3 


1133. DUCLOS (CHARLES PINOT, SIEUR). Acajou 
et Zirphile. Conte. 4to, green straight-grain morocco, 
corners ornamented with small tools, gilt edges, by R. de 
Coverley. a Minutie, 1744 


*This romance was written to utilize the ten plates afte? 
Boucher’s designs engraved by Chedel for the story called 
‘* Paunillane ou l’Infante jaune,” 1741, by the Comte de Tessin, 
Swedish Minister to France. Two copies iv quarto were printed 
at the author’s expense, after which he returned to Sweden. 
His publisher, Prault, wishing to use the plates, engaged 
Duclos to write the present romance. 


1134. DUCLOS (CHARLES PINOT, SIEUR). Histoire 
de Louis XI. FIRST EDITION. 2 vols. 12mo, green morocco 
gilt, gilt edges, by Derome. La Haye: Jean Neaulme, 1745 


1135. DUCLOS (CHARLES PINOT, SIEUR). La Reine 
de Goleonde. Conte. FIRST EDITION. 12mo, original 
paper wrappers, uncut. Paris, 1768 


1136. DUCLOS (CHARLES PINOT, SIEUR). (C£,uvres 
morales et galantes, suivies de son voyage en Italie. Por- 
trait by Delvaux, after Cochin. 4 vols. 8vo, red straight- 
grain morocco, gilt edges. Paris: Des Essarts, 1797 


1137. DUCLOS (CHARLES PINOT, SIEUR). Mémoires 
Secrets sur le Régne de Louis XIV, la Régenee, et le Régne 
de Louis XV. 2 vols. 8vo, half maroon levant morocco, 
gilt tops, uncut, by Rousselle. Paris, 1864 

* One of 195 copies on Holland paper. 


1138. DUDLEY (DOROTHY). The Cambridgeof 1776: 
with which is incorporated the Diary of Dorothy Dudley. 
Numerous illustrations. 8vo, cloth, gilt top. 

Cambridge, 1876 


1139. DUER (WILLIAM A.). Reminiscences of an Old 
New Yorker. 4to, cloth, uncut. 
3 New York: W. L. Andrews, 1867 


* Presentation copy from the publisher. One of 35 copies. 


1140. DUFF (EDWARD GORDON—HKditor). The Dia- 
logue or Communing between the Wise King Salomon and 
Marcolphus. Frontispiece. Square 8vo, cloth, uncut. 350 
copies printed. London, 1892 


1141. DUFF (EDWARD GORDON). Early Printed 
Books. 11 facsimiles on Japan paper. 8vo, half vellum, un- 


cut. London, 1893 
* One of 150 Large Paper copies. 


1142. DUFF (EDWARD GORDON). William Caxton. 
25 reproductions. 4to, half cloth, uncut. 250 copies printed. 
Chicago: Caxton Club, 1905 

175 


1148. [DUFFETT (THOMAS).] The Amorous Old- 
vvoman; or, ’Tis VVell if it Take. A Comedy. Acted By 
His Majesties Servants. Written By a Person of Honour. 
First Eprrion. 4to, red levant morocco, gilt edges, by The 
Club Bindery. (Small stamp on reverse of title.) 

London: Simon Neale, 1674 


1144. DUFFETT (THOMAS). New Poems, Songs, Pro- 
logues and Epilogues. Never before Printed. Set by The 
most Eminent Musicians about the Town. First EpITIon. 
Small 8vo, red levant morocco, gilt borders, gilt.edges, by The 
Club Bindery. (Some headings cut into.) 

London: Nicholas Woolfe, 1676 


1145. DUGDALE (SIR WILLIAM). The History of St. 
Pauls Cathedral in London, From its Foundation until these 
Times: Extracted out of Originall Charters, Records, Leiger 
Books, and other Manuscripts. Beautified with sundry Pros- 
pects of the Church, Figures of Tombes and Monuments. 
First Epition. Folio, red straight-grain morocco, side fillets, 
gilt edges, by C. Kalthoeber, with his ticket. 

London: Printed by Tho. Warren, 1658 

*W. Beckford’s copy, containing numerous engravings by 

W. Hollar, the original sketch of St. Paul’s after the fire, and 
an inserted engraving by T. Miiller. 

Several of the plates (Nos. 5, 6, 9, 21) were lost and re- 

executed for the later edition by an inferior artist. Nos. 7 and 
20 are omitted in the second edition. 


1146. DUGDALE (SIR WILLIAM). Origines Juri- 
diciales ; or, Historical Memorials of the English Laws, Courts 
of Justice, Forms of Tryal, Punishment in Cases Criminal, 
Law-Writers, Law-Books, Grants and Settlements of Estates, 
Degree of Serjeant, Inns of Court and Chancery. Also a 
Chronologie Of the Lord Chancellors and Keepers of the Great 
Seal, Lord Treasurers, Justices Itinerant, Justices of the 
Kings Bench and Common Pleas, Barons of the Exchequer, 
Masters of the Rolls, Kings Attorneys and Sollicitors, and 
Serjeants at Law. The Third Edition with Additions. Folio, 
old English red straight-grain morocco gilt, gilt edges. 

London: Printed for Christop. Wilkinson, 1680 
* This edition contains numerous plates. and eight portraits, 
two more than the second. The new ones are those of John 


Selden and Sir John Vaughan by R. White. The others are by 
W. Hollar (3), D. Loggan (2), and W. Faithorne (1). 


1147. DU HALDE (G. B.). Description Geographique, 
ete., de 1’Empire de la Chine et la Tartarie Chinoise. Wath 
50 maps and 14 engravings in the text. 4 vols. large folio, 
red morocco gilt, gilt edges. Paris: P. G. Le Mercier, 1735 

* From the collection of J. Laffitte. 
176 


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1148. DUMAS (ALEXANDRE). Nouvelles Contem- 
poraines. Etched portrait of the author. Firsr Epirion. 
12mo, half blue levant morocco gilt, gilt top, uncut, by 
Champs. Parise Lo26 


1149. DUMAS (ALEXANDRE). Catherine Howard, 
drame en cing actes et en huit tableaux. First Epirion. 8vo, 
eloth, uncut. Paris, 1834 


* Etching by Nanteuil, proof on India paper, and 3 other 
plates inserted. 


1150. DUMAS (ALEXANDRE). Don Juan de Marana; 
ou la Chute d’un Ange, mystére en cing actes. Frontispiece 
etched after Celestin Nantewil. First Epirion. 8vo, half 
blue levant morocco, uncut, original covers bound in, by All6. 

Paris, 1836 


1151. DUMAS (ALEXANDRE). Le Chevalier de Maison- 
Rouge. Illustrations de Julien Le Blant gravées sur bois par 
Léveillé [a l’eau-forte par Géry-Bichard.| [Préface par G. 
Larroumet.| 2 vols. Imperial 8vo, red levant morocco, with a 
chiselled and colored military figure on the front cover of each 
volume, gilt over rough edges, by Raparlier. 

Paris: Emile Testard, 1894 


*One of 35 copies China paper. The full-page illustrations 
are in four states, remarque proofs both finished and in outline, 
proofs in bistre, and lettered impressions. 


1152. DUMAS (ALEXANDRE, Fis). Un Cas de Rup- 
ture. First Epirion. 16mo, half citron levant, uncut, origi- 
nal wrappers bound in, by Champs. Paris, 1854 


1153. DUMAS (ALEXANDRE, Fits). Un Pére Prodigue. 
4to, half blue morocco, blue silk sides, gilt top, uncut, by The 
Club Bindery. Paris, 1859 


* Printed on large paper, with presentation inscription, ‘‘a 
Gustave Boulanger. Son bien affectionné A Dumas f.’’ 


1154. DUMAS (ALEXANDRE, Fins). Les Idées de Mme. 
Aubray. 8vo, half red morocco, gilt top, uncut. Paris, 1867 


* First Epition. With presentation inscription by the author 
on the half-title. 


1155. DUMAS (ALEXANDRE, Fits). Le Filleul de Pom- 
pignac, Comédie en quatre actes, en prose par M. * * * [le 7 
mai 1869]. 12mo, half orange levant morocco, gilt top, uncut, 
by Pousetoux. Paris, 1869 


‘* First Epirion. Printed on Holland paper. 


1156. DUMAS (ALEXANDRE, Fas). La _ Princesse 
Georges. 8vo, cloth, gilt top, uncut, original covers bound in. 
Paris, 1872 


* With inscription on half-title ‘‘4 ma grande maman George 
Sand. Son bien filial A. Dumas f.’’ 


pat 


1157. DUMAS (ALEXANDRE, Fis). Une Visite de 
Noces, comédie en un acte. First Epirrion. 18mo, half cloth, 
gilt top, uncut, original covers bound in. Paris, 1872 


1158. DUMAS (ALEXANDRE, Fs). Une Visite de 
Noces, comédie en un acte. 8vo, half red morocco, uncut. 
Paris, 1872 
* Second (?) edition. One of 24 copies printed on Holland 
paper. Presentation inscription by the author to Henri Mirault, 
to whom the play is dedicated. 
Inserted is a portrait engraved by A. Legenisel. 


1159. DUMAS (ALEXANDRE, Fus). L’Etrangére, 
Comédie en cing actes. 8vo, half red levant morocco, gilt top, 
by Pousetoux. Paris, 1877 


1160. DUMAS (ALEXANDRE, Fis). La Princesse de 
Bagdad, piéce en trois actes. First Eprrion. 8vo, half red 
levant morocco, gilt top, uncut, by Pousetoux. Vellum paper 
copy. Paris, 1881 


1161. DUMAS (ALEXANDRE, Firs). Herminie; 1’Ama- 
zone. Small 4to, blue levant morocco, floral back, doublure 
of red morocco, tooled in an outline border, blue satin linings, 
gilt over rough edges, original covers bound in, by Marius 
Michel. Paris, 1888 

* One of 225 copies on vellum paper with 14 etchings by 
Deville after A. Robaudi, each in three states, also the ORIGINAL 
DRAWINGS BY ROBAUDI, EACH SIGNED. 


1162. DUNBAR (WILLIAM). The Poems, now first col- 
lected. With notes, and a memoir of his life. By David Laing. 
Woodcuts. 2 vols. 8vo, brown levant morocco, gilt tops, uncut, 
by Grieve. Edinburgh, 1834-66 

* Large and thick paper copy, with the Supplement. 


1163. DU PERAC (STEFANO). I Vestigi dell’ antichita 
di Roma. Engraved title and 39 copper-plate views of ruims 
and monuments of ancient Rome. Oblong folio, half morocco. 

Roma: Lorenzo della Vaccheria, 1575 

*In the same volume are bound: Antiquarum Statuarum 

Urbis Rome, que in publicis privatisque locis visuntur, icones. 

80 copper-plates. Rome, 1584; (and) Amplissimi ornatissimique 

triumphi ex antiquissimis lapidum, nummorum et librorum monu- 

mentis accuratissima descriptio eae Panvinii. 12 plates. 
Rome, 1618. 


1164. DU PEYRAT (GUILLAUME). Traitté de l’Origine 
des Cardinaux du Saint Siege, Et particulierement des Fran- 
cois. Avec deux Traittez curieux des Legats 4 Latére. [Par 
M. D. L. L.] 12mo, red levant morocco, gilt edges, by Trautz- 
Bauzonnet. Cologne, 1665 


1165. DUPLESSIS (GEORGES). Les Merveilles de la 
Gravure. Illustrated with 84 Vignettes by P. Sellier. 12mo, 
half cloth, uncut. Paris, 1869 


* Printed on India paper. 
178 


ee ee ee ee eee eee eee 


OE a ee a ne 1 ee 


ee ae, ee. ee ee ee | 


1166. DUPLESSIS (GEORGES). Histoire de la Gravure 
en Italie, en Espagne en Allemagne, dans les Pays-Bas, en 
Angleterre et en France suivie d’indications pour former une 
collection d’estampes. Contenant 73 reproductions de gravures 
anciennes exécutées pour la plupart par le procédé de M. 
Amand Durand. 4to, half red levant morocco, uncut, by 
Carayon. Paris, 1880 


* One of 50 copies on Whatman paper. 


1167. DUPONT (PAUL). Histoire del’Imprimerie. 2 vols. 
royal 8vo, half brown levant morocco, gilt tops, uncut, original 
covers bound in, by The Club Bindery. Paris, 1854 


1168. DUPONT (PAUL). Une Imprimerie en 1867. Por- 
trait of Gutenberg, frontispiece on India paper and numerous 
woodcuts in the text. 4to, half brown levant morocco gilt, 
red top, uncut, original covers bound in. Paris, 1867 


1169. DUPONT-AUBERVILLE. Art Industriel. L’Orne- 
ment des Tissus. recueil historique et pratique, avec des notes 
explicatives et une introduction générale, ouvrage édité sous la 
direction de M. Bachelin-Deflorenne. With 100 colored plates. 
Folio, red levant morocco, gilt edges, by Chambolle-Duru. 

7 Paris, 1877 


1170. DU PUY (N.). Caracteres, Pensées; Maximes, : et 
Sentimens. First Epirion. 12mo, brown levant morocco, 
gilt edges, by Trautz-Bauzonnet. 

Paris: Nicholas de Burre, 1693 


1171. DURAND (CATHERINE BEDACIER, MADAME). 
Les Belles Grecques, ou 1’Histoire des plus fameuses Courtis- 
anes de la Grece, et Dialogues Nouveaux des Galantes 
Modernes. Frontispiece and four plates. 16mo, brown levant 
morocco, blind tooled, gilt top, uncut, by Duru. Paris, 1715 


1172. DURANDUS (GUGLIELMUS). Rationale divinorum 
officiorum. Gothic character, double columns. 1 unnumbered 
leaf and cacvii numbered without signatures and catchwords; 
55 lines to the page. Rubricated throughout. Initials painted 
in red; and 2 large ones in red, green and brown. Folio, blue 
levant morocco, panelled sides with blind tooled ornamental 
borders, by Riviére. Hain-Copinger, 6483; Proctor, 1996. 

Nurenberge: Antonius Koburger, 1480 


1173. DURAS (CLAIRE L. DE KERSAINT, DUCH- 
ESSE DE). Edouard, par l’auteur d’Ourika. 2 vols. 12mo, 
blue levant morocco gilt, gilt over rough edges, by Chambolle- 
Duru. Paris, 1825 


* First EpITIon. Printed on large (?) vellum paper. 
179 


1174. DURAS (CLAIRE L. DE KERSAINT, DUCH- 
ESSE DE). Ourika. Troisiéme édition. Hngraved frontis- 
piece and title-page. 12mo, blue levant morocco gilt, gilt 
edges, by Chambolle-Duru. Paris, 1826 

* Vellum paper copy. 


1175. DURER (ALBERT). Les Qvatre Livres d’Albert 
Dvrer, Peinctre & Geometrien tres excellent, De la proportion 
des parties & pourtraicts des corps humains. Traduicts par 
Loys Meigret Lionnois, de langue Latine en Francoise. Numer- 


ous woodcut diagrams. Folio, brown levant morocco, panels — 


in fillets and azured ornaments, gilt edges, by David. 
A. Arnheim: Chez Iean Jeansz. 1614 


1176. DURER (ALBERT). The Passion of Our Lord 
Jesus Christ. Wath 37 illustrations. 8vo, red velvet, the sides 
decorated with brass ornaments, centre showing the mono- 
gram of Durer, brass clasp, gilt edges, in maroon levant mo- 


rocco case. London, 1844 
* Printed on vellum. 


1177. DURER (ALBERT). Cuvre ... reproduit et publié 
par Amand-Durand; texte par Georges Duplessis. 108 illus- 
trations on Japan paper. Imperial 4to, red levant morocco, 
blind-tooled fillets, uncut, by Masson-Debonnelle. 

Paris: Amand-Durand [1857] 


1178. DURER (ALBERT). Albert Durer a Venise et dans 
les Pays-Bas: autobiographie, lettres, journal de voyages, 
papiers divers, traduits de l’allemand avee des notes et une 
introduction par Charles Narrey Ouvrage. Orné de 27 grav- 
ures sur papier de Chine. Royal 8vo, citron levant morocco, 
gilt top, uncut, original covers bound in. Paris, 1866 

* Printed on Holland paper. 


1179. DURET (THEODORE). Histoire de J. Me N. 
Whistler et son Giuvre. Frontispiece portrait after Boldin, 
19 plates, and many illustrations in the text. 4to, original 


covers, uncut. - Paris, 1904 
* One of 50 copies on Japan paper, with the 19 plates in two 
states. 


1180. DURET (THEODORE). Histoire des Peintres Im- 
pressionistes Pissarro, Claude Monet, Sisley, Renoir, Berthe 
Morisot, Cézanne, Guillaumin. 4to, original covers, uncut. — 

Paris, 1906 
* No. 14 of 100 copies printed on Japan paper, with the full- 


page plates in two states, on Japan and on plate paper, or Japan 
and India paper, in black, in color, ete. 


1181. DURFEY (THOMAS). Wit and Mirth; or Pills to 
purge Melancholy; being a Collection of the best Merry Bal- 
lads and Songs, Old and New. Fitted to all Humours, having 


180 


ie 9) laa 


: 
: 
. 
: 
: 


Se 


e. — eee |. ee See er aS 


each their proper Tune for either Voice, or Instrument: Most 

of the Songs being new Set. Portrait by G. Vertue. 6 vols. 

12mo, red levant morocco gilt, gilt edges, by Bedford. 
London: W. Pearson, for J. Tonson, 1719-20 


1182. DUSIMITIER (PIERRE EUGENE). Portraits des 
Généraux, Ministres et Magistrats Qui se sont rendu célébres 
dans la Révolution des Treize Etats-Unis de 1’Amérique Sep- 
tentrionale. Dessinés d’aprés Natur Par M. Dusimitier, 
Peintre, & l’un des Curateurs de la Société Philosophique de 
Philadelphie. Et gravés 4 Paris Par M. Prévost. 4to, half 
red ealf, uncut. Paris, 1781 

* Besides the 13 portraits constituting this collection, there 
are proofs before letters of five of them, and, inserted, three 
portraits of Franklin, by Félicier, Goldar, and Tardieu after 
Duplessis (proof before letters) ; a portrait of Gates by Desrais; 
two portraits of Pitt; three of Hancock, one by Félicier, and one 
a duplicate; and three views, including the Burning’ of New 
York, by Halbou after Le Barbier. 

Bound at the end is aseries of 16 plates, ‘‘ Recueil d’Estampes 
représentant les differents Evenemens de la Guerre qui a procuré 
1’Indépendance aux Etats unis de 1l’Amérique,’’ engraved by 
F. Godefroy, N. Ponce and Dupuis after Godefroy, Ponce, P. C. 
Marillier, and others. 

From the library of, H. Destailleur. 


1183. DUSIMITIER (PIERRE EUGENE). Portraits of 
the Generals, Ministers, Magistrates, Members of Congress, 
and others, Who have rendered themselves Illustrious in the 
Revolution of the United States of North America. Drawn 
from the Life, by M. Dusimitier, and engraved by the most 
eminent artists in London. 4to, half russia, gilt back. 

London: R. Wilkinson, 1783 


*12 portraits—inecluding Washington, Laurens, Gates, Jay, 
Deane, and others—brilliant original impressions, engraved by 
B. B. E[llis]. No. 1 of the series (all published). 


1184. DUTUIT (AUGUSTE). Collection des Livres et 
Manuscrits. Numerous colored plates and illustrations in the 
text. Folho, boards, uncut. Paris, 1899 

* One of 350 copies. Ruled with red ink. 


1185: PoAkLY METRICAL TALES; including the His- 

tory of Sir Egeir, Sir Gryme, and Sir Gray- 

Steill. Frontispiece by W. H. Lizars after C. Kirkpatrick 

Sharpe, portrait of the Earl of Eglinton by Lizars, and final 

vignette by W. Geikie, all on India paper. 8vo, half red 
morocco gilt, and mosaic back, silk sides, gilt top, uncut. 

Edinburgh, 1826 


* One of 12 copies printed on thick-paper. Presentation copy 
from the Editor, David Laing, to Robert Balmanno, with in- 
scription on the fly-leaf. 


181 


1186. EBSWORTH (J. W.). Cavalier Lyrics; ‘for Church 
and Crown.’ Woodcuts. 8vo, wrappers, uncut. 
London and Hertford; now first imprinted for private 
circulation, 1887. 
* One of 150 copies, signed by the author. 


1187. EDGEWORTH (MARIA). Tales and Novels. 
Frontispreces and engraved tes to each volume. 18 vols. 
12mo, cloth, uncut. London, 1832 


1188. EDWARDS (EDWARD). The Life of Sir Walter 
Raleigh, based on contemporary documents preserved in the 
Rolls House, the Privy Council Office, Hatfield House, the 
British Museum, and other manuscript repositories, British 
and foreign. Together with his letters: now first collected. 
Portrat by C. H. Jeens after Francis Zucchero, armorial 
bearings, genealogical table, and two facsimiles. 2 vols. 8vo, 
half green morocco gilt, gilt tops, uncut. _ [London] 1868 


1189. EGAN (PIERCE). Pierce Egan’s Finish to the 
Adventures of Tom, Jerry and Logic, in their pursuits 
through Life in and out of London. Illustrated by the pencil 
of Mr. Robert Cruikshank in 386 (colored) scenes from real 
life, and enriched with several designs on wood by the same 
artist. 8vo, red levant morocco, corner ornaments, gilt top, 
by Wood. (Title, half-title, and dedication in facsimile, and 
1 page remargined. ) London, 1830 

* First IssuE OF THE First EDITION. 


1190. ELIOT (GEORGE). The Novels and Life, com- 
prising: Scenes of Clerical Life, 2 vols., 1858; Adam Bede, 
3 vols., 1859; The Mill on the Floss, 3 vols., 1860; Silas 
Marner, 1 vol., 1861; Romola, 3 vols., 1863; Felix Holt, the 
Radical, 3 vols., 1866; The Spanish Gypsy, a Poem, 1 vol., 
1868; Middlemarch, 4 vols., 1871-72; The Legend of Jubal, 
1 vol., 1874; Daniel Deronda, 4 vols., 1876; Theophrastus 
Such, 1 vol., 1879; The Life, as related in her Letters and 
Journals, edited by J. W. Cross, 3 vols. 1885. Together, 29 
vols. 12mo and 8vo, polished calf, gilt backs, gilt tops, uncut, 
by Riviére. Edinburgh and London, 1858-1885 


* ALL OF THE ABOVE ARE FIRST EDITIONS. 


1191. ELIOT INDIAN TRACTS. New Englands First 
Fruits; in respect, first of the Conversion of some, Conviction 
of divers, Preparation of sundry, of the Indians. 2. Of the 
progresse of Learning, in the Colledge at Cambridge in Mass- 
cusets (sic) Bay. With divers other speciall Matters concern- 
ing that Countrey ... ete. Small 4to, brown levant morocco 

182 


gilt, gilt edges, by W. Pratt for H. Stevens. (Lacks leaf at 
end containing the Errata.) 
London: Printed by R. O. and G. D. for Henry Overton, 
1643. 
* FIRST OF THE ELIOT INDIAN TRACTS, AND LIKE ALL OF THE 
SERIES, VERY RARE. The first account of the endeavors to 
Christianize the Indians, and the first account of Harvard Col- 
lege. The authorship is unknown, but Hugh Peters is believed 
to have had some part in its composition, and it is supposed that 
President Dunster wrote the account of Harvard. 
Tall copy, measuring 7 1/4x5 7/16 inches. 


1192. ELIOT INDIAN TRACTS. [SHEparp (THoMAS).| 
The Day-breaking, if not The Sun-Rising of the Gospell With 
the Indians in New-England. 4to, green levant morocco gilt, 
gilt edges, by Pratt. London: Printed by Rich. Cotes, 1647 

* SECOND OF THE ELIOT INDIAN TRAcTS. Probably written by 
Thomas Shepard, first pastor of the First Church in Cambridge, 
Massachusetts. His book, ‘‘The Clear Sunshine of the Gospel 
breaking forth upon the Indians in New England,’’ 1648, sug- 
gests the present one by the similarity of its title. Tall copy, 
measuring 7 1/4x5 7/16 inches. 


11938. ELIOT INDIAN TRACTS. SHeEpParp (THOMAS). 
The Clear Sun-shine of the Gospel breaking forth upon the 
Indians in New-England. Or, An Historicall Narration of 
Gods Wonderfull Workings upon sundry of the Indians, both 
chief Governors and Common-people, in bringing them to a 
willing and desired submission to the Ordinances of the 
Gospel; and framing their hearts to an earnest inquirie after 
the knowledge of God the Father, and of Jesus Christ the 
Saviour of the World. 4to, blue morocco gilt, some edges 
uncut, by Bedford. (Some corners supplied.) 

London: Printed by R. Cotes, 1648 
* THIRD OF THE ELiIoT INDIAN Tracts. Tall copy, measuring 


7 7/16x5 9/16 inches. 
From the Crawford collection. 


1194. ELIOT INDIAN TRACTS. The Glorious Progress 
of the Gospel amongst the Indians in New England. Mani- 
fested By three Letters, under the Hand of that famous 
Instrument of the Lord Mr. John Eliot, And another from 
Mr. Thomas Mayhew jun: both Preachers of the Word, as 
well to the English as Indians in New England. Wherein The 
riches of Gods Grace in the effectuall calling of many of them 
is cleared up: As also a manifestation of the hungring desires 
of many People in sundry parts of that Country, after the 
more full Revelation of the Gospel of Jesus Christ, to the 
exceeding Consolation of every Christian Reader. Together, 
With an Appendix to the foregoing Letters, holding forth 


183 


Conjectures, Observations, and Applications. By I. D. Minis- 
ter of the Gospell. Published by Edward Winslow. 4to, 
blue levant morocco, gilt edges, by Pratt (lower margins of 
2 pp. uncut, but several top margins cut close, and last leaf 
creased and repaired. ) 

London: Printed for Hannah Allen, 1649 


* FourRTH OF THE Eviot INDIAN TRACTS. 


1195. ELIOT INDIAN TRACTS. Etior (Rev. JoHN, AND 
OTHERS). Strength out of Weaknesse; Or a Glorious Manifes- 
tation Of the further Progresse of the Gospel among the 
Indians in Nevv-England. Held forth in Sundry Letters 
from divers Ministers and others to the Corporation estab- 
lished by Parliament for promoting the Gospel among the 
Heathen in New-England; and to particular Members thereof 
since the last Treatise to that effect, Published by Mr Henry 
Whitfield late Pastor of Gilford in New-England. Tvtle im 
ornamental woodcut border. 4to, blue morocco gilt, gilt edges, 
partly uncut (small portions of several leaves supplied). 

London: Printed by M. Simmons, 1652 


* SIXTH OF THE Exiot INDIAN Tracts. ‘This is the first of 
three editions published during 1652. 


1196. ELIOT INDIAN TRACTS. Etiot (Rev. JoHn) 
AND MayHew (Tuomas). Tears of Repentance: Or, A further 
Narrative of the Progress of the Gospel Amongst the Indians 
in New-England: Setting forth, not only their present state 
and condition, but sundry Consessions of sin by diverse of 
the said Indians, wrought upon by the saving Power of the 
Gospel; Together with the manifestation of their Faith and 
Hope in Jesus Christ, and the Work of Grace upon their 
Hearts. Related by Mr. Eliot and Mr. Mayhew, two Faithful 
Laborers in that Work of the Lord. Published by the Corpo- 
ration for propagating the Gospel there, for the Satisfaction 
and Comfort of such as wish well thereunto. Small 4to, crim- 
son levant morocco gilt, gilt edges, by Pratt. 

London: Printed by Peter Cole, 1653 

* SEVENTH OF THE ELIoT INDIAN TRAcTS. It agrees with the 
Church copy, but differs from that in the Historical Society of 
Pennsylvania, which has 2 extra leaves inserted. Tall copy, 


measuring 7 1/4x5 1/2 inches, some lower margins being un- 
cut. 


1197. ELIOT INDIAN TRACTS. Etior (Ray Joun). A 
Late and Further Manifestation of the Progress of the Gospel 
amongst the Indians in New-England. Declaring their con- 
stant Love and Zeal to the Truth: With a readinesse to give 
Accompt of their Faith and Hope; as of their desires in 
Church Communion to be Partakers of the Ordinances of 
Christ. Being a Narrative of the Examinations of the 


184 


Pat Oat 


ee ee ere 2h eevee ee ee 6 ae eae ee ee ee le oe eT ie ee Oe ee ee ee ee ee ee ee a ee a 
: oe ‘ : “ : ’ 4 . , ain 


Indians about their Knowledge in Religion, by the Elders of 
the Churches. 4to, blue morocco, gilt edges, by Bedford. 

London: Printed by M. S.[immons], 1655 

* EIGHTH OF THE Eviot INDIAN Tracts. Tall copy, measur- 


ing 7 5/16 x5 5/16 inches. 
From the Crawford collection. 


1198. ELIOT INDIAN TRACTS. A further Accompt of 
the Progresse of the Gospel amongst the Indians in New- 
England, and Of the means used effectually to advance the 
same. Set forth In certaine Letters sent from thence declar- 
ing a purpose of Printing the Scriptures in the Indian Tongue 
into which they are already Translated. With which Letters 
are likewise sent an Epitome of some Exhortations delivered 
by the Indians at a fast, as Testimonies of their obedience to 
the Gospell. As also some helps directing the Indians how to 
improve naturall reason unto the knowledge of the true God: 
( Also) 

Some Helps for the Indians shewing them How to improve 
their natural Reason, To know the True God, and the true 
Christian Religion. 1. By leading them to see the Divine 
Authority of the Scriptures. 2. By the Scriptures the Divine 
Truths necessary to Eternall Salvation. Undertaken At the 
Motion, and published by the Order of the Commissioners of 
the United Colonies, by Abraham Peirson. Examined and 
approved by Thomas Stanton Interpreter-Generall to the 
United Colonies for the Indian Language, and by some others 
of the most able Interpreters amongst us. 4to, blue morocco 
gilt, gilt edges, by Bedford. London: M. Simmons, 1659 

* NINTH OF THE EviorT INDIAN TRACTS, containing the second 
part by Pierson, which has been sold as a separate treatise. The 


first is occasionally found unaccompanied by that portion of the 
complete work. 


1199. ELIOT INDIAN TRACTS. A Brief Narrative of 
the Progress of the Gospel amongst the Indians in New-Eng- 
land, in the Year 1670. Given in By the Reverend Mr. John 
Elliot, Minister of the Gospel there, in a Letter, ete. Small 
4to, green morocco gilt, gilt edges, by W. Pratt for H. Stevens. 

London: Printed for John Allen, 1671 

* ELEVENTH OF THE Eviot INDIAN Tracts and one of the 
searcest of the series. The Rev. T.. R. Marvin in making his 
reprint in 1868, stated that it was made from a manuscript copy 


of the one in the British Museum, owing to his inability to find 
one in America. 


1200. ELIZABETH (QUEEN). CurisTtian PRAYERS AND 
Mepirations IN EneuisH French Italian Spanish Greeke and 
Latine. Imprinted at London, by John Daye, An. 1569. 
Woodcut borders containing designs of the Dance of Death, 
the Virtues, etc. presumably after Holbein and Durer, on 
every page. Post 8vo, brown levant morocco, covered with an 


185 


elaborate scroll design in mosaic of green, ivory and citron 
morocco gilt, doublure of brown levant morocco, gilt edges, by 
The Club Bindery. (Title-page and portrait of Queen Eliza- 
beth and the last leaf of text and colophon leaf, in facsimile.) 

London, 1569 


* First EDITION OF THE COLLECTION OF PRIVATE PRAYERS, 
COMMONLY KNOWN AS ‘‘QUEEN ELIZABETH’S PRAYER BOOK.’’ 
The only perfect copy known is that on vellum in the Lambeth 
Palace Library, from which the facsimiles in the above were 
made. It is believed that John- Foxe collected the prayers and 
edited the volume for the Queen’s own private use, while the 
inclusion of so many prayers in foreign languages (omitted in 
later editions) shows that this first edition was not intended for 
the general public: In fact, for many years, the Lambeth Palace 
copy, was, for this reason, supposed to be unique. This was the 
first book printed in England that vied in artistic merit with the 
famous Hore issued from the Paris presses about the commence- 
ment of the century. 


1201. ELIZABETH (QUEEN). A Booke of Christian 
Prayers, collected out of the ancient writers, and best learned 
in our time, worthy to be read with an earnest mind of all 
Christians, in these dangerous and troublesome daies, that 
God for Christes sake will yet still be mercifull unto us. 
Tuirp Epirion. Printed in black-letter. 4to, brown levant 
morocco gilt, gilt edges, by Bedford. (Title and some other 
leaves repaired. ) London, 1590 


* The text is substantially the same as in the 1578 edition; 
title with woodcut border, verso with full page woodcut of 
Elizabeth. With the Birket Foster bookplate. 


1202. ELIZABETH (QUEEN). A Booke of Christian 
Praiers, collected out of the ancient Writers, and best learned 
in our time; worthy to be read with an earnest minde of all 
Christians in these daungerous and troublesom daies, that 
God for Christ sake will yet stil be merciful vnto vs. FourTH 
EpitTion. Gothic type. Ato, blue levant morocco gilt, gilt 
edges, by Bedford. (Minute hole in blank margin of title, a 
few corners repaired. ) London, 1608 

* Practically the same as the 1590 edition. 


1203. ELIZABETH (QUEEN). The Book of Common 
Prayer and Administration of the Sacraments and other Rites 
and Ceremonies of the Church, together with the Psalter. A 
facsimile reprint of the edition of 1571. 12mo, green levant 
morocco, gilt edges, by Arnaud. 


London: William Pickering, 1853 


1204. ELYOT (SIR THOMAS). Of the Knowledeg 
whiche maketh a wise man. 8vo, light brown levant morocco, 
gilt panels, gilt edges, by The Club Bindery. 

Londini in exdibus Thome Bertheleti, 1533 
* First Epirion. Printed in Gothic type. Size 5 3/8x3 3/4. 
186 


1205. ELYOT (SIR THOMAS). The Boke named the 
Gouernour deuised by syr Thomas Elyot knyght. [Colophon] 
Londini in exdibus Thome Bertheleti typis impress. Cum 
priuilegio ad imprimendum solum. Anno. M.D.XLIIIT. 8vo, 
old calf, gilt and blind-tooled back, side panels, gilt edges (last 


leaf repaired). London, 1544 
* FOURTH EDITION. Printed in Gothic type: with an inserted 
portrait. 


1206. ELYOT (SIR THOMAS). The Defence of good 
women, devised and made by Sir Thomas Elyot knyght. Title 
in woodcut border with date 1534 at the foot and with the 
final leaf. 8vo, light brown levant morocco, gilt panels, gilt 
edges, by The Club Bindery. London, 1545 

* Printed in Gothic type. 5 3/8x3 3/4 inches. 


1207. EMBLEMS. Acht-en-Dertig konstige Zinnebeelden: 
met Dichtkundige Uitleggingen Verrykt, door een liefhebber 
der nederduitsche poézy. 38 circular engravings of emblems. 
4to, brown levant morocco, gilt back and side ornaments, gilt 
top, uncut, by Riviére. Amsterdam, 1737 


1208. EMBLEMS. Emblemata Anniversaria Academie 
Altorfine studiorum juventutis exercitandorum causa propo- 
sita et variorum orationibus exposita. Engraved title and 
numerous emblematic medallions engraved on copper. Ato, 
half calf. Norimbergae, 1597 


* In the same volume is bound: Orationes IV. panegyrice in 
florentissimo apud Gothanos gymnasio habite a M. Joanne 
Weitzio. Amberge, 1610. Autograph of the Rev. R. Capell on 
title-page. 


1209. EMBLEMS. Emblemata Selectiora. Typis elegan- 
tissimis expressa, nec non Sententiis, Carminibus, Historiis 
ac Proverbiis, ex scriptoribus cum sacris tum profanis, anti- 
quis & recentioribus, illustrata. 38 copper-plates of Emblems. 
4to, half levant morocco, gilt top. Amstelaedami, 1704 


1210. ENCHANTED PLANTS (THE). Fables in Verse. 
Inseribed to Miss Montolieu, and Miss Julia Montolieu. 
Colored frontispiece by L. Schiavonetts, after W. Hamilton, 
laid mm. 12mo, red straight-grain morocco, gilt borders, gilt 
edges. London: Bensley, 1801 


* ONE OF 2 COPIES PRINTED ON VELLUM. 


1211. ENGRAVINGS. A collection of ancient engravings 
illustrating Fishing, Hunting, Biblical, and Mythological sub- 
jects, Castles, &c., by Johannes van Londerseel, Vischer, 
Tempesta, Thome de Leu, de Voss, and Orlandi. 11 frontis- 
pieces and 203 full-page copper-plates. Oblong 4to, brown 
morocco, gilt back, filleted sides, gilt inside borders, by Mat- 
thews. [Rome] [1586-1605. ] 


* From the Bossiana’s Library, Alexandria. 
tee 


1212. ENGRAVINGS. Catalogue de 1’Exposition de Grav- 
ures anciennes et modernes 4 Juillet 1881. With illustra- 
tions, some wn colors. 4to, pigskin, blind-tooled back and side 
borders, gilt top, uncut, by The Club Bindery. Paris, 1881 


* Only 100 copies printed. 


12138. ENTRATA (La magnifica et triumphale) del Chris- 
tianiss. Re di Francia Henrico secondo di questo nome fatta 
nella nobile & antiqua Citta di Lyone a luy & a la sua serenis- 
sima consorte Chaterina alli 21. di Septemb. 1548. Woodcuts. 
4to, old vellum. Lyone: appresso Guglielmo Rovillio, 1549 


1214. ENTREE. La joyeuse & magnifique Entrée de Mon- 
seigneur Francoys, fils de France, et frére unicque du Roy, 
par la grace de Dieu, Duc de Brabant, d’Anjou, Alengon, 
Berri, &c. en sa trés-renommeée ville d’Anvers. Hngraved title 
and 21 double-page copper-plates ascribed to Abr. de Bruyn. 
Folio, brown levant morocco, blind toolings, gilt edges. 
(Library stamp on the back of title and last page.) 

Anvers: Christophle Plantin, 1582 


1215. ENTRETIENS. Les Entretiens galans d’Aristipe et 
d’Axiane: contenant Le langage des Tetons, & leur Pane- 
gyrique; Le Dialogue du Fard, & des Mouches; D’un grand 
Miroir, & d’vn Miroir de Poche; Du Masque & des Gands, 
auec plusieurs autres galanteries. 16mo, green levant morocco 
gilt, gilt edges, by Bauzonnet-Trautz. 

Paris, Claude Barbin, 1664 


1216. EPISCOPIUS (JOHANN). Paradigmata Graphices 
Variorum Artificum. Frontispiece-title by ‘*G.L.’’, and 57 
plates engraved by Episcopius after Michael Angelo and other 
celebrated sculptors. Small folio, calf, painted red on sides. 

[La Haye], N. Visscher [1671] 


1217. EPISTOLA GRACA. Epistole diversorum philos- 
ophorum, oratorum, Rhetorum sex et viginti, etc., grece. 158 
(last blank) and 266 (the 86th blank) leaves, with signatures ; 
26 lines to the page. 2 parts in one vol. 4to, brown morocco, 


gilt edges. First part bound at end. Hain-Copinger, 6659; 


Proctor, 5569; Renouard, p.18.  Venetiis: apud Aldum, 1499 


1218. ERASMUS (DESIDERIUS). Farrago nova episto- 
larum Des. Erasmi Roterodami ad alios, & aliorum ad hune. 
Title within a fine woodcut border by Ursus Graff, woodcut 
headings and initials. Folio, brown levant morocco, blind 
tooled ornamental borders, gilt edges, by David. 

Basilee: apud Io. Frobenium, 1529 


—S188 


See ae 


Cee eee 


ae, as Te a F 


1219. ERASMUS (DESIDERIUS). The praise of Folie, 
a booke made in latine by that great clerke Krasmus Rotero- 
dame. Englished by Sir Thomas Chaloner, knight. Printed 
am Gothic type. Title within a woodcut border and inserted 
portrat of Erasmus. Small 4to, dark green levant morocco 
the sides with interlaced mosaic of brown, green, cream and 
red levant; in the centre of front side there is a delicate ivory 
carving, probably representing the bath of Diana; inlaid 
borders, silk linings, gilt edges, in a case, by The Club Bind- 
ery, Leon Maillard, finisher. Sir M. M. Sykes’ copy, since 
rebound, with bookplate laid in. Measures 7 5/8x5 3/16 
inches. 

(Colophon) Imprinted at London in Fletestrete in the 
House of Thomas Berthelet, Anno, M.D. LXIx (date wrong, 
title dated 1549). 


* First EDITION. 


1220. ERASMUS (DESIDERIUS). Flores aliquot sen- 
tentiarum. The flowers of fencils translated in English by 
R. Taverner. GotTHic Type. 16mo, Spanish ealf gilt, gilt 
edges, by Tout. London: by W. Copland, 1550 


1221. HRASMUS (DESIDERIUS). L’Eloge de la Folie, 
Composé en forme de Declamation. Par Erasme de Rotter- 
dam: Avee quelques Notes de Listrius, & les belles figures de 
Holbenius: le tout sur l’Original de 1’Academie de Bale. . . 
Traduite nouvellement en Francois Par Mr. Gueudeville. 
Derniére Edition, revié, corrigée & augmentée de nouveau, 
avec une Table des matiéres fort ample & tres-exacte. Frontis- 
piece with portraits of Erasmus, Sir Thomas More, and Hol- 
bein, engraved title, and 80 engravings after Holbein, 6 being 
folded plates. 12mo, calf gilt, gilt edges, by Petit. 

Leide: Pierre Vander Aa, 1715 


1222. ERASMUS (DESIDERIUS). Les Colloques d’Eras- 
me, Ouvrage trés interessant; par la diversité des Sujets, par 
’Enjoument, & pour l’Utilité Morale: nouvelle traduction, 
Par Monsr Gueudeville, Avec des Notes, & des Figures trés- 
ingenieuses. Divisées en six tomes. Engraved frontispiece 
by Schynove, a coat-of-arms, and 60 unsigned vignettes in the 
manner of Romain de Hooge. 6 vols. in 3. 12mo, red morocco, 
narrow side borders, gilt edges, by Padeloup. 

Leide: Pierre Vander Aa and Boudouin Janssen Vander 
Aa, 1720. 


1223. ERASMUS (DESIDERIUS). L’Eloge de la Folie. 
Traduction par M. Barrett. Orné de douze Figures. 12mo, 
half red levant morocco, gilt top, uncut. Paris, 1789 


189 


1224. ESPRIT. L’Esprit des Esprits, ou Pensées Choisies ; 
Dans le gottt des Maximes de la Rochefoucault. 12mo, red 
morocco gilt, floriated borders on the sides, gilt edges, by 
Padeloup. Londrés, 1778 


1225. [ESTIENNE (HENRI).| Deux dialogues du nou- 
veau langage francois, italianizé, & autrement desguizé, prin- 
cipalement entre les courtisans de ce temps. 16mo, green 
levant morocco gilt, gilt edges, by Bauzonnet-Trautz. 

Envers (Antwerp): Guillaume Niergue, 1579 


1226. ESTIENNE (HENRI). Proiect du livre intitulé de 


la precellence du langage Francois. Ruled throughout with 
red wink. 8vo, old blue straight-grain morocco, gilt dentelle 
borders on the sides, silk linings, gilt edges. 

* The Renouard copy. Paris: Mamert Patisson, 1579 


1227. ESTIENNE (HENRI). L’Art de Faire les Devises, 
etc. Engraved frontispiece with the arms of Cardinal 
Mazarin, to whom the book is dedicated. Small 8vo, original 
vellum (slightly waterstained). Paris: Jean Pasle, 1645 


1228. ESTIENNE ano LIEBAULT. lUL’Agriecvltvre, et 
Maison Rvstiqve de M. Charles Estienne, et Iean Liebavlt, 
Docteurs en Medecine. Plus vn brief recueil des chasses du 
Cerf, du Sanglier, du Lieure, du Renard, du Blereau, du Con- 
nil, du Loup, des Oiseaux, & de la Fauconnerie. 37 woodcuts 
in the text. Bound with Jean de Clamorgan’s ‘‘Chasse du 
Loup.’’ 4to, red levant morocco, gilt edges, by Chambolle- 
Duru. Paris: Jaques du Puis, 1583 


1229. ETRENNES aux Dames, avec le calendrier de l’anneé 
1763. Premiére partie. Notice des femmes illustres dans les 
belles-lettres. Seconde partie. Notice des livres composés 
par des femmes. 4 wignettes, 2 by D. Sormque after De Séve. 
2 parts in 1 vol. 24mo, old brown morocco, gilt borders, gilt 
edges (several pages mended). Paris, 1763 


1230. ETRENNES. Utiles et Nécessaires aux Commercans 
et Voyageurs ou Indicateur Fidéle. Frontispiece and 158 
colored maps and plans. 24mo, red morocco gilt, gilt edges, 
probably by Derome. Paris: 8. Defnos, 1774 


1231. ETRENNES Nationales, curieuses et instructives, 
enrichies de figures, d’Anecdotes Historiques, Et d’une 
infinité de traits remarquables. Année bissextile 1788. 
Frontispiece, and 12 other woodcuts. 24mo, old green mo-’ 
rocco, wide side borders, with the Altar of Love in the centre, 
cilt edges. Paris [1788] 


1232. EUGENE DE SAVOIE. La Vie du Prince Eugéne 
de Savoie, Maréchal de Camp en Italie. Portrait by P. van 
Gunst. 12mo, red levant morocco, gilt edges, by Hardy- 
Mennil. _ La Haye: A. Moetjens, 1702 


190 


1233. EURIPIDES. la Tragedie d’Euripide, nommée 
Hecuba: traduicte de Gree en rhythme francoise, dediée au 
Roy. 8vo, green levant morocco, gilt inside dentelle borders, 
gilt edges, by Trautz-Bauzonnet. Paris: Rob. Estienne, 1550 


1234. [EVANS (ABEL).] The Apparition. A Poem. 
12mo, red morocco, gilt edges. 
[London] Printed in the Year 1710 


1235. EVELYN (JOHN). Memoirs of John Evelyn, Esq., 
F.R.S. Author of The ‘‘Sylva,’’ &. &¢. Comprising his 
Diary from 1641 to 1705-6, and a selection of his familiar 
letters, to which is subjoined, the Private Correspondence be- 
tween King Charles I and Sir Edward Nicholas; also between 
Sir Edward Hyde, afterwards Earl of Clarendon, and Sir 
Richard Browne, Ambassador to the Court of France, in the 
time of King Charles I. and the Usurpation. Edited from the 
original MSS. by William Bray, Esq. F.A.S. Wath portraits 
of Evelyn, his wife, and Sir Richard Browne after Kneller 
and Nantewl, 5 other plates, and an etching by Evelyn. 
5 vols. 8vo, green morocco, gilt tops, uncut, by The Club 
Bindery. London: Henry Colburn, 1827 


1236. EVENTAIL. L’Eventail Satyrique. Probably writ- 
ten by Pierre Cotignon sieur de Lacharnay. First Datep 
Epition. Printed in italic type. 18mo, red levant morocco, 
gilt edges, by Capé. [n. p.] 1625 


1237. EVERARD (GILES). Panacea; or, The Universal 
Medicine, being a discovery of the Wonderfull Vertues of 
Tobacco Taken in a Pipe, with its Operation and Use both in 
Physick and Surgery. Engraved frontispiece of the author 
smoking a clay pipe. 16mo, light brown morocco, gilt edges, 
by The Club Bindery. | London, 1659 


1238. EVERETT (EDWARD). Orations and Speeches 
on Various Occasions. Second Edition. Portrait on India 
paper by J. Cheney after R. M. Staigg. 3 vols. royal 8vo, 
half russia, gilt tops. LARGE PAPER. Boston, 1850 


1239. EXAMPLES FOR KINGS.—Examples for Kings; 
or, Rules for Princes to governe by. Wherein is contained | 
these ensuing particulars: (1). A Discourse touching Regall 
and Politique Government; (2). A Prince must be just in his 
sentence; (3). What Man is fit to be a Governour, and to 
beare Rule; (4). That a Prince ought to be true of his word; 
(5). That a Prince ought to be religious; (6). That a Prince 
ought not to shed innocent blood; &e., &e. Small 4to, brown 
levant morocco gilt, gilt edges, by Riviére. 

London: Printed for Henry Hutton, 1642 


191 


1240. EYB (ALBERTUS DE). Margarita poetica. 
Gothie characters, double columns. 6 wnnumbered leaves and 
cexcuu, with signatures: 44 lines to the page. Folio, contem- 
porary German binding of oak boards covered with stamped 
calf, brass corners and centre pieces, clasps (rebacked). Last 
blank missing. Hain 6815. 

[Strassburg, Printer of the 1481 ‘‘Legenda aurea’’ (Martin 
Schott?),] ca. 1482. 


1241 FABRE (FERDINAND) L?Abbé Tigrane, can- 


didat a la papauté. Un portrait d’aprés J.-P. 
Laurens et vingt eaux-fortes originales de KH. Rudaux. 8vo, 
maroon levant morocco gilt, gilt over rough edges, original 
covers bound in, by Marius Michel. Paris, 1890 


* One of 150 copies on Japan paper, with a duplicate set of 
the etchings, proofs before letters. 


1242. FAERNUS (GABRIEL). Centvm Fabule ex an- 
tiqvis seriptoribvs delectz, et a4 Gabriele Faerno Cremonensi 
Carminibus explicate, Hac Editione variorum Sententiis 
Sapientum adornate. Copperplate vignette on title-page, and 
100 woodcuts signed ‘‘A.’’ 16mo, green levant morocco gilt, 
gilt edges, by The Club Bindery. 

Bruxellis: Apud Franciscum Foppens, 1682 
* Joseph Knight’s copy, with his bookplate. 


1243. FAERNUS (GABRIEL). Fabule Centum. Text 
in Latin prose and verse. Frontispiece by C. Du Bosc and 
100 copperplates. 4to, old olive green morocco gilt, gilt 
edges, by Derome. 

Londini: Guill. Darres & Claude Du Bose, 1748 


1244. FAIL (NOEL DU). Les Contes et discours d’Ev- 
trapel: et, Discours d’aucuns propos rustiques, facecieux et de 
singuliere recreation. 3 vols. in one. 12mo, orange levant 
morocco, floral decoration, gilt edges, by Trautz-Bauzonnet. 

[Paris] 1732 

1245. FALCONER (WILLIAM). The Shipwreck, a poem 
by William Falsoner, a Sailor: . .. The text illustrated by 
additional notes, and corrected from the first and second 
editions, with a hfe of the author, by James Stanier Clarke. 
With 5 engraved vignettes, and 3 plates. Royal 8vo, original 
boards, uncut. London: Printed for Wiliam Miller, 1804 

* Royal Paper copy. 


1246. FANE (FRANCIS). Love in the Dark, or The Man 
of Business. A Comedy: Acted at the Theatre Royal by His 
Majesties Servants. First Epirion. Small 4to, light blue 
levant morocco, gilt edges, by Riviére. 

In the Savoy. Printed by T. N. for Henry Herringman, 
1671. 

192 


Pine? soe ee eh or 


PN ee ee eee oe ee TL eR Ut 


1247. FANSHAW (SIR RICHARD). Il Pastor Fido. 
The faithfull Shepheard. Written in Italian by Baptista 
Guarini. With the addition of divers other Poems, Conclud- 
ing with a short Discourse of the Long Civill Warres of Rome. 
Engraved portrait by Cross. 4to, brown levant morocco, gilt 
fillets, gilt edges, by David. 

London: Humphrey Moseley, 1648 


*See No. 230 for presentation copy of the edition of 1647 
from Fanshaw to Charles I. 


1248. FARLEY (ROBERT). Lychnocausia, sive Moralia 
Facum Emblemata. Text in Latin and English. One copper- 
plate and 59 woodcuts. First Epirion. Small 8vo, maroon 
levant morocco gilt, gilt edges, by Ramage. 

London: Tho. Cotes, 1638 


1249. FARNECIO (ISABEL). Reales Exequias de la 
serenissima senora Da Ysabel Farnesio Princesa de Parma, y 
Reynade las Espafias: Celebradas en la Santa Iglesia Cathe- 
dral en la Imperial Corte Mexicana. With 16 copperplates, 
surrounded by woodcut borders. 4to, blue levant morocco 
gilt, gilt edges, by The Club Bindery. Mexico, 1767 


1250. FARQUHAR (GEORGE). The Works of the late 
Ingenious Mr. George Farquhar; Containing all his Poems, 
Letters, Essays and Comedies. The Tenth Edition. To which 
are added some Memoirs of the Author, never before Pub- 
lished. 2 vols. 12mo, sprinkled calf, gilt backs, by Bedford. 

London: Printed for John Rivington, &¢., 1772 


1251. FAVART AND DE VOISENON. La Fée urgele, ou 
ce qui plait aux dames, comédie en quatre actes, meslée 
d’ariettes. First Epirion. 8vo, red morocco, gilt edges, by 
The Club Bindery. Paris: la Veuve Duchesne, 1765 


1252. FAVORAL (SIEUR). Les Contes et Discours 
Facetieux Recueillies. First Eprrion. 12mo, blue levant 
morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Paris: Jean Corrozet, 1615 


1253. FELLOWES (W. D.). A Visit to the Monastery 
of La Trappe, in 1817: with Notes taken during a tour 
through le Perchie, Normandy, Bretagne, Poitou, Anjou, le 
Bocage, Touraine, Orleanois, and the environs of Paris. 12 
colored plates, an etching, an outline plate, and a vignette on 
India paper. Uarge 8vo, figured brown silk, uncut, by The 
Club Bindery. London: William Stockdale, 1818 


1254. FELLTHAM (OWEN). Resolves, Divine, Moral 
and Political. Title-page within a border and rubricated. 
12mo, light brown straight-grain morocco, gilt top. 

London: Pickering, 1840 


1938 


1255. FEMALE FACTION. The Female Faction: or, the 
Gay Subscribers. A Poem. Folio, half morocco. 
London, 1729 


1256. FEMALE REBELLION (THE). A tragicomedy 
from a MS. in the Hunterian Museum University of Glasgow. 
4to, half green levant morocco gilt, gilt top, uncut, by Alfred 
Matthews. Printed for private circulation, 1872 

* A presentation copy from.the editor, Alexander Smith, to 
J. Payne Collier, with the autographs of both on the fly-leaf. 
One of 50 copies printed. 

The manuscript contains neither date nor author’s name, but 


the play was probably written in the latter part of the reign of © 
Charles II. 


1257. FEMMES. Les Femmes Keepsake des Keepsakes. 
Orné de douze beaux portraits de femmes. 8vo, half red mo- 
rocco gilt, gilt top, uncut. Paris: Louis Janet [ca. 1850] 


1258. FENELON (F. DE SALIGNAC DE LA MOTTE). 
Les Aventures de Telemaque fils d’Ulysse. First COMPLETE 
Epition. Portrait engraved by Duflos, frontispiece, 24 copper- 
plates and a map. 2 vols. 12mo, old green morocco gilt, the 
ARMS OF Louis XV in the centres of the covers, crowned 
monograms on the panels of the backs, gilt edges. In green 
Morocco cases. Paris: Jacques Estienne, 1717 

*<¢<Touis XVI carried these two volumes with him into the 
prison of the Temple, and a slip of paper still attached to a fly- 
leaf indicates that they were No. 1054 in an inventory of the 
belongings of Louis Capet. This was probably the copy used 
by the King for the daily lessons that he gave to his son.’’—Hoe 
Catalogue. 


1259. [FENTON (ELIJAH).] Poems on Several Occa- 
sions. Frontispiece. First Epirion. 8vyo, red levant gilt, 
gilt edges, by The Club Bindery. London, 1717 


* With bookplate of Alexander Hamilton (not the American). 


194 


TWENTY-SEVENTH SESSION, THURSDAY, 8:15 P.M. 


1260. FERGUSSON (JAMES). The Illustrated Handbook 
of Architecture; being a concise and popular acccount of the 
different styles of architecture prevailing in all ages and coun- 
tries. 850 illustrations. 2 vols.: Also,—History of the Mod- 
ern Styles of Architecture; being a sequel to the Handbook of 
Architecture. 312 illustrations. First Epirion. 3 vols. 8vo, 
russia gilt, gilt edges, by Bedford. London, 1855-1862 


1261. FERGUSSON (JAMES). The Illustrated Handbook 
of Architecture: being a concise and popular account of the 
different styles of architecture prevailing in all ages and all 
Countries. About 900 illustrations. Second Edition. 8vo, 
half roan, gilt top, uncut. London, 1859 


1262. FERGUSSON (JAMES). A History of Architecture 
in all countries from the earliest times to the present day, 
1015 illustrations, 2 vols. History of Indian and Eastern 
Architecture, 394 illustrations. History of Modern Styles of 
Architecture, 312 illustrations. Together 4 vols. 8vo, half 
roan, gilt tops, uncut. London, 1862-76 


1263. FERRAND (ANTOINE). Piéces libres de Mr. Fer- 
rand, et Poésies de quelques auteurs sur divers sujets. V1- 
gnette. Small 8vo, red levant morocco, gilt panels, corner 
and centre ornaments, gilt top, uncut, by F. Bedford. 

Londres [Paris] 1747 


* From the library of E. G. Hibbert. Ferrand’s contributions 
extend only through page 18. 


1264. FERRIAR (JOHN). Illustrations of Sterne: with 
other Essays and Verses. Sreconp Epirion. 2 vols. smail 
8vo, sprinkled calf, gilt tops, uncut. London, 1812 


1265. FEUILLE (DANIEL DE LA—Editor). Devises et 
Emblemes Anciennes et Modernes, tirées des plus celebres 
Auteurs. Hngraved title and 50 plates containing 718 de- 
vices. 4to, calf gilt, gilt edges, by David. Amsterdam, 1693 


1266. FEUILLET (OCTAVE). Chamillac, comédie en 
cing actes. Royal 8vo, red levant morocco, gilt back, uncut, 
original wrappers bound in, by Champs. Paris, 1888 


* First Epirion one of 30 copies on large Holland paper for 
the ‘‘Amis des Livres de Lyon,’’ with two original water-color 
drawings by Robaudi. 


1267. FEUQUIERES (ANTOINE DE PAS, MARQUIS 
DE). Memoires. Contenants ses Maximes sur la Guerre, & 
l’application des Exemples aux Maximes. 4 maps. 4 vols. 
in 2, 8vo, red levant morocco, gilt edges, by Trautz-Bauzonnet. 

Amsterdam: Fr. 1’Honoré et fils, 1741 
195 


1268. FICHET (GUILLERMUS). Rhetoricorum libri III. 
Roman character. 194 unnumbered leaves, without signa- 
tures and catchwords; 23 lines to the page. Furst wmitial 
wlununated, the others painted in blue and red. 4to, old 
French green morocco, ornamental gilt back, gilt triple lines. 
on the sides, gilt inside borders, gilt edges. 


In Parisiorum Sorbona [Paris, Ulricus Gering, Martinus 
Crantz & Mich. Friburger, 1471]. 


* A FINE EXAMPLE FROM THE FIRST PARIS PRESS, of which it is — 
said there are only 15 copies known, 12 being in public libraries. 
Both Hain and Brunet give 191 leaves as the right number, while 
the above copy has 194, although the two leaves containing the 
epistles of the author addressed to the Archbishop of Lyon and 
Cardinal Bessarione are, as usual, wanting. From the libraries. 
of Cardinal de Lomenie, Wodhull and Lord Amherst. 


1269. FIELD (NATHANIEL). Amends for Ladies. With 
the merry prankes of Moll Cut-Purse: Or, the humour of 
roaring: A Comedy full of honest mirth and wit. As it was. 
Acted at the Blacke-Fryers, both by the Princes Servants, and 
the Lady Elizabeths. Srconp Epirion. 8vo, half green 
levant morocco, gilt edges, by Riviére. 

London: Printed by Io. Okes, 1639 
* The Duke of Roxburgh’s copy, with bookplate. 


1270. FIELDING (HENRY) Plays: Love in Several 
Masques, a Comedy, 1728; The Temple Beau, 1730; The 
Coffee-House Politician, or The Justice Caught in his own 
Trap, 1730; The Grub-Street Opera, to which is added The 
Masquerade, a Poem, 1731; The Universal Gallant, 1735; 
Miss Lucy in Town, a Farce, with songs, 1742; Tumble-down 
Dick, or Pheton in the Suds, a Dramatic Entertainment, 1744; 
The Intriguing Chambermaid, with songs set to music, 1750; 
The Letter Writer, 1750. 8vo, brown levant morocco gilt, gilt 
edges. London: Printed for J. Watts, ete. v. d. [1728-1750! 


* ALL First Eprrions. Except that a portion of one leaf 
has been repaired, all of the nine plays are fine copies and ex- 
tremely rare in this state. 


1271. FIELDING (HENRY). The History of the Adven- 
tures of Joseph Andrews, And of his Friend Mr. Abraham 
Adams. Written in Imitation of The Manner of Cervantes, 
Author of Don Quixote. First Epirion. 2 vols. 12mo, brown 
levant morocco gilt, gilt edges, by Riviére. London, 1742 


1272. FIELDING (HENRY). Miscellanies. 3 vols. 8vo, 
brown levant morocco gilt, gilt edges, by Riviére. 
London, 1743 


* LARGE PAPER COPY OF THE First EDITION, containing ma- 
terial printed here for the first time, including the author’s 
famous ‘‘ Life of Mr. Jonathan Wild.’’ 


196 


1273. FIELDING (HENRY). The Wedding-Day. <A 
Comedy, as it was acted at the Theatre-Royal in Drury-Lane, 
by His Majesty’s Servants. First Eprrion. 8vo, blue levant 
morocco, uncut, by Riviere. Rare state. 

London: Printed for A. Miller, 1743 


* The Epilogue was spoken by Mrs. Woffington. The cast was 
notable, including Mackln, Garrick, Mrs. Pritchard, ete, 


1274. FIELDING (HENRY). The History of Tom Jenes: 
A Foundling. First Epirion, second issue, with the correc: 
tions, and no errata. 6 vols. 12mo, old calf, gilt backs. 

London, 1749 
* From the James Hatch collection, with bookplates. 


1275. FIELDING (HENRY). An Enquiry into the 
Causes of the Late Increase of Robbers, &c. with some pro- 
posals for Remedying this Growing Evil. In which the pres- 
ent Reigning Vices are impartially exposed; and the Laws 
that relate to the Provision for the Poor, and to the Punish- 
ment of Felons are largely and freely examined. First Ept- 
TION.  8vo, red lena morocco gilt, uneut, by The Club 
Bindery. London, 1751 


1276. FIELDING (HENRY). Amelia. First Eprrion. 
4 vols. 12mo, original calf, sprinkled edges. (Name of former 
owner on 2 titles.) London: A. Millar, 1752 


* Contains the leaf of advertisement in vol. 2. 


1277. FIELDING (HENRY). (1.) A Clear State of the 
Case of Elizabeth Canning, Who hath sworn that she was 
robbed and almost starved to Death by a Gang of Gipsies and 
other Villains in January last, for which one Mary Squires 
now lies under Sentence of Death. London, 1753. First Ept- 
TION. (II.) A clear State of the Case of Elizabeth Canning, 

. [same text as above]. The second edition. London: Printed 
for A. Millar, 1753. 8vo, brown morocco gilt, gilt top, uncut. 


* Bound with the above is Dr. Hill’s ‘‘Story of Elizabeth 
Canning considered.’’ Etched portrait by Worlidge inserted. 


1278. FIELDING (HENRY). The Dramatic Works of 
Fielding. First Collected edition. 3 vols. 12mo, Spanish 
ealf, gilt. London, 1755 


* The sub-titles have different dates, and the plays contained 
in each volume are not those indicated on the general titles. 


1279. FIELDING (HENRY). The Journal of a Voyage 
to Lisbon. First Epirion. Small 8vo, maroon levant mo- 
rocco gilt, gilt top, uncut, by Riviére, with the half title. 

London, 1755 
197 


1280. FIELDING (HENRY). The Fathers: or, The 
Good-Natur’d Man. A comedy. As it is Acted at the The- 
atre Royal, in Drury-Lane First Eprrion. 8vo, sprinkled 
ealf gilt, gilt top, some edges uncut, by Pratt. London, 1778 


* Written many years before Fielding’s death, and mentioned 
by him in the preface to his Miscellanies, 1743, as ‘‘The Good 
Natured Man.’’ Prologue and Epilogue by Garrick. 


1281. FIELDING (HENRY). The History of Amelia. 


Illustrations by George Cruikshank. 2 vols. 12mo, half ma- 
roon levant morocco, gilt tops, uncut, by Krafft. London, 1832 — 


1282. [FIELDING (SARAH).] The Lives of Cleopatra 
and Octavia. First Epirion. 4to, blue levant morocco gilt, 
gilt edges, by The Club Bindery. 

London: Printed for the author, 1757 


1283. FILHOL (A. M.) anD LAVALLEE (J.). Cours 
historique et élementaire de peinture, ou galerie compléte 
du Musée Napoléon. With 10 volumes entitled ‘‘Galerie du 
Musée Napoléon,’’ containing portrait of Fuhol by Pauquet 
after Bourdon, and 720 plates, with a duplicate set of proofs 
before letters, in black or bistre, besides the portraits of 
Napoleon and Josephine in the volume of text. 11 vols. 
imp. 8vo, old French red straight-grain morocco gilt, silk 
linings, uncut. One of the copies on LARGE ‘‘ PAPIER 
VELIN.’”’ Paris, 1804-15 


1284. FILSON (JOHN). THE DISCOVERY, SETTLEMENT, 
AND PRESENT STATE OF KENTUCKE: and An Essay towards 
the Topography and Natural History of that important — 
Country; To which is added an Appendix, containing: 


I. The Adventures of Col. Daniel Boon(e), one of the 
first Settlers, comprehending every important Occurrence 
in the political History of that Province. 


II. The Minutes of the Piankashaw council, held at Post 
St:Vineent, April 15, 1784. 


III. An Account of the Indian Nations inhabiting within 
the Limits of the Thirteen United States, their Manners 
and Customs, and Reflections on their Origin. 

_ IV. The Stages and Distances between Philadelphia and 
the Falls of the Ohio; from Pittsburg to Pensacola and 
several other Places;—The Whole illustrated by a new and 
accurate map of Kentucke and the Country adjoining, 
drawn from actual Surveys. Portrait of Daniel Boone, en- 
graved by Longacre (inserted). 8vo, green levant morocco 
gilt, doublure of the same with ornate border, gilt top, 
ALL OTHER EDGES UNCUT, by Bradstreet. In orange levant 
case. Wilmington: Printed by James Adams, 1784 


* THE ORIGINAL EDITION ACCOMPANIED BY THE EXCESSIVELY 
RARE MAP ENGRAVED IN PHILADELPHIA BY HENRY D, PURSELL, 


198 


AND PRINTED FOR THE AUTHOR BY T. ROOK in 1784. The ex- 
istence of this map was doubted for many years, but there are 
five copies known to be in this country, three of which are in 
public collections. The map is hinged loosely, with skilful re- 
pairs in the folds, in an 8vo binding of green levant morocco, 
with elaborate border, by Joly. THIS IS THE FIRST AND ONLY 
COPY OF FILSON’S KENTUCKY WITH THE PHILADELPHIA MAP 
EVER OFFERED FOR SALE BY AUCTION. 


The Appendix includes ‘‘The Adventures of Col. Daniel 
Boon, containing a Narrative of the Wars of Kentucke,” em- 
bedying much pioneer history of importance here first printed, 


A sheet of paper is loosely inserted on which is written 
THREE LINES IN THE AUTOGRAPH OF DANIEL BOONE, reading: 
“«febury the 3d 1787. Re'd. of Daniel Boone of Mrs. Brock- 
mons Money Which Was Payd him to Clear out thire Lands 
the sum of 4. 6. 1.” (Signed in another hand) ‘‘Jacob Cros- 
thwait.” The authenticity of this document is attested by a 
letter from Lyman C. Draper, Sec’ty of the Wisconsin Historical 
Society, stating that he obtained it from Boone’s son, Col. 
Nathan Boone. 


1285. FIORETI della Bibbia historiati in lingua fioren- 
tina. Numerous woodcuts. 4to, brown levant morocco, 
panelled sides, gilt edges. 

Venecia: Mattheo di Codecha da Parma, 1494 


1286. FISHER (JOHN—BISHOP OF ROCHESTER, 
AND MARTYR). This treatise concernynge the fruytfull 
|saynges of Dauyd the kynge (&) prophete in | the seuen 
penytencyall psalmes. Deuyded | in seuen. sermons was 
made and compyled | by the rught reuerente fader in god 
Johan | fyssher doctour of dyuynyte and bysshop of | 
Rochester at the exortacion and sterynge of | the moost 
excellente pryncesse Margarete | countesse of Rychemott 
(&) Derby, (&) moder | to our souerayne lorde kynge Héry 
the. vil. 

Colophon: Here endeth the exposyeyon of ye. vii. 
psalmes. Enpryn | ted at London in the fletestrete at the 
sygne of ye sonne | by Wynkyn de Worde. In the yere of 
oure lorde. M | CCCCC.viii. ye. xvi. day of ye moneth of 
Juyn. The | xxiii. yere of ye reygne of our souerayne 
lorde kynge Hé | ry the seuenth. | 

146 leaves, with signatures, printed mainly in De Worde’s 
type No. 3, but the Latin quotations in a heavier Missal 
type with Lombardic initials; the first page in the same 
Missal type headed by a large woodcut of a porteullis sur- 
mounted by a royal crown, the supporters being a dragon 
and hound, with the motto ‘‘ Dieu et mon droit.’’ Large 
ornamental woodcut initials, and each sermon headed by a 


199 


wood-engraved tablet containing the text. The large device 
of De Worde on the verso of the last leaf. 

Small 4to, brown morocco gilt antique, gilt edges, by 
F. Bedford, in morocco case. The lower and inner blank 
margins of the last leaf supplied, and a few trifling repairs 
to the corners of the first few leaves, otherwise a very fine 
copy. London: Wynkyn de Worde, 1508 

* FIRST EDITION. EXCEEDINGLY RARE, PROBABLY NOT MORE 


THAN SEVEN OR EIGHT COPIES KNOWN, OF WHICH AT LEAST TWO - 


ARE IMPERFECT. 


1287. FISHER (JOHN—BISHOP OF ROCHESTER, 
AND MARTYR). This treatise concernynge the fruytful 
|saynges of Dauid the kynge (&) prophete in | the seuen 
penytencyall psalmes. Deuyded | in seuen sermons was 
made and compyled | by the ryght reuerente fader in god 
Johan | fyssher doctoure of dyuynte (&) bysshop of | 
Rochester at the exortacyd and sterynge of | the moost 
excellét princesse Margarete cot | tesse of Rychemout and 
Derby, (&) moder to | our souerayne lorde kynge Henry 
the. vii. |. Small 4to, old blue morocco, blind tooled 
(slight repair to the lower margin of the last leaf). 

Colophon: Here endeth the exposyeyon of the. vii. 
psalmes. En- | prynted at London in the Fletestrete at 
the sygne of the | sonne, by Wynkyn de Worde prynter 
vnto the moost ex- | cellent pryncesse my Lady the kynges 
graudame. In the|yere of oure lorde god. M.CCCCC. 
and. ix. the xii. daye | of the moneth of Juyn. | 

London: Wynken de Worde, 1509 


* DE WORDE’S SECOND EDITION, equally as rare as the first, and 
practically an exact verbal reprint, in the same type, but with 
a change of capitals of the larger type, different woodcut ini- 
tials and tablets to the sermons, and a new woodcut of the 
portcullis, with crown, etc., on the first page. The Corser, 
Utterson and Menzies copy. 


1288. [FISHER (PAYNE).] Piscatoris Poemata: vel 
Panegyricum Carmen In diem Inaugurationis Olivari, &. 
Recitatum nuper in Aul& Medii-Templi, Decemb. 17, 
MDCLYV. Eruditissimo Pientissimog; Domino, Dom. Hen- 
rico [engraved arms] Laurentio Concilii Dom. Presidi, una 
cum Dom. Coassessoribus in eodem Concilio, Dedicatum. 
With three brilliant portraits,—the very rare equestrian 
portrait of Cromwell inscribed, ‘‘ Vera effigies Illustrissimi 
amplissimg: Herois Oliveri Cromwelli,” and engraved by 


200 


P. Stent, the rare portrait of Bulstrode Whitlock by W. 
Faithorne, and an equestrian portrait of Charles Gustavus 
by Stent, dated 1654. Folio, brown levant morocco. fillets 
and corner ornaments, gilt edges, by The Club Bindery. 
Londini: Typis Thome Neweombii, 1655-57 
* Payne Fisher, who called himself ‘‘ Paganus Piscator,’’ was 
poet laureate to Oliver Cromwell. 
Hardly any two copies of this book have the same conterts. 
Lowndes gives sixteen parts from which different copies are 
made up, of which the present copy contains fourteen. Pre- 
ceding the title there is a leaf containing the arms of Major- 
General William Butler, executed in colors, by hand, anda 
second leaf of dedication, in the same style. From the library 
of Sir Robert Throckmorton, with bookplate. 


1289. [FITZ-GEOFFREY (HENRY).] Certain Elegies 
done by Sundrie Excellent Wits, with Satyrs and Epigrams. 
(By F. Beaumont, M. Drayton, and N. Hookes.) Reprint 
of the edition of 1620 by E. V. Utterson. 16mo, red mo- 


rocco, gilt. The Beldornie Press, 1843 
*Only 12 copies printed. E. V. Utterson’s copy, with his 
bookplate. 


1290. FLACCUS (CAIUS VALERIUS). L’Argonautique, 
ou Conquéte de la Toison d’Or. Translated by J. J. Caus- 
sin de Perceval. 8vo, red levant morocco gilt, with the 
monogram KE. B., gilt edges, by Belz-Niédrée. Paris, 1829 


1291. FLAMMARION (CAMILLE). Les Merveilles 
Célestes. 75 illustrations and 2 plates. 12mo, half cloth, 
uncut. Paris, 1869 

* Printed on India paper. 


1292. FLATMAN (THOMAS). Poems and Songs. The 
Third Edition, with Additions and Amendments. Portrait. 
Small 8vo, blue moruceo gilt, gilt edges. 

London: B. Tooke, 1682 


* This copy contains the Errata and advertisements, usually 
missing. The Bierstadt copy, with bookplate. 


1293. FLATMAN (THOMAS). Poems and Songs. With 
many Additions and Amendments. Portrait. Small 8vo, 
sprinkled ealf, yellow edges, by Bedford. 

London: B. Tooke, 1686 


1294. FLAUBERT (GUSTAVE). Madame _ Bovary, 
Meeurs de Province. Douze compositions par Albert fourié 
Gravées a Veau-forte Par EF. Abot et D. Mordant. Impe- 
rial 8vo, blue levant morocco, floral and scroll back and 
side corners, panels of fillets and dots, figured silk linings, 
gilt over rough edges, original covers bound in, by The 
Club Bindery. Paris, 1885 


* One of 100 copies on large Japan paper, with the plates in 
two states, proofs before letters on Japan paper, and aiter 
letters on plate paper. 


201 


1295. FLAUBERT (GUSTAVE). Un Cour Simple. 
Illustré de vingt-trois compositions par Emile Adan, graveés 
a Veau-forte par Champollion. 8vo, blue levant morocco, 
doublure of the same ornamented with floral sprays in gold 
and mosaic of red, green and blue, gilt edges, original cov- 
ers bound in, by Ruban. Paris, 1894 


* Doe of 100 copies on large vellum paper with the etchings 
in two states, remarque proofs and proofs after letters. 


1296. FLAUBERT (GUSTAVE). Un Coeur Simple. 
Frontispiece and 14 illustrations in colors. 12mo, red - 
watered silk, original covers bound in, gilt edges. 

[Evreux], 1903 


* One of 110 copies printed with the frontispiece in 6 states. 


1297. FLAUBERT (GUSTAVE). Mémoires d’un Fou. 
Portrait by A. Margeot, proof on Japan paper. Royal 
8vo, figured silk, uncut. Paris, 1901 

* One of 100 copies printed on tinted Holland paper. 


1298. FLECHIER (ESPRIT). Histoire de Theodose le 
Grand, pour Monseigneur le Dauphin. Hngraved vig- 
nettes, culs-de-lampe and ornamental letters, by L. Cossin. 
FIRST EDITION. 4to, blue levant morocco, inside borders, 
gilt edges, by Duru. Paris, 1679 


1299. FLECHIER (ESPRIT). Histoire du Cardinal 
Ximenés. Portrait by G. F. Edelinck. 4to, old red 
morocco gilt, doublure of red morocco, dentelle borders, 
gilt edges. Paris: Jean Anisson, 1693 


* FIRST EDITION; ruled in red ink. From the library of 
Robert Samuel Turner. 


1300. FLECHIER (ESPRIT). Oraisons Funébres. With 
a portrau of Fléchier by St. Aubin, the original drawing, 
etching, and finished proof on India paper, another engraved 
by Roger, proof before letters, a portrait of Turenne en- 
graved by St. Aubin, and of the Due de Montausier en- 
graved by Gaucher. 2 vols. 12mo, blue straight-grain 
morocco, gilt and blind tooled, silk linings, uneut. In blue 


morocco cases. Paris: Ant. Aug. Renouard, 1802 
* From Renouard’s own collection 'THE ONLY COPY PRINTED 
ON VELLUM. 


1301. FLECHIER (ESPRIT). Mémoires sur les grands- 
jours d’Auvergne en 1665. 8vo, red levant morocco gilt, 
gilt edges, by Hardy. Paris, [Printed, not published ] 1856 


* Thick paper copy. ‘ Epreuve non destinée au commerce,’ 
with two plates and, inserted, a portrait-of Fléchier and an 
autograph letter from Sainte-Beuve. 


1302. FLETCHER (GILES, JUNIOR). Christ’s Victory 
and Triumph, in Heaven, and Earth, over and after Death. 
Wherein is lively figured his Birth, Circumcision, Bap- 
‘tisme, Temptation, Passion, Resurrection, Assention. In 


202 


foure divine Poems. THIRD EDITION. 7 curious plates by 
George Yate. 4to, mottled calf, gilt back and edges (a few 
pages repaired). Cambridge: Roger Daniel, 1640 


13038. FLETCHER (JOHN). The Tragedy of Thierry, 
King of France, and his Brother Theodoret. As it was 
diverse times acted at the Blacke-Friers by the Kings 
Maiesties Servants. SECOND EDITION. 4to, brown levant 
morocco gilt, gilt edges, by Riviere. 

London: Humphrey Mosely, 1648 


1304. FLETCHER (PHINEAS). Sicelides, a piscatory, 
As it hath beene Acted in Kings Colledge, in Cambridge. 
FIRST EDITION. 4to, calf, blind tooled borders on sides. 

London: I. N. for William Sheares, 1631 


* Fine, tall copy. Initials on title page and some pencilled 
annotation. 


1305. FLETCHER (PHINEAS). The Purple Island, or 
The Isle of Man: Together with Piscatorie Eclogs and Other 
Poeticall Miscellanies. FIRST EDITION. 4to, old red mo- 
rocco, gilt edges. Printed by the Printers to the Universi- 
tie of Cambridge, 1633. 

* LARGE PAPER COPY, with the final leaf R-4, an engraving 


of arms on verso of title, and engraved dedicatory plate. Last 
leaf unnumbered, and No. pages 97-100, as usual. 


1306. FLEUR (LA) des commandemens de dieu auec 
plusieurs exemples et auctoritez extraites tant de sainctes. 
escriptures que d’autres docteurs et bons anciens pere. 
Gothic character. 277 leaves, with signatures, 40 lines to the 
page. 3 woodcuts on tille, repeated at the beginning of the 
text, and another cut. Folio, brown levant morocco, panelled 
sides, with blind tooled ornamental borders, gilt inner 
panel, gilt and blind tooled back, doublure of citron levant, 
gilt arabesque borders, gilt edges, by Joly. (Last leaf con- 
taining the colophon missing.) 

[Paris: Anthoine Verard, 1499] 
* VERY SCARCE. Hain, 7131; Copinger II, 2522; Proctor, 8444. 


1307. FLEUR LASCIVE. La Fleur Lascive Orientale. 
With engraved frontispiece. 12mo, half blue morocco, un- 
cut. Oxford: Bibliomaniae Society, 1882 


* One of 500 copies printed exclusively for the members of 
the Bibliomaniac Society. 


1308. FLEURY (EDOUARD). Les Manuscrits a Minia- 
tures de la Bibliothéque de Laon. 40 plates and 85 initials 
engraved in the text. 2 vols. small folio, half green morocco, 
gilt tops, uncut. Laon, 1863 

203 


1309. FLEURY-HUSSON (JULES). Les Chats. Par 
Champfleury. Square 8vo, blue levant morocco, back and 
sides tooled with figures of cats, inside borders, red silk 
linings, gilt top, uncut, by Chambolle-Duru. Paris, 1870 


* Extra-illustrated by the insertion of an autograph letter of 
the author, a portrait by Bracquemond in two states, proofs in 
black and bistre, the latter on India paper, and 18 other plates. 
7 being portraits, including proofs before letters and on India 
paper. 


1310. FLEURY-HUSSON (JULES). Histoire de Ja Cari- 


cature au Moyen Age et sous la Renaissance. Colored . 


frontispiece and numerous woodcut alustrations. 12mo, 
half blue levant morocco, gilt top, uncut, original covers 
bound in. Paris, 1876 


1311. FLITNER (JOHANN). Nebulo Nebulorum hoe 
est: loco-seria Vernacule nequitiz Censura. Frontispiece 
and 33 engravings inthe text. Small 8vo, red morocco, gilt 
edges, by Capé. 

[n. p.] Secundo edita a Ioanne Coopmans Leowerdiense, 


1636. 
* With the bookplate of L. Pasquier. 


1312. FLORIAN (J. P. CLARIS DE). Galatée, roman 
pastoral imité de Cervantes. Small 8vo, old French green 
morocco gilt, gilt edges, in a morocco slip ease. 

Paris: Didot laine, 1784 
* Extra-illustrated by the insertion of 5 charming original 
drawings in sepia. 


1313. FLORIAN (J. P. CLARIS DE). Les Six Nouvelles. 
Frontispiece by Guyard, after Pernotin, and 6 inserted plates 
after Queverdo. FIRST EDITION. 12mo, green morocco 
gilt, gilt edges, by Derome. Paris, 1784 


1314. FLORIAN (J. P. CLARIS DE). Mélanges de Poésie 
et de Littérature. Wiath6 plates by Dambrun, Longuei and 
Delignon, after Queverdo. FIRST EDITION. 12mo, green 
morocco gilt, gilt edges, by Derome. Paris: Didot, 1787 


1315. FLORIAN (J. P. CLARIS DE). Kédar et Améla. 
With 10 illustrations in colors. 12mo, citron levant morocco, 
gilt and mosaic back, sides with mosaic bands of mauve, 
richly tooled in a graceful design, inside borders inlaid, 
gilt over rough edges, original covers bound in, by Ruban. 

Paris, 1901 


* Japan paper copy, with an original water-color by Fauret. 


1316. FLORUS (LUCIUS ANN.XUS). Abrégé de l’His- 
toire Romaine. Translated by I. Ragon. 8vo, red levant 
morocco gilt, with monogram E. B., gilt edges, by Belz- 
Niédrée. Paris, 1826 


204 


1317. FOLENGO (TEOFILO). Orlandino per Limerno 
Pitoceo. Small cuts. 8vo, blue straight-grain morocco, 
gilt edges. Part 2 (containing ‘‘Chaos del triperuno’’) 
missing. Vinegia, 1526 


1318. FOLENGO (TEOFILO). Histoire Macearonique 
de Merlin Coceaie, prototype de Rabelais. 2 vols. 12mo, 
blue morocco gilt, gilt edges, by Derome. 

Paris: Toussaincts du Bray, 1606 


1319. FOOTE (SAMUEL). Plays; as follows: The 
Knights, a Comedy, 1754; The Englishman in Paris, 1753; 
The Englishman Returned from Paris, 1756; The Lame 
Lover, 1770;°The Bankrupt, 1776; The Cozeners, 1778; 
The Maids of Bath, 1778; The Devil upon Two Sticks, 1778; 
The Nabob, 1778; A Trip to Calais, 1778. ALL FIRST 
EDITIONS. 8 vols. 8vo, morocco (2 colors), gilt edges. 

London, 1753-78 


1320. [FORD (JOHN).|] The General Cashier’d: A Play, 
as Designed for the Stage. Humbly Inscrib’d to His High- 
ness Prince Eugene of Savoy. Small 4to, dark green levant 
morocco gilt, gilt over rough edges, by Zaehnsdortf. 

London, 1712 

1321. FORD (JOHN). The Dramatic Works of John 
Ford. With Introduction and Explanatory Notes by Henry 
Weber. 2 vols. royal 8vo, half red levant morocco gilt, 
gilt tops, uneut, by Bedford. Edinburgh, 1811 

* LARGE PAPER COPY, 


1322. FOUCQUET (JEHAN). Heures de Maistre Esti- 
enne Chevalier. Texte restitué par M. L’Abbé Delaunay. 
Upwards of 50 full-page miniatures in gold and colors after 
Foucquet’s famous paintings, the 250 pages of text sur- 
rounded by walluminated borders chosen from celebrated 
manuscripts, each pattern different, and numerous wood- 
cuts. 2 vols. royal 8vo, blue Ievant morocco gilt, side 
panels, gilt edges, by Bedford. Paris; L. Curmer, 1867 


* One of the finest chromolithographic works ever published. 


13823. FOUILLOUX (JACQUES DU). La Venerie de 
Jaques du Fouilloux, Gentilhomme, Seigneur dudit lieu, 
pays de Gastine, en Poitou. Dediee au Roy Tres-chrestien 
Charles, neusiesme de ce nom. Avec Plusieurs Receptes 
& Remedes pour guerir les Chiens de diuerses maladies. 
Plus L’? Adolescence del’Autheur. 47 woodcuts, the one on 
the verso of title representing the author giving a copy of 
his book to Charles IX—and music score. 8vo, red levant 
morocco gilt, deers’-heads on back panels, inside borders 
with figures of dogs and deer, gilt edges, by Trautz-Bau- 
zonnet. 

Poitiers: Par les de Marnefz, et Bouchetz, freres [1562] 


* Printed in italiccharacters. Contains Guillaume Bouchet’s 
‘La Complainte du Cerf.” 


205 


1324. FRANCE (ANATOLE). Le Puits de Sainte Claire. 
FIRST EDITION. 12mo, half light green levant morocco, 
back tooled in leaf-sprays, Dresden silk sides, gilt top, 
uncut, original covers bound in, by The Club Bindery. 

* One of 80 copies on Japan paper. Paris, 1895 


1325. FRANCE (ANATOLE). Histoire Contemporaine. 
L’Orme du Mail. First EDITION. Inserted is a portrait 
by Louis Monziés, proof before letters, with author’s signa- 
ture, and a letter referring to it. - 12mo, half maroon levant 
moroceo gilt, gilt top, uncut, original covers bound in, by 
Ourvand. Paris, 1897 


* One of 30 copies on Japan paper. 


1326. FRANCE (ANATOLE). La Leeon bien apprise. 
Imagé par Leon Lebégue pour les Bibliophiles Indépend- 
ants. Plain and colored illustrations. 4to, half mauve 
levant morocco gilt, gilt top, uncut, pictorial covers bound 
in, by Noulhac. Paris, 1898 


* One of 210 copies issued by subscription. With the aboveis 
bound an issue of the Poem with plain illustrations, a duplicate 
set of plain plates before the text, all proofs on India paper, 
and ELEVEN PLATES COLORED BY HAND UNDER THE DIRECTION 
OF THE ARTIST, WITH HIS MANUSCRIPT COMMENTS, 


13827. FRANCE (ANATOLE). Histoire Contemporaine. 
L’Anneau d’Améthyste. 12mo, half maroon levant mo- 
rocco gilt, gilt top, uncut, original covers bound in, by 
Ourvand. Paris, 1899 


* One of 40 copies on Japan paper. 


1328. FRANCE (ANATOLE). Thais. Compositions de 
Paul-Albert Laurens, Gravures a l’eau-forte de Léon Bois- 
son. Royal 8vo, brown levant morocco, tooled in compart- 
ments in an oriental design of mosaic in light and dark 
green, rose, blue, citron, red, orange, and ivory morocco, 
tooled in gilt fillets, dots, conventional leaves, etc., doublure 
of green morocco, gilt borders introducing oriental tools, 
white corded silk guards, gilt over rough edges, original 
covers bound in, by Gruel. Paris, 1900 

* One of 20 copies on vellum paper, with the full-page plates 


in four states, and the illustrations in the text in three; one on 
Japan paper. 


1329. FRANCE (ANATOLE). Le Preeurateur de Judée. 
Vignette and tailpiece by T. Callot. 8vo, maroon levant mo- 
rocco, tooled in a panel of Grecian design in fillets, wide orna- 
mental inside borders, gilt edges, by Lortiec. Paris, 1901 


* FRENCH MANUSCRIPT in italiccharacters by Victor Bouton; 
written ON VELLUM within borders of red and gold, 84 x5 
inches. 31 leaves; the title-page in red, blue and gold, with 
large initials in gold on a black ground, and small initials in 
red, blue and gold. Bound in at the end is the announcement 
of the death of Bouton, August 12, 1901. 


206 


Rye 


1330. FRANCIS (FRANCIS). Newton Dogvane. A 
Story of English Country Life. FIRST EDITION. 3 illus- 
trations by John Leech. 3 vols. 12mo, red levant morocco 
gilt, gilt tops, by The Club Bindery. London, 1859 


1331. FRANCOIS DE NEUFCHATEAU (NICOLAS, 
COMTE). Conseils d’un Pére a son Fils imités des vers 
que Muret a écrits en Latin pour l’usage de son neveu. 8vo, 
original boards, uncut. A Parmé: Imprimé par Bodoni, 1801 


* The text of the above is printed in Latin, French, Italian 
and German. 


1332. FRANEAU (FRASNEAU JEAN). Iardin d’Hyver 
ov Cabinet des Flevrs Contenant en XXVI Elegies les plus 
rares et signalez Fleurons des plus fleurissans parterres. 
Illustré d’ excellentes figures representantes au naturel les plus 
belles fleurs des Jardins domestiques. 4to, original vellum 
wrappers. Dovay: Pierre Borremans, 1616 


1333. FRANKLIN (ALFRED). Recherches sur la Bibli- 
othéque Publique de VEglise Nétre-Dame de Paris au 
XITI*® siécle d’aprés des documents inédits. 8vo, half blue 
levant morocco gilt, gilt top, uncut, by Capé. Paris, 1863 

*One of 10 copies printed on papier chamois. 


1334. FRANKLIN (ALFRED). Recherches sur la Bib- 
liothéque de la Faculté de Médecine de Paris d’aprés des 
documents entiérement inédits suivies d’une notice sur les 
manuscrits qui y sont conservés. Frontispiece. 12mo, half 
blue levant morocco gilt, gilt top, uneut, by Capé. 

* One of 300 copies on papier vélin. Paris, 1864 


1335. FRANKLIN (ALFRED.) Histoire de la Biblio- 
théque de l’Abbaye de Saint-Victor a Paris d’aprés des 
documents inédits. 8vo, half blue morocco gilt, gilt top, 
uncut, by Capé. Paris, 1865 

* One of 253 copies on papier vélin. 


1336. FRANKLIN (ALFRED). Etude historique et 
topographique sur le Plan de Paris de 1540, dit Plan de 
Tapiserie. Frontispiece. 8vo, red levant morocco, gilt 

panels, doublure of dark blue levant: morocco, broad gold 
tooled borders, gilt top, uncut, ina case, by Rousselle. 
Paris: Aug. Aubry, 1869 
* ONE OF 4 COPIES PRINTED ON VELLUM. 


1337. FRANKLIN (BENJAMIN). Mémoires de la vie 
privée, écrits par lui-méme, et addressés a son fils; Suivis 
d’un Précis historique, de sa Vie politique, et de plusieurs 
Piéces, relatives 4 ce Pére de la Liberté. 2 parts in one 
vol. 8vo, half maroon levant morocco, gilt fillets, gilt top, - 
uncut, by The Club Bindery. Paris: Buisson, 1791 


207 


1338. [FRANKUM (RICHARD).] The Bee and the 
Wasp. A Fable in Verse. FIRST EDITION. 4 full-page 
etchings by George Cruikshank. 12mo, half blue calf gilt, 
gilt top, uncut, original wrappers bound in. 

London: Charles Tilt, 1832 


1339. FREDERICK THE GREAT. Memoires pour servir 
a l’Histoire de Brandebourg. De Main de Maitre. Portrait 
of the King and title-vignette. FIRST EDITION. 12mo, red 
levant morocco, gilt edges, by Hardy-Mennil. 


Imprimé pour la Satisfaction du Public, 1750 


1340. FREDOL (ALFRED). Le Monde de la Mer. 
Illustré de 22 planches tirées en couleur, 14 planches en noir 
tirées a part, et 820 vignettes intercalées dans le texte. Im- 
perial 8vo, half green levant morocco, gilt top, uneut, by 
David. Paris, 1866 


1341. FRENE (LA MARQUISE DE). Memoirs de 
Madame la Marquise de Fréne. Two portraits and 28 
plates. 12mo, red levant morocco, gilt edges, by Hardy. 

Amsterdam, 1701 


* The Agueneau family burned all copies of this book which 
they could secure. 


1342. FROISSART (JEAN). Le Premier (le Second et 
le Tiers) Volume des Chroniques de France, d’ Angleterre, 
d’Escoce, d’Espaigne, de Bretaigne, de Gascogne, de Flan- 
ders et lieux circonvoisins. Lettres Bdtardes, double col- 
umns. 3 vols. thick folio, Vols. I-II in old French red 
morocco gilt, gilt edges, Vol. III, new red morocco gilt, gilt 
edges, in imitation of the old binding, by Clyde. 

Paris: Antoine Verard [n. d., 1495-1500] 


* PRINTED ON VELLUM, Vol. I is printed ‘‘ pres l’hostel Dieu,” 
and is consequently the second edition (after 1500). Vols. II 
and III are printed ‘‘sur le pont Nostre dame,” indicating the 
first editions (about 1495). On the titles of Vols, I-II is the 
signature ‘‘ EK. Denouyers, 1595.” ~ 

The three volumes contain altogether 165 FINELY PAINTED 
AND ILLUMINATED MINIATURES, besides one of full-page size on 
the verso of the preliminary leaf 8 of Vol. I, and many hun- 
dreds of illuminated initials. The subjects of the chapters are 
written on the margins by a contemporary hand. Vols. I and 
II from the Meerman, Utterson and Ashburnham libraries; 

~ Vol. III from the Ashburnham library. 

Preliminary leaf 8 of Volume II and leaf 6 of Vol. III miss- 
ing, and leaves 26, 31 and 151-154 (6 in all) of Vol. Isupplied in 
contemporary manuscript. A volume IV on vellum of the 
second edition was sold at the d’Ourches sale. 


[See Reproduction. ] 
208 . 


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F'ROISSART’S CHRONICLES, PRINTED ON VELLUM BY VERARD, PARIS (1495-1500). 


(See No. 1342.) 


1343. FROISSART (JEAN). Le premier |second, trois- 
iéme et quatriéme] volume de Froissart, Des croniques de 
france, dangleterre, de gascogne, de flandres et lieux cir- 
convoisins. Lettres bdtardes, double columns. 4 vols. bound 
in 3. Small folio, green levant morocco, gilt panelled sides, 
the arms of France in the centre of the covers, richly gilt 
backs; doublure of red levant with gilt tooled borders of 
leaf-sprays, gauffred gilt edges, by Lortic. 

Paris, pour Jehan Petit, 1518 


* Rare edition. From the library of Ambroise Firmin-Didot, 
but not in hissale. 274 mm. 


1344. FROISSART (JOHN). (I.) HEre begynneth the 
fyrst volum of Syr Johan Froyssart: of the Cronycles of 
Englande Fraunce Spayne Portyngale Scotlaude Bretayne 
Flaunders: and other places adioynynge. Translated out 
of frenche into our materall Englysshe tonge by Johan 
Bouchier knyght lorde Berners: 

| Colophon] Thus endeth the firste volume of sir Johan 
Froissart: of the cronycles . . . Imprinted at London in 
Fletestrete at the synge of the George by. Wyllyam 
Myddylton. 

(II.) @ Here begynneth the thirde and fourthe boke of 
sir John Froissart of the cronyecles of Englande Fraunce 
Spaygne Portyngale Scotlande Bretayne Flaunders and 
other places adioynyng translated out of Frenche in to 
englysshe by Johan Bourchier Knyght lorde Berners, dep- 
utie generall of } kynges towne of Calais and marchesse 
of the same. 

[Colophon] @ Thus endeth the thirde and fourthe boke 
of sir John Froissart of the cronyeles . . . The whiche two 
bokes be copyled in to one volume & fynysshed in the 
sayd towne of Calais the. x. day of marche in the. xvi. yere 
of our said souerayne lordes raigne. Imprinted at London 
in Fleetestrete by Rycharde Pynson printer to the kynges 
most noble grace. And ended the last day of August: the 
yere of our lorde god. M. D. xxxy. @ Cum priuylegio a rege 
indulto. 

PRINTED IN GOTHIC TYPE. 2 vols. folio, red levant mo- 
rocco, gilt borders in the manner of Deréme, gilt edges, by 
Riviére. (Trifling repairs in places.) 

- London: Wm. Middleton, undated, and Rd. Pynson, 1525 


* THE FIRST ENGLISH TRANSLATION OF FROISSART AND ONE OF 
THE FINEST COPIES IN EXISTENCE, There appear to have been 


209 


three editions, one by Pynson, 1523-1525, another with bis 
name as printer, but supposed to be a pirated edition, and the 
other by W. Middleton. Copies are frequently found made 
up from the three editions. Utterson, in his reprint of Pynson’s 
edition, says ‘‘ Middleton’s impression is line for line with 
Pynson’s.” In the title of Volume I., Henry VIII. is styled 
‘Of the churche of Englande and also of Irelande in earth the 
supreme heade.” As Henry did not assume this title until 
15380, itis clear that the date of the first volume is at least five 
years later than that of the second. Middleton did not begin 

to print until about ten years after Pynson’s death. ; 

Collation: Vol. 1. Title with two rows of printer’s ornaments 
below it and surrounded by a border of pieces, the initial letter 
“HH” being a woodcut with scroll design, Al (verso woodcut of 
the royalarms, supported by a griffin and a greyhound, with a 
portcullis on each side, and surmounted by two angels hold- 
ing a scroll containing a Latin inscription and surrounding a 
rose). ‘‘@ The preface of Johan Bourchyer knight lorde Berners, 
translatour of this present cronycle,” A2. Table, A8-A6 and 
B1-B4 (verso blank). Text in CCCCLI chapters, a-v, aa-vv, 
and aaa-ooo4 ending on the recto with the colophon, in sixes. 
0004 verso blank. Folios i-cccxxii. 

Vol. II. Title in a broad woodcut border ascribed to Holbein 
(see letters H. H. in center of the left side), Al (verso the large 
woodcut of the royal arms, already described). Preface, a2. 
Table, A2 verso-a8 (verso blank). Text in CCXLIX, chapters, 
A-U6, AA-UU6, AAA-OOO8 in sixes, ending on the recto 
with the colophon. On the verso is Pynson’s device No. 7, a 
full-page woodcut of a coat of arms, said by Herbert to be Pyn- 
son’s. Folios I-CCC. xix. 


1345. FROISSART (JEHAN). Ci sensieut vntrettie de 
moralite q sappelle le temple donnour: fait ditte et ordone 
p venerable et discrete psonne sire Jehan Froissart. Non 
encores ci devant imprime VI. C. [Biographical note by 
P. Chabaille.] Woodcui on title. Square 12mo, red levant 
morocco, gilt centre ornaments, uncut, by Capé. Paris, 1545 

* VELLUM COPY, printed in Gothic characters. 


1346. FROUDE (JAMES ANTHONY). History of Eng- 
land from the Fall of Wolsey to the Death of Elizabeth. 
Portrait of Queen Elizabeth engraved by C. H. Jeens. 12 
vols. 8vo, cloth, uncut (back of one volume repaired). 

London, 1856-1870 


1347. FROUDE (JAMES ANTHONY). Short Studies 
on Great Subjects. 4 vols. 8vo, cloth, uneut. 
London, 1868-83 


1348. FROUDE (JAMES ANTHONY). The Cat’s Pil- 
grimage. Vignette on title, and 6 allustrations by J. B. 4to, 
original boards. Edinburgh, 1870 

210 


1349. FULLER (MARGARET). Memoirs of Margaret 
Fuller Ossoli. 2 vols. 12mo, cloth. . Boston, 1852 


*The chapters on Concord and Boston were written by 
Ralph Waldo Emerson. The Foote copy, with bookplate by 
French. 


13850. FULLER (THOMAS). The History of the Holv 
War, and the Holy State and the Profane State. 2 vols. 
12mo, calf, antique. London: Pickering, 1840 


1351. FULVIUS (ANDREAS).  Illustrium Imagines. 
Hach page within fine architectural and ornamental wood- 
cut borders, with numerous medallion portraits of Roman 
Emperors and Empresses on a black ground. 8vo, old 
green straight-grain morocco, silk linings. 

Rome: apud Jacobum Mazodium, 1517 
* FIRST EDITION. PRINTED ON VELLUM, probably the only 
copy in this state. On the title-page is the following inscrip- 
tion in the handwriting of John Eck, the well-known adversary 
of Luther; ‘‘ Illustrissimo et ampliss. principi vere catholico. 
D. Georgio Saxonum duci, Marchioni Misnae, Tyringorum pro- 
vinciz preesidi, studiorum mecenati ac patrono lberaliss., 
Heroi incomparabili Io. Eckius humilis Capell. in insigne 
obsequii transmisit.” From the Pinelli and MacCarthy-Reagh 
libraries. 


1352. FUMEE (MARTIN). . Du Vray et*Parfait Amour. 
Eerit en Gree, par Athenagoras. One vol. in 2. 12mo, old 
citron morocco gilt, gilt edges. Paris: D. Guillemot, 1612 


* The book was falsely attributed to Athenagoras, 


1353. ABDORRHACHAMAN. L’onirocrite Mussul- 
man, ou La Doctrine et Interpretation des 

Songes selon les Arabes. Dela Traduction de M. Pierre 
Vattier. 12mo, red morocco gilt, gilt edges, by Padeloup. 
Paris: T. Jolly, 1664 


1354. GAINE (HUGH). The Journals of Hugh Gaine, 
Printer. Edited by Paul Leicester Ford. Portrait and 
386 facsymiles. 2 vols. royal 8vo, half vellum, uncut. 

New York, 1902 


* One of 30 copies printed on Imperial Japan paper. 


1355. GAINSBOROUGH (THOMAS). A Collection of 
Prints illustrative of English Scenery, from the drawings 
and Sketches of Tho’ Gainsborough, R.A., in the various 
collections of the Right Honourable Baroness Lucas; Vis- 
count Palmerston; George Hibbert, Esq.; Dr. Monro and 
several other gentlemen. 60 plates, mainly tinted. Folio, 
old red straight-grain morocco gilt, gilt edges (somewhat 
rubbed) London: Boydell [n. d.] 


211 


1356. GAINSFORD (THOMAS). The Historie of Trebi- 
zond. In foure Bookes.. FIRST EDITION. 4to, brown levant 
morocco, gilt panels, gilt edges, by Riviére (inner margin 
of title restored and a few headlines shaved). 

London: Tho. Downe and Eph. Dawson, 1616 


1357. GALE (NORMAN). Here be Blue and White 
Violets. Frontispiece in two states. Rugby [1891]. LARGE 
PAPER COPY, only 25 made. A June Romance. Rugby 
[1891]. LARGE PAPER COPY, one of 23 copies. Prince 
Redcheek. Rugby [1891]. Gorillas. Rugby [1891]. A 
Cotswold Village. ONE OF 15 COPIES. PRESENTATION 
COPY. Rugby, 1893. A Fellowship in Song, by Hayes, 
Le Gallienne and Gale. Rugby, 1893. Meadowsweet 
[1889]. One of 50 printed in redand black. 7 vols. 12mo, 
original paper covers. ‘ Rugby, 1891-93 


1358. GALLE (PHILIPPE). (I) Semideorvm Marino- 
rvm Amnicorvmqve Sigillarize Imagines perelegantes, in 
picture statuarizque artis tyronum usum, a Philippo Gal- 
leo delineate scalpte, et edite. (II) Nimpharvm Oceani- 


tidvm, Ephydridvm Potamidvm, Naiadvm, Lynadvmqve | 


Icones, in gratiam pictvree studiosz ivventvtis delineate, 
sealptee, et editee. A Philip. Galleo. Hngraved title and 
17 plates of river-gods and nymphs in each work. 8vo, 
green morocco gilt. — Antwerp, 1586-87 


1359. GARNIER (P.) Traité complet de la Chasse des 
Alouettes au Miroir avec le Fusil. Deuxiéme édition. Re- 
vue corrigée et considérablement augmentée. Small 8vo, 
dark green levant morocco gilt, gilt top, uneut, by Rous- 
selle. Paris: Auguste Aubry, 1866 


* Printed on vellum. 


1360. GARNIER (ROBERT). Les Tragedies de Robert 
Garnier, Conseiller du Roy. Portrait. Printed in italics and 
ruled inred ink. 12mo, red levant morocco, gilt fillets, gilt 
edges, by Trautz Bauzonnet. © 

Paris: Mamert Patisson chez Robert Estienne, 1585 


1361. GARNIER (ROBERT). Les Tragedies. 12mo, 
red levant morocco gilt, gilt edges, by Chambolle-Duru. 
Paris: Jean Fuzy, 1607 


1362. GARNIER (ROBERT). Les Tragedies. 12mo, 
red levant morocco, gilt ornaments, gilt edges, by Trautz- 
Bauzonnet. Rouen: R. de Rouves, 1612 


1363. GARTHWAIT (HENRY) MONOTESSAPON. 
The Evangelicall Harmonie, Reducing the foure Evangelists 
into one continued context; and in it the entire historie of 
the acts and sayings, life’and death of our Lord and 


Saviour Jesus Christ: duely ordered according to the dis- 


tinction of times. Hngraved title by Marshall. 4to, red 
212 


oo. 


levant morocco, gilt pointillé tooling, gilt edges, by The 
Club Bindery. 

Printed by Thomas Buck and Roger Daniel, Printers to 
the University of Cambridge, 1634. 


* Tall copy measuring 714 x 59g inches, with the rare Pre- 
liminary Leaf containing printer’s ornament. 


1364. GAUCHET (CLAUDE). Le plaisir des Champs; 
avee l’instruction de la Venerie, Volerie, ete. 4to, red 
levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Paris: Abel l’Angelier, 1604 


1365. GAULT DE SAINT-GERMAIN (P. M.). Vie de 
Nicolas Poussin. Ornée de planches gravées en taille-douce 
et d Veau-forte, par F. Massard. Royal 8vo, half maroon 
morocco gilt, gilt top, uncut. Paris: P. Didot, 1806 


1366. GAUTIER (JUDITH). Isoline. Avec douze eaua- 
fortes par Auguste Constantin. HOLLAND PAPER COPY. 
4to, satin, gilt back and sides, uncut. Paris, 1882 


1367. GAUTIER (LEON). Les Epopées franeaises. 
Etude sur les origines et Vhistoire de la littérature nation- 
ale. FIRST EDITION. 3 vols. royal 8vo, half red morocco 
gilt, gilt tops, uncut, by Cecil and Larkins. Paris, 1865-68 


* Presentation copy from the Author, with inscription, and 
autograph letter inserted. 


1368. GAUTIER (THEOPHILE). Albertus ou l’ame et 
le péché. Légende théologique. Frontispiece by Celestin, 
and portrait of the author, proof on India paper, both in- 
serted. 12mo, red levant morocco, gilt fillets and outline 
flowers, gilt edges, by Marius Michel. Paris, 1833 


1369. GAUTIER (THEOPHILE). La Comédie de la 
Mort. Portrait by Therond.. FIRST EDITION.  8vo, half 
brown levant morocco gilt, gilt top, uncut, by All6. 

Paris, 1838 
* An autograph poem, signed, by Gautier, laid in. 


1370. GAUTIER (THEOPHILE). Les _ Grotesques. 
FIRST EDITON. 2 vols. 8vo, half calf, uneut, by Allo. 
Paris, 1844 


1371. [GAUTIER (THEOPHILE).] Le Tombeau de 
Théophile Gautier. 4to, brown levant morocco, skull and 
cross-bone ornaments in the back panels and side corners, 
gilt top, uncut, original covers bound in, by Allo. 

Paris, 1873 

*One of 20 copies printed on India paper, with an etched 
portrait of Gautier. 

This book is a collection of verses on the death of Gautier, 
by Victor Hugo, Théodore de Banville, E. Bergerat, Jules 
Claretie, Hérédia, Arséne Houssaye, John Payne, Swinburne, 
and others, 


213 


1372. GAUTIER (THEOPHILE). Les Jeunes-France, 
Romans Goguenards suivis de contes humoristiques. 12mo, 
half green levant morocco, uncut, original covers bound 
in, by Allo. Paris, 1873 

* Holland paper copy. 


1373. GAUTIER (THEOPHILE). Histoire du Romant- 
isme suivie de notices romantiques et d’une étude sur la 
poésie francaise 1830-1868 avec. un index alphabétique. 
12mo, half green levant ‘morocco gilt, figured green and 
blue silk sides, gilt top, uncut, original covers bound in, 
by The Club Bindery. Paris, 1874 


* One of 50 copies on Holland paper. © 


1374. GAUTIER (THEOPHILE). L’Eldorado ou For- 
tunio. 11 full-page plates by F. Milius, in two states, etch- 
ings on Japan and vellum paper, and the 81 vignettes in 
two extra states before letters, in black and in bistre on India 
paper. Royal 8vo, blue levant morocco, back and sides 
tooled in interlacing fillets, tapestry linings, gilt top, un- 
cut edges, original covers bound in, by Marius Michel. 

Paris: Imprimé pour les Amis de Livres, 1880 
* ONE. OF 120 COPIES ON VELLUM PAPER. 


1375. GAUTIER (THEOPHILE). Mademoiselle de 
Maupin. 2 portraits. 12mo, boards, uncut (cover broken). 
* HOLLAND PAPER COPY. Paris, 1880 


1376. GAUTIER (THEOPHILE). Mademoiselle de 
Maupin; double amour. Réimpression textuelle de lédi- 
tion originale; notice bibliographique par M. Charles de 
Lovenjoul. Frontispiece portrait by Burney after Nunteuil, 
title-vignette and 6 other plates, by Champollion after Tou- 
douze; in two states. 2 vols. royal 8vo, blue levant mo- 
rocco, panels of interlacing fillets, doublure of orange 
morocco, border of roses, gilt over rough edges, original 
covers bound in, by Cuzin. In half blue levant cases. 

* One of 150 copies on Japan paper. Paris, 1883 


1377. GAUTIER (THEOPHILE). Le Capitaine Fracasse; 
publié en trois volumes avec un avant-propos par Mme. 
Judith Gautier. Dessins de Charles Delort gravés par 
Mongin. 3 vols. royal 8vo, half green levant morocco, 2 
shades of leather, uncut, by Carayon. 

Paris: Librairie des Bibliophiles, 1884 


* One of 150 copies printed. 


1378. GAUTIER (THEOPHILE). Le Roi Candaule. 
Illustré de vingt et une compositions par Paul Avril. Pré- 
face par Anatole France. Royal 8vo, olive levant morocco, 
doublure of brown morocco, a scene from the book chiselled 
in colors on the inside of the front cover, ornaments in blue 

214 


and orange morocco in the corners of the back inside cover, 

brown satin guards, gilt over rough edges, with the original 

covers, by Raparlier. Paris, 1893 
* ONE OF 200 COPIES PRINTED ON JAPAN PAPER. 


1379. GAUTIER (THEOPHILE). Emaux et Camées. 
Cent dix aquarelles par Henri Caruchet, reproduites en 
couleurs. 12mo, light brown levant morocco, ‘‘ semis ”’ of 
flowers in red mosaic, outlined in red bands, Persian silk 
linings, gilt over rough edges, original covers bound in, by 
The Club Bindery. Paris, 1895 


1380. GAUTIER (THEOPHILE). Celle-ci et Celle-la ou 
la jeune France passionnée avant-propos de Maurice Tour- 
neux. Illustrations de Francois Courboin. 8vo, blue 
levant morocco, entirely covered with an original design 
composed of small tools forming borders and compartments, 
blue silk linings, gilt top, uncut, original covers bound in, 
by The Club Bindery. Paris, 1900 


* One of 125 copies, with the plates in two states—first etch- 
ing and remarque proof. 


1881. GAY (JEAN). Quelques Femmes Bibliophiles. 
16mo, citron straight-grained morocco gilt, gilt top, uncut. 
Bordigheére, 1875 


* One of 50 copies printed, not for sale. 


1382. GAY (JOHN). Rural Sports. A Poem. Inscribed 
to Mr. Pope. First Eprrion. Small folio, blue morocco gilt, 
gilt edges, by The Club Bindery. (Lacks half-title.) 

London: J. Tonson, 1713 


1383. GAY (JOHN). The Petticoat: an Heroi-Comical 
Poem. In Two Books. First Epitron. 8vo, red morocco, 
gilt edges. London, 1716 


1384. [GAY (JOHN).] Three Hours after Marriage. A 
Comedy. First Epirion. Small 8vo, citron levant morocco 
gilt, gilt edges, by The Club Bindery. 

London: Bernard Lintot, 1717 


1385. GAY (JOHN). Poems on Several Occasions. First 
Epirion. Frontispiece and two plates. 2 vols. in 1. Ato, 
red morocco gilt, gilt edges, by The Club Bindery. 

London, 1720 


1386. GAY .(JOHN). Poems on Several Occasions. 9 
plates engraved after Du Guernier. 2 vols. 12mo, red levant 
morocco gilt, by Champs. London: J. and R. Tonson, 1767 


1387. GAY (JOHN). Achilles in Petticoats. An opera. 
As it is performed at the Theatre-Royal, in Covent Garden... 
Written by Mr. Gay, with alterations [by Colman]. 8vo, red 
lena -grain morocco, gilt edges, by The Club Bindery. 

London: W. Strahan, 1774 
215 


1388. GAY (JOHN). Fables by John Gay, with a Life of 
the Author. Embellished with a plate to each fable (all 
proofs). Royal 8vo, red morocco gilt, gilt edges, by C. Lewis. 
LARGE PAPER COPY. London: Darton and Harvey, 1793 


1389. GED (WILLIAM). Biographical Memoirs of Wil- 
liam Ged; including a particular account of his progress in 
the Art of Block-Printing. Edited by J. Nichols. First 
EDITION. 8vo, calf, gilt. ‘London: J. Nichols, 1781 


* Ged was the inventor of stereotype printing in Great Britain. 


1390. GELL (SIR WILLIAM) ann GANDY (JOHN P.). 
Pompeiana; the Topography, Edifices and Ornaments of 
Pompeii. First Series; also,—Pompeiana; the Topography, 
Edifices and Ornaments of Pompeii, the Result of Excavations 
since 1819. By Sir William Gell. Second Series. 2 vols. 
Portrats, engraved views, head-pieces, &c., a number on India 
paper, and in two states, with duplicate plates of the frescoes 
mm colors. Together, 3 vols. thick 4to, red levant morocco, gilt 
borders, gilt edges, by F. Bedford. London, 1817-1832 


* LARGE PAPER Copy of the First Series. Only 25 copies were 
printed of the Second Series in this form. 


1391. GELLERT (CHRISTIAN FURCHTEGOTT). 
Fables et Contes. (Traduits principalement de 1’allemand 
de Gellert par Boulanger de Rivery, avec un Discours sur la 
Littérature Allemande). Four vignettes after Eisen. 16mo, 
red levant morocco gilt, gilt edges, by Thibaron. Paris, 1754 

: * Holland paper copy. 


13892. GELLIUS (AULUS). Noctes Attice. Roman 
characters, 198 unnumbered leaves (first blank), with signa- 
tures; 36 lines to the page. Folio, old green levant morocco, 
the ARMs OF CounT DE Hoym stamped in gold on the centre of 
the covers, and his crowned monogram on the panels of the 
back; doublure of citron morocco, gilt tooled wide dentelle 
borders, gilt edges, by PADELOUP LE JEUNE, with his ticket on 
the first page. Hain-Copinger, 7520; Proctor, 4423. (First 
blank leaf missing, and blank leaves 182 and 183 pasted to- 
gether. ) 

Venetiis: per Andream lacobi de Paltasichis Catharensem, 
1477. 


1393. GELLIUS (AULUS). Noctium Atticarum libri un- 
deviginti. Small 8vo, green levant morocco gilt, gilt edges, 
by Bedford. [Colophon] Venetiis: in Addibus Aldi, 1515 

* FIRST ISSUE OF THIS EDITION, with the word preceding the 
colophon mispelled—‘‘ duerniorem. ’’ 


216 


7 ase ki 


1394. GEMS. Gemme Antique. A Series of 37 Drawinas 
of Antique Gems, on fine vellum (with 2 exceptions) done by 
A. Marinkel. 4to, dark blue morocco gilt, by C. Smith. 

; 7 '  [n. p.—n. d.] 

1395. GENEST (JOHN). Some Account of the English 


Stage, from the Restoration in 1660 to 1830. 10 vols. 8vo, 
original cloth, uncut. - Bath, 1832 


13986. GENTLEMAN FISHER (THE), or, The Whole 
Art of Angling. Being a Collection and Improvement of all 
that has been hitherto written upon that Subject .... The 
different Ways of Angling... The Laws of Angling. Frontts- 
piece by Hulsburgh. Srconp Epirion. 12mo, brown levant 
morocco, richly ornamented sides, dentelle borders, in the 
manner of Derome, by The Club Bindery. 

| London: Printed for H. Curll, 1727 
* A tall copy, the fore and lower edges of the title being uncut. 


1397. GERHARD (JOHANN). Lust-und Artzeney-Garten 
des Koniglichen Propheten Davids. 150 oval copper-plates 
and 150 engravings of rare and curious plants. 12mo, red 
levant morocco, gilt edges. Regenspurg: C. Fischern, 1675 

* Bookplate of David Robert Clark. 


1398. GERSON (JOHANNES). Opus tripartitum de 
preceptis decalogi, de confessione et de arte moriendi. Gothic 
character ; 32 unnumbered leaves without signatures and catch- 
words; 27 lines to the page; leaves 1 and 82 blank. Hain, 
7653; Proctor, 804. 4to, brown levant morocco, blind tooled 
panels with gilt forget-me-nots and fleurons in the corners, 
gilt edges, by The Club Bindery. 

[Colonie : Ulricus Zell, ca. 1468] 


1399. GESANGBUCH. Gesangbuch zum _ gottesdienst- 
lichen Gebrauche fiir protestantisch-evangelische Christen. 
Frontispiece by Baumann after Leonardo da Vinci. Small 
8vo, dark brown velvet, with pierced and engraved silver-gilt 
corners, centre and end pieces and clasps, gilt edges. The 
centre-piece on the front cover represents the Crucifixion, that 
on the back cover, the Resurrection. [Stamp on title. | 

Zweibriicken: G. Ritter, 1852 


1400. GESSNER (SALOMON). (CBiuvres. 2 (inserted) 
portraits of Gessner, one of Diderot and 51 plates after Moreau 
and others. 4 vols. 8vo, green morocco, emblematic tools on 
the backs, side borders, uncut. In brown morocco cases. 

Paris: Ant. Aug. Renouard, 1795 
* ONE OF TWO COPIES ON VELLUM. The portraits and plates 
are in two states, trial proof and proof before letters on India 
paper. 
217 


1401. GESSNER (SALOMON). The Death of Abel in 
five books attempted From the German of Mr Gessner. Por- 
trait, engraved title, and four plates by Blackberd after 
Stothard. Royal 8vo, boards (worn), uncut. London, 1797 


* LARGE PAPER. EDITION. Following ‘‘The Death of Abel’’ 
are ‘‘New Idyls, by S. Gessner. With a Letter to M. Fuslin, on 
Landscape Painting; and The Two Friends of Bourbon, a moral 
tale, by M. Diderot,’’ with two plates, also by Blackberd after 
Stothard. 


1402. GESSNER (SALOMON). C£uvres Complettes de 
Gessner. 3 portraits of the author and others by St. Aubin, 
&c., also, 49 plates engraved by Baquoy, Dambrun, Delvauz, 
Dupreel, and others after designs of Moreau, in two and three 
states. 4 vols. 8vo, red straight-grain morocco, gilt borders, 
gilt edges, by Bozerian. 

Paris: Antoine-Augustin Renouard, 1799 


* One of 20 copies on Holland paper. Extra-illustrated by the 
insertion of an original sepia drawing of Gessner by A. Golden- 
stadt after A. Graff, and 33 plates after Borel, Le Barbier, and 
Marillier. 


1403. GIBBON (EDWARD). The History of the Decline 
and Fall of the Roman Empire. 8 vols. royal 8vo, red levant 
morocco, gilt edges, by Brany. Oxford, 1827 


* One of 50 copies on Large Paper. Extra-illustrated by the 
insertion of engraved vignette title, to each volume from the 
Thomas Tegg edition, 1827, and a number of proof portraits 
and frontispieces, on India paper. 


1404. GIBBONS (THOMAS). Britannia’s Alarm: a poem, 
Occasioned by the Present Rebellion. To which is added, a 
Fable of the Vine and Bramble. First Epirion. Small 8vo, 


leather, by The Club Bindery. London, 1745 
* Presentation copy from the author, with inscription on the 
title-page. : 


1405. GIBBONS (THOMAS). An Elegy on the Death Of 
the Reverend Mr. Peter Goodwin, who departed this hfe 
November 27, 1747. in the LX1Vth year of his Age. Small 
8vo, leather, by The Club Bindery. London, 1748 


* Title in a mourning border, and mourning bands at the 
beginning and end of the poem. 


1406. GILDON (CHARLES). The Roman Brides Re- 
venge. A Tragedy. First Epirion. Small 4to, half brown 
morocco. London: John Sturton, 1697 


1407. [GILDON (CHARLES) | A Comparison between 
the Two Stages, with an Examen of the Generous Con- 
queror, ete. 12mo, brown levant morocco gilt, gilt edges. 

London, 1702 


*Sir Frederick Grant’s copy, with an autograph note on Gil- 
don's attack on Steele’s ‘‘Christian Hero.” 


218 


1408. GILLISS (WALTER). The Story of a Motto and 
a Mark, being a brief sketch of a few printers’ ‘‘ marks ”’ 
and containing the facts concerning the mark of the Gilliss 
Press. 12mo, vellum, uncut. New York, 1902 


* One of 12 copies printed on French vellum"paper. Presen- 
tation copy from the author, 


1409. GINESTE (RAOUL). Soirs deParis. Dessins de 
Minartz gravés sur bois par Paillard. 8vo, blue levant mo- 
rocco, gilt borders, gilt top, uncut, original covers bound 
in, by The Club Bindery. . Paris, 1905 

* Only 138 copies printed. 


1410. GIRALDI (G. B.). Les Cent excellentes Nouvelles 
mis d’Italien en Francois par Gabriel Chappuys Touran- 
geau. FIRST FRENCH EDITION. 2 vols. 8vo, blue levant 
morocco gilt, gilt edges, by Trautz-Bauzonnet. (Library 
stamp.) Paris: Pour Abel l’Angelier, 1584 


1411. GIROFFUIER (LE) aux dames emsemble le dit des 
sibiles. Lettres bdtardes. 18 woodcuts. 4to, red levant 
morocco gilt, gilt edges, by Capé. 

Imprimé a Paris par Michel le Noir (before 1520). [Re- 
print 1861. ] 


* An admirable facsimile of the extremely rare first edition, 
made in 1861 by Pilinski. 


1412. GISSEY (ODO DE). Les Emblesmes et Devises 
du Roy, des Prinees, ete. Hngraved title, dedication, and 25 
plates. Ato, red levant morocco, gilt and blind-tooled, gilt 
edges, by Rivieére. Paris, 1656 


1413. GLANVIL (BARTHOLOMEW). Batman uppon 
Bartholome, his Booke de Proprietatibus Rerum, newly 
corrected, enlarged and amended: with such additions as 
are requisite unto every severall Booke. Folio, brown le- 
vant morocco, mosaic compartments of green morocco 
richly tooled and gilt on the sides, gilt mosaic back, gilt 
edges, in a case, by The Club Bindery. 

London: Imprinted by Thomas East, 1582 

* Very rare. Mr. Douce is of the opinion that Shakespeare 

was well acquainted with this work. Inserted are 10 wood- 

cuts from the Dutch Edition of Glanvil printed at Harlem by 
Jacob Bellaert, 1485. 


1414. GLANVILLE (JOHN). Variety; or Poetical Pro- 
lusions. Frontispiece. 12mo, boards, uncut. London, 1811 


*The author in his preface states that the best of this 
‘‘variety’’ is from ‘‘the glowing pen of Mr. Samuel Blake 
Frome.” 


219 


1415. GLAPTHORNE (HENRY). Poéms, by Henry 
GlJapthorn. FIRST EDITION. Small 4to, red morocco gilt, 
gilt edges, by Mackenzie. 

London: Printed by Richard Bishop for Daniel Pake- 
man, 1639. 


1416. GLAPTHORNE (HENRY). Argalus and Par- 
thenia. As it hath been Acted at the Court before their 
Maiesties: and At the Private-House in Drury-Lane, By 
their Maiesties Servants. FIRST EDITION. 4to, half brown 
levant morocco, gilt edges, by Riviére. 

London: R. Bishop, 1639 

1417. GLAPTHORNE (HENRY). The Tragedy of Al- 
bertvs Wallenstein, Late Duke of Fridland, and Generall 
to the Emperor Ferdinand the second. The Scene, Egers. 
And Acted with good Allowance at the Globe on the Banke- 
side, by his Majesties Servants. SECOND EDITION. 4to, 
calf, arms on the sides, gilt edges. 


London: Thomas Paine for George Hutton, 1640 . 


* The Griswold copy. 


1418. GLAPTHORNE (HENRY). Wit in A Constable. 
A Comedy written 1639. And now Printed as it was lately 
Acted at the Cock-pit in Drury lane, by their Majesties Ser- 
vants, with good allowance. First Epirion, Small 4to, red 


levant morocco gilt, gilt top, uncut, by David. 
London: Printed by Io. Okes, for F. C., 1640 


1419. GLAPTHORNE (HENRY). The Ladies Priviledge. 
As it was Acted with good allowance at the Cock-pit in Drury- 
lane, And before their Majesties at White-Hall twice. By 
their Maiesties Servants. First Eprrion, 4to, red levant 
morocco gilt, gilt edges, by The Club Bindery. 

London: J. Oakes, for Francis Constable, 1640 


* A tall copy, measuring 744 x 5% inches. 


1420. GLAPTHORNE (HENRY). The Hollander. A 
Comedy written 1635. And now Printed as it was then Acted 
at the Cock-pit in Drury lane, by their Majesties Servants, 
with good allowance. And at the Court before both their 
Majesties. First Epirion. 4to, red morocco gilt, gilt edges, 
by The Club Bindery. London: J. Oakes for A. Wilson, 1640 


1421. GLOVER (RICHARD). Leonidas, A Poem. Frontis-. 


prece portrait by Fittler with a proof on India paper added, 
and 6 other plates, by Bartoloze: after W. Hamilton, Delatre 
after Burney, and Neagle, Holloway and Heath after Stothard, 
with proofs of the Holloway and Bartolozzi engravings added. 
2 vols. 8vo, green levant morocco, broad gilt borders on sides, 
gilt backs and inside borders, gilt tops, uncut, by The Club 
Bindery. London: T. Bensley, 1798 


* EXTRA-ILLUSTRATED by the insertion of 5 plates,—2 by P. W. 
Tomkins, each in three states; 2 by C. Warren in two states; 
and 1 by Smith after Thurston in two states. 


220 


ee 


1422. GOBIN (ROBERT). Les loups rauissans. Cestuy 
liure Ou autrement doctrinal moral Intitule est: qui deliure 
Douze chapitres en general Ou chascun se brutte et rural Nest 
par trop il pourra congnoistre Comment euiter vice et mal On 
doit et tres vertueux estre. Lerrres BATarpES, With 43 
woodcuts. Small 4to, green levant morocco gilt, doublure of 


red morocco, gilt in compartments, gilt edges, by Marius 
Michel. 


Imprimé pour Anthoine Verard marchand libraire demour- 
ant a Paris [1503]. 


1423. [GODWIN (MARY WOLLSTONECRAFT).] Ori- 
ginal Stories, from real life; with conversations, calculated to 
regulate the affections, and form the mind to truth and good- 
ness. First Epition. 12mo, brown straight-grain morocco 
gilt, gilt edges, by The Club Bindery. London, 1788 


1424. [GODWIN (MARY WOLLSTONECRAFT).] <A 
Vindication of the Rights of Woman: with Strictures an 
Political and Moral Subjects. First Epirion. 3 portraits of 
the Author, 2 inserted. 8vo, half brown morocco, gilt top, 
uncut. London, 1792 


1425. GODWIN (MARY WOLLSTONECRAFT). Origi- 
nal Stories from Real Life; with Conversations, calculated to 
Regulate the Affections, and form the mind to truth and 
goodness. A new edition. Illustrated by Wm. Blake. 12mo, 
half brown levant morocco gilt, gilt top, uncut. 

. London, 1796 


1426. GODWIN (MARY WOLLSTONECRAFT). Maria, 
ou le malheur d’étre femme, ouvrage posthume de Mary Woll- 
stonecraft Godwin: imité de l’anglais par B. Ducos. . First 
Edition in French. 12mo, half green levant morocco gilt, 
gilt top, uncut. Paris, 1798 


1427. GODWIN (MARY WOLLSTONECRAFT).  Post- 
humous Works of the Author of a Vindication of the Rights 
of Woman. 4 vols. 12mo, half blue morocco gilt, gilt top, 
uncut. (Name on title of vol. 4. Some notes in ink.) 

London, 1798 


1428. GODWIN (MARY WOLLSTONECRAFT). A De- 
fence of the Character and Conduct of the late Mary Woll- 
stonecraft Godwin, founded on principles of Nature and 
Reason, as applied to the peculiar circumstances of her case; 
in a series of letters to A Lady. 12mo, half moroceo gilt, gilt 
top, uncut. London, 1803 


1429. GODWIN (WILLIAM). Memoirs of the Author 
of a Vindication of the Rights of Woman. Portrait of Mary 
Wollstonecraft Godwin. 12mo, three-quarter levant mo- 
roceo gilt, gilt top, uncut. London, 1798 

221 


14830. GODWIN (WILLIAM). Mandeville. A Tale of 
the Seventeenth Century in England. First Epirion. 
3 vols. 12mo, half brown levant morocco gilt, brown silk 
sides, gilt tops, uncut, by The Club Bindery. Edinburgh, 1817 


1431. GOETHE (JOHANN WOLFGANG VON). 
Werther. Traduit de 1’Allemand par M. L. de Sevelinges. 
3 plates by J. D. Bertaux, after Berthon. 18mo, half green 
morocco gilt, gilt top, uncut a Paris, 1825 


1432. GOETHE (JOHANN WOLFGANG VON). Faust, 
tragédie traduite en francais par M. Albert Stapfer. 3 por- 
traits, and 17 illustrations by E. Delacroix. Folio, red 
levant morocco, with figure of Mephistopheles, and title on 
cover inlaid in brown morocco, doublure of green levant 
morocco, gilt edges, original covers bound in, by Raparler. 

* Two portraits are inserted. Paris, 1828 


1433. GOETHE (JOHANN WOLFGANG VON). Faus- 
tus, A Dramatic Mystery; the Bride of Corinth; the First 
Walpurgis Night. Translated from the German of Goethe, 
and illustrated with notes, by John Anster, and including 
Part Two of Faustus. 2 vols. 12mo, calf gilt, gilt edges, by 
F. Bedford. London, 1835-64 


1434. GOETHE (JOHANN WOLFGANG VON). Les 
Souffrances du Jeune Werther, traduites par le Comte Henri 
de La B.[édoyére]. 8vo, half green levant morocco gilt, gilt 
top, uncut, by All6. . Paris, 1845 


* Large Holland paper copy, with three plates after Moreau 
the younger, proofs before letters. Inserted are four etchings 
by Burdet after Tony Johannot in two states, proofs before 
letters on India paper and lettered impressions. 


1435. GOETHE (JOHANN WOLFGANG VON). Rei- 
nike Fuchs. Engraved title, 36 copper-plates, 25 woodcuts, 
etc., by R. Rahn and A. Schleich after Wilhelm von Kaul- 
bach. Royal 4to, citron levant morocco, gilt panels, gilt 
edges, by Riviére. Munchen, 1846 


1436. GOETHE (JOHANN WOLFGANG VON). 
(uvres, Traduction nouvelle par Jacques Porchat. Por- 
trait by Goutrére. 10 vols. in 11, 8vo, red levant morocco 
gilt, gilt edges, by Petit. Paris: i Hachette & Cie., 1859-63 

* Only 100 copies printed. 


1437. GOFFE (THOMAS). The Raging Tvrke, or, 
Baiazet the Second. A Tragedie vvritten by Thomas Goffe, 


Master of Arts, and Student of Christ-Church in Oxford, and Spek 


Acted by the Students of the same house. First EDITION. 
Small 4to, red levant morocco gilt, gilt edges, by David. 
London: Printed by Avegvst. Mathevves, for Richard 
Meighen. 1631. 
222 


1438. GOLDSMITH (OLIVER). An Enquiry into the 
Present State of Polite Learning in Europe. Vignette on 
title. 12mo, niger morocco, large festoon borders on sides, 
panel back, dentelle borders, ENTIRELY UNCUT, by The Club 
Bindery. In ease. 


London: Printed for R. and J. Dodsley, 1759 


* First EDITION, UNCUT, with the half-title. Inserted is an 
AUTOGRAPH LETTER FROM GOLDSMITH TO HIS PUBLISHER, J. 
Dodesley (sic) written from Gray’s Inn, ‘‘Sir I shall take tt as 
a favour tf you can let me have ten guineas by bearer, for which 
I promise to account. I am sir your humble Servant, 

Oliver Goldsmith. 
March 10th, 1764. 
P.S. I shall call to see you on Wednesday next with copy, etc.’’ 


1439. [GOLDSMITH (OLIVER).] The Citizen of the 
World; or, Letters from a Chinese Philosopher Residing in 
London, to his Friends in the East. 2 vols. 12mo, light blue 
levant morocco, tooled and inlaid in an elaborate design, silk 
linings, ALL EDGES UNCUT, by The Club Bindery (margin of 
one title repaired). 

London: Printed for the Author, and sold by J. Newbery, 
1762. 


* First EDITION, UNCUT. Two issues were printed in this 
year, of which this is thought to be the first. 


1440. [GOLDSMITH (OLIVER).] The Life of Richard 
Nash, of Bath, Esq.: Extracted principally from his Original 
Papers. Portrait of Nash by Walker. 8vo, maroon levant 
morocco, elaborate borders, gilt back, gilt edges, by The Club 
Bindery. London: Printed for J. Newbery, 1762 


* First EpiIrion. LARGE PAPER copy. Very tall, with many 
lower edges uncut. Contains the leaves of advertisement of 
‘“Books just Published by J. Newbery. ’’ 


1441. [GOLDSMITH (OLIVER).|] The Life of Richard 
Nash, Esq.; late Master of the Ceremonies at Bath. Ex- 
tracted principally from his Original Papers. Portrait of 
Nash by Walker. 8vo, red levant morocco gilt, dentelle bor- 
ders, ENTIRELY uNcuT, by The Club Bindery. 

| London: Printed for J. Newbery, 1762 


* SECOND EDITION. LARGE PAPER COPY, UNCUT. EXTREMELY 
RARE. Contains the leaf of advertisements of ‘‘Books just 
Published by J. Newbery’’ (works of Goldsmith and others). 
This edition is entirely reset, and includes a Dedication not in 
the first edition. 


1442. GOLDSMITH (OLIVER). The Traveller; or, A 
Prospect of Society, a Poem. Inscribed to the Rev. Mr. 
Henry Goldsmith. Fine portrait of the author, after Rey- 
nolds, inserted. 4to, citron levant morocco, with a broad 
panel of intertwined scroll design on the sides, inlaid with 

223 


red and blue morocco, doublure of same colored levant, silk 
linings, gilt edges, in a case, by The Club Bindery. (Half- 
title restored on inner margin. ) 

London: Printed for J. Newbery, 1765 


* First EDITION; second issue, the first having been published 
Dec. 19, 1764. Contains the leaf of advertisements, usually 
missing. 


1443. GOLDSMITH (OLIVER). The Traveller, or a 
Prospect of Society. A Poem Inscribed to the Rev. Mr. 
Henry Goldsmith. By Oliver Goldsmith, M.B. THE SECOND ~ 
Epition. 4to, dark green leyant morocco, elaborate panels 
of Persian design, in pointillé tools; doublure of the same 
leather, with half title, ALL EDGES UNCUT, in a case, by The 
Club Bindery. 

London: Printed for J. Newbery, in St. Pauls Church-yard, 
1765. 

* PRESENTATION COPY FROM GOLDSMITH, with inscription on 
the half-title. ‘‘With the Author’s best esteem.’’ This is not 
a new issue of the date 1765, but a new edition. The type is 
lighter faced, and occasional changes of phraseology occur, e. g., 
line 12, page 3, in the first edition, ‘‘ Amidst the store, ’twere 
thankless to repine’’ here reads ‘‘ Amidst the store, should thank- 
less pride repine.’’ 


1444. [GOLDSMITH (OLIVER).| The Vicar of Wake- 
field: A Tale. Supposed to be written by Himself. 2 vols. 
12mo0, ORIGINAL CALF, RICHLY GILT BORDERS AND BACKS, DOUBLE 


-LETTERING PIECES, IN MOROCCO SOLANDER OASE. 
Salisbury: Printed by B. Collins, MDCCLXVI [1766] 

* THE RARE First EDITION, AND. THE EARLIEST ISSUE, HAVING 
THE MISPRINT ‘‘ Waekcfield’’ for ‘‘ Wakefield’’ in the headline 
of p. 95 vol. II, and OF EXCEPTIONAL INTEREST, BEING A PRESEN- 
TATION COPY FROM GOLDSMITH ,wITH ‘‘from the Author’’ ON 
TITLE OF VOLUME ONE; WRITTEN IN HIS HAND. 

THE FOLLOWING FOUR POINTS MAKE THIS COPY ONE OF THE 
MOST INTERESTING AND DESIRABLE IN EXISTENCE:—(I1) It is a 
presentation copy from the author. (II) It is in the original 
calf, gilt borders and backs, with double lettering pieces; where- 
as it is usually unlettered and without tooling. Probably one 
of a few copies specially bound for the author for presentation. 
(III) Its unusual size; the copy measuring slightly over 654 x 4 
inches. (IV) It is the First ISSUE of the first edition. 


1445. GOLDSMITH (OLIVER). The Good Natur’d 
Man: a Comedy. As Performed at the Theatre Royal in 
Covent-Garden. 8vo, green levant morocco, ornate panels on 
sides, gilt top, other edges entirely uncut, by Riviére. (Inner 
margin of Epilogue repaired. ) London: W. Griffin, 1768 

* FIRST EDITION: VERY SCARCE IN UNCUT STATE. The prologue | 
is by Dr. Johnson. 


224 


, 
q 


1446. GOLDSMITH (OLIVER). The Deserted Village, a 
Poem. Vignette on title—‘The sad historian of the pensive 
plain,’’? by Isaac Taylor. Large 4to, blue levant morocco, 
covered with a design of interlaced inlays in ivory, green, and 
citron, forming compartments, each surrounded with delicate 
tooling ; doublure of blue levant, dentelle borders, silk linings, 
ENTIRELY UNCUT, in a case, by The Club Bindery. 

London: Printed for W. Griffin, 1770 
* First QUARTO EDITION, UNCUT. Very unusual in this con- 
dition. Measures 11 1/16x8 3/4, with Mr. Hoe’s note on the 


fly-leaf ‘‘uncut copy of the first quarto edition, presumably the 
form in which the poem was first printed.’’ 


1447. GOLDSMITH (OLIVER). The Deserted Village, 
a Poem. * By Dr. Goldsmith. Small 8vo, boards (not origi- 
nal), EDGES ENTIRELY UNCUT, with the half-title. In a mo- 
rocco case. : London: Printed for W. Griffin, 1770 


* SECOND ISSUE OF THE FIRST OCTAVO EDITION, with the mis- 
print ‘‘head,’’ page 9 line 1, corrected to ‘‘hand.’’ A note on 
the fly-leaf in the handwriting of Mr. Hoe reads;—‘‘ The first 
edition of this poem was issued m two sizes, 4to, and small 8vo. 
It cannot be said with certainty which is the absolute first im- 
pression, but the latter is without question by far the rarer.’’ 


1448. GOLDSMITH (OLIVER). The Deserted Village, 
a poem. By Dr. Goldsmith. Small 8vo, green levant mo- 
rocco, wide borders on sides, inlaid in black morocco, elabo- 
rately tooled; doublure of black morocco, green silk guards, 
uncut, original wrappers bound in, by The Club Bindery. 

London: Printed for W. Griffin, 1770 


* THIRD ISSUE OF THE FIRST OctTAvo EpiITIon. The ornaments 
are different and the type of the title-page is smaller, etc. 


1449. GOLDSMITH (OLIVER). She Stoops to Conquer; 
or, The Mistakes of a Night. A Comedy. As it is Acted at 
the Theatre-Royal in Covent Garden. Written by Doctor 
Goldsmith. 8vo, citron levant morocco, doublure of the same, 
with artistic gold tooled panels, gilt over ROUGH EDGES, by 
Chambolle-Duru. London: Printed for F. Newbery, 1773 


* THE GENUINE FIRST ISSUE, which varies considerably, both 
in the preliminary matter and in the book itself, from other 
editions published the same year. The preliminary pages con- 
sist of title, 1 leaf; dedication to Johnson, Prologue by David 
Garrick; Epilogue, 1 leaf. This edition was issued without half- 
title. The Comedy B. to P. 1 in fours. The pagination and 
signatures are very incorrectly marked, some of the variations 
being quite important, some of which, if not all, were corrected 
in later issues. P. 9, C. 1, the catchword ‘‘Scene’’ is here 
printed in small type, sig. K1 p. 65 misprinted 56, sig. Li, mis- 
printed 1, and its pagination misprinted; the headline of this 
page is also misprinted ‘‘A Comedy,’’ sig. L2, pp. 75-76, mis- 
printed 83-68, sig. L3, 77-78, misprinted 69-86. There are 
numerous other errors, including the catechword page 100 (reverse 
of N2) where ‘‘Tony’’ is misprinted for ‘‘ Hastings.’’ 


225 


1450. GOLDSMITH (OLIVER). Retaliation: a poem. 
By Dr. Goldsmith. Including Epitaphs on the most Dis- 
tinguished Wits of this Metropolis. Vignette portrait on the 
title. 4to, crimson levant morocco gilt, gilt edges, by Riviére. 

London: Printed for G. Kearsly, 1774 


* TALL COPY OF THE First EDITION, with the half-title; 
frequently missing. Published posthumously. 


1451. GOLDSMITH (OLIVER). An Enquiry into the 
Present State of Polite Learning in Europe. Small 8vo, 
niger morocco, large festoon borders, gilt back, dentelle bor- 
ders, ENTIRELY UNCUT, by The Club Bindery. (Several por- 
tions of margins supplied.) In a case, 

London: Printed for J. Dodsley, 1774 


* SECOND EDITION with the half-title. Very rare in uncut state. 


1452. GOLDSMITH (OLIVER). Essays. Collecta re- 
virescunt. Vignette on title by Bland. 12mo, orange limp 
levant morocco, gilt top, OTHER EDGES UNCUT, by R. W. Smith. 
(Several portions of margins skilfully restored. ) 

London: Printed for I. and F. Bias 1775 


* RARE IN THIS STATE. 


1453. GOLDSMITH (OLIVER). The Haunch of Ven- 
ison ; a Poetical Epistle to Lorde Clare. By the late Dr. Gold- 
smith. Portrait of the author, drawn by Henry Bunbury, 
Esq.; and etched by Bretherton. 4to, light green levant mo- 
rocco, with four broad panels decorated with ribbon and 
floral designs, inlaid in ivory, blue and citron morocco; doub- 
lure of green levant with inlaid border, vellum fly-leaves, 
UNCUT, in a case, by The Club Bindery. 
~ London: Printed for J. Ridley, in St. James’s Street, and 
G. Kearsley, in Fleet Street, 1776. 

* First EDITION. Very rare in uncut state. This copy is 
still in the original colored and figured wrappers, and has merely 
been stitched into the morocco binding. WITH THE SCARCE 


HALF-TITLE, AND THE EXTRA LEAVES SIGNATURE D, of four pages, 
at the end. 


1454. GOLDSMITH (OLIVER), The Vicar of Wakefield. 
A Tale. 2 vols. in 1, 8vo, crimson levant morocco, panelled 
sides, gilt top, OTHER EDGES UNCUT, by Riviére. 

London: Printed by Samuels and Ritchie, 1792 


* EXTRA-ILLUSTRATED by the insertion of three different por- 
traits of Goldsmith, and 6 plates by Stothard, all proofs. 


1455. GOLDSMITH (OLIVER) AND PARNELL 
(THOMAS). Poems by Goldsmith and Parnell. 8 wood- 
cut vignettes and 5 full-page illustrations by Thomas and 
John Bewick. 4to, original boards, uncut, somewhat worn. 

London: W. Bulmer, 1795 


* First Epirion. Printed on Whatman paper. The text con- 
sists of The Deserted Village, The Traveller, the Hermit, and 
the Lives of Goldsmith and Parnell by Isaac Reed and Goldsmith, 
respectively. 


226 


1456. GOLDSMITH (OLIVER) AND PARNELL 
(THOMAS). Poems by ‘Goldsmith and: Parnell. Woodcut 
illustrations by the Bewicks. Royal. 8vo,: original boards, 
uncut. London: Printed by W. Bulmer, 1804 

* Printed on Whatman paper. 


1457. GOLDSMITH (OLIVER). The Vicar of Wakefield: 
A Tale. 24 colored plates by Thomas Rowlandson.  8vo, 
erimson levant morocco gilt, gilt edges, by Cuzin. 

London: R. Ackermann, 1823 


1458. GOLDSMITH (OLIVER). The Vicar of Wake- 
field. Illustrations by George Cruikshank. 12mo, half ma- 
roon levant morocco, gilt top, uncut, by Krafft. London, 1832 


1459. GOLDSMITH (OLIVER). The Poetical Works of 
Oliver Goldsmith. Illustrated by wood engravings from the 
designs of Members of the Etching Club. With a Biographi- 
eal Memoir and Notes on the Poems. “Edited by Bolton Cor- 
NS eae With 38 woodcut allustrations by Creswick, Red- 
grave, Cope and others Small 4to, blue levant morocco gilt, 
oilt edges, by Chambolle-Duru. London, 1846 


1460. GOLDSMITH (OLIVER). Works. Edited by 
Peter Cunningham. 4 vols. 8vo, blue levant morocco gilt, 
gilt edges, by Matthews. London, 1854 


* EXTRA-ILLUSTRATED by the insertion of 113 plates, including 
52 portraits. Most of these are proofs, some in 2 or 3 states. 


1461. GOLDSMITH (OLIVER). The Vicar of Wake- 
field, by Oliver Goldsmith. 32 illustrations by Walliam Mul- 
ready, R.A. 4to, green levant morocco gilt, gilt top, uncut, 
by Riviere. London, 1855 


1462. GOLDSMITH (OLIVER). . Le Vicaire de Wake- 
field par Olivier Goldsmith. Traduction de M. Aignan revue 
par Rémond. Illustrations anglaises par M. Georges Thomas. 
Fleurons et vignettes par M. Macquoid. Square 8vo, green 
morocco gilt, gilt edges. aris ni, d. | 


* Printed on rose-tinted paper. 


1463. GOLDSMITH (OLIVER). Le Vicaire de Wake- 
field; traduction nouvelle et compléte par B.-H. Gausseron. 
Illustrations in colors. Royal 8vo, original covers, uncut. 

Paris: A Quantin [n. d.] 
* One of 100 copies on Japan paper. 


1464. GOLDSMITH (OLIVER). The Deserted Village. 
Illustrated by the Etching Club, with 85 woodcuts. Small 
4to, green morocco gilt, gilt edges, by Hayday. London, 1857 


227 


TWENTY-EIGHTH SESSION, FRIDAY, 2:30 P. M. 


1465. GOMARA (FRANCISCO LOPEZ DE). La His- 
toria General de las Indias. With the rare folding map of 
the New World by Ivan Bellero. 8vo, red levant morocco - 
- gilt, gilt edges, by Lortic. Anvers: Juan Steelsio, 1554 


1466. GOMARA (FRANCISCO LOPEZ DE). Historia 
de Mexico, con el descubrimiento de la Nueva Espana. 
Arms of Cortes on the title-page. 8vo, red levant morocco 
gilt, gilt edges, by Lortic. Anvers: Juan Steelsio, 1554 


1467. GOMBERVILLE (MARIN LE ROY DE). The 
Doctrine of Morality. Translated into English by T. M. 
Gibbs. Frontispiece, portrait, vignettes and 100 engrav- 
ings by Daret after Otho Vaenius. Folio, red morocco, 


gilt ornaments, gilt edges. London, 1721 
* From the collections of the Earl of Arran and of the Earl 
of Ormond. 


1468. GOMERSALL (ROBERT). The Tragedie of Lo- 
doviek Sforza Dvke of Millan. First EDITION. Engraved 
title by Cecill, and the leaf of Hxplanation opposite. Small 
8vo, blue levant morocco, gilt borders, gilt edges, by The 
Club Bindery. Imprinted at London in the yeare 1628 

* A large copy. 


1469. GONCOURT (EDMOND anp JULES DE). Sophie 
Arnould, d’aprés sa correspondance et ses mémoOires inédits. 
FIRST EDITION. 12mo, half cloth, uneut, original covers 
bound in. Paris, 1857 


1470. GONCOURT (EDMOND anp JULES DE). Les 
Maitresses de Louis XV. Lettres et documents inédits. 
2 vols. royal 8vo, red levant morocco, gilt borders, doublure 
of citron morocco with floral borders, gilt tops, uncut, by 
Thibaron-Joly. Paris, 1860 


* First EDITION, One of 8 copies printed on Holland paper. 
Extra-illustrated by the insertion of 154 portraits and two au- 
tographs of Madame du Barry and Edmond de Goncourt, 
There are proofs before letters of the portrait of the Prince de 
Condé by Scriven, Cardinal de Bernis, by Savart, the Dauphin, 
by Lempereur, the Duc de Choiseul, by Moreau, and Louis 
XVIII, by R. Morghen; fine proofs by St. Aubin (9), Le Beau 
(9), Gaucher (6), Ceroni (6), Cochin (5), Ficquet (4), Savart (2), 
Marcenay (3), Delatre (3); portraits of Madame de Pompadour, 


228 


by Ceroni, St. Aubin, Littret, Le Beau, Watson, Mariage, 
Dieu, and Cochin, after Beauvardet (2) and Latour; of Madame 
du Barry, by Ceroni, Gaucher, Le Beau, etc. There are in 
addition two original etchings by Madame de Pompadour, and 
a portrait of Louis XV (Volume II, p. 212) of marvellous exe- 
cution, ‘‘ fait 4 la plume” by Oudinot in 1795. 


1471. GONCOURT (EDMOND anvp JULES DE). Gavarni 
{Guillaume Sulpice Chevallier] homme et Vceuvre. Por- 
trait by Flameng. FiRst EDITION. 8vo, original paper 
covers. Paris, 1873 


1472. GONCOURT (EDMOND and JULES ODE). 
L’Amour au dix-huitiéme Siécle. Ornamental borders, 
etched frontispiece and 2 vignettes. FIRST EDITION, on 
Whatman paper. 8vo, half blue morocco gilt, gilt top, 
uncut. Paris, 1875 


1473. GONCOURT (JULES DE). Eaux-fortes de Jules 
de Goncourt. Notice et Catalogue de Philippe Burty. 
Folio, loose, in a portfolio. Paris, 1886 


* One of 100 copies on Holland paper, with the etchings on 
Japan paper. 


1474. [GOODALL (CHARLES).] Poems and Transla- 
tions, written Upon Several Occasions, and To Several 
Persons. By a late Scholar of Eaton. FIRST EDITION. 
Small 8vo, old red morocco gilt, gilt edges. 

London: Henry Bonwicke, 1689 
* These poems have been attributed to the Earl of Rochester. 


1475. GOUDEAU (EMILE). Poémes Parisiens. llus- 
trations de Ch. Jonas, gravées sur bois par H. Paillard. 
8vo, citron levant morocco, gilt panels, gilt top, uncut, by 
The Club Bindery. Paris, 1897 


* One of 138 copies printed on China paper. 


1476. GOULD (ROBERT). The Laurel, a Poem on the 
Poet-Laureat. FIRST EDITION. 4to, green morocco, gilt 
edges, by The Club Bindery. London: Benj. Tooke, 1685 


1477. GOZLAN (LEON). Balzac chez lui. Souvenirs des 
Jardins. FIRST EDITION. 12mo, three-quarter olive levant 
morocco gilt, gilt top, original covers bound in, by Fonte- 
ney. Paris, 1862 


1478. GRAFFIGNY (FRANCOISE D’ISSEMBOURG . 
D’H.). Lettres'd’une Péruvienne, Nouvelle édition, aug- 
mentée d’une suite qui n’a point encore été imprimée. 
Proof impressions of the 2 frontispieces and 2 vignettes 
after Desenne. 2 vols. 18mo, purple morocco gilt and 
blind tooled, gilt edges, by Ledoux. In half morocco 
Cases. Paris: Didot l’ainé, 1797 

* Printed on vellum. 


1479. G[RAY], RLOBERT]. Virginia’s Cure: or An 
Advisive Narrative concerning Virginia. Discovering The 
true Ground of that Churches Unhappiness, and the only 
true Remedy. As it was presented to the Right Reverend 
Father in God Guilbert Lord Bishop of London, September 
2, 1661. Now publish’d to further the Welfare of that 
and the like Plantations: By R.G. 4to, citron levant mo- 
rocco, covered with a rich design with mosaic of red levant, 
tooled in scrolls and sprays, doubléd with red levant, bor- 
_ders, gilt edges, by The Club Bindery. (Lacks D 4, a 
blank.) London: Printed by W. Godbid for Henry 
Brome at the Signe of the Gun in Ivy-lane. 1662. 


* FIRST EDITION. A VERY LARGE COPY, measuring 714 x 51g 
inches. ‘‘ This is an early tract*relating to Virginia, and is of 
such rarity that Sabin says he had never seen acopy. It was 
reprinted by Peter Force in his Tracts, vol. 3, No. 15.’’—Church 
Catalogue. 

[See Reproduction. | 


1480. GRAY (THOMAS). Poems, by Mr. Gray. Small 
folio, original half calf and boards, uneut. ONLY 200 
COPIES PRINTED. Parma: Printed by Bodoni, 1793 


1481. GRAY (THOMAS). The Poems of Gray. EXTRA 
ILLUSTRATED, by the insertion of 112 proof portraits and 
views, many proofs in different states, and a fragment of 
manuscript by Gray. The portraits include 11 of Gray, one 
engraved by Caroline Watson. 8vo, green levant morocco 
gilt, doublure of red levant, gilt tooled after the manner of 
Derome, gilt edges, by Bedford. London: T. Bensley, 1800 


* LARGEST PAPER COPY. 


1482. GRAY (THOMAS). The Poems of Gray. EXTRA 
ILLUSTRATED by the insertion of over 70 plates, including 
numerous portraits of Gray, duplicates in the earliest state 
of the illustrations published with the book, and many other 
plates, proofs on India paper and before letters. 8vo, green 
levant morocco gilt, doublure of red levant, gilt tooled in 
the manner of Derome, gilt edges, by Matthews. 

-London: T. Bensley, 1800- 
* Contains the rare full-length portrait of Gray by Rados. 


1483. GREENE (ROBERT). Morando The Tritame- 
ron of Loue: Wherein certaine pleasaunt Conceites, 
uttered by diuers worthy personages are perfectly dys- 
coursed, and three doubtfull questyons of Loue, most pithely 
and pleasauntly discussed. FIRST EDITION OF THE FIRST 
PART. Printed in Gothic type. Small 4to, red levant mo- 
rocco, gilt edges, by DeCoverly. London: Edward White,1584 


* From the Earl of Jersey, and the Locker collections, with 
bookplates. 
230 


- Virginia's Cure 


An ADVISIVE NARRATIVE, 


pCNGER NING 


VIRGINIA 


| DiscCOYERING- 


The true Ground of that CHurcues 


‘Unhappinets, and the only true Remedy. 


Z Asi it was prefented to the Right Reverend Father in God 


GUILBERT Lord Bifhop of Lonpon a 
- es 2,166 ee ae 


oe oe ae ig tere tS sar wom ee 


| Now oublith d to fines the Welfare oe that : 


ao and the like PLAN a A 1 a 2 N S: 
Dy R GL 


eee — ee a oe oe 


it tise leg ie (oy yt to Doel in your. ce houler. Pe his Bisie Go 
he wafte? Now therefore He ee the aie Ae oe ) a der 
joer LES Hee i. oo - oo 


© Genk 7 Printed ee w. Godbid f or aah Bene at tthe Signe of 


2 ~ - the Gan in yes £062, 


GRAY’S ‘‘ VIRGINIA’S CURE,’’ 1662. 
(See No. 1479.) 


a6 pe Fr oh Kise hal be ke re in “all ihe vd a 
itnels unto all Gah and then fal the End 08 y a 


co 


: ’ 
* : i ~~ O “Te 


eo ate 


2 ale 
ih re a kaa 


1484. GREENE (ROBERT). The Spanish Masquerado. 
- Wherein vnder a pleasant deuise, is discouered effectuallie, 
in certaine breefe sentences and Mottos, the pride and in- 
solencie of the Spanish estate: with the disgrace conceiued 
by their losse, and the dismaied confusion of their troubled 
thoughtes. Whereunto by the Author, for the better vn- 
derstanding of his deuice, is added a breefe glosse. Small 
4to, calf gilt, gilt edges, by F. Bedford. (Top margins of 
some leaves repaired.) Printed at London by Roger Ward 
for Thomas Cadman, 1589. 


* ONE OF TWO ISSUES OF THE FIRST EDITION, both published 
this year. 


1485. GREENE (ROBERT). Cicerconis Amor, Tullies 
Love: wherein is discoursed, the prime of Ciceroes youth, 
setting out in liuely Portraitures, how yong Gentlemen, 
that Ayme at Honor, should leuell the end of their affec- 
tions, holding the loue of Countrey and Friends in more 
esteeme, etc. [SEVENTH EDITION.] Small 4to, polished 
ealf, gilt, by W. Pratt. 

London: W. Stansby for John Smethwicke, 1616. 


1486. GREENE (ROBERT). Greenes Farevvell to Follie. 
Sent to Courtiers and Scholers, as a president to warne 
them from the vaine delights, that drawes youth on to 
repentance. SECOND EDITION. 4to, brown levant morocco, 
gilt edges, some lower edges uncut, by The Club Bindery. 

London: W. White, 1617 


1487. GREENE (ROBERT). Philomela, The Lady Fitz- 
Waters Nightingale. FOURTH EDITION. Small 4to, green 
morocco, gilt edges (a few headlines shaved, margin of A® 
repaired and small piece torn from margin of [). 

London: George Purslowe, 1631 


1488. GREENE (ROBERT). The Dramatic Works of 
Robert Greene, to which are added his Poems, with some 
account of the author, and notes, by the Rev. Alexander 
Dyce. 2 vols. 8vo, green morocco gilt, arms in gold on the 
sides, gilt tops, uncut, by Clyde. London: Pickering, 1831 


* One of 12 copies on large paper. The Griswold copy with 
Arms. 


1489. GRESSET (JEAN BAPTISTE LOUIS). Méuvres, 
avec Le Parrain Magnifique, poeme en dix chants, ouvrage post- 
hume. Portrait of Gresset by St. Aubin after Nattier, in four 
states, from open-letter proof to the finished plate, also eight 
plates engraved by Simonet (7) and de Ghendt after the de- 
signs of Moreau, each plate in five states, viz., engraver’s etch- 
ing, proof before letters on plate and on yellow paper, the 
lettered proof, and the ordinary impression. 2 vols., 8vo, 


231 


green levant morocco, doublures of red morocco with dentelle 
borders and corner ornaments, gilt over rough edges, by Cuzin. 
Paris: Ant. Aug. Renouard, 1811 

* LARGE PAPIER VELIN COPY. EXTRA-ILLUSTRATED by the inser- 


tion of a portrait engraved by Delvaux (1787) after Béruer 
and an original sepia drawing as frontispiece to Vol. II. 


1490. GRESSET (JEAN BAPTISTE LOUIS). Cé#uvres. 
2 vols. 18mo, green vellum, uncut. - Paris: Didot, 1806 
* PRINTED ON VELLUM. From the Syston Park Library. 


1491. GRESSET (JEAN BAPTISTE LOUIS). Poeémes. 
Illustrations. 8vo, blue levant morocco gilt, gilt edges, by 
‘Thibaron. Paris: Chez D. Jouaust, 1867 

* ONE OF 2 COPIES ON VELLUM. EXTRA-ILLUSTRATED by the 


insertion of 2 portraits of the author, and 7 brilliant plates by 
Moreau, proofs before letters. 


1492. GRESWELL (REV. WILLIAM PARR). Annals 
of Parisian Typography, containing an account of the Earliest 
Typographical Establishments. Frontispiece and facsimiles. 
8vo, cloth, uncut. London, 1818 

* LARGE PAPER COPY. 


1493. GRIFFITH (ELIZABETH). The School for Rakes, 
a Comedy. As it is Performed at the Theatre-Royal in Drury- 
Lane. First Epirion. 8vo, morocco. London, 1769 


1494. GRIMM (HERMAN). Life of Michael Angelo. 
Translated with the author’s sanction, by Fanny Elizabeth 
Bunnett. 2 vols. royal 8vo, green levant morocco gilt, gilt 
edges, by R. W. Smith. Boston, 1866 

* LARGE PAPER COPY. EXTRA-ILLUSTRATED with 120 portraits 


and views, also an original drawing of St. Mark’s, Venice. 
Many of the plates are proofs. 


1495. GRIMM (M. M.). German Popular Stories. Trans- 
lated from the Kinder und Haus Marchen. Collected by M. M. 
Grimm. Etched plates by George Crutkshank. 2 vols. small 
8vo, brown levant morocco gilt, gilt tops, uncut, by Bedford. 
With the half-titles, and leaf of advertisement at the end of 
‘Vol. II (but lacking those at the beginning). 

London: C. Baldwyn, 1823; C. Robins, 1826 

* First EDITION OF VOLUME II, and second edition of Vol. I, 

the word ‘‘marchen’’ modified; ‘‘The Travelling Musicians, or, 

the Waits of Bremen,’’ on page 9; ‘‘The Waggish Musicians ’’ 
on page 81, etc. 


1496. GRIMSTON (WILLIAM LUCKYN, (FIRST) VIS- 
COUNT). The Lawyer’s Fortune; or, Love in a Hollow Tree. 
A comedy. Engraved frontispiece. Small 8vo, brown levant 
morocco gilt, gilt edges, by The Club Bindery. London, 1736 


232 


1497. GROLIER CLUB. A Decree of Star Chamber con- 
cerning Printing, made July 11, 1637. Jlluminated vignette- 
title, headings, tail-pieces, Hc. 8vo, red levant morocco gilt, 
wide side-borders, silk linings, gilt top, uncut, with the original 
covers bound in, by David. New York: The Grolier Club, 1884 


* One af only 150 copies of the FIRST BOOK PUBLISHED BY THE 
CLUB. 


1498. GROLIER CLUB. (1). Praribaccans of the Grolier 
Club from its Foundation January, 1884, to July, 1885. Part 
I.; (2). Transactions of the Groher Club from July, 1885, to 
February, 1894. Part II.; (3). Transactions of the Grolier 
Club from February, 1894, to July, 1899. Part II]. Ktched 
portramts and illustrations, some on Japan-paper. 3 vols. 4to, 
original wrappers, uncut. 

New York: The Grolier Club, 1885-’94-’99 


* Limited editions of each part. 


1499. GROLIER CLUB. Rubaiyat of Omar Khayyam, the 
Astronomer-Poet of Persia. Rendered into English verse by 
Edward Fitzgerald. Initials, &c., in gold and colors. 8vo, 
blue levant morocco, covered with an elaborate Persian design, 
doublure of brown morocco, wide borders, by Ramage. 

New York: The Grolier Club, 1885 
* One of 150 copies on Japan paper. 


1500. GROLIER CLUB. Irving (Washington). A His- 
tory of New York from the Beginning of the World to the End 
of the Dutch Dynasty. Illustrations by Geo. H. Boughton, 
Will H. Drake, and Howard Pyle, and etchings by Henry C. 
Eno and F. Raubicheck. 2 vols. 8vo, brown levant morocco, 
cilt backs, elaborate borders, doublure of red morocco, gilt 
borders, silk guards, gilt over rough edges, in morocco cases, 
by Joly. New York: The Groher Club, 1886 


* ONE OF 2 COPIES PRINTED ON VELLUM, with duplicate im- 
pressions of the etchings. 


1501. GROLIER CLUB. De Vinne (Theodore Low). His- 
toric Printing Types. A Lecture read before the Groler Club 
of New York, January 25, 1885, with Additions and new Illus- 
trations. Macsimiles of types, dc. Royal 8vo, crimson levant 
morocco, blind and gold-tooled panels, corner ornanfents, 
broad inside borders, vellum fly-leaves, gilt top, by Matthews. 

New York: The Grolier Club, 1886 


* ONE OF 2 COPIES PRINTED ON VELLUM. Presentation copy 
from the author to Mr. Hoe, with inscription. 


1502. GROLIER CLUB. Reade (Charles). Peg Woffington. 
2 vols. 12mo, blue levant morocco, gilt panels, gilt tops, uncut, 
by Joly. New York: The Grolier Club, 1887 

* One of 250 copies. 


238 


1503. GROLIER CLUB. De Vinne (Theodore Low). Chris- 
topher Plantin and the Plantin-Moretus Museum at Antwerp. 
Illustrations by Joseph Pennell. Royal 8vo, brown levant mo- 
rocco gilt, panels of interlacing fillets, corner ornaments, gilt 
top, uncut, original wrappers bound in, by The Club Bindery. 


New York: The Grolier Club, 1888 
“= One of 300 copies. 


1504. GROLIER CLUB. Areopagitica. A Speech of Mr. 


John Milton, for the Liberty of Unlicensed Printing. With 


an introduction by James Russell Lowell. Small 8vo, boards, 
uncut. New York: The Grolier Club, 1890 


* One of 325 copies on Holland paper. A specimen signature 
on vellum is dJoosely inserted. 


1505. GROLIER CLUB. Curtis (George William). Wash- 
ington Irving: A Sketch. Portraits of Matilda Hoffman and 
Irving, and cut of Cockloft Hall Summer House. 8vo, red 


morocco, gilt top, uncut. New York: The Grolier Club, 1891 
* One of 344 copies printed. 


1506. GROLIER CLUB. Conway (Moncure Daniel). 
Barons of the Potomack and the Rappahannock. Facsimile. 
8vo, boards, uncut. New York: The Grolier Club, 1892 


* One of 360 copies on Italian hand-made paper. 


1507. GROLIER CLUB. Catalogue of an exhibition of Illu- 
minated and Painted Manuscripts together with a few early 
printed books with illuminations—also some examples of 
Persian Manuscripts and an introductory essay. Plates on 
facsimile. 8vo, olive green levant morocco, uncut, by R. W. 
Smith. New York: The Grolier Club, 1892 

* One of 350 copies. 


1508. GROLIER CLUB. Catalogue of Original and Early 
Editions of some of the Poetical and Prose Works of English 
Writers from Langland to Wither. 87 facsimiles of title-pages 
and frontispreces. 8vo, red levant morocco, uncut. 


New York: The Grolier Club, 1893. 


* ONE OF 3 COPIES PRINTED ON VELLUM. 


1509. GROLIER CLUB. New York Laws. Facsimile of 
the Laws and Acts of the General Assembly for their Majesties 
Province of New York, &c., &., at New York. Printed and 
sold by William Bradford, 1694. With Historical Introduc- 
tion, Notes on the Laws, &¢., by Robert L. Fowler. Small folio, 
vellum, uncut. New York: The Grolier Club, 1894 

* Edition limited to 315 copies. 


1510. GROLIER CLUB. A Description of the Harly 
Printed Books owned by the Grolier Club, with a brief ac- 
count of their printers and the history of typography in the 
fifteenth century. Facsimiles. Folio, light brown levant 


234 - 


morocco, gilt back, side borders, doublure of vellum, gilt over 
rough edges, by The Club Bindery. 
New York: The Grolier Club, 1895 


* ONE OF 3 COPIES PRINTED ON VELLUM. 


1511. GROLIER CLUB. Warren (Arthur). The Charles 
Whittinghams Printers. With many portrats, illustrations 
and reproductions. 8vo, brown levant morocco gilt, decorated 
with a floriated design of very rich tooling, doublure of vellum, 
gilt over rough edges, by The Club Bindery. 

New York: The Grolier Club, 1896 


* ONE OF 3 COPIES PRINTED ON VELLUM. 


1512. GROLIER CLUB. Koehler (S. R.) <A Chronologi- 
eal Catalogue of the Engravings, Dry-Points and Etchings of 
Albert Durer, as exhibited at the Grolier Club. Illustrated. 
4to, cloth, uncut. New York: Grolier Club, 1897 

* One of 400 copies. 


1513. GROLIER CLUB. Pichon (Baron Jerome). The 
Life of Charles Henry, Count Hoym, Ambassador from Sax- 
ony-Poland to France, and Eminent French Bibliophile, 1694- 
1736. With a Sketch of the life of the late Baron Pichon. 
Engraved portraits, facsimiles of bindings.and other illus- 
trations. Royal 8vo, original silk-brocade binding, morocco 
back and corners, uncut. New York: The Groler Club, 1899 

* One of 303 copies. 


1514. GROLIER CLUB. Pichon (Baron Jerome). The 
Life of Charles Henry, Count Hoym, Ambassador from Sax- 
ony-Poland to France, and Eminent French Bibliophile, 1694- 
1736. Royal 8vo, dark blue levant morocco, covered with a 
seroll tooling in compartments, studded with dots, vellum lin- 
ings, gilt top, uncut, with leather ship, embroidered inside and 
in brown leather case, by The Club Bindery. 

New York: The fetates Club, 1899 


* ONE OF 3 COPIES PRINTED ON VELLUM. 


1515. GROLIER CLUB. Carpenter (G. R.). A transla- 
tion of Giovanni Boceaccio’s Life of Dante with an introduc- 
tion and a note on the portraits of Dante. Portrait of Dante, 
and folded plate of Florence. 8vo, original boards, uncut. 

New York: The Grolier Club, 1900 


i Ais of 300 copies. 


1516. GROLIER CLUB. The History of Helyas, Knight 
of the Swan. Translated by Robert Copland, from the French 
Version published in Paris, 1504. A Literal reprint in the 
types of Wynkin de Worde, after the unique copy printed by 
him upon parchment in London MCCCCCXII. Small 4to, 
pigskin, with clasps, uncut. 

New York: The Grolier Club, 1901 
* One of 325 copies on Whatman paper. 


235 


1517. GROLIER CLUB. De Vinne (Theodore Low). 
Title-Pages as Seen by a Printer, and some Observations on 
the early and recent Printing of Books. Numerous fac- 
similes. 8vo, half red straight-grain morocco, uncut. 


New York: The Grolier Club, 1901 
* One of 325 copies. 


1518. GROLIER CLUB. Hart (Charles Henry—Kditor). 
Catalogue of the Engraved Portraits of Washington. With 
21 illustrations. 4to, half vellum, uncut. 


* One of 425 copies. 


1519. GROLIER CLUB. Stauffer (David McNeely). 
American Engravers on Copper and Steel. Numerous fine 
portraits on Japan paper. 2 vols. 8vo, half cloth and boards, 
uncut. New York: The Grolier Club, 1907 

* One of 350 copies. 


1520. GROLIER CLUB. De Lincy (A. J. V. le Roux). 
Researches concerning Jean Grolier, his Life and his Library. 
With a Partial Catalogue of his books Edited by Roger 
Portalis. Translated by Carolyn Shipman. 12 illustrations 
wm color on imperial Japan paper. Imperial 8vo, half blue 
morocco, uncut. New York: The Grolier Club, 1907 

* FIRST ISSUE of the First Edition. One of 300 copies. 


With numerous marginal corrections and notes in the hand- 
writing of Mr. Hoe. 


1521. GROLIER CLUB. Hawthorne (Nathaniel). The 
Searlet Letter. Illustrated by George H. Boughton, with 
the plates in two states, bistre and colored. Royal 8vo, half 
cloth and boards, uncut. New York: The Grolier Club, 1908 


* One of 300 copies. 


1522. GROTE (GEORGE). Plato, and the other com- 
panions of Sokrates. First Eprrion. 3 vols. 8vo, half green 
levant morocco gilt, gilt tops, uncut, by Riviére. 

| London, 1865 


1523. GROTE (HARRIET LEWIS). Memoirs of the 
Life of Ary Scheffer. First Epition. Portrait and fac- 
simile. 8vo, cloth, uncut. London, 1860 


1524. GROTIUS (HUGO). Syntagma Arateorum. Opus 
poetice et astronomizx studiosis utilissimum. Numerous 
copper-plates representing the signs of the Zodiac and the 
principal Constellations. 4to, old red morocco, gilt edges. 

Ex Officina Plantiniana, 1600 


236 


New York: The Grolier Club, 1904 


1525. GRUEL (LEON). Manuel Historique et Biblio- 
graphique de l’Amateur de Reliures. Illustrated with 126 
plates, including etchings, colored reproductions, etc.; and 
many hundred woodcuts. 4to, dark brown ealf, richly 
chiselled in a gothic design of foliage and birds, the title 
in gold and colors on the front cover, silk linings, gilt top, 
uncut, by Gruel. In a brown morocco case. Paris, 1887 


* One of 110 copies on papier des Vosges. A MASTERPIECE OF 
CHISELLED BINDING. 


1826. GUARD (THEODORE DE LA). Mercurius Anti- 
mechanicus. Or The Simple Coblers Boy. With his Lap- 
full of Caveats (or Take heeds) Documents, Advertisements 
and Przemonitions to all his honest fellow-tradesmen- 
Preachers, but more especially a dozen of them, in or about 
the City of London. First EDITION. 4to, brown levant 
morocco gilt, gilt edges, by The Club Bindery (margins re- 
paired). London: Printed for John Walker, 1648 


1527. GUEROULT (GUILLAUME). Le Premier (et 
second) livre des emblemes. 8&8 emblematic woodcuts. 
2 parts in one vol. 8vo, red levant morocco, gilt centre 
ornaments, gilt edges, by Trautz-Bauzonnet. 

Lyon: Balthazar Arnouillet, 1540 


1528. GUERU (HUGUES). Les Chansons folastres et ré- 


eréative de Gaultier Gargville. Hngraved frontispiece. 12mo, 


red levant morocco, gilt top, uncut, by Canape. Paris, 1858 
* One of 5 copies on India paper. 


1529. GUEVARA (ANTONIO DE). L’Horloge des 
Princes avec le tresrenommé livre de Mare Avrele... 
Traduit en partie de Castillan en Francois, par feu N. de 
Herberay ... & depuis reueu & corrigé nouuellment, outre 
les precedentes impressions par cy deuant imprimées. 
Thick 12mo, red levant morocco gilt, gilt edges, by Trautz- 
Bauzonnet. Paris: Chez Gabriel Buon, 1588 


1530. GUIFFREY (JULES). Antoine Van Dyck, sa Vie 
et son Guvre. With 28 full-page engravings, one fleuron 
and 90 illustrations in the text. Folio, in a cloth portfolio. 

* One of 50 copies on Holland paper. Paris, 1882 


1531. GUILLEMIN (AMEDEE). Les Chemins de Fer. 
Lilustré de 121 vignettes. 12mo, half cloth, uncut. 
* Printed on India paper. Paris, 1869 


1532. LH ABinctTon (WILLIAM).] Castara. THE 
SECOND EDITION, corrected and augmented. 

12mo, brown levant morocco gilt, richly ornamented with 
a scroll design, compartments thickly studded, gilt edges, 
by Riviere. London: Printed by B. A. and T. I*., 1635 


237 


1533. HAEFTEN (BENEDICTUS). Regia Via Crucis. 
Engraved title and 38 emblematic copper engravings. 8vo, 
red levant morocco, gilt edges. Antuerpiz, 1728 


1534. HALEVY (LUDOVIC). Un Mariage d’Amour. 
FIRST EDITION. 12mo, half green levant morocco, uncut, 
original wrappers bound in, by Champs. One of 40 copies 
on Holland paper. Paris, 1881 


1535. [HALIBURTON (THOMAS CHANDLER).] The 
Clockmaker; or, The Sayings and Doings of Samuel Slick, 
of Slickville. Frrst ENGLISH EDITION. Portrait and 6 
plates rn Vol. IIT in the manner of John Leech. 3 vols. 
12mo, brown levant morocco gilt, gilt tops, uncut, by The 
Club Bindery. London: Richard Bentley, 1837-’38-’40 


1536. [HALIBURTON (THOMAS CHANDLER).] Rule 
and Misrule of the English in America. FIRST ENGLISH 
EDITION. 2 vols. 12mo, cloth, uncut (library labels on 
covers). London, 1851 


1537. HALL (T.) The Queen’s Royal Cookery; or, 
Expert and ready way for the Dressing of all sorts of Flesh, 
Fowl, Fish, ete., and making all sorts of Pickles, also mak- 
ing Variety of Pies, Pasties, ete.; with the Art of Preserv- 
ing and Candying of Fruits and Flowers; together with 
several Cosmetick or Beautifying Waters, ete. Hrontispiece 
in compartments, with a portrait of Queen Anne at top, and 
one plate. 16mo, blue levant morocco gilt, gilt edges, by 
The Club Bindery. London: For 8. Bates, 1729 


1538. HALLAM (HENRY). Introduction to the Litera- 
ture of Europe, in the fifteenth, sixteenth, and seventeenth 
centuries. FIRST EDITION. 4 vols. 8vo, blue levant mo- 
rocco gilt, gilt edges, by Bedford. London, 1837-9 


* EXTRA-ILLUSTRATED by the insertion of 450 portraits, the 
majority being proofs, of which 105 areon India paper. The 
portraits include fine examples of engraving by Faithorne, 
Hollar, Marshall, Crispin de Pass, Delaram, Nanteuil, Ficquet, 
Vertue, and others, and a drawing of Sir John Davies. 


1539. HALLE AND GRAFTON’S CHRONICLE. The 
Vnion of the two noble and illustre famelies of Lancastre & 
Yorke, beeying long in continual discension for the croune 
of this noble realme, with all the actes done in bothe the 
tymes of the Princes, bothe of the one linage and of the 
other, beginnyng at the tyme of kyng Henry the fowerth, 
the first aucthor of this deuision, and so successiuely pro- 
ceadyng to the reigne of the high and prudent prince king 
Henry the eight, the undubitate flower and very heire of both 
the sayd linages. Tvtle-page within a woodcut border, with 

238 


2 
: ei 
— ee oi dl 


a. view of the King sitting in Parliament, and Grafton’s 
device at the bottom; a large woodcut on the last leaf of 
Henry VIIT with the Lords and Commons, probably by 
Holbein; and large woodcut initials throughout. Folio, red 
morocco gilt, gilt edges, by Hering. 

Londini: In officina Richardé Graftoni typis impress. 1548 


* The Heber copy, with an autograph letter of that collec- 
tor inserted, in which he writes: ‘‘ The first 14 leaves in the 
Chronicle are of theimpression distinguished by the Arms in- 
stead of the Nativity and without the enumeration of lines in 
the inner margin, being in my opinion (though contrary to that 
of Herbert) those which properly belong to this edition of 1548, 
with which they most exactly correspond. It is on the whole a 
sound, clean, genuine copy, not injured or defaced by any scrib- 
bling, which is a state in which it does not occur once ina hun- 
dred times. There is noone of the series of Old English Chron- 
icles so difficult to find in good state, especially with a clean 
and perfect title-page, as Grafton’s, of which be it remembered 
there is but one edition.” 


1540. HALLIWELL-PHILLIPS (JAMES ORCHARD— 
Editor). Torrent of Portugal. An English Metrical Ro- 
mance. Now first published from an unique manuscript of 
the fifteenth century preserved in the Chetham Library at 
Manchester. 12mo, brown morocco, wide gilt borders, 
gauffred gilt edges. London, 1842 


* ONE OF 6 COPIES PRINTED ON THICK PAPER, autographed 
by the printer, John Russell Smith. 


1541. HALLIWELL-PHILLIPS (JAMES ORCHARD— 
Editor). Contributions to Early English Literature, de- 
rived chiefly from Rare Books and Ancient Inedited Manu- 
scripts, from the Fifteenth to the Seventeenth Century. 
Title-page printed in blue, red and black. 4to, red morocco 
gilt, in the manner of Roger Payne, gilt edges, by Riviere, 

London [Brixton Hill]: For Private Circulation, 1849 
* One of 75 copies printed for the editor. Contains,—‘‘ The 
Suddaine Turne of Fortune’s Wheele, &c.’’, by John Taylor, 
1631; ‘‘The Life of St. Katherine, Tale of the Knight and his 
Wife, and an Account of the Magical Manuscript of Dr. Caius” ; 
‘The Tale of the Smyth and his Dame, and the Booke of 
Robin Conscience”; ‘‘ Band, Ruffe, and Cuffe, a Costume 
Shew, &c.”; ‘‘ Ballads and Poems respecting Hugh of Lin- 
coln”; and *‘ The Interlude of Youth,” 


1542. HALSEY (R. T. HAINES). Pictures of Early New 
York, on dark blue Staffordshire Pottery, together with 
pictures of Boston and New England, Philadelphia, the 
South and West. Wath 166 colored illustrations. Imperial 
8vo, blue levant morocco, covered with mosaic medallions of 
light blue morocco, tooled in a floral design, small orna- 


239 


ments of ivory and dark blue mosaic, the intervals filled 
with dark blue morocco; doublure of blue morocco, floral 
borders, gilt over rough edges, by The Club Bindery. 

New York: Dodd, Mead and Co., 1899 


* One of 268 copies, with Sppueete) set of the plates, in colors, 
on white satin. 


1543. HAMERTON (PHILIP GILBERT). Etching and 
Etchers. 35 etchings [some original], after Seymour Haden, 
Cope, Redgrave, Rembrandt, etc. Imp. 8vo, half blue 


morocco, uncut. London, 1868 
* FIRST EDITION, of which very few copies were issued in un- 


cut state. 


1544. HAMERTON (PHILIP GILBERT). Painting in 
France after the decline of Classicism. FIRST EDITION. 
14 photographic illustrations. 4to, half red morocco gilt, 
gilt top, uncut. London, 1869 


1545. HAMERTON (PHILIP GILBERT). Manin Art, 
Studies in religious and historical Art, Portrait, and Genre. 
First EDITION. With 46 plates in mezzotint, line-engrav- 
ang, etc. Folio, vellum, uncut. London, 1892 

* Large Paper copy, with plates on Japan paper. 


1546. HAMILTON (COUNT ANTHONY). Memoires © 
du Comte de Grammont, par leC. Antoine Hamilton. Hdi- 
tion ornée de 72 portraits gravés dapres les tableaux origi- 
naux. 4to, green straight-grain morocco, gilt borders, gilt 
edges, by Staggemeier and Welcher. In a case. 

Londres: Edwards, ca. 1794 

* PRINTED ON VELLUM. ‘The title-page mentions 72 portraits, 

but there are 80, printed on satin; proofs before letters, and en- 

graved after Hardingand Voet, by Bartolozzi, Birrell, Barker, 

Claessens, Clamp, Gardiner, Harding, junior; Knight, Legoux, 

Nogent, Osborne, Parker, Schiavonetti, Silvester, Tomkins, 
and Van den Berghe. 


1547. HAMILTON (COUNT ANTHONY). Memoirs of 
Count Grammont. A newedition. To which are prefixed 
a biographical sketch of Count Hamilton, and a translation 
of the epistle to Count Grammont. Illustrated by sixty-four 
portraits, engraved by Edward Scriven, ete. 2 vols. 4to, 
blue levaunt morocco, profusely gilt tooled, blue silk linings, 
gilt edges, by The Club Bindery. London, 1811 

* LARGE PAPER copy. Extra-illustrated with over 100 por- 


traits, including proofs of the Scriven plates, old copper pS 
many in 2 states and one in colors. 


1548. HAMILTON (WALTER). French Book-Plates. 
A hand-book for Ex-Libris Collectors. Nwmerous fac- 
similes. FIRST EDITION. 8vo, wrappers, uncut. One of 
36 copies on Japan paper. London, 1892 

240 


1549. HAMILTON (SIR WILLIAM). Collection of 
Ktruscan, Greek and Roman Antiquities. Titles within 
colored borders, vignettes by Nolli, and a large number of 
plates, colored and plain. 4 vols. atlas folio, red levant mo- 
rocco, gilt fillets, gilt edges, by Chambolle-Duru. 

* With English and French text, Naples, 1766-67 


1550. HANDEL (GEORGE F.) anp SMITH (JOHN C.). 
Anecdotes. With select pieces of music, composed by J. C. 
Smith, never before published. Folio, half cloth, gilt top, 
uneut. London: W. Bulmer & Co., 1799 


* Portrait of Handel, by E. Harding after Denner; and of 
Smith, by Harding after Zoffany; and thirty-four pages of 
music score. 


1551. [HARDY (THOMAS).] Desperate Remedies. 
FIRST EDITION. 38 vols. 12mo, cloth, uncut. London, 1871 


bd _* HARDY’S FIRST BOOK. RARE. Fine clean copy, without 
library labels. 


1552. HARDY (THOMAS). The Hand of. Ethelberta. 
A Comedy in Chapters. TJilustrations. First EDITION. 2 
vols. 8vo, half brown levant morocco, gilt tops, uncut. 

London, 1876 


1553. HARDY (THOMAS). The Return of the Native. 
First EpiTion. Map. 3 vols. 12mo, cloth (labels removed 
from covers). London, 1878 


1554. HARDY (THOMAS). Two on a Tower. FIRST 
EDITION. 3 vols. 12mo, cloth, uncut. London, 1882 


1555. HARDY (THOMAS). The Woodlanders. FIRST 
EDITION. 3 vols. 12mo, cloth, uncut. London, 1887 


1556. HARDY (THOMAS). Jude the Obscure. FIRST 
EDITION. Hiching by H. Macbeth-Raeburn and a map of 
Wessex. 8vo, cloth, gilt top, uncut. London, 1896 


1557. HARINGTON (SIR JOHN). Ulysses upon Ajax. 
Written by Misodiaboles to his friend Philaretes. FIRST 
EDITION. Small 8vo, gilt edges, by Clarke & Bedford. 
(Sig. D6 supplied in manuscript. ) 

London: Thomas Gubbins, 1596 


1558. HARINGTON (SIR JOHN—Translator). The 
Englishmans Docter, or The School of Salerne, or Physicall 
Obseruations for the perfect Preseruing of the body of Man 
in continuall health. 8vo, maroon levant morocco gilt, gilt 
edges, by Lortic. (One corner repaired. ) 

London Printed for Iohn Helme, and Iohn Busby [unior, 


1607. 
* FIRST EDITION, with the English text only. Reprinted in 
1613 under the title of ‘‘ The Salerne School.” 


241 


1559. HARIOT (THOMAS). A briefe and true report 
of the new found land of Virginia. Illustrations in the tect. 
Folio, half dark blue roan. 

[reprint] Franecoforti ad Moenum: Typus J. Wecheli, 
1590. 


* A facsimile of the original edition. 


1560. HARRISSE (HENRY). Christopher Columbus 
and the Bank of Saint George (Ufficio di San Giorgio in 
Genoa). Two letters addressed to Samuel L. M. Barlow, 
Esquire. Frontispiece and facsvmile. 4to, half red mo- 


rocco, gilt top, uncut. New York, 1888 
* 150 copies were printed, of which 21 were destroyed by fire 
in 1894. 


1561. HARRISSE (HENRY). The Discovery of North 
America. <A Critical, Documentary, and Historie Investi- 
gation, with an Essay on the Early Cartography of the New 
World, including Descriptions of 250 Mapsor Globes exist- 
ing or lost, constructed before the year 1536; to which are 
added a Chronology of 100 Voyages Westward, Projected, 
Attempted, or Accomplished between 1431 and 1504; Bio- 
graphical Accounts of the 300 Pilots who first crossed the 
Atlantic; and a List of the Original Names of American 
Regions, Caciqueships, Mountains, Islands, Capes, Gulfs, 
Rivers, Towns and Harbours. Jllustrated. 4to, brown pig- 
skin, blind tooled, gilt top, uncut. London, 1892 

* One of 10 copies on Japan paper. 


1562. HASIUS (JOANNEKS). Prefatio laudatoria in Artem 
Chiromanticam. Gothic type. Large woodcut on title, and 
numerous woodcut figures of hands with chiromantic signs, 
in the text. Small 4to, mottled calf, gilt centre wreaths, by 


Birdsall. Auguste: per Joannem Erffordianum, 1518 
* RARE, From the Yemeniz and Lord Amherst libraries. 


1563. HASLEWOOD (JOSEPH—Kditor). Ancient Criti- 
cal Essays upon English Poets and Poesy. Large printer’s 
device on titles. 2 vols. 4to, brown straight-grain morocco, 
wide gilt borders, gilt edges. London, 1811-15 


*Includes reprints of articles by George Puttenham, Gas- 
coigne, Harvey, Spenser, K. James, Daniel, and others, with 
facsimile title-pages. 


1564. HAWTHORNE (NATHANIEL). Twice-Told 
Tales. FIRST EDITION. 12mo, red levant morocco gilt, 
gilt top, uncut, with the advertisements and final blank 
leaf after the text, by The Club Bindery. Boston, 1837 


1565. HAWTHORNE (NATHANIEL). Doctor Grim- 
shawe’s Secret. A Romance. FIRST EDITION. 12mo, red 
levant morocco gilt, gilt edges, original covers bound in, 
by The Club Bindery. Boston, 1883 


242 


1566. HAWTHORNE (NATHANIEL). Complete Works. 
With introductory notes by George Parsons Lathrop. Jilus- 
trated with etchings by Blum, Church, Dielman and others. 
13 vols. royal 8vo, original boards, uncut. 

| Cambridge: Riverside Press, 1883 


* One of 250 copies on Large Paper. 


1567. HAWTHORNE (NATHANIEL). The Hawthorne 
Portfolio. A series of 24 India proofs from the original 
etchings illustrating the new Riverside Edition. Folio, in 
agreen cloth portfolio. Boston: Houghton and Mifflin, 1884 


* Edition limited to 125 sets. 


1568. HAWTHORNE (NATHANIEL). The Marble 
Faun, or the Romance of Monte Beni. JTJllustrated with 
photogravures. 2 vols. 8vo, decorated vellum, gilt tops, 
uncut. Cambridge: Riverside Press, 1889 


* LARGE PAPER COPY. Only 150 printed. 


1569. HAWTHORNE (NATHANIEL). The Scarlet 
Letter. A Romance Literally Reprinted from the First 
Edition. 15 original colored illustrations by A. Robaudi 
and C. Graham. Royal 8vo, citron levant morocco, gilt 
and mosaic back, sides covered with a rich floral design in 
mosaic of ivory, red, and green morocco, gilt tooled, doub- 
lure of citron morocco, gilt over rough edges, in a blue 
morocco case, by The Club Bindery. New York, 1904 

* THE ONLY COPY PRINTED ON VELLUM, with the plates in two 
states, black and colored, and the ORIGINAL DRAWINGS BOUND 


IN. Anautograph letter, by C. Graham, relating to the draw- 
ings is laid in. 


1570. HAYNOVIUS (JULIANUS). Via Veritatis ad 
Vitam. Hmblematic frontispiece-title and 24 copper-plate 
emblems of oval form within ornamental borders. 12mo, 

original vellum covers. Colonize: Ap. J. Kaleovium, 1651 


1571. HAYTER (CHARLES). A New Practical Treatise 
on the Three Primitive Colors, assumed as the Basis of a 
Perfect system of Rudimental Information. Second Edi- 
tion, with Improvements. Frontispiece and 4 colored plates 
engraved by J. Turnbull, after Hayter. 8vo, boards, uncut 
(new back). London, 1830 


1572. HAYWARD (SIR JOHN). The First Part-of the 
Life and raigne of King Henrie the IIII. Extending to the 
end of the first yeare of his raigne. FIRST EDITION. With 
engraved portrait of King Henry inserted. Small 4to, dark 
green eens morocco gilt, gilt edges, by Riviére. 

London: Iohn Wolfe, 1599 


243 


1573. HAZLITT (WILLIAM CAREW). Old English 
Jest Books, reprinted from the originals and Edited with 
Introduction and Notes by Hazlitt. 3 vols. 12mo, brown 
morocco gilt, gilt edges, by W. Matthews. London, 1866 


* These ‘‘ Merrie Conceited Jests,” etc., are by Skelton, 
Peele, Taylor, Borde, Tarlton and others. 


1574. HAZLITT (WILLIAM CAREW). Hand-Book to 
the popular, poetical, and dramatic Literature of Great 
Britain. From the Invention of Printing to the Restora- 
tion. Royal 8vo, sprinkled ealf gilt, gilt top, uncut, by 
Bedford. London, 1867 


1575. HAZLITT (WILLIAM CAREW—Hditor). Jests, 
new and old. Containing Anecdotes of Celebrities, Living 
and Deceased; many of which have never before been pub- 
lished. 8vo, half brown morocco, gilt top, uncut. One of 
100 copies printed on large handmade paper and inter- 
leaved. London, [1886] 


1576. HAZLITT (WILLIAM CAREW). A Manual for 


the Collector and Amateur of Old English Plays. Edited 


from the material formed by Kirkman, Langbaine, Downes, 
Oldys, and Halliwell-Phillipps, with extensive additions 
and corrections by Hazlitt. 4to, half cloth, gilt top, uncut. 
200 copies printed. London, 1892 


1577. HEATON (MARY MARGARET). The History 
of the Life of Albrecht Ditrer of Niirnberg. With a trans- 
lation of his letters and journal, and some account of his 
works. Frontispiece portrait and 30 illustrations. FIRST 
EDITION. Royal 8vo, half red morocco gilt, gilt top, un- 
cut, by W.. Matthews. London, 1870 


1578. HEFNER-ALTENECK (J. H. VON). Eisenwerke 
oder Ornamentik der Schmiederkunst des Mittelalters und 
der Renaissance. 4to, half brown morocco. Frankfurt, 1870 


1579. HEINSIUS (DANIEL). Nederduytsche Poemata: 
Emblemata Amatoria, &e. Frontispiece and numerous 
copper-plates in the text. Four works in one vol. 4to, vel- 
lum gilt, gilt edges. Amsterdam: Willem Janssen, 1616 


1580. [HELPS (SIR ARTHUR).| Friends in Council: 
a Series of Readings and Discourse thereon. FIRST EDI- 
TIONS OF BOTH SERIES. 4 vols. 12mo, Cambridge panelled 
calf gilt, gilt tops, uncut, by Riviere. London, 1847-59 


1581. [HELPS (SIR ARTHUR).| The Conquerors of — 


the New World and their bondsmen: being a narative of 
the principal events which led to negro slavery in the West 
Indies and America. FIRST EDITION. 2 vols. 12mo, cloth, 
uncut. London, 1848 

244 ‘ 


ahd ~—? 


1582. [HELPS (SIR ARTHUR).] Oulita the Serf. A 
Tragedy. First EDITION. 12mo, citron levant morocco 
gilt, gilt edges, by David. London, 1858 


1583. [HELPS (SIR ARTHUR).] Organization in Daily 
Life. An Essay. FIRST EDITION. 12mo, cloth, uncut 
(label removed). London, 1862 


1584. [HELPS (SIR ARTHUR).|] Casimir Maremma. 
FIRST EDITION. 2 vols. 12mo, blue levant morocco, gilt 
tops, uncut, by The Club Bindery. London, 1870 


1585. [HELPS (SIR ARTHUR).] Conversations on War 
and General Culture. FIRST EDITION. 12mo, brown mo- 
rocco gilt, gilt top, by The Club Bindery. _—_ London, 1871 


1586. [HELPS (SIR ARTHUR).) Ivan de Biron, or the 
Russian Court in the middle of the last Century. FIRST 
EDITION. 3 vols. 12mo, red levant morocco gilt, gilt tops, 
uncut, advertisements bound in, by The Club Bindery. 

. London, 1874 


1587. [HELPS (SIR ARTHUR).] Social Pressure. First 
EDITION. 12mo, blue levant morocco, gilt top, uncut, name 


on title, by The Club Bindery. London, 1875 
1588. HEMANS (FELICIA). Poems 6 vols. in 3. 12mo, 
red morocco, gilt edges. Edinburgh, 1859-54 


1589. HENDERSON (WILLIAM). My Life as an Angler. 
Portrait, and 67 woodcuts by Evans. Royal 8vo, blue levant 
morocco, gilt panels with branches of leaves, gilt top, un- 
eut, by Rousselle. London, 1879 


* LARGE PAPER COPY, with the full-page illustrations on 
India paper. 


1590. HENLEY (WILLIAM ERNEST). A _ Book of 
Verses. 8vo, original boards, uncut. London, 1888 


*First EDITION. ONE OF 70 LARGE PAPER COPIES. With 
a letter from the author, and one from the publisher, David 
Nutt, laid in. 


1591. HENNIQUE (LEON). Minnie Brandon. 12mo, 
citron levant morocco gilt, gilt top, uncut, original wrap- 
pers bound in, by The Club Bindery. Paris, 1899 


* One of 20 copies on papier vélin (‘‘ pour les XX_’’), with the 
author’s signature, 


1592. HENNIQUE (LEON). Deux Patries: drame en 
cing tableaux dont un prologue. Nouvelle édition, dlwstrée 
de compositions originales par Bertrand, gravées au burin 
et a Veau-forte par Léon Boisson. Royal 8vo, blue levant 
morocco, gilt, uncut. Paris, 1903 

* One of 50 copies printed on Japan paper, with a duplicate 
set of the etchings, remarque proofs. 


245 


1593. HENNIQUE (LEON). Benjamin Rozes. Jllustra- 
tions et gravures de Vadasz. 8vo, original paper covers, 


uncut. Paris: Librairie de la Collection des Dix [n. d.] 
* One of 10 copies printed on Japan paper, with the etchings 
in 3 states. 


1594. HENRICUS DE ZOEMEREN. Epitoma prime 
partis dialogi de hereticis a Guilhelmo Okamo compositi. 
Gothic character. 1382 unnumbered leaves (including first 
and last blanks), with signatures ; 41 lines to the page. Small 
folio, brown levant morocco, gilt panelled sides, gilt edges, 
by Riviére. Lovanii: Joannes de Westfalia, 1481 


* VERY SCARCE. A large copy. Hain-Copinger, 8435. Camp- 
bell, 914. Proctor, 9229. 


1595. HERBALL. The great herball newly corrected. 
The contentes of this boke. A table after the latyn names 
of all herbes, A table after the Englysshe names of all 
herbes. The propertees and qualytes of all thynges in this 
booke, The descrypeyon of vrynes, how a man shall haue 
trewe knoweledge of all sekenesses. . . . A table, quyckly to 
fynde Remedyes for all dyseases. God saue the Kynge. 
Title within an architectural border, with woodcut initials. 
Small folio, original blind stamped calf, with ties. (Bind- 
ing skilfully repaired in places and ties added at a later 
date, several margins slightly wormed and two or three 
need slight repairs. ) 

Londini in edibus: Thome Gybson, Anno MDXXXIX 
[1539]. 

* A LARGE AND FINE COPY OF THIS FAMOUS HERBAL, two 


editions of which had previously appeared. With the Table 
following Title, without signatures, and some pages uncut. 


1596. HENSLOWE (PHILIP) Aanpb ALLEYN (ED- 
WARD): being the Diary of Philip Henslowe, from 1591 
to 1609. Edited by J. Payne Collier. And the Life of 
Edward Alleyn. By J. Payne Collier. To which is added 
the Alleyn Papers. 2 vols. 8vo, cloth, uncut. 

London: Printed for the Shakespeare Society, 1853 


1597. HERBERT (EDWARD, LORD OF CHERBURY). 
The Expedition to the Isle of Rhe. Small 4to, green levant 
moroceo, doublures of brown russia, russia guards, gilt 
top, uneut, by Zaehnsdorf. London, 1860 

* One of a limited number edited by the Earl of Powis and 
printed for the Philobiblon Society. 


246 


1598. HERBERT (GEORGE). The Temple. Sacred 
Poems and Private Ejaculations. FIRST PUBLISHED EDITION, 
SECOND ISSUE. 16mo, blue levant morocco gilt, gilt edges, 
by Bedford. Cambridge, 1633 


* Portrait of the author inserted. 


1599. HERBERT (GEORGE). The Works of George 
Herbert, in prose and verse. With his Life by Isaac Walton 
and Barnabas Oley. Portrait and plate. 2 vols. 8vo, blue 
levant morocco, wide gilt borders, gilt edges, by Pawson & 
Nicholson. London: Pickering, 1853 


1600. HERCULES. Le dodici fatiche d’Hereole. Wood- 
cuts. 4to, brown morocco gilt, gilt edges. Firenze [ca. 1700] 


1601. HEREDIA (JOSE MARIA DE). La Nonne Alferez. 
Illustrations de Daniel Vierge, gravéesypar Privat-Richard. 
18mo, half mauve levant morocco, gilt top, uncut, original 
covers bound in, by Ourvand. ? Paris, 1894 


1602. HEROIC EPISTLE. An Heroic Epistle to the 
Right Honourable Lord Viscount Sackville. 4to, boards. 
London: Printed for G. Kearsley, 1783 


1603. HERRICK (ROBERT). The Works of Herrick. 
2 vols. 12mo, citron levant morocco, profusely gilt, gilt tops, 
uncut, by Riviere. Edinburgh, 1823 


1604. HEYNS (PIERRE). LEsbatiment moral, des ani- 
maux. Hngraved title and 125 plates. 4to, green levant 
morocco gilt, emblematic side tooling, gilt edges, by David. 

Anvers: Gerard Smits pour Phillipe Galle [1578] 

1605. HEYNS (ZACHARIAS). Emblemata, Emblemes 
Chrestines et Morales, &c. Hngraved title, portrart, vignettes 
and 56 engraved emblems. Four works in one volume, 4to, 
blue morocco, gilt fillets and ornaments, gilt edges, by The 
Club Bindery. Rotterdam: Pieter van Waesberge, 1625 


1606. HEYWOOD (JOHN). John Heywoodes woorkes. 
A dialogue conteynyng the number of the effectuall pro- 
uerbes in the Englishe tounge, compact in a matter con- 
cernynge two maner of maryages. With one hundred of 
_Epigrammes: and thrée hundred of Epigrammes upon 
thrée hundred prouerbes: and a fifth hundred of Epi- 
grams. Whervnto are now newly added a syxt hundred of 
Epigrams by the sayde John Heywood. 4to, brown mo- 
rocco gilt, gilt edges, by Riviére. London, 1562 


* A LARGE COPY measuring 71g x 51g inches. Parts of this 
work were published much earlier than 1562—the first in 
1546—but this is the first complete edition. It is one of 
the rarest of English books of the period and the only perfect 
copy that has occurred for sale within the last forty years, 
excepting Mr. David Laing’s in 1879, which was cropped 
throughout. 


R47 


1607. [HEYWOOD (THOMAS).] If you know not me, 
You know no body or the troubles of Queene Elizabeth ; 
also, The Second Part. With the building of the Royall 
Exchange And the famous Victory of Queen Elizabeth 
anno 1588. (Sixth edition of the first part, and third of 
the second.) Title with a large woodcut of Queen Elizabeth. 
In one vol. small 4to, blue levant morocco gilt, gilt edges, 
by Riviere. (A few corners of the leaves repaired.) 

London: Printed for Nathanael Bvtter, 1623 


1608. HEYWOOD (THOMAS). The Fayre Maide Of - 
the Exchange: Together With the merry humours, and 
pleasant passages of the Cripple of Fanchurch. Furnished 
with variety of delectable Mirth. Third Edition. Small 
4to, green levant morocco gilt, gilt edges, by David. 
(Slight repair to signature K 2.) 

London: Printed by A. G., 1637 


1609. HEYWOOD (THOMAS). The Exemplary Lives 
and Memorable Acts of nine the most worthy Women of 
the World: Three Jews, three Gentiles, three Christians. 
First EDITION. Wath ten portraits of women, eight of 
which have letter-press on the back. The frontispiece por- 
traits of Henrietta Maria and Queen Elizabeth (p. 182) fol- 
low traditional lines. The portrait of Artemisia is a type 
that suggests Joan of Arc. 4to, citron levant morocco gilt, 
gilt edges, by The Club Bindery. (A few trifling repairs. ) 

London: Printed by Tho. Cotes, for Richard Royston, 
1640. 


1610. HEYWOOD (THOMAS). The Generall History 
of Women, Containing the Lives of the most Holy and 
Prophane, the most Famous and Infamous in all ages, ex- 
actly described not only from Poeticall Fictions, but from 
the most Ancient, Modern, and Admired Historians, to our 
Times. First EDITION. Hngraved title. 8vo, green levant 
morocco gilt, gilt edges, by Riviére. 

London: Printed by W. H. for W. H., 1657 


1611. HEYWOOD (THOMAS). The Dramatic Works 
of Thomas Heywood: with a life of the poet, and remarks 
on his writings, by J. Payne Collier. 2 vols. 8vo, cloth, un- 
cut. London: Printed for the Shakespeare Society, 1853 


1612. HEYWOOD (THOMAS) and BROME (RICH- 
ARD). The late Lancashire VVitches. A well received 
Comedy, lately Acted at the Globe on the Banke-side, by 
the Kings Majesties Actors. FIRST EDITION. 4to, citron 
levant morocco, gilt edges, by David. (Slight repairs to 
some leaves, in one place injuring 2 letters.) 

London: Thomas Harper for Benjamin Fisher, 1634 


248 


1613. HICKS (THOMAS). Eulogy on Thomas Crawford. 
Portrait and 3 illustrations. 8vo, half green morocco, gilt 
top, uncut. NewYork: Privately printed for subscribers, 1865 

* One of 70 copies printed for William Loring Andrews. 


1614. HIEROGLYPHICS. La Science des Hieroglyphes, ou 
L’Art d’exprimer par des Figures Symboliques, les Vertus, 
les Vices, les Passions & les Meurs; &¢. avec diferentes 
{sic] Devises Historiques. Ouvrage utile aux Peintres, 
aux Statuaires, aux Gravures & aux Amateurs des Arts qui 
dépendent du Dessein. 4576 figures on 45 plates, engraved 
on copper by fF. de Kaarsgieter and others. 4to, original 
ealf, gilt. La Haye: Jacques van den Kieboom, 1736 


1615. HIERONYMUS (8.). Vite Sanctorum Patrum. 
Gothic characters, double columns. 5 unnumbered leaves, 
eexxxviii numbered, and a blank; 51 lines to the page. 
ftubricated throughout and initials painted in red. Folio, 
16th century German binding of wooden boards covered 
with pigskin, stamped in ornamental and historiated panels, 
clasps. Nurnberg: Antonius Coburger, 1478 

* VERY RARE. Hain-Copinger, 8595; Proctor, 1985. 


1616. HIERONYMUS (S.). Vitas Patrum (translated into 
English by William Caxton). Gothic type, double columns. 
& unnumbered leaves and 348 nwmbered (by mistake CCC- 
xlvii) = 356 leaves, with signatures; 40-41 lines to the page. 
Title engraved on wood, over 150 woodcuts in the text, sev- 
eral repeated, Caxton’s Jarge device on the recto of the last 
leaf, and large cut on the verso, with repetition of the xylo- 
graphic title. Folio, brown levant morocco, blind-tooled 
borders and centre panels of interlacings on the sides; 
doublure and guards of same colored morocco entirely 
blind tooled, gilt edges, by C. HERING. (Title and second 
leaf slightly mended, and last leaf torn and repaired.) 

WESTMYNSTRE BY ME WYNKYN DE WORDE THE YERE OF 
OUR LORDE M.CCCC.LXXxXXV. AND THE TENTH YERE OF 


OUR SOUERAYNE LORDE KYNG HENRY THE SEUENTH [1495]. 
* A LARGE COPY, HAVING SEVERAL LEAVES WITH UNCUT 
EDGEs. Copinger, II, 2961; Proctor, 9697. 


1617. HIERONYMUS (S.). Les epistres monseigneur 
sainct Hierosme en francois. Lettres bdtardes, double col- 
umns. Title in red and black within a woodcut border, and 
6 woodcuts, one of which is repeated 3 tumes. Folio, brown 
levant morocco, THE ARMS OF CHARLES LOUIS DE BOURBON 
COUNT OF VILLAFRANCA in the centre of each cover, and 
his crowned monogram in the corners, gilt edges, by Lortic 
(one side of binding damaged). ; 

Paris: pour Guillaume Eustace, 1520 


249 


1618. HIGDEN (RALPH). Potycronicon, TRANSLATED 
By WiuuiAmM Caxton. Jol, 1 blank; fol. 2 r.: Prohemye 
|[G] Rete thankynges lawde z honoure we merytoryous- | ly 
ben bounde to yelde and offre vnto wryters of hys- | toryes... 
Linds on fol. 3 v., ine 30: Deo gratias. Fols. 4 r. to 20 r. con- 
tain the table. ols. 20 v. and 21 blank. Fol. 22 r.: [S|] Yth 
the tyme that the grete and high tonr (sic) of babilone was | 
bylded men haue spoken with dyuerse tonges... Fol. 246 
blank. Fol. 449 r., ine 20: .... Ended the second day of 
Juyll the xxij yere of | the regne of kynge Edward the 
fourth z of the Incarnation of | oure lord a thousand four 
honderd foure score and tweyne. | Fynysshed per Caxton. 
Foll. 449 v. and 450 blank. Gothic character. 20 unnum- 
bered leaves+4380 numbered cccexxvili==450 leaves, wmclud- 
ing 5 blanks with signatures; 40 lines to»the page. Folio, 
brown levant morocco, richly tooled and gilt with Tudor roses 
and other ornaments, vellum linings, gilt edges, by Bedford, 
with his bill for cleaning, repairing and binding laid in. (First 
leaf skilfully mended, some wormholes, and blank leaves 1, 
246 and 450 missing.) WESTMINSTER: WILLIAM Caxton, 1482 

* A PERFECT COPY (with the exception of the blanks above 
mentioned), AND UNUSUALLY LARGE, MEASURING 11144x8% 
INCHES. The pages are ruled in red ink, marginal notes and 
paragraph marks in red ink, and initials in red. . As the basis 
of his version Caxton used the-translation into English by John 
de Trevisa in 1357, and added an eighth book, which continued 
the Chronicle to 1460. This work is particularly interesting 
because IT IS CAXTON’S ONLY ORIGINAL WORK OF ANY MAGNI- 
TUDE. 

Seymour de Ricci (‘‘Census of Caxtons’’) records eight 
perfect copies only, some of which are made up. The only ones 
comparable with this are those belonging to Earl Spencer (now 
in the Rylands Memorial Library, Manchester) and the copy in 
the New York Public Library (from the Towneley-Sykes-Dent- 
Perkins-Ives collections). Hain-Copinger, 8659; Proctor, 9645; 
Blades, 46. 

[See Reproduction. | 


1619. HIGDEN (RALPH). Polyeronyecon (TRANSLATED 
By WILLIAM Caxton). Gothic type, double columns. 50 
unnumbered leaves (the 50th blank), CCCalvuw numbered and 
1 unnumbered. Xylographic title printed in red, over a 
large woodcut of St. George and the dragon, the same cut re- 
peated at the end, woodcuts in the text, and the colophon 
within a pretty ornamental and historiated border. Folio, 
red levant morocco, the sides richly tooled and gilt in a 
Grolieresque pattern of interlacings and arabesques, gilt 


200 


— Worfhiype 1 His-prefence Cpf / andy Wele and; prouffyt: of ale 


_ féey Ropames Hat the Inforles and mpfacauntes may be With, 
_ FEandy and wftroved/ and our fey enGaunced)/ Which in Hyle 
_ dapes 16 fore mynuypf[txed, Sp the pnpffauncee of He Curkes ano 


Wold bans (ette i Hit moo Sut Ge (uSftaunce Bat Jan fon 


His lubgetic/and Hat Here map fe a Ferap fynal yee my al erp, 


~ enfezptaurtee Sp youde te (ce/ 2nd Gat Ge may wane in Gem & 
_ He plapfpre of almpahty god/bet the of Gic (ots) Pah He | 


Gothen iten/Qkndp Bat afer thie prefente and (hort Ost Ge nave. 
“camief Gheaucitolons nf inte Stee of Bey / Jamey 


And Geer GJ make ay enve of Hic tye tberbe as npabacsan 
_ fente aftez He forme of He Werk & for mace Sp anu ph ane . 
_ Of Cheftre/ 2nd Where as Hez is faWer/ SH keleche He Gat hat. 
ede 16 GH correcte 1/ {for vf S{ conde Gane foundey moo: (forpes | 


~ & and RnoWe Sf Gane (Hortlp (etc Gm in Hic ook. Hankne 


_ Hat (uch Hunges as auc fey done (pth the wth 07 ent of Befar 
po Re of polpconpay (hold) fe Gad) in vememBbraunce and not 


_ puter in obfpupoy ne forgetpnae / prapenge al them Bat (hal . 
_ fee His fompls Werke Hm pazdone mie of my fypmple | and; cur 


f Pees, * 2 
oss i : ae 
i ES se a é a espero evr: Ras 


HIGDEN’S ‘‘ POLYCRONICON,’’ 1482, TRANSLATED AND PRINTED BY CAXTON. 
(See No. 1618.) 


oe Bige Cowardyihe fourth ¢ of the jnaznadon of 


| 


: | 


- RG See nat Seer. ae : we ee % a oe ¢ ae ea Se ee ey ue 1 = ae ee Sees > } D ‘ Se paPSs 
‘ ae He ee ge ee poets ‘ ¥ : 3 aoa BO eas fey ek a RAS ey eee / 
Rice Senora . : ; ok aie ‘ bf Ae oS. Se POR ee ees toe? RE Sse i 


oes : : = ee 


’ 


back; doublure of green levant, wide gilt tooled borders, gilt 
edges, by Joly. (Upper margin of one leaf (v 7) skilfully 
mended.) 

Imprented in Southwerke by me Peter Treueris at expences 
of John Reynes bokeseller at the sygne of saynt George in 
Poules chyrehyarde, 1527. 


* VERY RARE. A large and perfect copy. 


1620. HILLAIRE (I.). Speculum heroicum principis 
omnium temporum poetarum Homeri, id est argumenta 
xxiiij. librorum Lliados (text in Latin and French). Vig- 
nette on title with medallion of Homer, portrait of Hillaire 
and 24 fine engravings by Crispin de Pass, all brilliant 
ywmpressions. 4to, blue levant morocco, gilt edges, by Bed- 
ford. Traiecti Batavorum, 1613 


1621. HILLEMACHER (FREDERIC). Galerie Histor- 
ique des Portraits des Comédiens de la Troupe de Moliére. 
With 42 portraits in two states; proofs before and after 
letters. vo, brown levant morocco gilt, gilt edges, by 
Masson-Debonnelle. Lyon, 1861 

* One of 250 copies printed. 


1622. HIPPOCRATES. °INMOKPATOYS ’A®SOPISMOT. 
Aphorismi Hippoecratis. Ex recognitione A. Vorstii, M. P. 
Engraved title. Second of 2 editions printed in 1628. 32mo, 
red morocco gilt, gilt edges. 

Lugd: Batavort. Ex officina Elzeviriana, 1628 


1623. HIPPOCRATES. Coacze Prenotiones, Greeé & 
Latiné. 12mo, old blue straight-grain morocco, gilt borders, 
silk linings, gilt edges, by Bozérian. 

Amstelodami: Ex officina Elzeviriana, 1660 


1624. HISTOIRE de la Vie de Tiel Wlespiegle, Contenant 
ses faits & finesses, ses aventures, & les grandes fortunes qu’il 
a eués, ne s’etant jamais laisé tromper par aucune personne. 
Nouvelle Traduction de 1’Alemand en Francois; ot l’on a 
ajouté a cette Edition, plusieurs pieces qui n’ont point encore 
paru en Francois jusques a present. Frontispiece. 12mo, 
blue levant morocco gilt, gilt edges, by Capé. 

Amsterdam, 1703 


- 1625. HODGKIN (JOHN ELIOT). Rariora, being notes 
of some of the printed books, manuscripts, historical docu- 
ments, medals, engravings, pottery, ete., collected (1858-1900). 
With 65 illustrations. 3 vols. large 4to, cloth, gilt tops, uncut. 

London [1900] 


1626. [HOE (ROBERT).] Photographs of books, china 
and works of art in the collection of an amateur. With 45 
illustrations. Royal 8vo, half reddish brown morocco gilt, 
gilt top, uncut. New York, 1875 

251 


1627. HOE (ROBERT). A Lecture on Bookbinding as a 
Fine Art, delivered before the Grolier Club, February 26, 
1885. 63 illustrations in three states ;—vellum, Japan paper, 
and satin. Thick 4to, citron levant morocco, richly tooled in 
a design of lace and ermine, doublure of red levant morocco, 
wide gilt borders, gilt edges, by Riviere. 

New York: The Grolier Club, 1886 

* PRINTED ON VELLUM, PROBABLY ONE OF TWO (OR THREE) 
SO ISSUED. The best of the several copies in the library, hav- 
ing the plates in three states, on vellum, as originally issued 
with the work, and on Japan paper and proofs on satin, which 


were specially made for Mr. Hoe. All the illustrations were 
made from examples in Mr. Hoe’s library. 


1628. HOE (ROBERT). One Hundred and Seventy-Six 
Historic and Artistic Book-Bindings, dating from the Fif- 
teenth Century to the Present Time. Pictured by etchings, 
autotypes, and lithographs after the originals, selected from 
the library of Robert Hoe. 2 vols. royal 4to, half red levant 
morocco. New York: Dodd, Mead and Co., 1895 


* The edition consists of 200 copies only, all printed on im- 
perial Japanese paper. 


1629. HOE (ROBERT). The same, in original sheets. 
2 vols. 


1630. HOE (ROBERT). The Library of Robert Hoe. A 
Contribution to the History of Bibliophilism in America. By 
O. A. Bierstadt. Numerous facsumiles. 8vo, cloth, uncut. 


New York, 1895 
* Printed on Japan paper. One of 350 copies. 


1631. HOE (ROBERT). A Short History of the Printing 
Press, and of the Improvements in Printing Machinery from 
the Time of Gutenberg up to the Present Day. Nwmerous illus- 
trations. 4to, buckram, uncut, original covers bound in. 

New York: Printed and Published for Robert Hoe, 1902 


1632. HOEK (ROBERT). CATALOGUE OF BOOKS FORMING 
THE LIBRARY OF RoBERT Hog, comprising: 

Books by English Authors who lived before the year 1700. 

5 vols. New York, 1903-1905 

Books in English later than 1700. 3 vols. New York, 1907 

Books printed in Foreign Languages before the year 1600. 


2 vols. New York, 1907 
Books in Foreign Languages published after the year 
1600. 4 vols. New York, 1909 
Books of Emblems. New York, 1908 
Manuscripts. New York, 1909 


Together, 16 vols. 8vo, wrappers, uncut. New York, 1903-1909 


* A complete set, of which 100 copies were privately printed; 
‘*Books in Foreign Languages’’ and ‘‘Manuscripts’’ are 
printed on Imperial Japan paper. 


202 


1633. HOFLAND (THOMAS CHRISTOPHER). The 
British Angler’s Manual, or the Art of Angling in England, 
Seotland, Wales and Ireland: with some account of the prin- 
cipal rivers, lakes and trout-streams, in the United Kingdom; 
with instructions in fly-fishing, trolling, and angling at the 
bottom, and more particularly for the trout. First Eprirron. 
14 plates on India paper. 8vo, green levant morocco gilt, gilt 
tops, uncut, by Pratt. London, 1839 


* LARGE PAPER COPY. 


1634, [HOGARTH (WILLIAM).|] <A Catalogue of the 
Pictures, Sculptures, Models, Drawings, Prints, &c., Exhibited 
by the Society of Artists of Great Britain, May the 9th, 1761. 
With 2 plates by Hogarth. 4to, half red morocco. 

[ London, 1761] 
* Col. Grant’s copy with his bookplate, and a signed inscrip- 
tion stating he had never seen better impressions of the en- 


gravings. The pamphlet and plates show evidence of having 
been folded. 


1635. HOGARTH (WILLIAM). The Analysis of Beauty. 
Written with a view of fixing the fluctuating ideas of taste. 
New Edition. Frontispiece and 2 folding plates, the second im 
its original state. 4to, half red levant morocco gilt, gilt top, 
uncut, by Bedford. 

London. Printed by W. Strahan, for Mrs. Hogarth, 1772 


1636. HOGARTH (WILLIAM). MHogarth Moralized; a 
complete edition of all the most capital and admired Works 
of William Hogarth, accompanied with concise and compre- 
hensive explanations of their moral tendency, by the late Rev. 
Dr. Trusler. 57 copper-plates, proofs on India paper, and 12 
woodcuts. Small 8vo, half citron morocco gilt, and inlaid back, 
gilt top, uncut, by Cuzin. London, 1831 


1637. HOGARTH (WILLIAM). Anecdotes of Willam 
Hogarth, written by himself: with Essays on his Life and 
Genius, and Criticisms on his Works. To which are added a 
Catalogue of his Prints; edited by J. B. Nichols. With 48 
plates. 8vo, red levant morocco, panelled back and sides, gilt 
top, uncut, by Joly. London, 1833 


HOGARTH (WILLIAM). See also No. 1756. 


1638. HOLBEIN (HANS). Historiarum Veteris Instru- 
menti Icones ad vivum expresse. Una cum brevi, sed quoad 
fieri potuit, delucida earundem expositione. Fine impressions 
of the 92 beautiful woodcuts engraved by Hans Liitzelberger 
from the designs of Holbein. Small 4to, brown levant morocco, 
gilt panelled sides, interlaced wreath of grapevines in centre, 
fleurons in corners, gilt edges, by Lortic. 

Lugduni: Melchior et Gaspar Trechsel, 1538 


* First Epirion. The Ambroise Firmin-Didot copy. 
253 


1639. HOLBEIN (HANS). Les simulachres & historiées 
faces de la mort, autant elegamment pourtraictes, que arti- 
ficiallement imaginées. First Epirion. 41 fine woodcuts of 
the Dance of Death engraved after the designs of Holbewn. 
Small 4to, dark brown levant morocco, the sides entirely 
covered with blind tooled ornaments and skulls; doublure of 
gilt vellum, skulls in the corners and centre, gilt edges, in a 
morocco case, by Cuzin. Rare. 

Lyon: Melchior et Gaspar Trechsel, 1538 


1640. HOLBEIN (HANS). Imagines Mortis. His acces- 
servnt Epigrammata, é Gallico idiomate a Georgio Aemylio in 
Latinum translata. Ad haec, Medicina Animae, tam ijs, qui 
firma, quam qui aduersa corporis valetudine prediti sunt, 
maximeé necessaria. With 53 woodcuts from the designs of 
Holbein. Small 8vo, green levant morocco, gilt ornament on 
the sides, gilt edges, by Capé. 

Coloniae: Apud heredes Arnoldi Birekmanni, 1573 


1641. HOLBEIN (HANS). Le Triomphe de La Mort. 
Gravé d’Aprés les Dessins Originaux de Holbein par Chrétien 
de Méchel Graveur a Bale. With 47 plates. Small 8vo, red 
levant morocco, gilt and blind tooled sides, gilt edges, by 
Capé. [Paris] 1780 


1642. HOLBEIN (HANS). The Dances of Death, through 
the various stages of human life; wherein The Capriciousness 
of that Tyrant is exhibited: in Forty-six Copper-plates; done 
from the original designs, which were cut in wood, and after- 
wards painted, by John Holbein, in the town-house of Basil. 
To which are prefixed, descriptions of each plate in French 
and English, with the Scripture text from which the designs 
were taken. Etched by D. Deuchar, F. A. 8S. 4to, panelled 
calf gilt, gilt top, by Pratt. London, 1803 


1648. HOLBEIN (HANS).  Iecones Veteris Testamenti. 
Illustrations of the Old Testament, engraved on wood, from 
designs by Hans Holbein. Post 8vo, blue levant morocco gilt, 
gilt top, uncut, by Bedford. London: Pickering, 1830 


* One of a few copies on heavy India paper. 


1644. HOLBEIN (HANS). The Dance of Death exhibited 
in elegant engravings on wood, with a Dissertation on the 
several representations of that subject, &e. 8vo, red levant 
morocco gilt, gilt edges. London: William Pickering, 1833 


1645. HOLBEIN (HANS). La Danse des Morts, expli- 
quée par Hippolyte Fortoul. 455 India proof plates by 
Schlotthauer. Small 8vo, brown levant morocco, blind tooled 
cilt edges, by Hardy. Paris [about 1835] 

* Extra-illustrated with 47 copper-plates by Mechel. 
254 


1646. HOLBEIN (HANS). Emblems of Mortality; rep- 
resenting, by numerous engravings, Death seizing all ranks 
and conditions of people. Imitated from a painting in the 
cemetery of the Dominican Church, at Basil, in Switzerland. 
Frontispiece and 46 woodcuts by Anderson. 16mo, ealf gilt, 
panelled sides, gilt top, uncut, by Pratt. 

Charleston, and New Haven, 1846 


1647. HOLBEIN (HANS). L’Alphabet de la Mort, 
Suivi d’anciens poemes francais sur le sujet des trois mors 
et des trois vis. Within borders of the 16th Century. 8vo, 
green cloth, uncut. Large Paper. Paris, 1856 


1648. HOLBEIN (HANS). Hans Holbein, par Paul 
Mantz. Dessins et Gravures sous la Direction de Edouard 
Inévre. Folio, in cloth portfolio, with ties. 

Paris: A. Quantin, 1879 
* One of 100 copies on Holland paper. 


1649. HOLCROFT (THOMAS). The School for Arro- 
gance. A Comedy. As it is acted at the Theatre Royal, 
Covent Garden. First Epirion, with the half-title. 8vo, 
red morocco, gilt edges, by The Club Bindery. London, 1791 


1650. HOLCROFT (THOMAS). The Road to Ruin: A 
Comedy. As it is acted at the Theatre Royal, Covent Garden. 
First Epirion. 8vo, brown morocco, gilt edges, by The Club 
Bindery. London, 1792 


1651. HOLINSHED (RALPH). The Chronicles, com- 
prising: The description and historie of England, Ireland, 
Seotland and beginning at Duke William the Norman called 
the Conqueror and descending to all Kings and Queens of 
England, ete. Tvtles in a woodcut border and numerous 
woodcuts in the text. 3 vols. in 2. Folio, pigskin, blind 
tooled, gilt edges, by The Club Bindery. (A few. corners 
and upper and lower margins of one title supplied, and three 
blank leaves missing. ) London, 1586-1587 


1652. HOME (JOHN). The Siege of Aquileia. A Tra- 
gedy. As it is acted at the Theatre-Royal in Drury-Lane. 
First Eprrion. Small 8vo, brown morocco, gilt edges, by 
The Club Bindery. London, 1760 


1653. HOMELIARIUS DOCTORUM. Homeliz et postil- 
le doctorum de tempore et de Sanctis [collected by Paulus 
Diaconus]|. Gothic characters, double columns, 438 wnnum- 
bered leaves without signatures and catchwords, including 
the blanks 182, 183, 288 and 438; 47 lines to the page. Folio, 
brown pigskin, blind tooled, silk linings, by The Club Bindery. 

[Cologne: Printer of the Sarum Breviary, ca. 1475]. 


* VERY RARE. Not in Hain. Copinger II, no. 3037; Proc- 
tory 159: 
259 


1654. HOMER. Opera, grece. Vol. I, containing the Ilias. 
First ALDINE EpiTION. 8vo, old red straight-grain morocco 
eilt, gilt edges. [ Venice: Aldus, 1504} 

* PRINTED ON VELLUM. Only 7 or 8 other copies known. The 
Ebner copy, mentioned by Renouard. 


1655. HOMER. Ilias, neo-grece. Numerous woodcuts, ev- 
dently printed from blocks of the first part of the 16th century. 
4to, original vellum. (Small portion of upper margin of title 
eut off, and small hole in the last 2 leaves. ) 

Venetiis: Petrus Pinelli, 1649 


1656. HOMER. The Iliad and Odyssey of Homer. Numer- 
ous plates after Flarman, many proofs on India paper, and 
with 2 portraits mserted. 2 vols. in 1, oblong folio, half cloth 
and boards, uncut. London, 1805 


1657. HOOD (THOMAS). The Plea of the Midsummer 
Fairies, Hero and Leander, Lycus the Centaur, and other 
poems. First Eprrion. 12mo, half green morocco, gilt top, 


uncut. London, 1827 
* Dedicated ‘‘To my dear friend—Charles Lamb.’’ 


1658. HOOD (THOMAS). National Tales. First Eprrion. 
8 lithographic plates by Dighton. 2 vols. 12mo, polished ealf, 
gilt edges, by Bedford. London, 1827 


1659. HOOD (THOMAS). Whims and Oddities, in Prose 
and Verse. First Epirion of second series. Original designs 
by the Author. 2 vols. 12mo, half green morocco, gilt tops, 
uncut. - London, 1829-27 


1660. HOOD (THOMAS). MHood’s Own; or Laughter ° 
from Year to Year. First Epirions oF BOTH SERIES. Nwmer- 
ous wUlustrations. 2 vols. 8vo, half green levant morocco gilt, 
gilt tops, uncut, by Matthews. London, 1839-1861 — 


1661. HOOD (THOMAS). Poetical: Works, with some ac- 
eount of the Author. Portrait. 5 vols. 12mo, half green 


cloth, uncut. Boston, 1866 
* LARGE PAPER COPY, only 100 printed. 


1662. HOOD (THOMAS). Humorous Poems. Preface by 
Alfred Ainger. 1350 illustrations by Charles E. Brock. Royal 
8vo, buckram, uncut. London, 1893 

* One of 250 copies on Large Paper. 


1663. HOOGHE (ROMEYN DE). Hieroglyphica, oder 
Denkbilder der alten Volker, namentlich der Aegyptier, 
Chaldaer, Phonizier, Jiiden, Griechen, Romer, ete. Title 
vignette by J. Wandelaar, frontispiece, dedicatory leaf, and 
sixty-three other engravings, brilliant proofs. 4to, red levant 
morocco gilt, gilt edges, by Motte. 

Amsterdam, bey Arkftee und Merkus, 1744 


256 


1664. HOOK (THEODORE). Tentamen; or, an Essay to- 


‘wards the History of Whittington Some time Lord Mayor of 


London. By Vicesimus Blinkinsop. 12mo, red levant mo- 
rocco gilt, gilt top, uncut, by Bedford. London, 1820 


*A bitter satire on Alderman Wood and Queen Caroline, 
which was suppressed. 


1665. HOOK (THEODORE). Sayings and Doings; or, 
Sketches from Life. First, Second and Third Series. First 
Epitions. 9 vols. 12mo, tree calf, gilt tops, uncut, by Ramage. 

* Complete Set. London, 1824-1828 


TWENTY-NINTH SESSION, FRIDAY, 8:15 P. M. 


1666. HOOTON (CHARLES). Colin Clink. Firsr Eptr- 
TION. With 15 plates by John Leech. 3 vols. small 8vo, 
ealf, gilt tops, uncut, by Riviére. London, 1841 


1667. HOPE (THOMAS). Costume of the Ancients. 
First Epirion. With 200 plates. 2 vols. royal 4to, half red 
levant morocco, gilt tops, uncut, by All. London, 1809 

* Large paper copy. 


1668. [HOPE (THOMAS).] Anastasius: or, Memoirs of 
a Greek; written at the close of the eighteenth century. First 
Epirion. 3 vols. small 8vo, mottled calf gilt, gilt tops, by 
F. Bedford. London, 1819 


1669. HOPE (THOMAS). An Essay on the Origin and 
Prospects of Man. 3 vols. 8vo, polished calf gilt, gilt tops, un- 
cut, by Bedford. London, 1831 


1670. [HOPER (MRS.).] Queen Tragedy restor’d; a Dra- 
matick Entertainment. First Epirion. 8vo, morocco. 
London, 1749 


1671. HORACE. Poemata. Small 8vo, citron levant mo- 
rocco, the sides tooled and gilt in an interlaced border, gilt 
edges, by Trautz-Bauzonnet. 

Venetiis: apud Aldum Romanum, 1509 


* Second Aldine edition, equal in rarity to the first, and con- 
taining for the first time ‘‘De metrorum generibus.’’ From 
the Firmin-Didot library. © 


257 


1672. HORACE. Poemata omnia, cum Aldi Manutii et M. 


Antonii Mureti Adnotationibus. Ruled throughout with red 
ank. 8vo, contemporary vellum gilt, on the centre and corners 
-of the covers the interlaced initials ‘‘P. L. M. S. H.,’’ gilt back, 
gilt edges, with silk ties. Parisiis: C,. Rogerius, 1580 


1673. HORACE. [Opera] Cum commentariis selectissimis 
variorum: & scholiis integris Johannis Bond, ete. Hngraved 
title. 2 vols. 8vo, old French blue morocco, emblem of the 
Golden Fleece stamped in gold on the centre and corners, and 
repeated four times on the panels of the back, gilt edges, bound 
for BARON DE LONGEPIERRE. Lugd. Batav., 1670 


1674. HORACE. Poemata, illustrata a Joanne Bond. En- 
graved title. 12mo, old French red morocco gilt, inside 
borders, gilt edges. 

Amstelodami: Apud Danielem Elzevirium, 1676 


1675. HORACE. Quinti Horatii Flacci Opera. Text en- 
graved throughout, 2 fleurons, 2 frontispieces, and 225 illus- 
trations,—large plates, vignettes, tatl-preces, &c. 2 vols. 8vo, 
red levant morocco gilt, deep scroll borders on sides, gilt tops, 
uncut, by Chambolle-Duru. Londini: Johannes Pine, 1733-37 


* ORIGINAL ISSUE, with the error ‘‘post. est’’ instead of 
‘‘potest’’ in the vignette on page 108 of vol. 2. 


1676. HORACE. Céuvres completes. Translated by M.M. 
Amar, Andrieux, Arnault, etc. 2 vols. 8vo, red levant morocco 
gilt, with the monogram E. B., gilt edges, by Belz-Niédrée. 

Paris, 1831-32 


1677. HORACE. The Works of Quintus Horatius Flaccus, 
illustrated chiefly from the Remains of Ancient Art. With a 
Life by the Rev. Henry Hart Milman, &¢. 8vo, red levant mo- 
rocco gilt, gilt edges. London, 1849 


* Every leaf surrounded with a colored border of different 
design, eight title-pages similarly treated by Owen Jones, and 
300 woodcut illustrations from drawings by George Scharf, Jr. 


1678. HORACE. Quinti Horatii Flacci Opera cum novo 
eommentario ad modum Joannis Bond. Engraved title and 20 
photographic illustrations. Ruled in red ink. 12mo, red levant 
morocco gilt, gilt edges, by Matthews. 

Parisiis: ex Typographia Firminorum Didot, 1855 


1679. HORACE. Les C#uvres d’Horace. Traduction 
nouvelle par M. Jules Janin, Troisiéme édition. Frontispiece 
portrat by St. Aubin. 12mo, citron levant morocco, gilt scrolls 
with mosaic ornaments of grapes, flasks, and flowers in blue, 
red and brown morocco, gilt edges, by Casimir Briotet. 

Paris, 1865 
258 


_— 


es! ee ee eee ee 


; Eo. wi 
ee 


iia 


A COLLECTION OF PRINTED HOR/E 


From the Presses of, or printed for, 


PHILIPPE PIGOUCHET, SIMON VOSTRE, ALDUS MANUTIUS, 
GUILLAUME ANABAT, GUILLAUME GODARD, DE ST. BASIG- 
NANA GORGONI, PIERRE VIDOUE, JEAN DE BRIE, 
SIMON DU BOIS, GEOFROY TORY, OLIVER 
MAILLARD SUCCESSOR TO TORY, REGINALD 
CALDERIUS (CHAUDIERE), THIELMAN 
KERVER II, JULIEN DUVAL. 


1680. HORA. Heures a l’usage de Romme. Black letter 
(lettres batardes). 70 unnumbered leaves, with signatures 
a-h8, 16; 33 lines to the page. Each page within lstoriated 
woodcut borders, including a DANCE oF DEATH in 51 subjects, 
cut of anatomical man, 16 large and 32 small woodcuts. Initials 
and capitals painted in gold and colors. Small 4to, brown 
levant morocco, blind tooled sides in the manner of the 15th 


. century French bindings, doublure of green levant, tooled 


and gilt in a lace design, silk linings, gilt edges, by Gruel, in 


a morocco slip case. 


Paris: Philippe Pigouchet pour Simon Vostre, 17 Sept., 1496 


* PRINTED ON VELLUM. Almanac for 21 years (1488-1508). 
On the fly-leaf at end is a pen-and-ink drawing representing 
the Royal Church of St. Quentin in Vermandois, with inscrip- 
tion in French dated 1645 and signed C[harles] de Croix, who 
was a canon of the said church. Fine copy, entirely free from 
coloring, except for the initial letters. Copinger, II, 3112; 
Brunet, Suppl., I, 606. 211x143 mm. . 


1681. HORAL. Hore beatiss. uirginis secundum consuetu- 


dinem romane curie. Septem psalmi penitentiales cum letaniis 


& orationibus (greece). Woodcut representing the Annuncia- 
tion mn the verso of title and ornamental woodcut headings and 
mmtials printed in red. Greek characters in red and black. 
112 leaves. 16mo, contemporary binding in stamped calf 
(worn), with clasps. Venetiis: Aldus, 1497 


* First EDITION. PHILIP MELANCHTON’S COPY, with several 
Greek Hymns in his handwriting and his autograph signature 
on one of the fly-leaves, besides numerous marginal notes in his 
hand. Also autograph of John Hess, who at the end has added 
the following note: ‘‘Anno XX (1520) die XVI Februari 
erat An. etais XXIII Philippo Melanchthom.’’ The 16 pre- 
liminary leaves containing the ‘‘Brevissima Introductio’’ 
missing, as usual. Renouard, p. 15, no. 13; Hain, 8830; Proc- 
tor, 5560. From the Bishop Butler, Costabili and Riva collec- 
tions. 109x 80 mm. 


259 


PRINTED HORA—Continued. 


1682. HORA. Ces presentes Heures a lusaige de Romme 
au long | sans require... . [Colophon] Cy fine (sic) la table 
de ce presétes heures | a lusaige de Rome au long sans require 
et | furent faictes pour Simd vostre: Libraire | demourant a 
Paris a la rue neuue nostre | dame a lenseigne sainct Jehan 
leuageliste. Gothic characters. 116 unnumbered leaves, with 
signature (a-o 8, p. 4). Each page within ornamental and 


historiated woodcut border, including a representation of the 


DANCE OF DEATH in 66 subjects. Mark of Philippe Pigouchet 

on title, anatomical figure of man, 20 large and 34 small wood- 

cuts. 8vo, full brown levant morocco, gilt panelled sides, 
vellum linings and fly-leaves, gilt edges, by Riviére. 

Paris: [Philippe Pigouchet] pour Simon Vostre [ca. 1502] 

* PRINTED ON VELLUM. Almanac for 20 (19) years (1502- 

1520). Extremely rare, only two other copies being known. 

One in the Bibliothéque National of Paris, and the other in the 

British Museum. IN THE FINEST CONDITION and entirely free 


from coloring. Brunet, V, 1586 (no. 59). From the library 
of the Marquis de Courtanvaux. 183x110 mm. 


1683. HORAL. Heures a l’usage de Chartres. Ces pseétes 
heures a lusaige de Chartres ont este faictes | pour Simon 
Vostre Libraire demourant a Paris a la rue | neuue nostre 
dame a lenseigne sainct Je- | han leuangeliste. Black letter 
(lettres batardes). 92 unnumbered leaves with signatures a-l 8, 
m4. Hach page within ornamental and historiated woodcut 
borders, including a representation of the DANCE OF DEATH 1m 
66 subjects with several repetitions. Mark of Philippe 
Pigouchet on trtle, anatonucal man, and 16 large and 38 small 
woodcuts. 8vo, old red morocco gilt, gilt edges. (Signatures 
e 8, k 1 and m—in all 6 leaves—missing. ) 

Paris: [Philippe Pigouchet] pour Simon Voss [ca, 1502] 

* PRINTED ON VELLUM. Extremely rare. Almanac for 20 
(19) years (1502-1520). The title-page, anatomical man and 


large woodcuts are all illuminated in gold and colors. Probably 
the Mac-Carthy copy. 182x110 mm. 


1684. HORAN. [Heures al’usaige de Romme. ]—|Colophon | 
Ces heures lusaige de Romme tout au log | sans riens requerir 
on este Imprimees a Paris | par Guillaume Anabat Inprimeur 
demourat | en la rue saint Jehan de Beauuays pres les es- | 
colles de decret a lenseigne des Connis Pour gil | let hardouyn 
libraire demourat au bout du pont | au change a lenseigne de 
la Rose. Et pour Ger-| main Hardouyn libraire demourat 
étre les deux | portes du Palays a lenseigne saicte marguerite. 
Black letter (lettres badtardes). 80 leaves (A-I8, K4, a4). 
Each page surrounded by historiated woodcut borders, an- 
atomical man on first page, 2 full-page woodcuts (one alle- 
gorical of Peace and Discord), 11 medium and 50 small ones. 
Large 8vo, ANCIENT LYONNESE BINDING in calf, gold centre 


260 


i DR ahi la calli ‘ 


ite al 


PRINTED HORA—Continued. 


and corners ornaments, a semis of fleur-de-lis at intervals; the 
name ‘‘MARGVERITE’’ on the oval of the central ornament 
of the front cover, and ‘‘AvBERY’’ on that of the back cover, 
repoussé silver corners and clasps, gilt edges. In fine condi- 
tion. Paris: Guillaume Anabat [ca. 1508] 


* PRINTED ON VELLUM. Almanac for 5 years (1508-1512). 
The Anatomical Man, all the woodcuts and 16 of the borders 
are BEAUTIFULLY ILLUMINATED IN GOLD AND COLORS, by a con- 
temporary artist. From the Bibliothéque de Rosny, which be- 
longed to the Duchesse of Berry. The Rebillot copy mentioned 
by Brunet (?). no. 230. 211x128 mm. 


1685. HORA. Heures a lusaige de Rome | tout au long sans 
rien reqrir | iprimees nouuellemét a paris.—[Colophon| Ces 
presentes heures a lusaige | de. Rome, au long sans riens 
reque- | rir. Auec loffice de la conception no- | stre dame z 
plusieurs aultres suffrai | ges nouuellement adioutes, ont este | 
imprimes a Paris pour Guillau- | me godard demourat sur le 
pont au|chage deuat lorloge du palays. A lé|seigne de 
lhomme sauuaige. Black letter (lettres batardes). 116 leaves, 
(A 12, B-O8). Each page within grotesque, ornamental and 
historiated woodcut borders, including a Dance of Death in 
132 subjects (with repetitions); Mark of Godard on title, 
anatomical man, 20 woodcuts representing the destruction of 
Jerusalem, 15 full-page woodcuts, 24 small cuts, and a rebus on 
the last page, with interpretation in French. Small 8vo, brown 
levant morocco gilt, gilt edges. (Borders surrounding the 
large woodeuts slightly shaved. ) 

Paris: Guillaume Godard [ca. 1514] 


* Almanac for 17 years (1514-1530). Brunet, V, 1650, no. 
pee jc, tel) x 2111 mim. 


1686. HORA. Hore bté Marie virginis secundum vsu? 
Hierosolymitanu?. Gothic character in red and black. With 
16 woodcuts and each page within historiated woodcut borders. 
8vo, OLD LYONNESE BINDING in calf, gold ornaments in the 
corners of the covers, and centre medallions representing the 
erucifixion, gilt edges. : 

Impresse Lugduni [de St. Basignana Gorgoni], 1516 


* VERY RARE. Almanac for 21 years (1516-1536). The cuts 
in the lower part of the borders surrounding the calendar repre- 
sent the occupations of the months. The signatures in the 
volume are placed in the upper margins. From the Yemeniz 
and Firmin-Didot libraries. Brunet, vol. V, 1677, no. 381. 
169x110 mm. 


1687. HORAN. Salus anime zu Tewtsch Selen heyl genant, 
mit vil schénen gebeten und figuren. Gothic character wm red 
and black. Woodcut of the Virgin and Child on title, 61 
spirited woodcuts in the text by Hans Springinklee, with mark 
H. 8S. K. and each page within woodcut borders. 8vo, brown 


261 


PRINTED HORAI—Continued. 


levant morocco, the sides in compartments divided by gilt lines, 
blind tooled ornaments, gilt inside borders and edges, by The 
Club Bindery. Nurnberg: durch Friderichen Peypus, 1520 


* AN EXCEEDINGLY RARE German Book of Hours with remark- 
able woodcuts, by a contemporary of Durer. 179x122 mm. 


1688. HORA‘. -Hore deipare Virginis Marie sectidum vsum 
Romanum, plerisq7 figuris, nouisque effigiebus adornate... . 
Roman character in red and black, (a-n 8, 04.) Hach page 
surrounded by ornamental and grotesque woodcut borders. 
Mark of Jehan de Brie on title, 15 full-page woodcuts and 19 
small ones. 8vo, CONTEMPORARY FRENCH CALF, the sides 
covered with a design of interlacings and ornaments painted 
blue, dark brown, white, green and red, the color scheme of 
the two sides being red (rebacked), gilt gauffred edges. 

Paris: Pierre Vidoue pour Jehan de Brie, 1522 


* Almanac for 17 years (1522-1538). The Didot copy, prob- 
ably the only one known; described in Brunet, Suppl. 622. 
180 x 115 mm. 

1689. HORA. Hore in laudem beatissime virginis Marie 
secundum consuetudinem Ecclesie Parisiensis. Black letter 
(lettres batardes) in black and red. 140 leaves. ‘‘ Pot cassé’’ 
on title. Hach page surrounded by fine woodcut borders 1n out- 
line composed of flowers, insects, animals; with Tory’s device, 
the arms of France, the crowned F of Francis I and crowned 
L of Lowse de Savoie, the arms of France and Navarre, etc.; 
and 14 large outhne engravings. 4to, citron levant morocco, 
mosaic compartments of maroon and brown morocco outlined 
in gold, the spaces richly tooled and gilt with flowers, and leaf- 
sprays, gilt mosaic back, vellum linings and fly-leaves, gauffred 
gilt edges, by Thibaron-Joly, in a morocco ease. 

Paris: Maistre Simon du Bois imprimeur pour maistre Geo- 
froy Tory de Bourges, 22 October, 1527. 

* Almanac for 21 years (1528-1548). The woodcuts, with 
the exception of two, are the same in subject as those of the 
1524-25 edition, but they are entirely different in design. None 
of the engravings or borders are signed by Tory, and probably 
they are not his work. The last woodcut represents ‘‘ Death on 


horseback.’’ From the library of Eugene Paillet, with his auto- 
graph. Brunet no. 325. 213x140 mm. 


1690. HORA. Hore in laudem beatiss. virginis Marie. 
Ad usum Romanum. Roman character in red and black. Each 
page within very fine ornamental borders in outline with the 
crowned imtial of Francis I., the Dauphin, the ‘‘pot cassé,’’ 
etc.; printer’s mark on title and 14 large outline woodcuts. 
Small 4to, contemporary French binding in ealf, the sides 
stamped in a beautiful arabesque design surrounding the ‘‘ pot 
eassé,’’? (Tory’s mark), executed after his design, and prob- 
ably in his shop. The crowned F and the Salamander are 


262 


oS 


PRINTED HORAW—Continued. 


alternately repeated on the panels of the back; gauffred gilt 
edges, in morocco case. (Signature E 1 containing the angel of 
the Annunciation in perfect facsimile). _ 
Parrhisiis: ex officina Gotofredi Torini Biturigici ad insigne 
Vasis effracti, 20 Oct., 1531. 
* Almanac for 30 years (1531-1560). Nearly all the borders: 
have the double cross. One of the most beautiful specimens of 


the French typographical art of the Renaissance. THE FIRMIN- 
DIDOT COPY DESCRIBED BY BRUNET, no. 327. 201 x 133 mm. 


1691. HORA. Hore Beatissime virginis Mariz | ad vsum 
Romanum | Parisijs sub signo Va- | sis effracti. | Cum Privi- 
legio. Roman character wn red and black. 112 numbered 
leaves (A-O 8). Ruled throughout with red ink. Title within 
a woodcut border and 18 fine full-page woodcuts im outline. 
Small 8vo. CONTEMPORARY FRENCH CALF, the sides covered 
with a design of ornamental interlacings painted dark 
brown, light green and ivory, gilt arabesques on a pointillé 


ground, gilt back and edges. (Signatures B 3 and O 6-8 miss- 


ing). Paris, 1540 
* Almanac for 22 years (1540-1561). These ‘‘ Hours,’’ published 
by Maillard, who was the successor to Tory, contain the same 
woodcuts that appeared in ‘‘ Heures antiques’’ of 1527, with 
the exception of the borders, which were here suppressed. This 
edition was not noticed by Bernard, Brunet and other Biblio- 
graphers, AND THIS IS APPARENTLY THE ONLY COPY KNOWN. 

142 x 92 mm. 


1692. HORA‘. Hore in laudem beatissi | mx virginis Mariz- 
ad vsum | Romanum | [mark of Tory] | Parisiis | Apud Oliuer- 
ium Mallardi | Sub signo vasis effracti. | 1542 | Cum Priui- 
legio Regis. Roman character in black and red. 176 unnum- 
bered leaves with signatures A-Y. Each page surrounded by 
ornamental woodcut borders in outline, with the crowned F of 
Francis I, the crowned L of Lowse de Savoie, the arms of 
France, the Salamander, etc., and 19 fine outhne woodcuts. 
8vo, CONTEMPORARY FRENCH CALF the sides covered with an 
ornamental design of interlacings painted in blue, green, red 
and ivory, outlined in gold; gilt and painted back, gauffred 
gilt edges. Paris: O. Maillard, 1542 

* Almanac for 8 years (1543-1550). This Hore is a second 
edition of the one printed by Tory at an unknown date and of 
which no copy is known to exist. Maillard found the wood- 


blocks in the stock of Tory and printed from them. EXTREMELY 
RARE. Not IN BRUNET. 149 x 97 mm. 


1693, HORAX. Hore in Laudem beatissime virginis Marie, 
ad vsum Romanum. Printed in black and red. Hach page 
surrounded by charming woodcut borders, some in outline and 
some in black. Printer’s mark on title, 14 large woodcuts, and 
ornamental initials on a ‘‘criblé’’ ground. 4to, brown levant 


263 


PRINTED HORA—Continued. 


morocco, doublure of red levant, gilt borders of leaf-sprays, 
gauffred gilt edges, in a levant morocco slip case, by Lortie. 

Parisiis: ex officina Reginaldi Calderij & Claudij eius filij, 
1549. 


* Almanac for 26 years (1549-1574). All the woodcuts whieh 
ornament this beautiful volume had been already used in the 
Heures printed by Simon de Colines, 1543. Three of the wood- 
cuts bear the mark (double cross) of Geofroy Tory. IN HIS 
WORK ON ToRY, AUGUSTE BERNARD SAYS THAT HE KNOWS OF 
BUT TWO COPIES OF THE ABOVE EDITION. Brunet, V, 1662, no. 
332. 227x168 mm. 


1694. HORA. Hore in laudem beatissime virginis Marie 
ad usum Romanum. Title in red and black; each page sur- 
rounded by pretty ornamental and floral borders, introducing 
wnsects, birds, etc., several of which bear in the lower part the 
arms of France, of Lowse of Savoy, crowned wnitial and emblem 
of Francis I, and numerous fine woodcuts, all after Tory. 
12mo, brown levant morocco, the sides tooled and gilt in an 
interlaced Grolieresque pattern of fillets, scrolls and arabes- 
ques, gilt back and inside borders, gilt edges, by Lortic. 

Parisiis: apud Thielmanum Kerver, 1556 


* Almanac for 8 years (1556-63). Brunet, Hours, no. 334. 
157 x 92 mm. 


1695. HORA. Heures de nostre Dame a lusage de Paris, 
toutes au long sans rien requerir auec plusieurs belles oraisons 
~ histoires .... Gothic character in red and black. Small 
cut on title-page, woodcut of the anatomical man, 12 llustra- 
tions for the Calendar representing the occupations of the 
months, (the one for June signed “I. F.’’) and 41 other wood- 
cuts, three bearing Geofroy Tory’s mark and ‘‘L. f.’’ 8vo, 
CONTEMPORARY E'RENCH RED MOROCCO, the sides tooled and gilt 
in compartments, and the spaces filled with scrolls, leaf-sprays 
and small ornaments, in the central, upper and lower compart- 
ments the interlaced initials E and D; on the centre of the 
front cover the name ‘‘ESPERANCE’’ and in that of the back 
cover ‘‘DRIANCOVRT’’; back tooled in the same manner and 
with monogram ‘‘EK D’’, gilt edges, by Clovis Eve. 

Paris: Julien Duval, 1582 

* Almanac for 10 years (1582-1591). Unknown to Brunet. 
In the same volume is bound: ‘‘Le quinze effusions du sang 
de nostre Sauueur & Redempteur Jesus Christ.’’ Consisting of 


50 leaves, as follows: a 8ll, b 4ll, A, 811, B 411, d 211, 
I-L in 8s. Paris, Julien du Val., 1537. 169x116 mm. 


1696. HORA. Les Heures de la nouuelle Imprimerie 
Inuentée par P. Moreau. Printed in script-type. Frontispiece 
and 25 copper-plates. 12mo, old French red morocco, the sides 
richly tooled in compartments formed by interlacing fillets, 
the spaces occupied by gilt tooled ornaments of scrolls, 


264 


PRINTED HORA—Continued. 


pointillé, and fleurons; doublure of green morocco, with gilt 
panels, outside and inside corner pieces and centre ornaments 
of scrolls and pointillé, gilt edges, by Le Gascon, in a morocco 
slip case. Paris: P. Moreau, 1644 


* A magnificent specimen of French book-binding of the 17th 
century. 


1697. HORN BOOK. Four Original Horn Books, printed 
on one unfolded sheet of paper of folio size, bearing the im- 
print in one corner. Printed in Aberdene, by E. Raban. 
Small folio, red straight-grain morocco, by The Club Bindery. 

Aberdeen [ca. 1650] 


* An exceedingly interesting and probably unique specimen, 
executed by Aberdeen’s first printer, Edward Raban, about the 
middle of the 17th century. Each of the Horn Books has the 
alphabet and the Lord’s Prayer in Black Letter, but they are not 
alike in type or setting. This sheet has evidently been pre- 
served in a book, as it is slightly foxed and has a worm-hole 
near the margin. 


1698. HORNE (THOMAS HARTWELL). An Introduc- 
tion to the Study of Bibliography. To which is prefixed a 
Memoir on the Public Libraries of the Antients. Numerous 
facsimiles. 2 vols. royal 8vo, half blue levant morocco, gilt 
backs, gilt tops, uncut, by Bedford. 

London: Printed by Woodfall for T. Cadell, 1814 
* LARGE AND THICK PAPER COPY. EXTRA-ILLUSTRATED by the 


insertion of portraits of Gutenberg, Aldus, Paulus Manutius, 
Caxton, and others. 


1699. HORNE (THOMAS HARTWELL). An Introduc- 
tion to the critical study and knowledge of the Holy Scriptures. 
Eleventh edition, revised, corrected, and brought down to the 
present time. Maps, and facsimiles of Biblical manuscripts. 
4 vols. 8vo, polished calf gilt, gilt edges, by Pratt. 

London, 1863 


1700. [HORSMANDEN (DANIEL).] A Journal of the 
Proceedings in The Detection of the Conspiracy formed by 
Some White People, in Conjunction with Negro and other 
Slaves, for Burning the City of New-York in America, And 
Murdering the Inhabitants. 

which Conspiracy was partly put in Execution, by Burning 
his Majesty’s House in Fort George, within the said City, on 
Weednesday the Eighteenth of March, 1741. and setting Fire 
to several Dwelling and other Houses there, within a few Days 
succeeding, And by another Attempt made in Prosecution of 
the same infernal Scheme, by putting Fire between two other 
Dwelling-Houses within the said City, on the Fifteenth Day of 


265 


February, 1742; which was accidentally and timely discovered 
and extinguished. Containing, 

I. A Narrative of the Trials, Condemnations, Executions, 
and Behaviour of the several Criminals, at the Gallows and 
Stake, with their Speeches and Confessions; ... 

IT. An Appendix, wherein is set forth some additional evi- 
dence concerning the said Conspiracy and Conspirators, .. . 

III. Lists of the several Persons (Whites and Blacks) com- 
mitted on Account of the Conspiracy; ... By the Recorder of 
the City of New-York. 


4to, crimson levant morocco, corner ornaments, richly tooled 
back and inside borders, gilt top on the rough, ALL OTHER 
EDGES TOTALLY UNCUT, in morocco ease, by Francis Bedford. 

New York: Printed by James Parker, at the New Printing 
Office, 1744. 


* A REMARKABLE COPY OF THE RARE FIRST EpITion, of which 
only three copies are known. The copy in the Church Library 
has a half-title, but as it is not included in the first signature 
it is doubtful if it was a part of the original edition. 

Important as a printed record of the early history of New 
York City, from which is derived information relating to the 
famous Negro Plot of 1741. 


1701. HORTULUS Anime cum aliis quam plurimis 
orationibus pristine impressioni superadditis. Gothic 
character in red and black. Title in red beneath a cut of 
the Virgin, 84 large and small spirited woodcuts, and each 
. page within ornamental woodcut borders. 8vo, blue mo- 
rocco gilt, gilt edges. 


Lugduni: Joannes Cleinimpensis Joannis Koberger, 1517 


1702. HOUDOY (JULES). Histoire de la Céramique Lil- 
loise précédée de documents inédits constatant la Fabrica- 
tion de Carreaux Peints & Emaillés en Flandre et en Ar- 
tois au XIV® siécle. Several colored plates. Royal 8vo, 
half blue levant morocco, gilt top, uncut, by Belz-Nié- 
drée. Paris, 1869 


1703. HOUGHTON (RICHARD MONCKTON MILNES, 
LORD). Poems of Many Years. Memorials of a Residence 
on the Continent. 2 vols. in 1, 8vo, citron levant morocco 
gilt, gilt edges, by Allo. London, 1838 

* Guizot’s copy, with his library stamp on the half titles. 
Probably on large paper. 


1704. HOUGHTON (RICHARD MONCKTON MILNES, 


LORD). Poems of Many Years. 12mo, calf, gilt edges. 
London, 1844 


1705. HOUSSAYE (ARSENE). Les Grandes Dames, Mon- 
sieur Don Juan, Madame Venus, Les Pécheresses Blondes, 
Une Tragédie a Ems. 4 plates in red and brown. 4 vols. 
in 2, royal 8vo, half blue morocco gilt, gilt tops, uncut. 

7 Paris, 1868-69 


266 


~~ ae 


1706. HOUSSAYE (ARSENE). Les Parisiennes. Le 
Jeu des Femmes. (Mademoiselle Phryné, Les Femmes 
Adultéres, Les Femmes Déchues). With 8 plates in red and 
black. 4 vols. in 2, royal 8vo, half blue levant moroceo 
gilt, gilt tops, uncut. | Paris, 1869 


1707. HOUSSAYE (ARSENE). Histoire du 41™¢ Fau- 
teuil de l’Académie Frangaise. 20 etched portraits. 8vo, 
half light green levant morocco, inlaid gilt back, gilt top, 
uncut, original covers bound in, by Zaehnsdorf. Paris, 1882 


*One of 400 copies on Holland Paper, with the portraits, 
proof before letters. 


1708. HOUSSAYE (ARSENE). Les Confessions. Sou- 
venirs d’un demi-siécle, 183U-1880. Portraits, facsimiles, 
d&c. JAPAN PAPER COPY. 6 vols. royal 8vo, half ivory 
levant morocco, gilt and inlaid backs, gilt tops, uncut, orig- 
inal covers bound in, by Meunier. Paris, 1885-91 


1709. HOUSSAYE (ARSENE). La Comédie au Coin du 
Feu—La comédie a la fenétre. Le Roi Soleil. Le Duel de 
La Tour. Un drame en cing actes et en cing minutes. Mad- 
emoiselle Trente-Six Vertus. Les comédiennes. 12mo, 
half red levant morocco, gilt back, figured gilt sides, gilt 
top, uncut, original covers bound in, by The Club Bind- 
ery. Paris, 1886 

* One of 50 copies on Holland paper. 


1710. HOWARD (EDWARD). The Usurper. A Trag- 
edy. As it was acted at the Theatre Royal by His Majes- 
ties Servants. Small 4to, blue levant morocco gilt, gilt 
edges, by The Club Bindery. 

London: Printed for Henry Herringman, 1668 
* FIRST EDITION. The character of Damocles is supposed to 


have been intended for Oliver Cromwell. Hugo de Petra is 
intended for Hugh Peters, the Cromwellian and New England 
divine. 


1711. HOWARD (EDWARD). Outward Bound; or, A 
Merchant’s Adventures. FIRST EDITION. 3 vols. 12mo, 
dark brown morocco gilt, gilt tops, uncut, by The Club 
Bindery. London, 1838 


1712. HOWARD (FRANK). The Spirit of the Plays of 
Shakespeare. Haxhibited in a Series of outline plates illus- 
trative of the Story of each Play. Drawn and engraved by 
Frank Howard. With quotations and descriptions. 5 vols. 


4to, half green morocco, gilt tops, uncut. London, 1833 
* LARGE PAPER COPY, with the 483 plates, proofs on India 
paper. 


1713. HOWARD (MONTAGUE). Old London Silver, 
its History, its Makers, and its Marks. 200 illustrations, 
and over 4,000 facsimiles of makers’ marks and hall-marks. 
Royal 8vo, green roan, gilt borders and top. New York, 1903 


267 


1714. HROSVITA. Opera Hrosvite illustris virginis et 
monialis germane gente saxonica orte nuper a Conrado 
Celte inventa. § fine full page woodcuts ascribed to Albrecht 
Diirer. Folio, brown levant morocco, panelled sides, blind 
tooled arabesque borders, gilt edges, by Leighton. (1 leaf 
(signat. a 6) inlaid). 

Impressum Norumberge sub Priuilegio Sodalitatis Cel- 
ticze a Senatu Rhomani Imperii impetrato, 1501. 

* FIRST EDITION, SECOND ISSUE. RARE. 


1715. HUBBARD (WILLIAM). A Narrative of the 
Indian Wars in New-England, From the first Planting 
thereof in the Year 1607, to the Year 1677. Containing A 
Relation of the Occasion, Rise and Progress of the War 
with the Indians in the Southern, Western, Eastern and 
Northern Parts of said Country. SECOND AMERICAN EDI- 
TION. 12mo, original sheep. Boston: John Boyle, 1775 


1716. [HUBERT (SIR FRANCIS).] The Deplorable Life 
and Death of Edward the Second, King of England. To- 
gether with the Downefall of the two Vnfortunate Fauorits, 
Gavestone and Spencer. Storied in an Excellent poém. 
Frontispiece portrait. 12mo, red levant morocco, gilt edges, 
by David. (Caneel slip on page 91 inserted. ) 

London: Printed for Roger Michell, 1628 


1717. HUDSON, DE QUIROS anp MASSA. Descriptio 
ac delineatio Geographica Detectionis Freti, sive, Transi- 
tus ad Occasum, supra terras Americanas, in Chinam atque 
Japonem ducturi. Item, Narratio. . . . super tractu, in 
quinta Orbis terrarum parte, cui Australie Incognitse 
nomen est, recens detecto ete. 3% folded maps engraved on 
copper and 2 woodcuts. 4to, red levant morocco gilt, gilt 
edges, by David. Amsterodami: Hesselius Gerardus, 1612 


* FIRST EDITION. VERY RARE. The first account of the 
efforts of Hudson to find the North-west passage. 


1718. [HUGHES [THOMAS).] Tom Brown at Oxford. 
First EDITION. 3 vols. 12mo, original cloth, uncut (slightly 
wor))). Cambridge, 1861 


1719. HUGNY (ERNEST). Les Etapes d’une Race- 
Sinorix. Illustrations by Abel Boyé. 12mo, half green 
morocco, green silk sides (damaged), gilt top, uncut, origi- 
nal covers bound in, by The Club Bindery. Paris, 1900 


1720. HUGO (HERMANNUS). L’Ame Amante de son 
Dieu, representée dans les emblémes de H. Hugo et dans 
ceux d’Othon Vaenius. Frontispiece and 108 emblematic 
copper-plates, by L. Smit. 12mo, red levant morocco, 
richly gilt tooled borders, yilt edges, by Mercier. 

Cologne, 1717 
268 % 


a 
e 
a 


RP AS AE SS SM ei 


1721. HUGO (VICTOR MARIE). Le Dernier Jour d’un 
Condamné. First EDITION. Facsimile letter. 12mo, red 


levant morocco, gilt over uncut edges, by Cuzin. 
Paris, 1829 


1722. HUGO (VICTOR MARIE). Notre-Dame de Paris. 
FIRSt EDITION. Woodcut after T. Johannot. 2 vols. 8vo, 
red levant morocco, gilt fillets, doublure of blue morocco 
with fillets, gilt edges, original covers bound in, by Cuzin. 

Paris, 1831 


1723. HUGO (VICTOR MARIE). Notre-Dame de Paris. 


3 vols. 8vo, half calf, uncut, by Simier R. Durol. 
Paris, 1832 


1724. HUGO (VICTOR MARIE). Notre-Dame de Paris. 
2 vols. 12mo, red levant morocco, gilt edges, by Thibaron. 
Paris, 1841 


1725. HUGO (VICTOR MARIE). Les Feuilles d’Au- 
tomne; et, Les Chants du Crépusele. 12mo, half red mo- 


rocco, uncut. Paris, 1841 
1726. HUGO (VICTOR MARIE). Odes et Ballades. 
12mo, half red morocco, uncut. Paris, 1841 
1727. HUGO (VICTOR MARIE). Les Orientales. 12mo, 
red levant morocco, gilt edges, by Thibaron. Paris, 1841 
1728. HUGO (VICTOR MARIE). Les Orientales. 12mo, 
half red morocco, totally uncut. Paris, 1841 


1729. HUGO (VICTOR MARIE). Les Voix Interieures; 
et, Les Rayons et les Ombres. 12mo, red levant morocco, 


gilt edges, by Thibaron. Paris, 1841 
1730. HUGO (VICTOR MARIE). Les Voix Intérieures. 
12mo, half red morocco, totally uncut. Paris, 1841 


1731. HUGO (VICTOR MARIE). Les Rayons et les 
Ombres; and, Les Feuilles d’Automne. KEdition elze- 
virienne. Frontispiece and ornaments, by H. Froment. 2 
vols. in 1. 12mo, half blue morocco gilt, gilt top, uncut. 

Paris, 1869 

1732. HUGO (VICTOR MARIE). Les Chatiments. Hn- 
graved illustrations. Royal 8vo, half red levant morocco 
gilt, gilt top, uncut, original covers bound in, by David. 

Paris, 1882 


* One of 100 copieson Holland paper, with the series of 10 
proof etchings by Guerard inserted, 


1733. HUGO (VICTOR MARIE). Le Pape. 21 compo- 
sitions dessinées et gravées par Jean Paul Laurens. 4to, 
brown levant morocco, gilt fillets, gilt edges, original covers 


bound in, by Engel. Paris, 1885 
* One of 50 copies on Japan paper, with the plates in three 
states. 


269 


1734. HULSIUS (LEVINUS). Emblemata Anniversaria. 
Academiz ,Noribergensis, que est Altorffii. T%tle-border, 
dedicatory arms and 159 medallic vignettes on copper. 4to, 
ealf gilt, gilt edges, by Bedford. 

Nuremberge: per Abr. Wagemann, 1617 


1735. HUNT (LEIGH). The Descent of Liberty, a Mask. 
First EDITION. 12mo, morocco back, uncut. London, 1815 


1736. HUNT (LEIGH). The Feast of the Poets, and 


other pieces in verse. Second Edition, amended and en- 
larged. 12mo, morocco back, uncut. 
London: Gale and Fenner, 1815 


1737. HUNT (LEIGH) anD BYRON (GEORGE GOR- 
DON, LORD). The Liberal; Verse and Prose from the 
South. First EDITION. 2 vols. 8vo, polished calf gilt, 
gilt tops, uncut, by Bedford. 

London: John Hunt, 1822-1823 


1738. HUNT (LEIGH). Lord Byron and some of his 
Contemporaries; with Recollections of the Author’s Life, 
and of his visit to Italy. Second Edition. Wuth 5 por- 
traits and facsimile. 2 vols. 8vo, half green morocco, gilt 
tops, partly uncut. London, 1828 


1739. HUNT (LEIGH). Poetical Works. First EDtI- 
TION. 8vo, cloth (not original), gilt top, uncut. 
London: Moxon, 1832 


1740. HUNT (LEIGH). The Indicator, and Companion: 
a miscellany for the fields and fire-side. Portrait. 2 vols. 
12mo, half green morocco gilt, gilt tops. London, 1834 


1741. HUNT (LEIGH). Captain Sword and Captain 
Pen. A Poem. With some remarks on war and military 
statesmen. FIRSTEDITION. 8 full-page woodcuts by J. Jack- 
son after Thornton Leigh Hunt, son of the author. 12mo, 
original cloth. London, 1835 


1742. HUNT (LEIGH). The Palfrey: a Love-Story of 
Old Times. FIRST EDITION. 8vo, original wrappers, uncut 
(somewhat worn). London, 1842 


1743. HUNT (LEIGH). The Poetical Works of Leigh 
Hunt. Containing many pieces now first collected. 16mo, 
green calf gilt, gilt top, uncut. London, 1844 


1744. HUNT (LEIGH). Stories from the Italian Poets; 
with lives of the writers. FIRST EDITION. 2 vols. 12mo, 
polished calf gilt, gilt tops, uncut, by Bedford. London, 1846 


1745. HUNT (LEIGH). Men, Women and Books: a 
selection of Sketches, Essays, and Critical Memoirs, from 
his uncollected Prose Writings. FIRST EDITION. Portrait. 
2 vols. 12mo, tree calf gilt, gilt tops, uncut, by Riviere. 

~ London, 1847 
270 


i 


1746. HUNT (LEIGH). A Jar of Honey from Mount 
Hybla. First EDITION. Illustrated by Richard Doyle. 
8vo, lilac levant morocco gilt, dentelle borders, gilt edges, 
original boards and advertisements bound in, by Riviére. 
London, 1848 


1747. HUNT (LEIGH). The Town, its Memorable Char- 
acters and Events. FIRST EDITION. With 45 illustrations. 
2 vols. 12mo, red levant morocco gilt, wide borders, gilt 
edges, by The Club Bindery. London, 1848 


1748. HUNT (LEIGH). Autobiography of Leigh Hunt, 
with Reminiscences of Friends and Contemporaries. FIRST 
EDITION. Portraitson India paper. 3 vols. 12mo, original 
cloth, uncut. London, 1850 


1749. HUNT (LEIGH). The Religion of the Heart. A 
Manual of Faith and Duty. FIRST EDITION. 12mo, original 
cloth, uncut. London, 1853 


1750. HUNT (LEIGH). The Old Court Suburb;.or. Me- 
morials of Kensington, regal, critical, and anecdotal. 
FIRST EDITION. 2 vols. 12mo, half green morocco, gilt 
tops. London, 1855 


1751. HUNT (LEIGH). The Correspondence of Leigh 
Hunt. Edited by his eldest son. FIRST EDITION. Portrait. 
2 vols. 12mo, original cloth, uncut. London, 1862 


1752. HUNT (LEIGH). Essays. Selected and Edited 
by Reginald Brimley Johnson, with introduction. Portrait 
by S. Lawrence and etchings by Herbert Railton. Small 
8vo, half vellum, uncut. London, 1891 

* Large Paper copy; only 150 printed. 


1753. HURTADO DE MENDOZA (GARCIA). Aventures 
et Espiégleries de Lazarille de Tormes, ecrites par lui-méme. 
Nouvelle Edition. Ornée de quarante figures, dessinées et 
gravees par N. Ransonnette. 2 vols. in 1, 8vo, orange 
levant morocco, ornamented with quintuple and septuple 
fillets, gilt edges, by Joly. Paris, 1801 


* Largeand thick papercopy, with portrait and 39 plates by 
N. Ransonnette, proofs before letters. The plate at Chapter 
XVII of Volume II is unmutilated. 


1754. YMAGO Primi Seculi. Societatis Jesu a Provin- 
cia Flandro-Belgica eiusdem Societatis repre- 

sentata. Hmblematic frontispiece, and 126 vignettes, by 
Galle, within beautiful borders. Folio, old calf (rebacked), 
gilt edges. Antwerpie, ex officina Plantiniana, 1640 


* This rare and curious book was written to celebrate the 
100th anniversary of the Jesuit order. Very few copies of the 
book are recorded, as it was suppressed. 

From the collection of David Robert Clark. 


271 


§'1755. [IMBERT (BARTHELEMY).] Choix de Fabliaux, 
mis en vers. 2 vols. in 1, citronlevant morocco, gilt panels, 
gilt edges, by Mansell. Tall copy. Genéve, 1788 


1756. IRELAND (SAMUEL) anp HOGARTH (WILL- 
IAM). Graphic Illustrations of Hogarth, from Pictures, 
Drawings and Scarce Prints, in the possession of Samuel 
Ireland. 3 vols. royal 4to, blne levant morocco gilt, gilt 
edges, by Riviere. : 

London: Published for Samuel Ireland, 1799 


* TRELAND’S OWN COPY ON LARGE PAPER. EXTRA-ILLUSTRATED 
by the insertion of TWO HUNDRED AND SEVENTEEN PLATES IN 
TWO, THREE AND FOUR STATES, INCLUDING IMPRESSIONS IN 
BLACK, BROWN AND COLOR, FIRST ETCHINGS, SIGNED PROOFS, 
etc. Where the plates have not full margins, they have been 
skilfully inlaid. 

A note in Mr. Hoe’s autograph reads ‘‘ The plates in this 
(and the other) vol.(s) were reserved by Mr. Ireland & selected 
by him.” 

Many rare plates are incorporated in this MAGNIFICENT EXTRA- 
ILLUSTRATED COPY, including the very rare lesser known pro- 
ductions of both Ireland and Hogarth, including Tradesmen’s 
Tickets, Bookplates, Funeral Cards, Coats-of-Arms, Engraver’s 
Cards (including Hogarth’s), Rare Theatrical Benefit Cards, 
Portraits, including Viscount Boyne, James Figg (famous fenc- 
ing master), Sr. James Thornhill, Lady Pembroke (in four 
states), Duchess of Bolton (in three states, including the rare 
colored state), and others, ‘‘ Lovat’s Ghost on Pilgrimage” (by 
Ireland, 1747, rare original). ‘‘Scene ina Hay Field ” (in three 
states), etc. 


1757. (IRELAND (W. H.—Translator). Memoirs of a 
Young Greek Lady, Madame Pauline Adelaide Alexandre 
Panam, against his Serene Highness the Reigning Prince of 
Saxe Cobourg. Portraits. 8vo, red levant morocco gilt, 
ornamented borders, entirely uneut, by The Club Bindery. 

London: J. Fairburn, 1823 


1758. IRVING (WASHINGTON). A VERY EARLY MANU- 
SCRIPT JOURNAL OF WASHINGTON IRVING. From July 1, 
1804, to Jan. 23, 1805, lettered ‘1805 ”’ on the outside cover 
and ealled ‘‘ Journal of a Tour thro France, Italy, Sicily.”’ 
115 closely written 4to pages, old vellum, with ties. There 
are two pencil drawings on front end-paper and fly-leaf, and 
Irving’s memorandum ‘‘Acheté en Bordeaux Juillet 1804. 
Pri« 8 liv,” another ‘‘Ship Matilda 27th Dec’r opposite 


Corsica.’’ 

* ONE OF THE MOST IMPORTANT IRVING MANUSCRIPTS, AND 
PROBABLY THE EARLIEST EVER OFFERED FOR SALE BY AUCTION, 
Washington Irving came of age in April, 1804, and owing 
to the delicate state of his health his brothers determined to 
send him abroad. The above Journal recounts his experiences 
from his arrival in Bordeaux on July 4, thence to Toulouse, 
Nismes, Avignon, Marseilles, Nice, and Genoa (from which 
place he sailed for Messina the day before Christmas, 1804), the 
sea-voyage and his experiences in quarantine, ending with 
January 23,1805. It was evidently written as a basis for let- 
ters home, the first entry beginning ‘‘My dear Brother” 
(William Irving), and contains full descriptions of scenery, 


272 


—— eS 


ee ee OP ee Se es. 4S 


people, and adventures, including an attack by pirates. He 
describes the long imprisonment in quarantine before Messina 
and his occupations, such as studying Italian, reading books on 
Sicily, and sailing over the harbor in the yawl belonging to the 
vessel. While much of this Journal has been used by Pierre 
M. Irving in his ‘‘ Life and Letters of Washington Irving,” 
there are numerous interesting incidents which have not been 
published there, serving to illustrate Irving’s life and the de- 
velopment of his character. 


1759. IRVING (WASHINGTON). A VERY EARLY 
MANUSCRIPT NOTE BOOK OF WASHINGTON IRVING when 
travelling in Europe at the age of 21 in 1805. 93 pages, 
small 4to, labelled by Irving ‘‘1805’’ on the front cover. 
His AUTOGRAPH INSIDE THE FRONT COVER and bound in 
vellum wrappers, with flap and tie. On the first page 
Irving has written ‘‘ Noles of a Tour in Hurope in 1804-8. 
Vol. 4th. containing Route from Zurich to Paris & from 
Paris to London, from May 17th to Oct. 8th, 1808.” 
Another note on the same page states that he purchased 
the book at Zurich for 14 livres. 


* AN EARLY JOURNAL TO WHICH PIERRE IRVING EVIDENTLY 
DID NOT HAVE ACCESS IN PREPARING HIS ‘* Life and Letters 
of Washington Irving’; and APPARENTLY UNPUBLISHED. The 
account of the week’s trip from Zurich to Paris, May 19 to 24th, 
is very full. The Journal next commences with September 
22nd, 1805, describes the trip to London, where he landed 
October 8th, 1805, closing with an account of an annoying 
delay at Gravesend. HIS PENCILLED COMMENTS OF HIS FIRST 
IMPRESSIONS OF ENGLAND cover four pages and will be found 
to form not the least interesting part of the Journal: 


‘«T had expected to be delighted on finding myself in Eng- 
land, that my heart would expand, my feelings all fly out to 
hail my kinsmen. Quite otherwise—except during my ride 
from Gravesend to London. I have found my heart has 
closed up—all the social feeling has retired within me. I 
look about me with distrust. If I wish to know the direction 
of a street I first ecamine the physiognomy of my neighbor, 
and when I have selected I make my inquiry with caution 
like a wary person standing on my guard for fear of insult. 
In no other country have I felt anything like this. I feel 
like one of our savages when visiting a strange tribe. He 
courts their friendship though he eyes them with distrust, 
he holds out the calumet of peace but grasps his tomahawk 
in the other hand ready to defend himself, etc.” 


1760. IRVING (WASHINGTON). THREE OF IRVING’S 
MANUSCRIPT NOTE BOOKS, written about 1830, FOR ‘‘ Ma- 
homet and his Successors,’’ about 80 pages each, 12mo, 
bound in limp morocco, labelled by Irving on one volume 
‘¢ Arabs No. 1,’’ in ink; on two others are pasted labels of 
white paper on which Irving has written: ‘‘Mem. Con- 
eerning the Arabs, No. 1”? and ‘‘Notes on the Arabs, 
No. 2.’’ The third volume is unlabelled. A MS. INDEX 
IN IRVING’S HAND IS IN ONE VOLUME. 


* With the exception of a few blank leaves here and there; 
and traces of the removal of a few others, the 250 pages are 
covered with notes in ink in Irving’s fine hand, chiefly con- 


278 


cerning the Arabs; gathered in 1830 while the author was en- 
gaged on the ‘‘ Life and Successors of Mahomet ” (published in 
1849 and 1850), prepared while at Madrid and intended as in- 
troductory to other volumes which he had in contemplation 
connected with the Moorish domination of Spain. Many of 
these notes are extracts from Sale’s ‘‘ Koran,” and the works 
of d’Herbelot. 

A few pencilled notes of a more personal nature are written 
on the first and last leaves, and in one he records the FINAL 
ARRANGEMENTS with MURRAY FOR THE SALE OF ‘‘ The Voy- 
ages of Columbus”: ‘‘ Aug. 3 (1830) settled with Murray about 
Volume of Voyages—500 gs (Guineas) at 6, 9 & 12 ms (months).” 
He also describes seeing Louis Philippe take the oath as King 
of France, and on August 18 (1830) the marriage of his nephew 
when General Lafayette gave away the bride. On two pre- 
liminary pages of one volume is found one of his finest pieces 
of descriptive writing beginning 

‘* There is a clock in almost every room, and in the night I 
can hear them repeating the hours to one another like weary 
watchmen. There is a small silver-toned clock in a Lady’s 

Boudoir that tongues it so quickly and sweetly, etc.” 


1761. IRVING (WASHINGTON). Four oF IRVING’S 
MANUSCRIPT NOTE BOOKS FoR ‘‘ Tour on the Prairies,’’ 
55 pages in all, 12mo, marbled wrappers, labelled by Irving 
‘‘Far West 1, 2, 3’’ and ‘‘ Notes on the Indians’’ on the 
fourth. Two have labels of white paper pasted on, with 
‘* Notes concerning the Far West 1838” in Irving's hand. 


* «Tour on the Prairies” was published in London in 1835 
and a month later in America. The above notes relate almost 
entirely to the ethnology, geography, botany and zoology of 
the Far West, There is a pencilled list of books, including the 
works of Pike, Long and Carver. The ‘‘Tour” comprised 
Irving’s expedition from Fort Gibson, Ark., to the Pawnee 
Hunting Grounds in October, 1832. 


1762. [IRVING (WASHINGTON).] A History of New 
York, from the beginning of the World to the end of the 
Dutch Dynasty, by Diedrich Knickerbocker. Folded view 
of ‘* New Amsterdam (now New York),’’ (strengthened in 
the folds, which are very slightly worn), 2 vols. 12mo, blue 
levant morocco, richly tooled, gilt inside borders, gilt 
edges, by The Club Bindery. 

New York: Inskeep and Bradford, 1809 


* First EDITION. Tall copy measuring 7 x 41g inches, 


1763. [IRVING (WASHINGTON).] <A History of New 
York, from the Beginning of the World to the End of the 
Dutch Dynasty. . . . The Third Edition. SF rontispiece by 
Leslie and Allston, open letter proofs, inserted. 2 vols. 
post 8vo, red levant morocco, gilt panels, edges entirely 
uncut, by Riviére. Philadelphia: M. Thomas, 1819 


* LARGE PAPER COPY. 


1764. [IRVING (WASHINGTON).] Bracebridge Hall, 
or the Humourists. A Medley. First ENGLISH EDITION. 
2 vols. 8vo, red levant morocco gilt, gilt tops, uncut, by 
The Club Bindery. London, 1822 

274 


1765 [IRVING (WASHINGTON).] The Sketch Book of 
Geoffrey Crayon, Gent. 2 vols. 8vo, calf gilt, gilt tops, 
uncut, by Holloway. London: John Murray, 1822 


* EXTRA-ILLUSTRATED by the insertion of a portrait by Scriven 
after Newton, and 6 plates after Leslie’s designs, proofs on 
India paper. 


1766. IRVING (WASHINGTON). Oliver Goldsmith: a 
Biography. FIRST COMPLETE EDITION. Illustrated. Square 
Svo, blue levant morocco gilt, gilt over rough edges, by 
Matthews. New York: G. P. Putnam, 1849 


* EXTRA-ILLUSTRATED by the insertion of 52 plates, including 
portraits of Goldsmith’s contemporaries, a number being proofs 
on India paper. 


1767. IRVING (WASHINGTON). Life of George Wash- 
ington. Jllustrated. 5 vols. 4to, half olive morocco, gilt 
tops, uncut, by The Club Bindery. New York, 1855-59 


* FIRST EDITION. Large Paper copy, with India proof im- 
pressions of all the plates, including the supplementary series. 


1768. IRVING (WASHINGTON). Wolfert’s Roost, and 
other Papers. Now first collected. Frontispiece and en- 
graved title by Darley. 12mo, red levant morocco gilt, gilt 
edges, by The Club Bindery. - New York, 1885 


1769. IRVING (WASHINGTON). Sketch Book of 
Geoffrey Crayon, Gent. Artist’s Edition. 120 engravings 
on wood from original designs. Thick small 4to, red levant 
morocco, broad side borders, gilt edges, by Matthews. 

New York, 1865 


* Portrait of Irving on steel, in brown, from the painting by 
Stuart Newton, 1820. Further illustrated by the insertion of 
45 plates, including an original drawing of the Boar’s Head 
Tavern, the cancelled title-page, the plates by Leslie, Allston, 
and Westall, in two and three states, engraver’s etching, proofs 
before letters and open-letter proofs, all on India paper, mezzo- 
tint portrait of Shakespeare by Turner after Jansen, many 
proof portraits on India paper, etc. 


1770. IRVING (WASHINGTON). Sketch Book of 
Geoffrey Crayon, Gent. Artist’s Edition. Illustrated with 
120 engravings on wood from original designs. Royal 8vo, 
green levant morocco gilt, gilt edges, by Matthews. 

New York, 1865 


* The original drawings for the cover, title-page, and 10 other 
illustrations are inserted, as well as six by Shattuck, Hill, etc., 
apparently never engraved, 


1771. IRVING (WASHINGTON). Bracebridge Hall. 
Illustrated by Randolph Caldecott. 12mo, cloth, gilt edges 
(lacks an end-paper). London, 1877 


1772. IRVING (WASHINGTON). Old Christmas. Ilus- 
trated by Randolph Caldecott. 12mo, red morocco gilt, gilt 
edges, by Bedford. London, 1878 


275 


1773. IRVING (WASHINGTON). The Life and Voyages 
of Christopher Columbus and the voyages and discoveries 
of the companions of Columbus. 3 vols. royal 8vo, vellum, 


gilt tops, uncut. New York, 1892 
* Subscriber’s copy, with illustrations on India and Japan 
paper. 


1774. IRVING (WASHINGTON). Old Christmas; from 
the Sketch Book of Washington Irving. Illustrations by 
Randolph Caldecott. Royal 8vo, buckram, uncut. 

* One of 250 copies on Large Paper. London, 1892 


1775. IRVING (WASHINGTON). Rip Van Winkle and 
the Legend of Sleepy Hollow. TJllustrations by George H. 
Boughton. Royal 8vo, buckram, uncut. London, 1893 

* One of 250 copies on Large Paper. | 


1776. ISELBURG (PETER). Emblemata Politica In 
aula magna Curie Noribergensis depicta. Engraved tille, 
armorial plate and 82 emblems engraved by Peter Iselburg, 
all brilliant impressions. 4to, calf, gilt back and edges, by 
Bedford. [ Nuremberg, 1597] 


LUT; my cele (GEORGE). The Poets’ Pleasaunce; or, 

Garden of all sorts of Pleasant Flowers, which 

our Pleasant Poets have, in past time, for pastime, planted. 

By Eden Warwick [the Rev. George Jabet]. Hngraved 

frontispiece and woodcut borders. Square 8vo, green levant 
morocco, gilt corner ornaments, gilt edges, by Brany. 

London, 1847 


1778. JACKSON (CATHERINE CHARLOTTE, LADY). 
The Last of the Valois, and Accession of Henry of Navarre. 
1559-1589. Illustrated. 2 vols. small 8vo. 

New York [London], 1888 


1779. JACKSON (CATHERINE CHARLOTTE, LADY). 
The First of the Bourbons [Henry IV], 1589-1595. First 
EDITION. With 10 steel portraits. 2 vols. small 8vo, cloth, 
uncut. London, 1890 


1780. JACKSON (JOHN). A Treatise on Wood En- 
graving, historical and practical. FIRST EDITION. Up- 
wards of 300 illustrations engraved on wood. Royal 8vo, 
half green morocco, gilt top, uncut. London, 1839 


* Contains the view of Ovingham Parsonage at p. 713, some- 
times missing. 


1781. JACOBI (CHARLES THOMAS). Gesta Typo-— 


graphica, or a Medly for Printers and others. 12mo, cloth, 
uncut. London, 1897 
* One of 50 copies on Japan paper, signed. 


276 


1782. JACOBS (JOSEPH—KEditor). The Earliest Eng- 
lish version of the Fables of Bidpai, ‘‘ The Morall Philoso- 
phie of Doni” by Sir Thomas North, whilom of Peterhouse, 
Cambridge. Now again edited and induced by Joseph 
Jacobs, late St. John’s College, Cambridge. Nwmerous 
woodcuts in the text, and 2 plates with duplicates in bistre. 
Royal 8vo, half vellum, uncut. London, 1888 

* One of 60 copies printed. 


1783. JACOBS (JOSEPH—KEditor). The Fables of 
AXsop as first printed by William Caxton in 1484 with those 
of Avian, Alfonso and Poggio, now again edited and in- 
duced by Joseph Jacobs. Nwmerous woodcuts, and a 
Frontispiece by H. Ryland in 2 states. 2 vols. royal 8vo, 
half vellum, uncut. London, 1889 

* Only 60 copies printed. 


1784. JACOBS (JOSEPH—KEditor). English Fairy Tales. 
Illustrated by John D. Batten. Royal 8vo, boards, gilt 
top, uncut. London, 13890 

* Large Paper copy, only 80 printed on Japan paper. 


1785. JACOBS (JOSEPH—KEditor). Celtic Fairy Tales. 
Illustrated by John D. Batten. Royal 8vo, boards, gilt 
top, uncut. London, 1892 


* Large Paper copy, only 125 printed on Japan vellum, with 
plates in 2 colors. 


1786. JACOBS (JOSEPH—Hditor). Indian Fairy Tales. 
Illustrated by John D. Batten. Royal 8vo, boards, gilt 
top, uncut. London, 1892 

* One of 160 copies printed on Japan vellum. 


1787. JACOBS (JOSEPH—Editor). More English Fairy 
Tales. Illustrated by John D. Batten. Royal 8vo, boards. 
gilt top, uncut. London, 1894 


* One of 160 Large Paper copies printed on Japan paper, with 
plates in 2 states. 


1788. JACOBS (JOSEPH—KEditor). More Celtic Fairy 
Tales. Illustrated by John D. Batten. Royal 8vo, boards, 


gilt top, uncut. London, 1894 
* One of 125 copies printed on Japan paper, with plates in 2 
states. 


1789. JAMESON (ANNA MURPHY). Memoirs of Cele- 
brated Female Sovereigns. FIRST EDITION. 2 vols. 12mo, 
half brown levant morocco, gilt tops, uncut, by Krafft. 

| London, 1831 


1790. JAMESON (ANNA MURPHY). Memoirs and 
Essays illustrative of Art, Literature, and Social Morals. 
FIRST EDITION. 12mo, half red levant morocco, gilt top, 
uncut, by Krafft. London, 1846 


277 


1791. JAMIESON (ROBERT—HEditor). Popular Ballads 
and Songs, from Tradition, Manuscripts, and scarce edi- 
tions; with translations of similar pieces from the Ancient 
Danish Language, and a few originals by the Editor. 2 vols. 
8vo, calf gilt, gilt edges, by Matthews. 

Edinburgh: A. Constable & Co., 1806 


1792. JAMYN (AMADIS). Les Giuvres Poetiques. FIRST — 


EDITION. 8vo, red levant morocco gilt, gilt edges, by 
Trautz-Bauzonnet. (Title and 3 following leaves skilfully 
mended.) Paris: Robert Estienne par Mamert Patisson, 1575 


1793. JARDIN. Le Jardin des Roses, de la valée des 
larmes, traduit du Latin par J. Chenu. 16mo, red levant 
morocco gilt, gilt edges, by Trautz-Bauzonnet. Paris, 1850 


* One of 100 copies on Holland paper. From the Yemeniz 
collection, with label. 


1794. JERROLD (BLANCHARD). The Life of George 


Cruikshank. In Two Epochs. FIRsT EDITION. Vignettes: 


on titles, and 84 illustrations, including 2 portraits. 2 vols. 
12mo, blue levant morocco, gilt panels, Cruikshankian 
figures on side corners, gilt tops, uncut, original covers 
bound in, by Wood. London, 1882 


* EXTRA-ILLUSTRATED by the insertion of 85 plates, some 
colored, and some proofs before letters. 


1795. JEST BOOKS. The Gentleman’s Companion, or 
an elegant and lively selection, of the bon mots, repartees, 
&e. of the most distinguished characters, in the brilliant 
circles of taste and fashion. Frontispiece. 12mo, red 
straight-grain morocco, gilt edges, by The Club Bindery. 

London [ca. 1790] 


1796. JOHNSON (CHARLES).. The History of the Life 
and Intrigues of that Celebrated Courtezan, ard Posture- 
Mistress, Eliz. Mann, commonly called the Royal Soveraign. 
Part I only (all published ?). 8vo, half calf, uncut. 

: London, 1724 

1797. JOHNSON (CHARLES). A General History of 
the Lives and Adventures of the most Famous High- 
waymen, Murderers, Street Robbers, ete. To which is 
added A Genuine Account of the Voyage and Plunders 


of the Most Notorious Pyrates. Interspersed with several 


diverting Tales and pleasant Songs. And Adorned with 
the Heads of (26) of the most Remarkable Villains, Curi- 
ously Engraved on Copper (by J. Basire and Parr, after 
Jos. Nichols and William W. Jett). FIRSTEDITION. Folio, 
erimson levant morocco, panelled sides with corner orna- 
ments, full tooled floral back, inside borders, gilt edges, by 
Francis Bedford. 
London: Printed for and sold by J. Janeway, in White- 
Fryers, 1734. 
* A large copy, with the ‘‘Complete Index of Malefactorg’ 
Names ” at end. Son 
‘ 


1798. JOHNSON (ROBERT). Essaies, or, Rather Imper- 
fect Offers by Robert Iohnson. 16mo, brown levant mo- 
rocco gilt, gilt edges, by The Club Bindery. 

London: Printed for John Bache, 1607 


1799. JOHNSON (SAMUEL). The Lives of the most 
eminent English Poets, with Critical Observations on their 
Works. Second Edition. /Portrait. 4 vols. 8vo, green 
straight-grain morocco gilt, gilt edges. London, 1781 


1800. JONES (EK. ALFRED). The old English Plate of 
the Emperor of Russia. With 50 plates. Royal 4to, half 
brown morocco gilt, uncut. London, 1909 


1801. JONES (OWEN). The Grammar of Ornament: 
Illustrated by examples from various styles of ornament: 
100 folio plates, drawn on stone by Ff. Bedford, and printed 
an colors. Imperial folio, half purple morocco, gilt top. 

* First EDITION. London: Day and Son, 1856 


1802. JONSON (BEN). Poetaster, or the Arraignment; 
As it hath beene sundry times priuately acted in the Blacke 
Friers, by the children of Her Maiesties Chappell. Com- 
posed by Ben Iohnson. Small 4to, calf er corners 
supplied and a few tiny wormholes). 

* First EpITIon. London: Printed for M. L. 1602 


1803. JONSON (BEN). Catiline, his conspiracy. Written 
by Ben: Ionson. Small 4to, red levant morocco, gilt edges, 
by Leighton. (Several pages skilfully repaired.) 

London: Printed for Walter Burre, 1611 
* FIRST EDITION, The Locker-Lampson copy, with bookplate. 


1804. JONSON (BEN). The Silent Woman. A Comoedie. 
Acted by the Children of the Revels. The Author B. Ion- 
son. THIRD EDITION. Small 4to, red levant morocco, cov- 
ered with a rich design in compartments in green levant 
and gilt, doublure of red levant, gilt borders, gilt edges, by 
The Club Bindery. London: William Stansby, 1620 


1805. JONSON (BEN). Bartholomew Fayre: a comedie. : 
The Diuell is an Asse: a comedie: The Staple of Newes. A 
Comedie. The three plays in one volume. Folio, red levant 
morocco gilt, gilt edges, by The Club Bindery. 

London: Printed by I. B. for Robert Allot, 1631 


* FIRST EDITION. In the Staple of Newes is a reference to 
Pocahontas. This volume is often called the second volume of 
the first collected edition of Jonson’s works. 


1806. JONSON (BEN). Catiline His Conspiracy. <A 
Tragedie. FOURTH EDITION. 4to, dark red levant mo- 
rocco, doublures of the same, entirely uncut, in slip case, 


~ by The Club Bindery. London: Printed for A. C., 1674 


279 


1807. JOONES (Z.). The Hermit of Mona, a poem; 
Saled, a tale of the eleventh century; with other pieces. 
12mo, original boards, uncut. New back. London, 1822 


1808. JOSEPHUS (FLAVIUS). The Jewish War of 
Flavius Josephus: a new translation, by the late Rev. 
Robert Traill, . .. edited, with notes, by Isaac Taylor. 
75 pictorial alustrations. 2 vols. royal 8vo, half brown 
levant morocco, gilt tops, uncut, -by Pratt. London, 1851 


1809. JOSSELYN (JOHN). New-Englands Rarities Dis- 
covered: in Birds, Beasts, Fishes, Serpents, and Plants of 
that Country. Together with The Physical and Chyrurgi- 
cal Remedies wherewith the Natives constantly use to Cure 
their Distempers, Wounds and Sores. Also A perfect De- 
scription of an Indian Squa, in all her Bravery; with a 
Poem not improperly conferr’d upon her. Lastly a chrono- 
logical table of the most remarkable Passages in that 
Country amongst the English. First Ep1t1on. Illustrated 
with Cuts. 16mo, blue levant morocco, covered with em- 
blematic tooling, gilt edges, by W. Pratt. 

London: Printed for G. Widdowes, 1672 


1810. JOSSELYN (JOHN). An Account of two Voy- 
ages to New-England. Wherein you have the setting out 
of a Ship, with the charges; The prices of all necessaries 
for furnishing a Pianter and his Family athis first coming; 
A Description of the Countrey, Natives and Creatures, 
with their Merchantil and Physical use; The Government of 
the Countrey as it is now possessed by the English, &e. <A 
large Chronological Table of the most remarkable passages, 
from the first discovering of the Continent of America, to 
the year 1673. FIRST EDITION. 16mo, red levant morocco 
gilt, gilt edges, by Pratt. (Lacks the frontispiece, with 
the device of the dragon, and the two advertisement leaves. 
at the end of the first part.) 

London: Printed for Giles Widdows, 1674 


1811. JOUTEL. Joutel’s Journal of La Salle’s Last Voy- 
age. A reprint (page for page and line for line) of the first 
English translation, London, 1714; with the Map of the or- 
iginal French edition, Paris, 1713, in facsimile; and Notes 
by Melville B. Anderson. ' 8vo, half vellum, uncut. One 
of 203 copies on handmade paper. 

Chicago: The Caxton Club, 1896 


1812. JOVIUS (PAULUS). Le Sententiose imprese di 
Monsignor Paulo Giovio et del Signor Gabriel Symeoni. 
126 emblematic woodcuts. 4to, red levant morocco, orna- 
mented with rich gilt and blind tooling, gilt edges, by 
Lortie. Lyone: appresso Gulielmo Roviglio, 1562 


280 


1813. [JUDAH (SAMUEL B. F.).] Gotham and the 
Gothamites, a medley. 16mo, original boards, uncut. . 
New York: Published for the Author, 1823 


* This satire on New York society caused the imprisonment 
of the author-publisher and the suppression of the work. 


1814. JULLIEN (ADOLPHE). Le Romantisme et 
Editeur Renduel: souvenirs et documents sur les écrivains 
de l’école romantique avec lettres inédites adressées par eux 
a Renduel, 40 illustrations, portraits, vignettes, carica- 
tures, autographs, etc. 12mo, half green levant morocco 
gilt, uncut, original covers bound in, “by Carayon. 

Paris, 1897 
* One of 30 copies printed on India paper for M. L. Conquet. 


1815. JUNIUS (HADRIANUS). Emblemata, ad D. Ar- 
noldum Cobelium. Eiusdem snigmatum libellus, ad D. 
Arnoldum Rosenbergum. FIRST EDITION. Hach page 
within woodcut borders, and with 57 emblematic woodcuts. 
8vo, brown levant morocco, gilt tooling in the Aldine man- 
ner, gilt edges. 

Antuerpiz: ex officina Christophori Plantini, 1565 


1816. JUNIUS. Letters of Junius. Hngraved title, 16 
copper-plate portraits, and woodcuts by Bewick. 2 vols. 8vo, 
half green levant morocco gilt, gilt tops, uncut, by Mat- 
thews. THICK PAPER COPY. London, 1796: 


1817. JUNIUS [The Letters of]. Stat Nominis Umbra. 
21 portraits by Ridley, and numerous woodcuts by Bewick. 
2 vols. 8vo, red morocco gilt, gilt edges, by Bozerian the 
Younger. THICK PAPER COPY. London, 1799 


1818. JUSSERAND (J. J.). The English Novel in the 
Time of Shakespeare. Translated from the French by 
Elizabeth Lee. Revised and enlarged. Numerous illustra- 
tions. 8vo, vellum, gilt top, uncut. London, 1890: 

* One of 65 capes on Japan paper. 


1819. JUSSERAND (J. J.). A French Ambassador at the 

_Court of Charles the Second. Le Comte de Cominges. From 

his unpublished Correspondence. Portraits. 8vo, vellum, 

gilt top, uncut. London, 1892 
* One of 65 copies on Japan paper. 


1820. JUSTINUS. Des Hochberumptesten Geschicht 
schreybers Justini warhafftige Hystorien die er auss Trogo: 
Pompeio gezogen und inn Viertzig vier Biicher aussgeteylt. 

. Die Hieronymus Boner der Zeyt Schultheys zu Colmar 
auss dem Latein inn diss volgend Teiitsch vertolmetscht 
hat. Gothic character. 50 fine woodcuts. Folio, red levant 
‘morocco, gilt borders and centre ornaments, gilt inside 
borders, gilt edges. Augspurg: Heinrich Steiner, 1532 


281 


1821. JUSTINUS. Histoire Universelle;° extraite de 
Trogue Pompée. Translated by Pierrot and Boitard. 2 
vols. 8vo, red levant morocco gilt, with monogram E. B., 
gilt edges, by Belz-Niédrée. Paris, 1827-29 


1822. JUVENAL. Opus nune demum ab omnibus mendis 
purgatum, & pluribus collatis exemplaribus suo candori 
restitutum. Interprete Ioanne Britannico, una cum Iodoci 
Badii Ascensii familiaribus explanationibus. Woodcuts. 


Folio, brown levant morocco, blind tooled panelled sides, 
gilt fleurons in the corners, gilt over uncut edges, by Marius. 


Michel. Venetiis: apud F. Bindonum & M. Pasinum, 1548 


1823. JUVENAL. Les Satires de Iuvenal en vers fran- 
cois, Avec vn Discours de la Satire, & quelque autre Poésie 
Par M': Denys Challine. 12mo, red levant morocco gilt, gilt 
edges, by Trautz-Bauzonnet. Paris: Edme Pepingué, 1653 


1824. JUVENAL. Satirarum. Libri Quinque. Cura 
S. A. Philippe. Frontispiece and plate engraved by Duftlos, 
and 7 vignettes. 12mo, old French morocco, dentelle bor- 
ders, blue silk linings and ends, gilt edges, by Derome. 

Lutetiz Parisiorum: J. Barbou, 1754 


1825. JUVENAL. Satires. Translated by J. Dusaulx 
and corrected by Jules Pierrot. 2 vols. 8vo, red levant 
morocco gilt, with the monogram E. B., gilt edges, by Belz- 
Niédrée. Paris, 1825-26 


1826. JUVENALETPERSIUS. Satyr. GENUINE FIRST 
ALDINE EDITION. 8vo, old blue straight-grain morocco gilt, 
gilt edges, by Bozerian. Venetiis: in edibus Aldi, 1501 


1827. JUVENCUS. La Sacrée poesie et histoire evan- 
gelique mise en vers frangois, avec Sommaires sur chacun 
chapitre, par Pierre Tamisier. Curious and interesting 
small woodcuts. 8vo, contemporary French ealf, tooled 
and gilt in compartments formed by interlacings, the spaces 
ornamented with arabesques and leaf sprays, gilt back, gilt 
edges, by Clovis Eve. (A few spots and somewhat restored. ) 

Lyon, 1591 


1828. JK 4LENDRIER (LE GRANT) et compost des 
Bergiers aueceq leur astrologie, et plusieurs 

aultres choses. Letlres bdtardes. Title in red, calendar in 
red and black, numerous spirited and curious woodcuts and 


ornamental initials. Small folio, green levant morocco, — 


gilt edges (slightly rubbed). 
Imprimé a Troys par Nicolas le Rouge, 1529 


1829. KALIDASA. Sakoontald; or, the Lost Ring: an 
Indian Drama, translated into English prose and verse from 
the Sanskrit of Kalidasa. By Monier Williams, ete. FIRST 
EDITION. Hvery page surrounded with a border in gold and 


282 


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ao a 
ae 

es tet % 


colors, sub-titles and other illustrations similarly treated; 
woodcuts, etc. 4to, red levant morocco gilt, gilt edges, by 
A. Motte. Hertford, 1855: 


1830. KALIDASA. Sakoontald; or, the Lost Ring. An 
Indian Drama. Translated into English prose and verse 
from the Sanskrit of Kalidasa, by Monier Williams. Hach 
page within illuminated woodcut borders, colored initials, 
head-pieces, etc. 4to, red levant morocco, broad gilt borders, 
doublure of citron levant gilt, vellum end-papers, in a mo- 
rocco case, by Riviere. New York, 1885 

* ONE OF 4 COPIES ON VELLUM. 


1831. [KANNEMANN (JOHANNES).] Collectio Du- 
arum Passionum Jesu Christi (per Johannem Kannemann). 
Historia martyrii S. Katherine (per Rabanum Maurum). 
Gothic characters, 65 unnumbered leaves with signatures; 
40 lines to the page. Folio, black levant morocco, blind 
tooled panels, gilt edges, by Chambolle-Duru; in a case. 


[K6ln: Johann Koelhoff the Elder, ca. 1477] 
* RARE. TALL COPY, with some uncut edges.  Hain- 
Copinger; 5480. Copinger, III: p. 255. Proctor, 1034. 


1832. KEANE (A. H.) The early Teutonic, Italian, and 
French Masters. Translated and edited from the Dohme 
series by A. H. Keane. Numerous illustrations. Royal 
8vo, half red morocco, gilt top, uncut. London, 13880 


1833. KEATS (JOHN). Poems. Small 8vo, citron 
levant morocco, richly gilt tooled, doublure of the same, 
gilt tooled; gilt over marbled edges, in a case, by Mercier. 

London: Printed for C. & J. Ollier, 3 Welbeck Street, 
Cavendish Square, 1817. 


*First Epition. A. tall copy with the half-title, some 
leaves uncut. 


1834. KEATS (JOHN). The Letters and Poems of 
Keats. Edited with a Memoir by Jno. Gilmer Speed. 
Colored portraits and facsimiles. 3 vols. 12mo, original 
wrappers, uncut. One of 350 copies. New York, 1883 


1835. KEATS (JOHN). The Poetical Works of John 
Keats edited by William T. Arnold. Hitched portrait on 
Japan paper. Royal 8vo, green levant morocco, gilt 
borders, corner ornaments, gilt top, uncut, original covers 
bound in, by Zaehnsdorf. One of 50 Large Paper copies. 

London, 1884 


1836. [KEBLE (JOHN).] The Christian Year; Thoughts 
in Verse for the Sundays and Holydays throughout the 
Year. First EDITION. 2 vols. small 8vo, brown levant 
morocco gilt, entirely uncut, advertisements bound in, by 
Riviére. Oxford, 1827 

283 


1837. KEELING (WILLIAM). Liturgize Britannice, or 
the several editions of the Book of Common Prayer of The 
Chureh of England, from its compilation to the last revis- 
ion; together with the Liturgy set forth for the use of The 
Chureh of Scotland: arranged to shew their respective 
variations. 8vo, cloth, uncut. London: Wm. Pickering, 1842 


1838. KEESE (JOHN—KEditor). The Poets of America. 
Illustrated by one of her painters. FIRST EDITIONS of both 
series. 2 vols. see brown levant morocco gilt, gilt 


edges. New York, 1840-1842. 


* Extra illustrated by the insertion of 30 portraits of authors 
mentioned in the work, in addition to the numerous etchings, 
some printed in red. 


1839. KEESE (JOHN—HKditor). The Poets of America. 
Engraved title and illustrations. FIRST ENGLISH EDITION. 
12mo, blue levant gilt, gilt top, uncut. London, 1840 


1840. [KELLY (JOHN).] The Levee. A Farce. As it 
was offered to and accepted for Representation by the 
Master of the Old-House in Drury-Lane, but denied a 
Licence. 8vo, olive morocco, uncut. London, 1744 


1841. KEMPIS (THOMAS A). Opera et ‘libri vite 
fratris Thome de Kempis ordinis canonicorum regularium. 
Gothic characters, double columns. 4 unnumbered leaves + 
180 (numbered by mistake CLX XVIII) with signatures; 
58 lines to the page. Rubricated throughout, and initials 
painted in red and green. Folio, dark brown levant mo- 
rocco, vellum linings and fly-leaves, gilt edges, by The Club 
Bindery. Nurembergee: per Caspar Hochfeder, 1494 

*Tall copy. Hain-Copinger, 9769; Copinger, III, p. 270; 
Proctor, 2291. 


1842. KEMPIS (THOMAS A). De Imitatione Christi 
Libri Quatuor. With the correct engraved title, and ruled 
throughout in. red ink. 16mo, dark brown levant morocco, 
gilt tooled in panels, doublure of red levant morocco with 
broad dentelle borders, gilt edges, by Lortic. 

Lugduni [Batavorum]: apud Joh. et Dan. Elsevirios 


16do0r.18 
*First ELZEVIR EDITION, and one of the rarest volumes 
from that press. With the three final blank leaves. From 


the library of Eugéne Paillet, with his autograph on fly-leaf. 


1843. [KEMPIS (THOMAS A).] Gerson (Jean). De 
VImitation de Jesu-Christ traduite d’apres un manuscrit 
de 1440 par PAbbé Delaunay. Hach page within orna- 
mental and historiated borders, and 8 large woodcuts by Le 
Maire, after Gostiaux. 8vo, green levant morocco, in com- 


partments of maroon and blue morocco, richly tooled and 


284 


ee ag ee ree ee ne ae ae ee a a as ak ly eat he sat * ins 
a re pao . i -— ae . © <ge e 4 7 
“a : il Meats a » ae ee a. sect Sate a Pe 


gilt, with scrolls, foliage, arabesques, mosaic flowers, ete., 
in the Eve manner; doullure of red levant, leaf spray 
borders, silk linings, “gilt edges, in a morocco slip case, by 


Lortic. Paris: Tross, 1869 
* PRINTED ON VELLUM, 


KEMPIS (THOMAS A). See Nos. 243, 244.and 245. 


1844. KENNEDY (JOHN PENDLETON). Horse-Shoe 
Robinson, Swallow Barn, Rob of the Bowl, and Quodlibet. 
Illustrations. 4 vols. 12mo, half brown morocco, uncut. 

New York, 1866 


1845. KETHAM (JOANNKS). Fasciculo de medicina 
vulgarizato per Sebastiano Manilio Romano. Woodcuts 
{one crudely colored), Roman character, 52 unnumbered 
leaves, with signatures. Folio, red morocco, gilt edges. 
(A few leaves mended and some of the woodcuts slightly 


shaved. ) Venice: Zuane & Gregorio de Gregorii, 1493 


* Copinger, II, 3449-2433; Reichling Appendices, II, p. 199. 


1846. KIPLING (RUDYARD). The Story of the Gadsbys; 

a Tale without a Plot. FIRST EDITION. 8vo, red morocco, 
uncut, original covers and advertisements bound in. 

Allahabad: A. H. Wheeler & Co., n. d. [1888] 


1847. KIRKMAN (FRANCIS—Editor). The Wits, Or, 
Sport upon Sport. Being a Curious Collection of several 
Drols and Farces, Presented and Shewn For the Merriment 
and Delight of Wise Men, and the Ignorant: As they have 
been sundry times Acted In Publique, and Private. . . 
By Several Stroleing Players, Fools, and Fidlers, And the 
Mountebancks Zanies, &c. Small Ato, green levant morocco, 
gilt top, uncut, by Riviére. (Some corners supplied.) 

London: Printed for Fran. Kirkman, 1673 


* Second edition of the second part, although the title does 
not designate this as part second. 


1848. [KNEVET (RALPH).|] Rhodonand Iris. A pas- 
torall, as it was presented at the Florists Feast in Norwich, 
May 3, 1631. First EDITION. Small 4to, brown levant 
morocco, stamped ornaments, gilt edges,» by Riviere. 

London: Printed for Michael Sparke, 1631 


1849. KOSTER (LOURENS JANSZOON). Gedenk- 
schriften wegens het vierde eeuwgetijde van de uitvinding 
der Boekdrukkunst door Lourens Janszoon Koster, van 
stadswege gevierd te Haarlem den 10 en 11 Julij 1823: 
bijeenverzameld door Vincent Loosjes. Porlrait by P. 
Velyn after J. van Campen, engraved title after G. J. 
Michaelis, and three other plates, one colored, after J. 
Reekers and H. van Zutphen. 8vo, blue straight- grain 
morocco gilt, silk linings, gilt edges, by W. Carbentus. 

Te Haarlem, bij Vincent Loosjes, 1824 


285 


1850. KRAUSSER (JOHANN ULRICH). Historische 
Bilder Bibel vorstellend die Geschichte der H. Patriarchen 
und Erz Vatter der Richter unter dem Volek Gottes. 18& 
engraved pages, including titles and plates, most of which are 
an two compartments. 8vo, polished ealf, extra, gilt edges, 
by Cuzin. Augspurg, 1702 

* From the library of Comte Joseph de Lagondie, with book- 
plate, also his arms on binding. 


1851. KRUL JAN HERMANSZ). Eerlycke Tytkorting 
Bestaende In verscheyde Rymen, Minne-beelden: Toe- 
Ghepast, de Lievende Ionckheyt. t’Amstelredam. With 
engraved title, portrait, music score and 90 other engrav- 
ings, vignettes, etc. 11 parts in one vol. 4to, brown levant 
morocco, blind-tooled panels, gilt edges. 

Amsterdam: Pieter Jansz, 1634 


* The first work contains twenty-nine other engravings; the 
second, music score and nineteen engravings, the one on page 
36 signed “Ww. WwW. W. O. W. W.,” the one on page 153 signed 
G. Donck. The fourth work has eight illustrations; the fifth, 
six; the sixth, eight; the seventh, seven; the tenth, two. 


1852. KUNZ (GEORGE F.) anD STEVENSON (CHARLES 
H.). Tke Book of the Pearl. The History, Art, Science, 
and Industry of the Queen of Gems. Numerous illustra- 
tions, some in colors. Imperial 8vo, decorative cloth, gilt 
top, uncut. New York, 1908 


* Presentation copy from the authors, 


1853. KYD (THOMAS). The Spanish Tragedy: Or, 
Hieronimo is mad againe. Containing the lamentable end 
of Don Horatio, and Belimperia; With the pittifull Death 
of Hieronimo. Newly Corrected, Amended, and Enlarged 
with new Additions, as it hath of late been diuers times 
Acted. Large woodcut on title. Small 4to, red levant mo- 
rocco, gilt edges, by The Club Bindery. 

London: Printed by Augustine Mathewes, 1623 
* One of two editions printed during this year, 


1854. KYD (THOMAS). The Spanish Tragedy: Or, 
Hieronino is mad againe. Containing the lamentable end 
of Don Horatio, and Belimperia; With the pitifull Death 
of Hieronimo. Newly Corrected, Amended and Enlarged 
with new Additions, as it hath of late beene divers times 
Acted. Large woodcuton title. Small 4to, calf, gilt edges. 

London: Printed by Augustine Mathewes, for Francis 
Grove, 1633. 


* The amendments are said to have been made by Ben Jon- 
son, who was the original actor of the part of Hieronimo. The 
Perkins copy. 


ut 


